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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250718
DTEND;VALUE=DATE:20260202
DTSTAMP:20241204T225447Z
CREATED:20241204T225447Z
LAST-MODIFIED:20241204T225447Z
UID:10005362-1752796800-1769990399@test-dca-mc.nmdca.net
SUMMARY:Gustave Baumann: The Artist’s Environment
DESCRIPTION:Gustave Baumann first came to New Mexico in 1918 and has since become one of the most beloved artists and cultural figures in Santa Fe. Best known for his enchanting woodblock prints\, Baumann was a prodigious artist and creative who left behind an enormous legacy that also included painting\, sculpture\, drawing\, marionettes\, and furniture. \nGustave Baumann: The Artist’s Environment will provide a comprehensive study of Baumann’s artistic output and offer a close look at how he engaged the physical\, cultural\, and artistic environment in which he worked. Surveying all periods of his artistic career\, and organized thematically\, this exhibition will critically examine key concepts at play in Baumann’s artwork through a variety of lenses. \nThe retrospective will pull primarily from the New Mexico Museum of Art’s extensive collection of artwork by Gustave Baumann. The exhibition is organized by common themes present across Baumann’s work\, offering a nuanced understanding of the artist and his artwork within a broader cultural\, social\, and historical context. Some of these lenses include his relationship to southwestern archeology; cross cultural inspirations and specifically from Puebloan and Hispano cultures; the significance of whimsy\, humor\, and play in his work; modernist aesthetics and movements that informed his style; nature and ecology; florals and still lifes; decorative art\, design\, and book arts; and his use of genre scenes in cultivating a romantic vision of New Mexico. The exhibition will also examine Baumann’s artistic process\, especially in woodblock printmaking from the original sketch to early designs\, drawings and preliminary gouache paintings all produced before the design is transferred to the set of carved blocks.
URL:https://test-dca-mc.nmdca.net/dca-event/gustave-baumann-the-artists-environment/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/1999.64.2.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250405
DTEND;VALUE=DATE:20250726
DTSTAMP:20241204T204614Z
CREATED:20241204T204614Z
LAST-MODIFIED:20241204T204614Z
UID:10005360-1743811200-1753487999@test-dca-mc.nmdca.net
SUMMARY:Marsden Hartley: Adventurer in the Arts
DESCRIPTION:Marsden Hartley (1877–1943)\, the self-proclaimed “painter of Maine\,” spent much of his life traveling far from his New England roots. As a lifelong wanderer\, the places he lived and the objects he collected took on enormous significance for him. Certain locations\, from Paris to Berlin\, New York to New Mexico\, served as touchstones throughout Hartley’s life. He returned to some and never really left others; vivid recollections fill his writings\, his reminiscences strengthened by the postcards and pressed flowers he kept. Marsden Hartley: Adventurer in the Arts and its accompanying catalogue trace Hartley’s lifelong search for inspiration and invention. \nThe exhibition\, developed by the Vilcek Foundation in collaboration with the Bates College Museum of Art\, brings together over 40 paintings and drawings spanning 36 years of the American Modernist artist’s career. The exhibition includes Schiff\, 1915\, a landmark painting created during Hartley’s time in Germany\, which will be shown in the U.S. for only the second time. Artworks from the Vilcek and Bates collections will be exhibited alongside a selection of Hartley’s personal effects—mementos from his travels\, snapshots\, and keepsakes. The remarkable assemblage adds intimacy and depth\, as well as a deeper understanding of his art\, life\, and wanderlust. The exhibition also features three important paintings by Hartley in the collection of the New Mexico Museum of Art.
URL:https://test-dca-mc.nmdca.net/dca-event/marsden-hartley-adventurer-in-the-arts/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/2007.06.01.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250308
DTEND;VALUE=DATE:20250825
DTSTAMP:20241204T202908Z
CREATED:20241204T202334Z
LAST-MODIFIED:20241204T202908Z
UID:10005359-1741392000-1756079999@test-dca-mc.nmdca.net
SUMMARY:Eugenie Shonnard: Breaking the Mold
DESCRIPTION:Eugenie Shonnard: Breaking the Mold is the first posthumous major exhibition of the acclaimed sculptor. Shonnard was a pivotal figure for the history of art and sculpture in the Southwest\, widely recognized during her own time for her contributions to the visual arts yet largely overlooked in recent decades. This exhibition\, with an accompanying publication\, seeks to reintroduce Shonnard to a new generation of art enthusiasts. \nBorn in Yonkers\, New York\, Eugenie Shonnard (1886-1978) studied with Art Nouveau master Alphonse Mucha at the New York School of Applied Design for Women and later with Auguste Rodin and Antoine Bourdelle in Paris. She first came to New Mexico in 1925 at the invitation of Edgar Lee Hewett\, founder of the New Mexico Museum of Art\, and was given studio space in the museum. In 1927\, she returned to New Mexico from Paris for an exhibition at the Museum of Art featuring the busts she made of Native American models\, and\, on that trip\, she made New Mexico her permanent home. Shonnard’s subject matter reflected her interest in the distinctive cultures she found in New Mexico\, and she soon earned a national reputation for insightful depictions of the Indigenous people of North America and the folk traditions of the Southwest. \nShonnard’s affinity for the iconography of the Catholic Southwest also led to numerous commissions from churches and chapels across the region. Reflecting upon what making art meant to her\, she once said “God created form and color in this world. Also\, he gave some of us talents for the use of these; therefore\, we human beings must need them in our daily lives. There is perhaps no other answer! And so\, we artists must fulfill life’s commission as artists and craftsmen!” \nShonnard worked across a wide variety of sculptural techniques\, but came to champion “direct carving\,” also referred to as taille directe\, which was popular among early twentieth century sculptors. This approach to sculpture involves working directly on a sculpture without the use of models or maquettes for reference\, making many of her sculptures one-of-a-kind objects. \nEugenie Shonnard: Breaking the Mold will reintroduce audiences to the breadth of Shonnard’s long career\, from her early Art Nouveau designs created under Mucha’s direct influence to the sculpture\, architectural ornaments\, and furniture she produced as a mature artist. In a time period in which few women excelled in sculpture\, Shonnard defied expectations and carved out a space for herself as a formidable presence in the American Southwest.
URL:https://test-dca-mc.nmdca.net/dca-event/eugenie-shonnard-breaking-the-mold/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/2008.1.90-2a-scaled-1.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241214
DTEND;VALUE=DATE:20250630
DTSTAMP:20241204T202953Z
CREATED:20241204T201137Z
LAST-MODIFIED:20241204T202953Z
UID:10005358-1734134400-1751241599@test-dca-mc.nmdca.net
SUMMARY:The Plain of Smokes
DESCRIPTION:In the late 1970s\, poet and environmental activist Harvey Mudd crossed paths with West coast “LA Gang” artist and noted ceramist Ken Price in Taos. Both native Angelinos had recently relocated to the high-desert enclave of northern New Mexico. Shortly after\, Mudd and Price began work on an homage – and a mourning of loss – to the city that shaped them both. \nDrawn to Price’s unique southern California style of drawing\, Mudd asked Price to illustrate a section of his poem cycle. From 1978-1980\, Price and Mudd exchanged ideas\, edits and reminiscences both on the content of the poetry and the illustrations. The resulting portfolio of The Plain of Smokes evolved\, becoming a true artist-poet collaboration. \nPublished by Arabesque Books in 1981\, The Plain of Smokes is a 75-page book of poetry by Mudd with illustrations by Price. Price’s signature bold lines and nearly grotesque\, provocative forms are accompanied by the biting text of Harvey Mudd’s poetry. Together\, the prints and the poetry create a neo-noir portrait of the city of Los Angeles told across time and space — through the looking glass of Taos.
URL:https://test-dca-mc.nmdca.net/dca-event/the-plain-of-smokes/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/1991.78.1e.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240720
DTEND;VALUE=DATE:20250106
DTSTAMP:20241204T203032Z
CREATED:20241204T175330Z
LAST-MODIFIED:20241204T203032Z
UID:10005357-1721433600-1736121599@test-dca-mc.nmdca.net
SUMMARY:Saints & Santos: Picturing the Holy in New Spain 
DESCRIPTION:Saints & Santos: Picturing the Holy in New Spain speaks to the importance of saints in New Spain\, a viceroyalty that was part of the Spanish Empire from 1521-1821 and included modern-day Mexico\, Central America\, and the US Southwest. In the late sixteenth century\, Rome’s attempts to manage sanctity as an official process had a profound impact throughout Spain and the Spanish viceroyalties. Saintly devotions traveled to Mexico\, and circulated within the vast territory\, transforming in the process. This show examines those devotions and transformations and explores the region’s attempts to propagate its own holy figures. Drawing on public and private collections from Mexico and the United States\, the exhibition attends to the role of images in the construction of the holy: not only were paintings\, sculptures\, and engravings routinely used to propagate\, celebrate\, resuscitate\, and venerate saintly figures\, they were often employed in official beatification and canonization proceedings. The relationship between sanctity and the pictorial is a long and revered tradition that continues in the work of New Mexico’s santero artists today. A lavishly illustrated catalogue and a scholarly symposium will accompany the exhibition in Santa Fe.
URL:https://test-dca-mc.nmdca.net/dca-event/saints-santos-picturing-the-holy-in-new-spain/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/Figure-1a-Hipolito-Franz-Mayer-scaled-1.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240706
DTEND;VALUE=DATE:20250210
DTSTAMP:20241204T203444Z
CREATED:20241204T173906Z
LAST-MODIFIED:20241204T203444Z
UID:10005356-1720224000-1739145599@test-dca-mc.nmdca.net
SUMMARY:Line by Line
DESCRIPTION:Line by Line surveys a century of innovative\, energetic\, and intriguing approaches to one of art’s most ancient and foundational elements: line. The exhibition\, opening in two sections\, explores the language of line in work by more than seventy artists working from the 1920s to now. \nSpanning a range of mediums – including painting\, weaving\, prints\, photography\, and sculpture – the art is organized into evocative categories\, such as “A Line Alone\,” “Land Lines\,” and “Unaligned.” Visitors can immerse themselves in the extraordinary variety of linework\, from pieces featuring a single line to those with grids\, scrawls\, stripes\, and swirls.
URL:https://test-dca-mc.nmdca.net/dca-event/line-by-line/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/1994.39.1-Scott.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240608
DTEND;VALUE=DATE:20250505
DTSTAMP:20241204T203538Z
CREATED:20241204T172522Z
LAST-MODIFIED:20241204T203538Z
UID:10005355-1717804800-1746403199@test-dca-mc.nmdca.net
SUMMARY:Off-Center: New Mexico Art\, 1970-2000
DESCRIPTION:Off-Center: New Mexico Art\, 1970-2000\, is a survey of the last three decades of the twentieth century\, a pivotal time in which numerous artists relocated to New Mexico\, drawn by its distinctive climate and landscape\, its rich diversity of cultures\, and its strong reputation as a center for the visual arts. Scheduled from June 8\, 2024\, to May 4\, 2025\, at the New Mexico Museum of Art Vladem Contemporary\, Off-Center explores the depth and complexity of this period through a series of relevant and topical themes.
URL:https://test-dca-mc.nmdca.net/dca-event/off-center-new-mexico-art-1970-2000/
LOCATION:New Mexico Museum of Art- Vladem Contemporary\, 404 Montezuma Street\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/2016.4.1-resized.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6847361;-105.9461623
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Vladem Contemporary 404 Montezuma Street Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=404 Montezuma Street:geo:-105.9461623,35.6847361
END:VEVENT
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