Sponge Bob Square Pants, Pac Man, and Curious George, all sporting a particularly Native American twist, are just a few images from popular mainstream culture seen in the exhibition, Into the Future: Culture Power in Native American Art. The free to the public opening for Into the Future: Culture Power in Native American Art at […]
Shrouded in myth, the artist Agnes Martin (1912-2004), an iconic figure in 20th-century art, was emotionally and artistically tortured, exquisitely sensitive yet socially inept. Canadian born, she started to make a name for herself in the New York art scene in the late 1950s and early 1960s, but in 1967, abandoned her career for a […]
The museum is making a big deal about little pictures! This selection of photographic work, both historic and contemporary, invites visitors to revel in the pleasures of the miniscule. Featured are a small selection of nineteenth-century photos that provide a historical grounding for an engaging group of work by six contemporary artists who work on […]
Centered around the experience of protracted looking at non-objective painting this exhibition features the works of artists Nick Aguayo, Harmony Hammond and John Zurier. All three artists produce compelling abstract works that utilize the physical and material qualities of paint as a means of subtle expression.
An exhibition centered around painting movements in 20th Century America, beginning with Robert Henri , Portrait of Dieguito Roybal, San Ildefonso Pueblo and ending with Agnes Martin, Untitled #6. Between those two benchmarks we explore the evolution of abstraction, federal support for art and artists during the Depression Era, the Transcendental Painting Group, Abstract Expressionism, […]
The first artwork ever to be displayed at the New Mexico Farm & Ranch Heritage Museum belonged to Robert “Shoofly” Shufelt. Fifteen years after he graciously loaned some of his lithographs for a temporary exhibit, Shufelt and his wife, Julie, donated his collection to the museum for a long-term exhibition. “Robert Shufelt is world-renowned,” said […]
The Museum’s first permanent exhibit takes visitors on an odyssey through 150 generations over 4,000 years of agriculture in New Mexico. The exhibit uses the biographies of 33 people from New Mexico’s history – some famous, some not famous – to tell the story. It features ancient tools, a replica of a Mogollon pithouse, audio […]
Artist Frank Buffalo Hyde (Onondaga/Nez Perce) believes it is the artist’s responsibility to represent the times in which they live. Transforming street art techniques into fine art practices, his humorous and acerbic narrative artworks do exactly that. In I-Witness Culture, Hyde investigates the space where Native Americans exist today: between the ancient and the new; […]
¡Aquí Estamos: The Heart of Arte! celebrates the NHCC Art Museum’s growing permanent collection with a revitalized vibe and a brand new selection of works. This exhibition was a collaborative project as the entire NHCC Visual Arts staff and interns combed through the collection and worked together to decide which pieces should welcome in 2017. This […]
No Idle Hands: The Myths & Meanings of Tramp Art will present more than 150 examples of tramp art, concentrating on works the from the United States, with additional examples from France, Germany, Switzerland, Scandinavia, Canada, Mexico and Brazil to demonstrate the far reach this art form has had. This is the first large-scale museum […]
The New Mexico Museum of Art, in partnership with The Philbrook Museum of Art, Tulsa, OK, presents the dynamic and psychologically penetrating watercolor paintings of Cady Wells (1904-1954). This group of more than 25 works features Wells’ uniquely modernist interpretations of Southwestern landforms and cultural-religious traditions. Born to a traditional, well-to-do New England family, Wells […]
This two-person exhibition creates a visual conversation about how the tools and conventions of photography can be reconsidered and manipulated. The title of the show refers to the need to keep light sensitive material covered up, or “light tight,” until it is ready to be used. Gould’s work has long been characterized by an ongoing […]
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