BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Department of Culture Affairs Media Center - ECPv6.16.4//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Department of Culture Affairs Media Center X-ORIGINAL-URL:https://test-dca-mc.nmdca.net X-WR-CALDESC:Events for Department of Culture Affairs Media Center REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Denver BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20090308T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20091101T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20100314T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20101107T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20110313T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20111106T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20120311T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20121104T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20130310T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20131103T080000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Denver:20100502T140000 DTEND;TZID=America/Denver:20100502T153000 DTSTAMP:20260619T055135 CREATED:20100421T220843Z LAST-MODIFIED:20230614T175338Z UID:10001734-1272808800-1272814200@test-dca-mc.nmdca.net SUMMARY:New Mexico’s Civilian Conservation Corps Experience The Telling New Mexico Inaugural Lecture Series DESCRIPTION:Noted author and historian Richard Melzer will speak on the “The Civilian Conservation Corps Experience in New Mexico\,” the next talk in the Telling New Mexico Inaugural Lecture Series\, at 2 p.m.\, Sunday\, May 2\, in the History Museum Auditorium. The event costs $10. Tickets are available at the museum shops and at www.museumfoundation.org/tellingnm. \nNote: This event was originally scheduled for a lecture on World War II by Ferenc Szasz\, who has since encountered a health issue. Richard Melzer has graciously agreed to speak in his place. \nThe Civilian Conservation Corps was the most popular and successful program of President Franklin D. Roosevelt's New Deal during the Great Depression of the 1930s. For more than 3 million young men across the United States\, the CCC often made the difference between starvation and survival – not only for the enrollees\, but also their families back home. The men learned skills\, improved their education\, got healthy\, prepared themselves for service in World War II\, and\, most importantly\, came of age during hard economic times. Melzer has documented the CCC experience in New Mexico\, describing how this highly effective program benefited more than 50\,000 enrollees in the state and became\, for most men\, the turning points in their lives. \nToday\, their legacies still stand in projects at Elephant Butte Lake\, Rattlesnake Springs near Carlsbad Caverns\, and Bandelier National Monument. \nMelzer\, originally from Teddy Roosevelt's hometown of Oyster Bay\, N.Y.\, has lived in New Mexico since 1973 and has taught history at the University of New Mexico's Valencia Campus since 1979. He is the author of more than 100 articles about New Mexico history and the author\, co-author\, or editor of 12 books\, including Coming of Age in the Great Depression: The Civilian Conservation Corps Experience in New Mexico\, 1933-1942 (Las Cruces: Yucca Tree Press\, 2000). Melzer is a past president the Historical Society of New Mexico and current president of the Valencia County Historical Society. \nAmong the many honors he has received for writing\, teaching and service to his profession\, he is most proud of receiving the UNM’s 1995 Teacher of the Year award. \nThe History Museum includes exhibits dedicated to the Depression and the “alphabet soup” of programs that built roads and schoolhouses and nurtured a generation of artists\, writers and musicians. \nThe lecture series continues on Sunday\, Aug. 22\, when Jennifer Nez Denetdale\, Northern Arizona University associate history professor\, speaks on "Dine'/Navajo Women: At the Intersection of Nation\, Gender\, and Tradition." \n  \n  \n   \n  \n \n  URL:https://test-dca-mc.nmdca.net/dca-event/546-new-mexicos-civilian-conservation-corps-experience-the-telling-new-mexico-inaugural-lecture-series/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/546_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20100502 DTEND;VALUE=DATE:20100503 DTSTAMP:20260619T055135 CREATED:20100109T055133Z LAST-MODIFIED:20230614T175345Z UID:10001767-1272758400-1272844799@test-dca-mc.nmdca.net SUMMARY:Poetry Reading DESCRIPTION:Join renown poets Joan Logghe and Miriam Sagan for poetry readings in conjuntion with the exhibition Material World: Textiles and Dress from the Collection.  By Museum admission\, New Mexico residents with I.D. free on Sundays\, youth 16 and under always free. URL:https://test-dca-mc.nmdca.net/dca-event/616-poetry-reading/ LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/gif:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/616_thumb.gif ORGANIZER;CN="Carlyn Stewart":MAILTO:carlyn.stewart@state.nm.us GEO:35.6641155;-105.9265695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100501T140000 DTEND;TZID=America/Denver:20100501T150000 DTSTAMP:20260619T055135 CREATED:20100424T041503Z LAST-MODIFIED:20230614T175400Z UID:10001845-1272722400-1272726000@test-dca-mc.nmdca.net SUMMARY:Lecture and Book-signing: Elissa Auther String\, Felt\, Thread DESCRIPTION:Please join Through the Flower and the New Mexico Museum of Art for Elissa Auther's lecture and booksigning on May 1\, 2010 at 2 p.m. at the Saint Francis Auditorium in Santa Fe\, 107 W. Palace Avenue. \nThis lecture is being presented in conjunction with the Subversive Stitching: Feminist Artists with a Needle exhibition. Admission is free. \nElissa Auther’s 2009 publication String\, Felt\, Thread (University of Minnesota Press) presents “an unconventional history of the American art world\, chronicling the advance of thread\, rope\, string\, felt\, and fabric from the "low" world of craft to the "high" world of art in the 1960s and 1970s and the emergence today of a craft counterculture.” In the book and lecture\, Auther discusses the work of American artists using fiber\, considering provocative questions of material\, process\, and intention that bridge the art-craft divide. Artists discussed include Eva Hesse\, Robert Morris\, Claire Zeisler\, Judy Chicago\, Miriam Schapiro\, Faith Ringgold\, and many others. Elissa Auther is associate professor of contemporary art at the University of Colorado at Colorado Springs. \nFor more information about the lecture and booksigning\, contact Through the Flower at 505-864-4080 or the New Mexico Museum of Art at 505-476-5059. \nDon't miss Through the Flower's exhibition\, Subversive Stitching: Feminist Artists with a Needle\, in their Belen gallery until May 31. This exhibition highlights art in all needlework and textile media from artistswho reside in New Mexico. \n Judy Chicago and Laura Addison\, Curator of Contemporary Art at the New Mexico Museum of Art\, juried a selection of works from over forty artists. They chose fifteen artists to be a part of the group exhibition. Shirley Klinghoffer won the competition and will receive a cash prize and a solo exhibition to be held in 2011. URL:https://test-dca-mc.nmdca.net/dca-event/723-lecture-and-book-signing-elissa-auther-string-felt-thread/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/723_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100430T180000 DTEND;TZID=America/Denver:20100430T190000 DTSTAMP:20260619T055135 CREATED:20100421T022429Z LAST-MODIFIED:20230614T175400Z UID:10001844-1272650400-1272654000@test-dca-mc.nmdca.net SUMMARY:Lecture: Lois Rudnick on Cady Wells DESCRIPTION:Award-winning author\, Lois Rudnick\, will speak on modernist painter\, Cady Wells\, his life and work. Her lecture will include slides of Wells’ powerful and sensual watercolors of the southwest landscape. This free event in the Saint Francis Auditorium\, New Mexico Museum of Art\, is presented by the Museum of New Mexico Press. \nLecture begins at 6:00 p.m. Cookies and punch will be available at 5:30 p.m. Following the lecture will be a book signing of Cady Wells and Southwestern Modernism\, published by Museum of New Mexico Press. URL:https://test-dca-mc.nmdca.net/dca-event/722-lecture-lois-rudnick-on-cady-wells/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/722_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100423T180000 DTEND;TZID=America/Denver:20100423T190000 DTSTAMP:20260619T055135 CREATED:20100414T025543Z LAST-MODIFIED:20230614T175352Z UID:10001806-1272045600-1272049200@test-dca-mc.nmdca.net SUMMARY:Gallery Talk: Kate Beck from Art on the Edge 2010 DESCRIPTION:Artists from the juried show\, Art on the Edge\, 2010\, will present gallery talks. On Saturday\, April 23\, Kate Beck will be featured. \nIn the NM Museum of Art. Free Friday Evening – admission is free. \nView the Art on the Edge\, 2010 webpage> URL:https://test-dca-mc.nmdca.net/dca-event/678-gallery-talk-kate-beck-from-art-on-the-edge-2010/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/678_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100422T100000 DTEND;TZID=America/Denver:20100422T140000 DTSTAMP:20260619T055135 CREATED:20100401T223653Z LAST-MODIFIED:20230614T175352Z UID:10001808-1271930400-1271944800@test-dca-mc.nmdca.net SUMMARY:Avanyu Trail Day Earth Day Celebrations DESCRIPTION:10:00 am – 2:00 pm. \n \nMuseum of Indian Arts and Culture Plaza and Avanyu Trail \nEarth Day activities include outside morning blessing\, and opportunities to see plantings of native garden areas along the Avanyu Trail Behind the Museum. There will also be a panel discussion in the theater. \nFor more information please contact: 505-476-1272 URL:https://test-dca-mc.nmdca.net/dca-event/680-avanyu-trail-day-earth-day-celebrations/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Event ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100421T120000 DTEND;TZID=America/Denver:20100421T140000 DTSTAMP:20260619T055135 CREATED:20100127T013909Z LAST-MODIFIED:20230614T175346Z UID:10001772-1271851200-1271858400@test-dca-mc.nmdca.net SUMMARY:Let’s Take A Look with MIAC curators DESCRIPTION:During this time 12noon-2pm\, curators from The Museum of Indian Arts and Culture and The Laboratory of Anthropology are in the lobby of MIAC to look at your unidentified treasures. These curators will attempt to identify and explain any artifact or historic object presented to them. They prefer to work with objects from the Southwest but are willing to take a look at anything that is brought in. If they can not identify an object an attempt will be made to find someone who can. Sometimes\, the discussion among the curators may become as much or more informative than the identification of the artifact  \nThe event is always free and open to the public. \nFederal and State regulations prohibit the curators from appraising any artifact. URL:https://test-dca-mc.nmdca.net/dca-event/623-lets-take-a-look-with-miac-curators/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Event ORGANIZER;CN="TJ Hilton":MAILTO:thomas.hilton@dca.nm.gov GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100418T140000 DTEND;TZID=America/Denver:20100418T160000 DTSTAMP:20260619T055135 CREATED:20100310T004912Z LAST-MODIFIED:20230614T175344Z UID:10001765-1271599200-1271606400@test-dca-mc.nmdca.net SUMMARY:Artist Panel Discussion A Century of Masters DESCRIPTION:A Century of Masters: NEA National Heritage Fellows of New Mexico exhibition Curator Nicolasa Chavez is joined by artists and artist decendants Ramon Jose Lopez\, Charlie Carrillo\, Marie Romero Cash\, Orvin Trujillo and Josephine Binford. A unique opportunity to meet award winning artists.  By Museum admission\, New Mexico residents with I.D. free on Sundays\, youth 16 and under and foundation members always free. URL:https://test-dca-mc.nmdca.net/dca-event/614-artist-panel-discussion-a-century-of-masters/ LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/614_thumb.jpg ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us GEO:35.6641155;-105.9265695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100417T140000 DTEND;TZID=America/Denver:20100417T153000 DTSTAMP:20260619T055135 CREATED:20100406T023120Z LAST-MODIFIED:20230614T175336Z UID:10001724-1271512800-1271518200@test-dca-mc.nmdca.net SUMMARY:The Journey of Mayolica Pottery A Santa Fe Found lecture DESCRIPTION:Learn about the risky “Journey of Mayólica” pottery up El Camino Real to Santa Fe in a lecture by Robin Farwell Gavin at 2 pm Saturday\, April 17\, in the New Mexico History Museum Auditorium. The event is free with museum admission. \nThe lecture is part of the Santa Fe Found lecture series that supports Santa Fe Found: Fragments of Time\, an exhibit at the Palace of the Governors exploring the roots of Santa Fe\, this year celebrating its 400th anniversary. The exhibit uses historic documents\, period paintings and archaeological artifacts to detail life in colonial Mexico and Spain’s far northern frontier. It includes sherds of blue-and-white mayólica pottery that once made up objects like an ink well\, also on display. From its origins in medieval Spain\, it endured first an ocean journey then an overland caravan to Santa Fe. \nBesides tracing that journey\, Gavin will look at the materials\, techniques and styles of mayólica\, as well as artists who still produce such work. Various styles of pottery from France\, Italy\, England and China influenced one another as well as the design and production of Pueblo pottery. \n“Through one single sherd\,” Gavin said\, “we can explore the colonial world – the lives of the potters who made them\, the places in which they were created\, their uses in churches\, conventos and homes\, the importance they lent to social occasions. \n“We can see the influence of Muslim art\, of Italian Renaissance art\, of Chinese porcelains brought to the Americas on the Manila galleons\, and of the French rococo style\, as well as Indian chintz fabrics and Staffordshire pottery. We can reconstruct the table settings of the 18th century from Spain to Mexico to New Mexico\, and we can imagine the social situations in which these vessels were a symbol as well as a necessity.” \nGavin is chief curator for the Museum of Spanish Colonial Art and consulting curator of collections for El Rancho de las Golondrinas.  A Chicago native\, she has been the lead curator for more than 20 exhibitions at the Museum of Spanish Colonial Art and Museum of International Folk Art concerning the Spanish colonial arts of Mexico and New Mexico\, and has written several articles\, gallery guides\, and books on the subject. \nThe next lecture supporting the Santa Fe Found exhibition will be at 6 pm\, May 13\, when Joseph Sánchez\, director of UNM’s Spanish Colonial Research Center and director of the Petroglyph National Monument\, speaks on “Peralta and the Founding of Santa Fe. \nFunding for the Santa Fe Found exhibition and lecture series was made possible by the Palace Guard\, a support group of the Museum of New Mexico Foundation; the Gala Opening Committee; Friends of Archaeology\, a support group of the Museum of New Mexico Foundation; the Santa Fe 400th; and the Museum of New Mexico Foundation. \n  \n  \n  \n  URL:https://test-dca-mc.nmdca.net/dca-event/536-the-journey-of-mayolica-pottery-a-santa-fe-found-lecture/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/536_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100417T140000 DTEND;TZID=America/Denver:20100417T150000 DTSTAMP:20260619T055135 CREATED:20100331T225719Z LAST-MODIFIED:20230614T175352Z UID:10001805-1271512800-1271516400@test-dca-mc.nmdca.net SUMMARY:Gallery Talks: Blumenfeld\, Hamon\, and Tillinghast from Art on the Edge\, 2010 DESCRIPTION:Artists from the juried show\, Art on the Edge\, 2010\, will present gallery talks. On Saturday\, April 17\, Erika Blumenfeld\, Deborah Hamon\, and Eric Tillinghast will be featured. \nAt the NM Museum of Art\, by museum admission. \nView the Art on the Edge\, 2010 webpage> URL:https://test-dca-mc.nmdca.net/dca-event/677-gallery-talks-blumenfeld-hamon-and-tillinghast-from-art-on-the-edge-2010/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/677_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100417T110000 DTEND;TZID=America/Denver:20100417T180000 DTSTAMP:20260619T055135 CREATED:20100413T210019Z LAST-MODIFIED:20230614T175359Z UID:10001841-1271502000-1271527200@test-dca-mc.nmdca.net SUMMARY:Huichol Artist Demonstration MIAC Gift Shop and Lobby DESCRIPTION:Huichol Artist Demonstrations all week (Tuesday through Saturday) from 11 am- 5 pm in the MIAC Gift Shop and Lobby in honor of our Latest exhibit " Huichol Art and Culture: Balancing the World" Artist Demonstrations will be given by reknowned yarn painting artists Mariano Valadez and Cilau Valadez. URL:https://test-dca-mc.nmdca.net/dca-event/718-huichol-artist-demonstration-miac-gift-shop-and-lobby/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/718_thumb.jpg ORGANIZER;CN="Patrick Moore":MAILTO:patrick.moore@state.nm.us GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100416T180000 DTEND;TZID=America/Denver:20100416T190000 DTSTAMP:20260619T055135 CREATED:20100331T042707Z LAST-MODIFIED:20230614T175351Z UID:10001804-1271440800-1271444400@test-dca-mc.nmdca.net SUMMARY:Lecture: Statuesque: The New Figuration DESCRIPTION:Nicholas Baume is the director and chief curator of the Public Art Fund in New York. In his lecture\, he will discuss the role of Public Art Fund\, as well as trends in contemporary art. Baume is the juror for  Art on the Edge\, 2010. \n Before assuming his current position\, Baume was chief curator of the Institute of Contemporary Art in Boston\, where he was responsible for shaping the artistic program\, including the establishment of a permanent collection and the ongoing Momentum project series. From 1998 to 2003\, Baume was contemporary curator at the Wadsworth Atheneum in Hartford\, Connecticut. His past exhibitions at the Atheneum include About Face: Andy Warhol ortraits\, Sol LeWitt: Incomplete Open Cubes\, and first American museum shows by Francis Alÿs\, Sam Durant\, Thomas Eggerer\, Christian Jankowski\, Catherine Sullivan\, and Fiona Tan. For the ICA\, Baume has curated exhibitions of the work of Kai Althoff\, Kader Attia\, Carol Bove\, Gerard Byrne\, Tara Donovan (with Jen Mergel)\, Thomas Hirschhorn (with Ralph Rugoff)\, Anish Kapoor\, and Lucy McKenzie\, and the group exhibitions Getting Emotional and Super Vision. \n$5 suggested donation. \nSt. Francis Auditorium\, at the New Mexico Museum of Art  URL:https://test-dca-mc.nmdca.net/dca-event/676-lecture-statuesque-the-new-figuration/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/676_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100416T173000 DTEND;TZID=America/Denver:20100801T170000 DTSTAMP:20260619T055135 CREATED:20100331T030911Z LAST-MODIFIED:20230614T175231Z UID:10001366-1271439000-1280682000@test-dca-mc.nmdca.net SUMMARY:Art on the Edge 2010 Art on the edge of a new decade DESCRIPTION:Art on the Edge presents the work of seven contemporary artists selected by Nicholas Baume for this biennial juried show organized by Friends of Contemporary Art (FOCA) in partnership with NMMoA. \nThe exhibition opens Friday\, April 16\, 2010 and runs through August 1\, 2010 \nSublime horizons\, water sculptures\, stitched excerpts from Neruda\, and adolescents in suburbia await the viewer in this show that wonders aloud\, what gives art "edge"? The exhibition features Eric Tillinghast\, Deborah Hamon\, Erika Blumenfeld\, Michael Rogers\, Kate Beck\, Jessica Loughlin\, and Ryan Bush. This year's show marks the second edition of Art on the Edge. It was curated by Nicholas Baume\, chief curator and director of the New York Public Art Fund. \nThe Museum will host a free public lecture by Nicholas Baume at 6:00 p.m. in St. Francis Auditorium during the opening. The Women’s Board of the Museum of New Mexico will host an opening from 5:30 to 7:30 p.m. \nHoning the "Edge" \nThe critical success of Friends of Contemporary Art's first Art on the Edge exhibition in 2008 led to the establishment of the new biennial. In keeping with the spirit of the first Art on the Edge\, the new juried show will have a tight focus allowing each of the seven artists the opportunity to showcase the best examples of their work. Art on the Edge was open to both FOCA members and non-members\, and submissions were received from as far as Italy\, the Netherlands\, and Australia. The seven artists chosen by Nicholas Baume represent Australia\, both US coasts\, and the American Southwest. \nThe judging\, done exclusively by Baume\, was based on entries submitted by artists to Slideroom.com\, a web-based service that allows entrants to upload images\, videos\, and documents for consideration. "Slideroom made the logistics of accepting the work\, organizing it\, and notifying artists much simpler than in previous years\," said Steering Committee member and FOCA Co-chair Michael Abatemarco. "We received a lot of positive feedback from submitters who found the online process to be very user friendly. We plan to engage with this or a similar service for the next juried show." \nBaume considered up to twenty works by each of over 120 artists. “Friends of Contemporary Art is looking forward to the exhibition curated by our juror\,” said Steering Committee member and FOCA Co-chair Romi Sloboda. “Art on the Edge 2010 will present both well-known and lesser established artists’ work at the Museum\, with a wide range of mediums and materials represented in the show. Nicholas Baume’s vision as the sole juror provides an interesting and engaging selection of artists. And we’re also delighted that Baume will be coming to Santa Fe for the opening reception in April and will be giving a talk at the Museum.” \nThe Artists \nThe work of these seven artists is united in the clean simplicity of elemental form as it relates to the natural and man-made world. Eric Tillinghast\, formerly based in Santa Fe but now residing in Northern California\, works directly with the element of water in work that becomes interactive due to the need for replenishing the evaporative substance. The properties of the water\, as it pools and beads on surfaces\, become an object of fascination. Tillinghast is a former recipient of the Pollock-Krasner Foundation grant. \nErika Blumenfeld and Jessica Loughlin both work with the horizon line\, employing photography and kiln-formed glass respectively\, to suggest the contrast of earth/sky\, day/night\, light/darkness. Blumenfeld\, also a former Santa Fe resident\, lives and works in Marfa\, Texas. In January of 2009 she spent four weeks working in Queen Maud Land\, Antarctica. The results of that venture will be included in Art on the Edge. Loughlin is from Australia and references that landscape in her work. In 2001 she won the Outstanding New Artist in Glass award from UrbanGlass. \nThe inclusion of mica in the oil and graphite work of Kate Beck\, who hails from Maine\, brings material from the natural world into two-dimensional art that reflects a purity of line\, which becomes itself the subject. The spatial relationships of repetitive lines add to the tonal quality of her work. Deborah Hamon\, a recipient of the West Prize Acquisition Award\, also works out of Northern California. She creates digital c-prints that deal with human interaction with negotiated landscapes\, placing her posed human subjects in environments that seem familiar and unfamiliar\, almost dreamlike. \nFor photographer Ryan Bush\, originally from Michigan and now in the Bay Area\, the focus is on patterns created by the countless telephone wires that criss-cross the landscape from coast to coast. Each image reduces the connections formed by these carriers of information into elegantly simple abstractions. Michael Rogers\, who lived and worked in Japan for 11 years and is now a full professor at the Rochester Institute of Technology in New York\, takes the work of Chilean poet Pablo Neruda and abstracts it by sewing text onto draped strands of cotton strung between shells of cast glass\, reducing the literary form itself even as it is united with new mediums. \nAbout the guest curator \nNicholas Baume is chief curator and director of the Public Art Fund in the city of New York. He came to the United States in 1998 from Sydney\, Australia\, to become the curator of contemporary art at the Wadsworth Atheneum in Hartford\, Connecticut. Among his projects at the Atheneum were About Face: Andy Warhol Portraits and Sol LeWitt: Incomplete Open Cubes\, as well as the Matrix series of exhibitions\, which included first American museum shows by Francis Alÿs\, Sam Durant\, Thomas Eggerer\, Christian Jankowski\, Catherine Sullivan and Fiona Tan. In 2003 Baume was appointed chief curator of the Institute of Contemporary Art (ICA) in Boston. Baume established a permanent contemporary collection for the ICA during his tenure. While at the ICA\, he curated exhibitions of the work of Kai Althoff\, Kader Attia\, Carol Bove\, Gerard Byrne\, Tara Donovan (with Jen Mergel)\, Thomas Hirschhorn (with Ralph Rugoff)\, Anish Kapoor and Lucy McKenzie. \n  \nContacts:          Steve Cantrell\, PR Manager \n                        505-476-1144  /  steve.cantrell@state.nm.us \n  \n                        Laura Addison\, Curator of Contemporary Art \n                        505-476-5118  /  laura.addison@state.nm.us \n  \n                        Michael Abatemarco\, Friends of Contemporary Art Co-chair \n                        505-699-2309  /  michael.abatemarco@state.nm.us \n  \n                        Romi Sloboda\, Friends of Contemporary Art Co-chair                                                  505-988-1841  /  romi_sloboda@hotmail.com \n  \n  \n  \n### \n  \nFriends of Contemporary Art (FOCA)  works actively as an advocate for contemporary art by supporting exhibitions at the New Mexico Museum of Art and partnering with the Museum to build its contemporary art collection through active fundraising\, public education\, and special events. \n  \n  \nThe New Mexico Museum of Art celebrates the diversity of the visual arts and the legacy of New Mexico as a cultural crossroads. The Museum was founded in 1917 as the Art Gallery of the Museum of New Mexico. For more than 90  years\, the Museum has collected and exhibited work by leading artists from New Mexico and elsewhere. The New Mexico Museum of Art brings the art of New Mexico to the world and the art of the world to New Mexico. The New Mexico Museum of Art is a division of the New Mexico Department of Cultural Affairs. \n  \nInformation for the Public  \n  \nLocation: The New Mexico Museum of Art is located on Santa Fe’s Plaza at \n107 W. Palace Avenue. \n  \nInformation:  505-476-5072 or www.nmartmuseum.org. \n  \nHours/Days: Tuesday through Sunday\, 10:00 a.m.-5:00 p.m.  Open Free on Fridays\, \n5:00-8:00 p.m.\, with the exception of major exhibition openings. \nAdmission: School groups free. Children 16 and under free. New Mexico residents with ID free on Sundays. New Mexico resident Senior Citizens (age 60+) with ID free Wednesdays. Museum Foundation members free. Students with ID $1 discount. Single visit to one museum: $9.00 for non-state residents\, $6.00 for New Mexico residents.  Four-day pass to five museums including state-run museums in Santa Fe plus The Museum of Spanish Colonial Art $20.00. One-day pass for two museums $15.00. Group rate for ten or more people: single visit $6.00\, four day pass $18.00. \n  \n  \n  \n  URL:https://test-dca-mc.nmdca.net/dca-event/666-art-on-the-edge-2010-art-on-the-edge-of-a-new-decade/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/666_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100416T173000 DTEND;TZID=America/Denver:20100416T193000 DTSTAMP:20260619T055135 CREATED:20100409T021908Z LAST-MODIFIED:20230614T175350Z UID:10001798-1271439000-1271446200@test-dca-mc.nmdca.net SUMMARY:Opening Reception for Art on the Edge 2010 Art on the edge of a new decade DESCRIPTION:Art on the Edge presents the work of seven contemporary artists selected by Nicholas Baume for this biennial juried show organized by Friends of Contemporary Art (FOCA) in partnership with NMMoA. \nThe exhibition opens Friday\, April 16\, 2010 and runs through August 1\, 2010. For more information> \nSublime horizons\, water sculptures\, stitched excerpts from Neruda\, and adolescents in suburbia await the viewer in this show that wonders aloud\, what gives art "edge?" The exhibition features Eric Tillinghast\, Deborah Hamon\, Erika Blumenfeld\, Michael Rogers\, Kate Beck\, Jessica Loughlin\, and Ryan Bush. This year's show marks the second edition of Art on the Edge. It was curated by Nicholas Baume\, chief curator and director of the New York Public Art Fund. \nThe Museum will host a free public lecture by Nicholas Baume at 6:00 p.m. in St. Francis Auditorium during the opening. The Women’s Board of the Museum of New Mexico will host an opening from 5:30 to 7:30 p.m. URL:https://test-dca-mc.nmdca.net/dca-event/665-opening-reception-for-art-on-the-edge-2010-art-on-the-edge-of-a-new-decade/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/665_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100416T140000 DTEND;TZID=America/Denver:20100416T150000 DTSTAMP:20260619T055135 CREATED:20100413T211322Z LAST-MODIFIED:20230614T175359Z UID:10001839-1271426400-1271430000@test-dca-mc.nmdca.net SUMMARY:Public Talk for Huichol Art and Culture An Ancient Tribe in the Modern World DESCRIPTION:Free public talk on our latest exhibit will be given twice on Friday at 10:30am and again at 2pm. "An Ancient Tribe in the Modern World" will be given by Susana Eger Valadez\, Director of The Huichol Center for Cultural Survival in Mexico (www.thehuicholcenter.org) and contributor to exhibit and catalog. The talk features 30 years of photographs from the Huichol center photo archive and a comprehensive overview of Huichol culture. Presentation will be given in the MIAC O'Keeffe Theater: seating is limited. URL:https://test-dca-mc.nmdca.net/dca-event/716-public-talk-for-huichol-art-and-culture-an-ancient-tribe-in-the-modern-world/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/716_thumb.jpg ORGANIZER;CN="Patrick Moore":MAILTO:patrick.moore@state.nm.us GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100416T103000 DTEND;TZID=America/Denver:20100416T113000 DTSTAMP:20260619T055135 CREATED:20100413T211247Z LAST-MODIFIED:20230614T175359Z UID:10001838-1271413800-1271417400@test-dca-mc.nmdca.net SUMMARY:Public Talk for Huichol Art and Culture An Ancient Tribe in the Modern World DESCRIPTION:Free public talk on our latest exhibit will be given twice on Friday at 10:30am and again at 2pm. "An Ancient Tribe in the Modern World" will be given by Susana Eger Valadez\, Director of The Huichol Center for Cultural Survival in Mexico (www.thehuicholcenter.org) and contributor to exhibit and catalog. The talk features 30 years of photographs from the Huichol Center photo archive and a comprehensive overview of Huichol culture. Presentation will be given in the MIAC O'Keeffe Theater; seating is limited. URL:https://test-dca-mc.nmdca.net/dca-event/715-public-talk-for-huichol-art-and-culture-an-ancient-tribe-in-the-modern-world/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/715_thumb.jpg ORGANIZER;CN="Patrick Moore":MAILTO:patrick.moore@state.nm.us GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100414T120000 DTEND;TZID=America/Denver:20100414T130000 DTSTAMP:20260619T055135 CREATED:20100412T203639Z LAST-MODIFIED:20230614T175341Z UID:10001749-1271246400-1271250000@test-dca-mc.nmdca.net SUMMARY:Zebulon Pike: Anglo Interloper\, American Hero Brainpower & Brownbags lecture series DESCRIPTION:Historian Brian Murphy speaks on "Zebulon Montgomery Pike: Anglo Interloper\, American Hero." \nPike\, a New Jersey native\, led a U.S. expedition from Fort Bellefontaine near St. Louis to explore the Southwest. in This journey\, which he is most remembered for\, ended with his capture on February 26\, 1807 by Spanish authorities in what was then northern New Mexico\, now part of Colorado. Pike and his men were taken to Santa Fe\, then to Chihuahua\, where he appeared before the Commandant General Salcedo. Salcedo housed Pike with Juan Pedro Walker\, a cartographer who also acted as an interpreter and transcriber for Pike's confiscated documents. While with Walker\, Pike had access to various maps of the Southwest and learned of Mexican discontent with Spanish rule. Pike and his men were released\, under protest\, to the United States at the Louisiana border on July 1\, 1807. \nPike's accounts dramatically changed exploration of the Southwest. His description of Chichuahuan politics led to the Mexican independence movement and improved trade conditions\, which promoted development of the Santa Fe Trail. \nThis event is free and open to the public. The lecture series is usually held at the Fray Angelico Chavez History Library\, 120 Washington Ave.; for large crowds\, the event will be moved next door to the John Gaw Meem Meeting Room. URL:https://test-dca-mc.nmdca.net/dca-event/565-zebulon-pike-anglo-interloper-american-hero-brainpower-brownbags-lecture-series/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/565_thumb.jpg GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100413T110000 DTEND;TZID=America/Denver:20100413T180000 DTSTAMP:20260619T055135 CREATED:20100413T210207Z LAST-MODIFIED:20230614T175359Z UID:10001840-1271156400-1271181600@test-dca-mc.nmdca.net SUMMARY:Huichol Artist Demonstration MIAC Gift Shop and Lobby DESCRIPTION:Huichol Artist Demonstrations all week (Tuesday through Saturday) from 11 am-5 pm in the MIAC Gift Shop and Lobby in honor of our Latest exhibit " Huichol Art and Culture: Balancing the World". Artist Demonstrations will be given by reknowned yarn painting artists Mariano Valadez and Cilau Valadez. URL:https://test-dca-mc.nmdca.net/dca-event/717-huichol-artist-demonstration-miac-gift-shop-and-lobby/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/717_thumb.jpg ORGANIZER;CN="Patrick Moore":MAILTO:patrick.moore@state.nm.us GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100411T160000 DTEND;TZID=America/Denver:20100411T200000 DTSTAMP:20260619T055135 CREATED:20100410T052129Z LAST-MODIFIED:20230614T175344Z UID:10001763-1271001600-1271016000@test-dca-mc.nmdca.net SUMMARY:A Fred Harvey Dinner Party Lecture\, book launch and Harvey House dinner DESCRIPTION:THIS EVENT IS SOLD OUT \nThe New Mexico History Museum and La Fonda Hotel\, a former Harvey House\, host the launch of award-winning journalist Stephen Fried’s book\, Appetite for America\, with a lecture and historic dinner  on Sunday\, April 11\, 2010. The event begins in the History Museum Auditorium with a 4 p.m. lecture by Fried\, followed by a 6 p.m. dinner at La Fonda\, which will whip up “Chicken Lucrecio\,” among other delicacies from Harvey menus. \n \nSeating is limited for both events. Tickets include a signed copy of Appetite for America (Bantam/Random House\, 2010). The cost for the lecture is $50; the lecture with the dinner costs $95. Sponsorship tickets cost $200 and include preference seating at the lecture and dinner\, as well as a listing on the event poster. A limited number of a reduced-cost rooms at La Fonda are also available the evening of the event. \nTo purchase tickets to the event\, go to either of the History Museum’s shops\, call (505) 982-9543\, or log onto https://www.museumfoundation.org/HarveyHouse. \nFor La Fonda’s room reservations\, call (800) 523-5002\, ext. 1\, or send an e-mail to www.lafondasantafe.com/email-group.html; mention the “Harvey/NM History Museum event” in the subject line. \nAppetite for America is the story of Fred Harvey\, who came to the United States from England in the 1850s as a penniless teenager\, worked for saloons and the railroads and\, at the age of 40\, had a brilliant idea that changed America. His trackside eatery in Topeka\, Kansas\, grew into a powerful family business that forever changed the way Americans eat\, drink\, sleep\, travel and spend leisure time. \n  \n \nFred Harvey ended up building a revolutionary company feeding train passengers along the upstart Santa Fe railroad. With his son\, he expanded into the first national chain of restaurants\, hotels and bookstores from Chicago to California – even into the Grand Canyon. His beloved “Harvey Girls” were some of the first working women in America\, later inspiring an Oscar-winning movie starring Judy Garland. His firm introduced the country to Native American arts and culture and “Santa Fe Style.” \nStephen Fried brings a fresh eye to America’s expansion into the Wild West of Bat Masterson and Billy the Kid\, following the country and the company as they grew up together through the early days of trains\, autos and planes. The restaurant/hotels that Harvey and his equally brilliant son\, Ford\, built would be enjoyed by princes and presidents\, as well as countless ordinary travelers who simply wanted a travel experience grand enough to match the scenery. \nIn 1881\, Fred Harvey began arranging for tourists to visit Santa Fe from his eating house at the depot in Lamy. In the late 1890s\, his company began displaying and selling Native arts and crafts\, starting with its restaurant in Gallup\, but most visibly in Albuquerque’s Alvarado Hotel\, built in 1902. The hotel’s sales area\, designed by a young architect named Mary Colter\, had a look that came to be known as “Santa Fe Style.” Colter worked with famed architect John Gaw Meem on expanding La Fonda from 1924-30 and\, in 1949\, designed the hotel’s lounge\, using Spanish and Indian designs. \nIn 1915\, Harvey worked with the Santa Fe community\, including Museum of New Mexico founder Edgar Hewett and his protégé\, Jesse Nusbaum\, to create a 10-acre\, full-scale Pueblo for the Panama-California Exposition in San Diego. Among those who lived at the exhibit was a young Maria Martinez\, who would later gain fame for her San Ildefonso pottery. \nHistoric documents show that an inn\, or fonda\, has long stood on the southeastern corner of the Santa Fe Plaza. During the 19th century\, La Fonda became the preferred destination of trappers\, soldiers\, gold seekers\, gamblers and politicians. Through the Civil War\, railroad expansion and New Mexico statehood in 1912\, the old adobe structure changed hands and names several times but remained a Santa Fe landmark. The Harvey company purchased it 1926. Debuting in 1929\, it offered the nation’s first version of cultural tourism: “Indian Detours” that carried tourists to nearby pueblos in touring vehicles. An exhibit on the History Museum’s mezzanine level pays homage to the Harvey era. \nBusinessman Sam Ballen purchased La Fonda in 1968; his family has continued his legacy of combining historic preservation with modern amenities. \nFried’s insights into the Harvey empire include how the company managed to foster an early “foodie” generation in some of the most remote locales; how Harvey’s granddaughter saw and nurtured the talents of a 9-year-old Hopi named Fred Kabotie\, who became a premier Native artist; how pre-publication orders for his newsstands and bookshops affected national bestseller lists. \n For more on Fred Harvey’s impact on New Mexico and the American West\, go to http://media.museumofnewmexico.org/press_releases.php?action=detail&releaseID=71. For more on La Fonda’s history\, go to http://www.lafondasantafe.com/about/history.html  \n  URL:https://test-dca-mc.nmdca.net/dca-event/611-a-fred-harvey-dinner-party-lecture-book-launch-and-harvey-house-dinner/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/611_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100411T130000 DTEND;TZID=America/Denver:20100411T170000 DTSTAMP:20260619T055135 CREATED:20100401T223943Z LAST-MODIFIED:20230614T175348Z UID:10001788-1270990800-1271005200@test-dca-mc.nmdca.net SUMMARY:Opening Reception for Huichol Art and Culture: Balancing the World DESCRIPTION:1–2 pm · Book signing for Huichol Art and Culture: Balancing the World (Museum of New Mexico Press).1–4 pm · Huichol artist demonstration by Mariano Valadez and Cilau Valadez.2–4 pm · Reception hosted by the Women’s Board of the Museum of New Mexico. \n1–4 pm Hands-on Family activites in the classroom \n  \nFor the first time\, the Museum of Indian Arts and Culture/Laboratory of Anthropology presents a significant collection of Huichol art from the early part of the last century in Huichol Art and Culture: Balancing the World. The exhibition opens at the Museum of Indian Arts and Culture April 11\, 2010 and will run through March 6\, 2011. \nThere are important ties between Huichol work and Native American\, prehispanic\, and Hispanic art histories and cultures. Known today for colorful\, decorative yarn paintings\, the origins of modern Huichol art are found in the earlier Huichol religious arts of the Robert M. Zingg ethnographic collection at the Museum of Indian Arts and Culture. \nHuichol Art and Culture: Balancing the World focuses on the Huichol\, a Native American people of western Mexico who for many centuries have retained their unique culture and prehispanic religious beliefs. Their remote location in the rugged Sierra Madre Occidental mountains primarily in the states of Jalisco and Nayarit has allowed for greater resistance than any other indigenous group to the forces of Christianization and acculturation. The Huichol people today continue to create traditional art and practice ancient rituals that predate the time of Spanish contact. \nFrom 1934-1935\, Dr. Robert Mowry Zingg (1900–1957) was the first American anthropologist to conduct extended ethnographic fieldwork among the Huichol in the community of Tuxpan de Bolaños. Zingg lived with Huichol families and participated in everyday life\, while studying their mythology and ceremonialism. Huichol Art and Culture: Balancing the World presents the collection of Huichol artifacts which Zingg collected on behalf of the Laboratory of Anthropology during the earliest years of its history as an institution.  \nIn the past and today\, Huichol art is made to communicate with a pantheon of ancestors and gods. When Zingg arrived in Tuxpan\, he found that most Huichol adults were occupied with making art. As he observed\, the Huichol constantly create offerings which serve as visual prayers to the gods. As part of the ceremonial cycle\, the Huichol make pilgrimages to leave offerings at sacred sites. \nCeremonial offerings to the gods are the precursors to the art of modern Huichol yarn painting. Early Huichol votive art evolved into art produced for sale beginning in the 1950s\, when artists adapted traditional techniques\, designs\, and materials to “paint” in yarn. Sophisticated and vibrant Huichol yarn paintings have now become renowned in the global art market.   \nAmong the highlights of the Zingg collection are outstanding examples of ancient\, symbolic textile designs that were intricately woven on backstrap looms by Huichol women. The collection features prayer arrows\, richly decorated votive gourd bowls\, and other offerings for the gods. Oversized shamans’ chairs and diminutive gods’ chairs are unique to Huichol ceremonies. Colorful macaw feathers\, beaded jewelry\, deerskin quivers\, embroidered clothing\, and hats adorned with feathers\, squirrel tails\, and ribbons all attest to a time and a culture where art objects were made for everyday and ceremonial use\, not tourist consumption. \nThe concept of balance is central to Huichol art and culture. The balancing of opposites\, such as the wet and dry seasons\, or darkness and light\, is a prevalent theme in Huichol art. Huichol ceremonies are performed and offerings are made to keep the world in balance\, ensuring successful crops and hunting\, fertility\, and health. Today\, the Huichol say that they continue to make art and perform the centuries-old rituals not just for their own people\, but for the benefit of everyone in the world. \nThe concept of balancing opposites\, so central to Huichol culture\, is also basic to the Pueblo worldview and is seen in Pueblo architecture\, government\, and ceremony. A further connection to Pueblo culture can be found in the Uto-Aztecan language of the Huichol. It is related to the language of the ancient Aztecs of central Mexico\, to the Cora\, to the Tohono O’odham and Hopi of Arizona\, and to the Tanoan languages of the Northern Rio Grande region of New Mexico. \nZingg\, who spent his youth in northern New Mexico\, noted a similarity in “the richness of the ceremonial life of both the Huichols and the Pueblos.” He and other scholars have drawn parallels between the two cultures\, including the importance of the cardinal directions and elaborate religious symbolism in art and decoration involving the deer\, fire\, rain\, corn\, and concepts of growth and fertility. URL:https://test-dca-mc.nmdca.net/dca-event/640-opening-reception-for-huichol-art-and-culture-balancing-the-world/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Event ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100411T100000 DTEND;TZID=America/Denver:20120212T050000 DTSTAMP:20260619T055135 CREATED:20100922T213821Z LAST-MODIFIED:20230614T175230Z UID:10001360-1270980000-1329022800@test-dca-mc.nmdca.net SUMMARY:Huichol Art and Culture: Balancing the World DESCRIPTION:For the first time\, the Museum of Indian Arts and Culture/Laboratory of Anthropology presents a significant collection of Huichol art from the early part of the last century in Huichol Art and Culture: Balancing the World. The exhibition opens at the Museum of Indian Arts and Culture April 11\, 2010 and has now been extended to run through February 12\, 2012. \nThere are important ties between Huichol work and Native American\, prehispanic\, and Hispanic art histories and cultures. Known today for colorful\, decorative yarn paintings\, the origins of modern Huichol art are found in the earlier Huichol religious arts of the Robert M. Zingg ethnographic collection at the Museum of Indian Arts and Culture. \nHuichol Art and Culture: Balancing the World focuses on the Huichol\, a Native American people of western Mexico who for many centuries have retained their unique culture and prehispanic religious beliefs. Their remote location in the rugged Sierra Madre Occidental mountains primarily in the states of Jalisco and Nayarit has allowed for greater resistance than any other indigenous group to the forces of Christianization and acculturation. The Huichol people today continue to create traditional art and practice ancient rituals that predate the time of Spanish contact. \nFrom 1934-1935\, Dr. Robert Mowry Zingg (1900–1957) was the first American anthropologist to conduct extended ethnographic fieldwork among the Huichol in the community of Tuxpan de Bolaños. Zingg lived with Huichol families and participated in everyday life\, while studying their mythology and ceremonialism. Huichol Art and Culture: Balancing the World presents the collection of Huichol artifacts which Zingg collected on behalf of the Laboratory of Anthropology during the earliest years of its history as an institution.  \nIn the past and today\, Huichol art is made to communicate with a pantheon of ancestors and gods. When Zingg arrived in Tuxpan\, he found that most Huichol adults were occupied with making art. As he observed\, the Huichol constantly create offerings which serve as visual prayers to the gods. As part of the ceremonial cycle\, the Huichol make pilgrimages to leave offerings at sacred sites. \nCeremonial offerings to the gods are the precursors to the art of modern Huichol yarn painting. Early Huichol votive art evolved into art produced for sale beginning in the 1950s\, when artists adapted traditional techniques\, designs\, and materials to “paint” in yarn. Sophisticated and vibrant Huichol yarn paintings have now become renowned in the global art market.   \nAmong the highlights of the Zingg collection are outstanding examples of ancient\, symbolic textile designs that were intricately woven on backstrap looms by Huichol women. The collection features prayer arrows\, richly decorated votive gourd bowls\, and other offerings for the gods. Oversized shamans’ chairs and diminutive gods’ chairs are unique to Huichol ceremonies. Colorful macaw feathers\, beaded jewelry\, deerskin quivers\, embroidered clothing\, and hats adorned with feathers\, squirrel tails\, and ribbons all attest to a time and a culture where art objects were made for everyday and ceremonial use\, not tourist consumption. \nThe concept of balance is central to Huichol art and culture. The balancing of opposites\, such as the wet and dry seasons\, or darkness and light\, is a prevalent theme in Huichol art. Huichol ceremonies are performed and offerings are made to keep the world in balance\, ensuring successful crops and hunting\, fertility\, and health. Today\, the Huichol say that they continue to make art and perform the centuries-old rituals not just for their own people\, but for the benefit of everyone in the world. \nThe concept of balancing opposites\, so central to Huichol culture\, is also basic to the Pueblo worldview and is seen in Pueblo architecture\, government\, and ceremony. A further connection to Pueblo culture can be found in the Uto-Aztecan language of the Huichol. It is related to the language of the ancient Aztecs of central Mexico\, to the Cora\, to the Tohono O’odham and Hopi of Arizona\, and to the Tanoan languages of the Northern Rio Grande region of New Mexico. \nZingg\, who spent his youth in northern New Mexico\, noted a similarity in “the richness of the ceremonial life of both the Huichols and the Pueblos.” He and other scholars have drawn parallels between the two cultures\, including the importance of the cardinal directions and elaborate religious symbolism in art and decoration involving the deer\, fire\, rain\, corn\, and concepts of growth and fertility. \n  URL:https://test-dca-mc.nmdca.net/dca-event/497-huichol-art-and-culture-balancing-the-world/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/497_thumb.jpg GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100410T100000 DTEND;TZID=America/Denver:20100410T163000 DTSTAMP:20260619T055135 CREATED:20100323T022442Z LAST-MODIFIED:20230614T175350Z UID:10001794-1270893600-1270917000@test-dca-mc.nmdca.net SUMMARY:Fray Angélico Chávez 100th Birthday Symposium A free public event DESCRIPTION:Fray Angélico Chávez was born on April 10\, 1910\, and to mark what would have been his 100th birthday\, the New Mexico History Museum’s library\, which carries his name\, will hold a daylong symposium. "My Penitente Land\," a free\, public event\, takes place from 10 am to 4:30 pm on Saturday\, April 10\, in the museum auditorium (enter from Washington Avenue). \nThe symposium will gather the general public and scholars to exchange thoughts on Fray Angélico’s influence on New Mexico and share their stories about him. \n“Fray Angélico’s love was New Mexico\, its history and culture\,” said Tomas Jaehn\, director of the Fray Angélico Chávez History Library. “Interested in the people who settled New Mexico\, he is well-know for his work in genealogy.  At least once a month\, a patron visiting the Library tells me\, `I knew Fray Angélico personally.’” \nSpeakers at the symposium will include Archbishop Michael J. Sheehan\, poet Jimmy Santiago Baca\, authors Nasario Garcia\, Ellen McCracken\, whose biography of Fray Angélico was just published by the University of New Mexcio Press\, and Thomas Chávez\, former director of the Palace of the Governors and a nephew of Fray Angélico  (See the full schedule below.) \nBorn Manuel Ezequiel Chávez in Wagon Mound\, N.M.\, Fray Angélico was a noted priest\, writer\, painter and historian. Ordained as a Franciscan friar\, he served several parishes in New Mexico and was instrumental in renovating the church in Peña Blanca – a true hands-on effort. The murals he painted of the Stations of the Cross used images of himself\, his family and parishioners. He also renovated churches in Domingo Station\, Golden and Cerrillos. \nAs an Army chaplain\, he was present for the World War II beach landings at Guam and Leyte and\, during the Korean War\, was stationed at Fort Bliss\, Texas\, and Kaiserslautern\, Germany. \nUpon his return\, Chávez was appointed archivist of the Archdiocese of Santa Fe\, where he catalogued and translated the Church’s Spanish archives. As noted in a biography on the Web site of the New Mexico Office of the State Historian: \n"While digging for the golden nuggets of Franciscan history in the archdiocesan archives\, he instead came across baptismal\, marriage\, and death records that revealed much about the families who had settled the region. He wrote: “It was like the case of a miner who sifted a hill of ore for gold\, setting aside any silver he encountered; in the end the silver far outweighed the gold. The only thing to do was to render the silver useful.” He compiled the silver and published the Origins of New Mexico Families: A Genealogy of the Spanish Colonial Period in 1954. Genealogists searching for their familial roots have found the book invaluable." \nChávez is perhaps best known for writing La Conquistadora\, the Autobiography of an Ancient Statue about the figure of the Virgin Mary revered by parishioners of St. Francis Cathedral in Santa Fe. He also wrote short stories\, novels and poetry. T.S. Eliot called his poem\, The Virgin of Port Lligat in 1959 a “very commendable achievement.” \nAfter his death in 1996\, the History Library was named in his honor\, and a bronze statue of him graces its entrance. A self-portrait is on display in the Palace of the Governors’ Portrait Gallery\, and it carries an interesting tale. Painted in 1939 as an “idle sketch” on a board by Fray Angélico in 1939\, it was later trimmed down to repair a drawer in the convent at Peña Blanca. \nIn 1970\, someone cleaning out the drawers happened upon it. Fray Angélico donated it to the museum\, writing: “I thought you might display it more as a curiosity than a work of art.” \nA finely rendered sketch of the young friar\, the portrait is\, contrary to his recommendation\, displayed as a work of art. \nThe symposium schedule: \n10-10:25 am: Frances Levine\, director of the New Mexico History Museum; Archbishop Michael J. Sheehan\, Archdiocese of Santa Fe \n10:30-10:40: Jimmy Santiago Baca\, poet \n10:40-10:55: Fabian Chávez\, former legislative leader\, longtime public servant and brother of Fray Angélico \n11-11:30: Nasario Garcia\, professor emeritus of Hispanic Languages and Literatures \n11:35-12:05: Thomas E. Chávez\, former director\, Palace of the Governors \n1:30-2 pm: Melina Vizcaino\, doctoral candidate\, American Studies Department\, University of New Mexico \n2:05-2:35 pm: Jack Clark Robinson\, O.F.M.\, Ph.D.\, History\, University of California-Santa Barbara \n2:40-3:10: Ellen McCracken\, professor of Spanish\, University of California-Santa Barbara and author of The Life and Writing of Fray Angelico Chavez: A New Mexico Renaissance Man (UNM Press\, 2009) \n3:30-4:30 pm: Questions and testimonials \n  \nFunding for the event was made possible by the New Mexico Humanities Council. The event is also supported by the Center for Southwest Research\, University of New Mexico\, and has been designated a We the People project by the National Endowment for the Humanities and the New Mexico Humanities Council. \n  \n  URL:https://test-dca-mc.nmdca.net/dca-event/651-fray-angelico-chavez-100th-birthday-symposium-a-free-public-event/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/651_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100409T180000 DTEND;TZID=America/Denver:20100409T190000 DTSTAMP:20260619T055135 CREATED:20100105T061800Z LAST-MODIFIED:20230614T175344Z UID:10001762-1270836000-1270839600@test-dca-mc.nmdca.net SUMMARY:Lecture: A Matter of Place: Modern Japanese Museums Museums in the 21st Century: Concepts\, Projects\, Buildings Lecture Series DESCRIPTION:A Matter of Place: Modern Japanese Museums. Christopher Mead\, Ph.D.\, Regents Professor for Architecture and Professor of Art History\, University of New Mexico.  \nThis lecture series is presented in connection with the NM Museum of Art exhibition\,  Museums in the 21st Century: Concepts\, Projects\, Buildings (view the website>)\, in collaboration with AIA Santa Fe. URL:https://test-dca-mc.nmdca.net/dca-event/610-lecture-a-matter-of-place-modern-japanese-museums-museums-in-the-21st-century-concepts-projects-buildings-lecture-series/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/610_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100403T100000 DTEND;TZID=America/Denver:20100403T170000 DTSTAMP:20260619T055135 CREATED:20100313T070840Z LAST-MODIFIED:20230614T175351Z UID:10001801-1270288800-1270314000@test-dca-mc.nmdca.net SUMMARY:Palace Press Closed Today Re-opening April 6 DESCRIPTION:The Press at the Palace of the Governors will be closed on Saturday\, April 3. We apologize for the inconvenience\, but invite you to drop in again on Tuesday\, April 6\, from 10 am to 5 pm. Note: The rest of the New Mexico History Museum complex will be open on April 3. \n  URL:https://test-dca-mc.nmdca.net/dca-event/669-palace-press-closed-today-re-opening-april-6/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/669_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100402T100000 DTEND;TZID=America/Denver:20100402T170000 DTSTAMP:20260619T055135 CREATED:20100128T005736Z LAST-MODIFIED:20230614T175348Z UID:10001790-1270202400-1270227600@test-dca-mc.nmdca.net SUMMARY:Closed: Friday April 2 State Mandated Furlough DESCRIPTION:All State museums and monuments are closed due to state mandated furlough. Museums will return to our regular hours\, museum hours\, on Saturday April 3\, please visit us then. URL:https://test-dca-mc.nmdca.net/dca-event/642-closed-friday-april-2-state-mandated-furlough/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Event GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20100402 DTEND;VALUE=DATE:20100407 DTSTAMP:20260619T055135 CREATED:20100313T071551Z LAST-MODIFIED:20230614T175351Z UID:10001802-1270166400-1270598399@test-dca-mc.nmdca.net SUMMARY:Weekend Closings and Openings Furlough day Friday\, holiday Sunday DESCRIPTION:The New Mexico History Museum will have the following schedule April 2-6: \nClosed Friday\, April 2\, for the state government furlough day \nOpen Saturday\, April 3\, 10 am-5pm \nClosed Sunday\, April 4\, for Easter \nClosed Monday\, April 5 (usual closed day) \nOpen and back to our regular schedule on Tuesday\, April 6 \nWe apologize for any inconvenience. URL:https://test-dca-mc.nmdca.net/dca-event/670-weekend-closings-and-openings-furlough-day-friday-holiday-sunday/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/670_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100331T110000 DTEND;TZID=America/Denver:20100331T114500 DTSTAMP:20260619T055135 CREATED:20100225T053307Z LAST-MODIFIED:20230614T175351Z UID:10001799-1270033200-1270035900@test-dca-mc.nmdca.net SUMMARY:Bill Mauldin Postage Stamp Unveiling A free public event DESCRIPTION:The History Museum welcomes the U.S. Postal Service to its auditorium for an unveiling of the new postage stamp honoring beloved editorial cartoonist and New Mexico native Bill Mauldin. Philatelists will surely flock to this onetime event\, where first-day cancellations will be available on site. Seating is limited at this free\, public event. \n \nDuring World War II\, military readers got a knowing laugh from Mauldin’s characters Willie and Joe\, who gave their civilian audience an idea of what life was like for soldiers. After the war\, Mauldin became a popular and influential editorial cartoonist. \nThe History Museum's core exhibition\, Telling New Mexico: Stories from Then and Now\, includes a section on World War II that attendees will be able to tour after the unveiling. \nWilliam Henry Mauldin was born on October 29\, 1921\, in Mountain Park\, New Mexico\, where his family had a farm with apple orchards. He is said to have made impressive drawings before he could talk\, and his mother kept him supplied with paper and pencils. Though thin\, sickly\, and given to daydreams\, he was tough and scrappy. When a teacher scolded him for doodling in class\, he replied that he couldn’t think without drawing. \nWhile leafing through a magazine in 1935\, Mauldin saw an advertisement for a correspondence course in cartooning. The ad suggested that cartoonists could make a good living; seeing this as a way to capitalize on his natural ability\, Mauldin enrolled in the course. He began offering his services as a freelance artist to the community at large\, and was hired to create various forms of advertising. \nIn 1936\, Mauldin moved with his older brother to Phoenix\, Arizona\, and went to high school while continuing to do freelance work. He also worked as an editorial cartoonist for the school newspaper. At the age of 17\, Mauldin went to Chicago\, where he enrolled in the Chicago Academy of Fine Arts. He diligently sent work to prospective buyers\, with discouraging results. Unemployment was high\, and war was beginning in Europe. \nAfter returning to Phoenix in 1940\, Mauldin enlisted in the Arizona National Guard. Days later\, the Arizona Guard was federalized and Mauldin found himself in the United States Army. His first Army cartoons were published that year in 45th Division News. The war took Mauldin to North Africa and then to Europe; he was in Italy in 1943\, when his work began appearing in Stars and Stripes\, a large daily newspaper then published by an independent unit of the headquarters of Gen. Dwight D. Eisenhower\, the Allied commander. \nIn Stars and Stripes\, Mauldin’s cartoons first appeared under the title “Up Front … with Mauldin.” He subsequently changed the name to “Up Front … by Mauldin” because\, though he was at the front—and received the Purple Heart after being struck by a fragment of mortar—he never drew in a foxhole and was strictly rear-echelon. Commenting later on his injury\, he said\, “I had been cut worse sneaking through barbed-wire fences in New Mexico.” \nMauldin’s work made him a hero to many military men\, who could tell he was on the side of the lowly soldier in a time when glamorous fighter pilots got more attention. His sympathy for “dogfaces” (the slang term for soldiers in the infantry) was clearly expressed in his presentation of his unshaven protagonists\, Willie and Joe. The celebrated war correspondent Ernie Pyle touched off wider interest in Mauldin’s work when he wrote admiringly\, “Bill Mauldin appears to us over here to be the finest cartoonist the war has produced. And that’s not merely because his cartoons are funny\, but because they are also terribly grim and real.” \nFor civilian readers back home\, Mauldin’s syndicated cartoons offered an eye-opening look at the experience—sleeping in barns\, dodging bullets in foxholes\, and so on—of American soldiers in Europe. Above all\, his cartoons show the tedium of war; when there is heroism\, it’s understated. With humor or small acts of kindness\, Willie and Joe support each other in grim circumstances. \nSome of Mauldin’s cartoons touched on relations between officers and enlisted men. In one panel\, two officers admire the scenery from a mountaintop\, with one exclaiming\, “Beautiful view! Is there one for the enlisted men?” Gen. George S. Patton publicly questioned Mauldin’s patriotism—among other things\, he objected to the bedraggled appearance of Willie and Joe—but Mauldin’s success and growing fame protected him from serious repercussions. \nAnother iconic cartoon depicted a cavalryman shooting his disabled jeep. Mauldin later commented proudly on this effort: “It is one of those cartoon ideas you think up rarely; it has simplicity\, it tells a story\, it doesn’t need words. It is\, I believe\, the very best kind of cartoon.” \nBy the time Mauldin came home to the United States in 1945\, he was famous. He won a Pulitzer Prize “for distinguished service as a cartoonist” and the Allied high command awarded him its Legion of Merit. His illustrated memoir\, Up Front\, was a bestseller. That same year\, his “dogface” Willie appeared on the cover of Time. \nAfter the war\, Mauldin grew tired of censorship battles with editors and temporarily retired from cartooning to try his hand at a variety of freelance endeavors. He acted in two films (Teresa and The Red Badge of Courage)\, covered the Korean War for Collier’s\, and made an unsuccessful run for Congress in New York’s 28th Congressional district\, losing narrowly to the Republican incumbent. In 1958\, he took a job as a cartoonist for the St. Louis Post-Dispatch. The following year\, he won a second Pulitzer Prize for his cartoon portraying Boris Pasternak\, author of Doctor Zhivago\, as a Soviet prisoner: “I won the Nobel Prize for Literature. What was your crime?” \nSome of Mauldin’s other targets during these years were segregationists and red-baiters. In 1962\, he joined the staff of the Chicago Sun-Times\, where one of his most famous cartoons\, drawn on tight deadline after the assassination of President John F. Kennedy\, expressed the nation’s grief by showing a monumental Abraham Lincoln burying his head in his hands. The Sun-Times later sent Mauldin to Vietnam to observe the war there firsthand. An irreverent memoir\, The Brass Ring\, was published in 1971. \nSuffering from Alzheimer’s disease and other complications\, Bill Mauldin died at age 81 on January 22\, 2003\, at a nursing home in Newport Beach\, California. He had received mail and visits there from many combat veterans hoping to lift his spirits much as Willie and Joe had lifted theirs during the war nearly 60 years earlier. He is buried in Arlington National Cemetery. \nU.S. Postal Service art director Terry McCaffrey chose to honor Mauldin through a combination of photography and an example of Mauldin’s art. The photo of Bill Mauldin is by John Phillips\, a photographer for Life magazine; it was taken in Italy on December 31\, 1943. Mauldin’s cartoon\, showing his characters Willie and Joe\, is used courtesy of the 45th Infantry Division Museum in Oklahoma City\, Oklahoma. \n  \n   \n  URL:https://test-dca-mc.nmdca.net/dca-event/667-bill-mauldin-postage-stamp-unveiling-a-free-public-event/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/667_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100328T140000 DTEND;TZID=America/Denver:20100328T160000 DTSTAMP:20260619T055135 CREATED:20100302T034430Z LAST-MODIFIED:20230614T175338Z UID:10001733-1269784800-1269792000@test-dca-mc.nmdca.net SUMMARY:Exile from Paradise\, Internment in New Mexico: My Grandfather’s Journey The Telling New Mexico Inaugural Lecture Series DESCRIPTION:Gail Y. Okawa\, professor of English at Youngstown State University in Ohio\, delivers the next talk in the Telling New Mexico Inaugural Lecture Series at 2 pm Sunday\, March 28\, in the History Museum Auditorium\, 113 Lincoln Ave. “Exile from Paradise\, Internment in New Mexico: My Grandfather’s Journey\,” recounts Okawa’s search for a family story that had lived in silence – and that carries lessons for today. \n  \nThe lecture costs $10. Tickets can be purchased at any of the Museum of New Mexico shops or online at http://www.museumfoundation.org/tellingnm. The lecture series supports the History Museum's core exhibition as well as the book Telling New Mexico: A New History (Museum of New Mexico Press\, 2009). \nA granite boulder at Frank S. Ortiz Park looking down into Santa Fe’s Casa Solana neighborhood marks the World War II site of an internment camp that held 4\,555 Japanese and Japanese-American internees from 1942-46. In all\, the United States imprisoned 17\,477 people of Japanese ancestry and relocated 120\,000 American-born Japanese and their parents into wartime camps. The U.S. Department of Justice oversaw the camp in Santa Fe; the U.S. Army maintained others. \nThe History Museum’s core exhibition\, Telling New Mexico: Stories from Then and Now includes illustrations of camp life done by one of the guards\, Hal West. \nOkawa’s maternal grandfather was moved from his home in Hawaii to Lordsburg\, N.M.\, and then Santa Fe. The late Tamasaku Watanabe was an ordained minister in the Presbyterian Church of the U.S.A. Okawa’s chapter in Telling New Mexico includes portions of a letter she wrote to him after his death\, when she had begun piecing together the scraps of his history: \nThe legacy of your experience and that of others like you who endured internment must be in what we who follow can learn from your political misfortune and your personal fortitude. We must be vigilant to the acts and words today echoing those that surrounded your unjust and unwarranted imprisonment. And we must understand that though you were silent\, like so many others\, about this difficult time in your life\, you were no less affected by the degradation\, no less courageous for bearing it. \nIn 1988\, the United States officially apologized for the internments\, saying the actions were the result of "race prejudice\, war hysteria\, and a failure of political leadership." \nAs a scholar-in-residence at the Smithsonian Institution in 2002\, Okawa began a study of U.S. language history through ethnic language artifacts in the Smithsonian collections. Since 2003\, she has been engaged in research on the politics of language/literacy\, identity\, and culture among Japanese immigrants\, including her maternal grandfather. An advisory board member of the New Mexico Digital History Project\, she has published numerous articles in national journals and anthologies and has presented papers and lectures locally in Santa Fe and Albuquerque\, as well as nationally and internationally. She is working on a book-length study\, More Than A Mugshot: Hawai`i Japanese Immigrants in World War II U.S. Department of Justice Internment. \nTwo other lectures remain in the Telling New Mexico Inaugural Lecture Series. Each will be held at 2 pm in the Museum Auditorium: \nMay 2: UNM Regents’ Professor of History Ferenc Szasz on “New Mexico in the Era of the Second World War.” Szasz has written several books on the early history of the Atomic Age; his latest is Larger Than Life: New Mexico in the Twentieth Century. \nAug. 22: Diné author and Northern Arizona University Associate Professor of History Jennifer Nez Denetdale on " Dine'/Navajo Women: At the Intersection of Nation\, Gender\, and Tradition\," from her current book project. Denetdale has also written Reclaiming Diné History: The Legacies of Chief Manuelito and Juanita and a book for young adults\, The Long Walk: The Forced Navajo Exile. \n  \n  URL:https://test-dca-mc.nmdca.net/dca-event/545-exile-from-paradise-internment-in-new-mexico-my-grandfathers-journey-the-telling-new-mexico-inaugural-lecture-series/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/545_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100327T130000 DTEND;TZID=America/Denver:20100327T170000 DTSTAMP:20260619T055135 CREATED:20100318T220659Z LAST-MODIFIED:20230614T175350Z UID:10001797-1269694800-1269709200@test-dca-mc.nmdca.net SUMMARY:Beneath the City Different: The Archaeology of Santa Fe Second chance to catch this sell-out event DESCRIPTION:THIS EVENT IS SOLD OUT \nDeepen your understanding of Santa Fe's 400th anniversary\, as well as the new exhibit\, Santa Fe Found: Fragments of Time\, at this special symposium\, 1-5 pm\, Saturday\, March 27\, at the New Mexico History Museum Auditorium\, 113 Lincoln Ave. Admission is $10; call 505-954-7200 for tickets. \nThis is the repeat of an event held last November. Tickets for that one sold out within weeks\, so call soon. \n"Beneath the City Different: The Archaeology of Santa Fe" is sponsored by the Friends of Archaeology (a support group within the Museum of New Mexico Foundation) and the School for Advanced Research — two institutions founded by Edgar L. Hewett\, a leading archaeologist and anthropologist and the first director of the Museum of New Mexico. The event features seven archaeologists speaking on different periods of Santa Fe's history\, from ancient to modern times. \nThrough recent archaeological excavations in the downtown Santa Fe area\, these researchers have given us new information about a recently discovered past — a past not yet covered in history books. The archaeologists will begin with a look at Santa Fe’s first seasonal residents\, nomadic hunters and gatherers who came to pick wild plants and piñon nuts. Then they will talk about the later Pueblo people who built several large villages and survived by farming. The severity and luxury of Spanish Colonial life will also be discussed\, as well as the economic and social changes brought by the Santa Fe Trail. Finally\, the archaeologists will examine the agricultural and later industrial use of the recently developed Santa Fe Railyard area. \n \nTickets cost $10 and seating is limited. To purchase a ticket\, call 505-954-7200 or mail your name\, mailing address\, phone number\, email address\, and payment to: \nBeneath the City Different School for Advanced Research P.O. Box 2188 Santa Fe\, NM 87504 \nFor a complete schedule\, go to http://sarweb.org/index.php?symposium_santa_fe_archaeology \nThe scheduled speakers: \nStephen Post\, deputy director of the Office of Archaeological Studies\,"6\,500 Years of Living Light on the Landscape: Archaic Hunter-Gatherers and the Dawn of Agriculture in the Santa Fe Area" \nCheri Scheick\, program director and owner of Southwest Archaeological Consultants and president of the nonprofit Rio Grande Foundation for Communities and Cultural Landscapes\, "The City Different: Variety and Change in the 12th and 13th Centuries" \nDouglas Schwartz\, former SAR president\, on the development and nature of Arroyo Hondo Pueblo \nJason Shapiro\, member and chair of the city of Santa Fe's Archaeological Review Committee\, "Chain of Cultural Custody: The IDentifiers\, Promoters\, and Keepers of Santa Fe Archaeology" \nCordelia Thomas Snow\, historic sites archaeologist and historian\, "The Archaeology of Early Colonial Santa Fe" \nRon Winters\, independent contract archaeologist\, "The Santa Fe Trail" \nJessica Badner\, Office of Archaeological Studies\, on what excavations at the Santa Fe Railyard revealed about foundations and infrastructure built by the Atchison\, Topeka and Santa Fe Railway in the early 1880s \n \nSanta Fe Found: Fragments of Time\, on view at the Palace of the Governors\, explores the lives of the colonists and Native peoples who lived in and around Santa Fe 400 years ago. \n Prior to the construction of the New Mexico History Museum\, which opened in May 2009\, Post and his fellow archaeologists conducted a two-year dig to investigate the archaeology of the site at 113 Lincoln Ave.\, just off the Santa Fe Plaza. More than 90\,000 artifacts were unearthed from the 17th-century\, revealing tales of life as it once was. \nOther featured archaeological sites add to the story. The Baca-Garvisu site was the home of a prominent Santa Fe family in the 1700s\, located where the Santa Fe Community Convention Center now stands. The Sanchez Site\, an early Spanish estancia\, or rural settlement\, was partly excavated in the 1980s and is now managed by El Rancho de los Golondrinas. Also prominent in the exhibition is San Gabriel del Yungue at the Pueblo of Ohkay Owingeh\, where the first Spanish colonists briefly set their roots. \nFunding for the Santa Fe Found exhibition was made possible by the Palace Guard\, a support group of the Museum of New Mexico Foundation; the Gala Opening Committee; Friends of Archaeology\, a support group of the Museum of New Mexico Foundation; the Santa Fe 400th; and the Museum of New Mexico Foundation. \n  URL:https://test-dca-mc.nmdca.net/dca-event/664-beneath-the-city-different-the-archaeology-of-santa-fe-second-chance-to-catch-this-sell-out-event/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/664_thumb.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20100326T180000 DTEND;TZID=America/Denver:20100326T190000 DTSTAMP:20260619T055135 CREATED:20100323T231932Z LAST-MODIFIED:20230614T175344Z UID:10001761-1269626400-1269630000@test-dca-mc.nmdca.net SUMMARY:Lecture: Art Outdoors and In: The Sculpture Garden and the Museum. Museums in the 21st Century: Concepts\, Projects\, Buildings Lecture Series DESCRIPTION: Marc Treib\, Professor of Architecture Emeritus\, University of California Berkeley\, is a noted landscape and architectural historian and critic. Treib has published numerous books on architecture and architectural landscape. \nThis lecture series is presented in connection with the NM Museum of Art exhibition\,  Museums in the 21st Century: Concepts\, Projects\, Buildings (view the website>)\, in collaboration with AIA Santa Fe and NMASLA. URL:https://test-dca-mc.nmdca.net/dca-event/609-lecture-art-outdoors-and-in-the-sculpture-garden-and-the-museum-museums-in-the-21st-century-concepts-projects-buildings-lecture-series/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/609_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT END:VCALENDAR