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DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180910
DTSTAMP:20230614T175149Z
CREATED:20180911T034416Z
LAST-MODIFIED:20230614T175149Z
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SUMMARY:Frederick Hammersley: To Paint without Thinking
DESCRIPTION:Frederick Hammersley: To Paint without Thinking\, brought from The Huntington Library\, Art Collections\, and Botanical Gardens\, showcases the American artist’s sketchbooks\, notebooks\, inventories\, and vibrant color swatches to illuminate the systematic process he used to create his lively hard-edge geometric paintings. The presentation in New Mexico\, where the artist lived from 1968 until his death in 2009\, has been expanded by a dozen additional works from New Mexico Museum of Art’s collection. \nFrederick Hammersley: To Paint without Thinking at New Mexico Museum of Art will feature over 60 objects\, pairing items from Hammersley’s archives (a recent gift to the Getty Research Institute in Los Angeles) with seven paintings\, including the New Mexico Museum of Art’s recently conserved Couplet #15\,  1965 (1968)\, The Huntington’s See saw #3\, 1966\, and dozens of other works\, including lithographs\, silkscreens\, and  computer drawings from the collections of The Huntington\, New Mexico Museum of Art\, Los Angeles County Museum of Art\, Palm Springs Art Museum\, and Santa Barbara Museum of Art. \nThe museum has had a longstanding relationship with Frederick\, and holds a comprehensive collection of his artwork\, from early student work\, his computer drawings and punch cards\, prime examples of his fully mature paintings\, as well as archive materials and color studies. This carefully researched\, imaginative show will be particularly well received here in New Mexico where the artist lived for the last four decades of his life. Highlights of the Hammersley archives include his notebooks and sketchbooks\, in which the artist developed compositions over a period of decades. In these books\, he generally used a two-stage process\, first composing postage stamp-sized images—sketched out in pencil\, colored pencil\, or ballpoint pen—then selecting compositions to execute on a larger scale\, sometimes in oil paint. “These sketchbooks served as a forum for exploration and a wellspring from which he drew throughout his long career\,” said James Glisson\, Bradford and Christine Mishler Associate Curator of American Art at The Huntington and co-curator of the exhibition. “It is like peeking over his shoulder to see him at work\, altering a color or two\, adding or subtracting a line\, then moving on.”   \n“Painting Books” \nFrederick Hammersley (1919-2009)\, who lived in Los Angeles until 1968\, entered the spotlight in 1959 as one of the artists in the international exhibition “Four Abstract Classicists\,” along with Karl Benjamin\, Lorser Feitelson\, and John McLaughlin.  He was unique among his peers in that the elegant simplicity of his paintings stemmed from a rigorous process of refinement that he tracked in extreme detail. His “Painting Books\,” two of which are on view in the exhibition\, contain dated entries for every step of the painting process\, from stretching a canvas and applying multiple layers of paint to varnishing and touching up. These invaluable records outline the process and materials he used in more than 150 geometric paintings. Such a level of record-keeping was a boon for exhibition co-curator Alan Phenix\, scientist at the Getty Conservation Institute\, whose essay in the exhibition catalog describes Hammersley’s paintings from the technical perspective. Phenix observes\, “I doubt there exists anywhere such a large group of paintings that is so fully described from the material and technical point of view.” \nExperimental lithographs \n“Frederick Hammersley: To Paint without Thinking” also includes 45 of the experimental lithographs made in 1949\, a pivotal moment when Hammersley had reached an impasse with traditional painting and turned to the exacting medium of stone lithography. He taught himself the complex lithography process\, pulling prints on the weekends at the Jepson Art School in Los Angeles\, where he was teaching. Numbering in the hundreds\, these prints each measure 3by-3inches\, and consist of a 4-by-4 grid with 16 squares. \n“Computer drawings”   \nIn 1968\, Hammersley reached another “dry spell” in his painting activity and moved to Albuquerque\, New Mexico\, to teach at the University of New Mexico. Shortly after arriving there\, he learned Art1\, a computer program written by Richard Williams and among the first programs designed for visual artists. Using punch cards\, a then-state-of-the-art IBM 360/40 computer\, and a tractor-fed 1403 IBM line printer\, Hammersley made hundreds of “computer drawings.” \nWhile the interlude with computer art did not obviously  change how Hammersley approached his geometric paintings\, the Painting Book entries became much more detailed. Glisson speculates  that the artist’s step-by-step recording of  his paintings  was a result of mastering Art1’s complicated instructions for punching holes in data cards to generate shapes and patterns. “Just as chess and checkers have rules but the rules don’t dictate how a game unfolds and ends\,” Glisson said\, “Hammersley’s rules and systems didn’t predetermine the outcome of his work. For Hammersley\, the concept of “painting without thinking” was a grey area between pre-determination and pure chance where he felt unburdened enough to explore and invent.” \nExhibition catalog \nThe Huntington has published Frederick Hammersley: To Paint without Thinking (ISBN 978-0-9986817-1-9)\, a boldly illustrated catalog accompanying the exhibition and edited by James Glisson\, Bradford and Christine Mishler Associate Curator of American Art at The Huntington\, with contributions from Alan Phenix\, scientist at the Getty Conservation Institute\, Kathleen Shields\, Executive Director at the Frederick Hammersley Foundation\, and Nancy Zastudil\, Administrative Director at the Frederick Hammersley Foundation. Distributed internationally by DAP and retailing for $35\, the catalog has 120 pages and 75 illustrations. Available at thehuntingtonstore.org. \nCredit line The presentation of Frederick Hammersley: To Paint without Thinking at The Huntington received generous support from the Frederick Hammersley Foundation and the Susan and Stephen Chandler Endowment for Exhibitions of American Art. The exhibition catalog received generous support from the Frederick Hammersley Foundation. \nAbout The Huntington \nThe Huntington Library\, Art Collections\, and Botanical Gardens is a collections-based research and educational institution serving scholars and the general public. More information about The Huntington can be found online at www.huntington.org.
URL:https://test-dca-mc.nmdca.net/dca-event/3604-frederick-hammersley-to-paint-without-thinking/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180910
DTSTAMP:20230614T175149Z
CREATED:20180911T034402Z
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SUMMARY:Patrick Nagatani: Invented Realities
DESCRIPTION:Photographer Patrick Nagatani (1945-2017) didn’t just take pictures\, he made pictures. While most art photographs are the result of careful choices about subject\, framing\, lighting\, and other factors\, Nagatani went to even greater lengths to get the picture he wanted. With experience working in Hollywood special-effects and an MFA from UCLA\, the artist began creating models and constructing scenes specifically for the camera in the mid-1980s. \nNagatani became a leading figure in the directorial style of photography\, which not only acknowledges that photographs are fictional but lets viewers in on the joke. Nagatani and his collaborators actively staged scenes for the camera\, directing every aspect of production without hiding the strings and seams that held them together. He is known for using humor and exaggerated narratives to draw attention to social issues\, particularly the legacy of the atomic bomb. This survey across Nagatani’s rich career\, drawn primarily from the New Mexico Museum of Art’s extensive holdings\, concentrates on the artist’s creative process and use of visual storytelling. \nThe show ranges from his large-format Polaroid collaborations with painter Andrée Tracey\, for which the artists constructed elaborate and sometimes outlandish narrative scenes with frequent cameo appearances by themselves\, as well as students\, family\, and friends. The exhibition offers a rare opportunity to see two painted backdrops and a papier mâche prop made by Tracey\, on loan from the Albuquerque Museum\, for the photographs Radioactive Reds and Great Yellow Father. Video clips and label text by some of the artist’s students\, friends\, and colleagues bring Nagatani’s inventive and theatrical process to life for visitors. Also represented are photographs from series including Chromatherapy\, Nuclear Enchantment\, Japanese-American Concentration Camps\, and Tape-estries\, two lithographs\, and a set of matchbooks altered by the artist. \nNagatani was a longtime faculty member at the University of New Mexico in Albuquerque and a prominent figure in the photography world who touched many lives. He was passionate about his work\, intensely creative\, and humorous. \nThe exhibition is presented in conjunction with summer shows of the artist’s work at the Albuquerque Museum and the University of New Mexico Art Museum. Aspects of the show and related programs are in coordination with the New Mexico History Museum exhibition Atomic Histories and the Santa Fe Opera performance of Doctor Atomic. 
URL:https://test-dca-mc.nmdca.net/dca-event/3710-patrick-nagatani-invented-realities/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180514
DTEND;VALUE=DATE:20190301
DTSTAMP:20230614T175152Z
CREATED:20180817T193057Z
LAST-MODIFIED:20230614T175152Z
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SUMMARY:Because It’s Time: Unraveling Race and Place in NM
DESCRIPTION:Because It’s Time: Unraveling Race and Place in NM examines race and identity in New Mexico and is a space for artistic expression that grapples with the complexities of who we are\, how we are understood\, and how that impacts the way we live (or don’t) in a variety of places.  The exhibition features approximately 26 newly created artworks by artists with different experiences in New Mexico alongside works from the National Hispanic Cultural Center Art Museum’s permanent collection. All of the artworks delve into  race and place through an intersectional lens alongside gender\, sexuality\, class\, nationality\, citizenship status\, etc. from local\, national\, and international perspectives. \nThis museum exhibition included much contemplation by the Visual Arts program staff and interns about what it might look like to create an exhibit that relinquished a bit of institutional control and placed it in the hands of the artists. Many of the works were not seen in their completed form until just weeks before the opening. The process continues to be a learning experience and the hope is to maintain an environment of openness and education\, for the staff and our visitors\, even after the exhibition closes. \nWe are so honored to work with this amazing group of artists. \nInvited artists include: Adelina Cruz\, Adriana Ortiz-Carmona\, Apolo Gomez Autumn Chacon\, Aziza Murray\, Baochi Zhang\, Brandee Caoba\, Corey Pickett\, Cynthia Cook\, Earl McBride\, Ehren Kee Natay\, Eliza Naranjo Morse\, Eric-Paul Riege\, Erin Currier\, Fatemeh Baigmoradi\, Grace Rosario Perkins\, Hamed Marwan\, Jami Porter Lara\, Jessica Chao\, Joanna Keane Lopez\, John Boyce\, Lucrecia Troncoso\, Monica Kennedy\, Nanibah Chacon\, Rose B. Simpson\, and Zahra Marwan. \nArtists from the permanent collection include: Ana Laura de la Garza\, Annie Lopez\, Asamblea de Artistas Revolucionarios de Oaxaca (ASARO)\, Carlos Cortéz\, Consuelo Jiménez Underwood\, Delilah Montoya\, Eduardo Muñoz Bachs\, Eric J. Garcia\, Ester Hernández\, Jason Garcia\, Nicolás de Jesús\, Noni Olabisi\, Pamela Enriquez-Courts\, Rosana Paulino\, Rupert Garcia\, Scherezade Garcia\, Vincent Valdez\, Yreina D. Cervantez.
URL:https://test-dca-mc.nmdca.net/dca-event/3870-because-its-time-unraveling-race-and-place-in-nm/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180422
DTEND;VALUE=DATE:20190204
DTSTAMP:20230614T175222Z
CREATED:20180330T022849Z
LAST-MODIFIED:20230614T175222Z
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SUMMARY:Beadwork Adorns the World
DESCRIPTION:Glass beads are the ultimate migrants.  Where they start out is seldom where they end up.  No matter where they originate\, the locale that uses them makes them into something specific to their own world view. \nThis exhibition is about what happens to these beads when they arrive at their final destination\, whether it be the African continent (Botswana\, Cameroon\, the Democratic Republic of Congo\, Ghana\, Nigeria\, South Africa)\, to Borneo\, to Burma\, to India\, Native North America to Latin America (Mexico\, Bolivia to Ecuador).  However\, this exhibit is not actually about beads\, rather it is about the working beads resulting in Beadwork\, and what a collective of beads in a garment or an object reveals about the intentions of its makers or users.
URL:https://test-dca-mc.nmdca.net/dca-event/3348-beadwork-adorns-the-world/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180408
DTEND;VALUE=DATE:20190304
DTSTAMP:20230614T175149Z
CREATED:20181102T032018Z
LAST-MODIFIED:20230614T175149Z
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SUMMARY:Maria Samora: Master of Elegance 2018’s Living Treasure
DESCRIPTION:MIAC is happy to announce Maria Samora: Master of Elegance\, an exhibition that showcases this year’s Museum of Indian Arts & Culture Living Treasure and Native Treasurers Featured Artist. \nSamora (Taos Pueblo) is known for her minimalist lines\, interdisciplinary approach\, and modern designs. \nShe began apprenticing with goldsmith and master gem cutter Phil Poirer in 1998 and went on to work with him for 15 years. Since striking out on her own in 2005\, her jewelry has become known for the simplicity of its design\, textured metals\, and combinations of both gold and silver. Stones include traditional turquoise and unexpected choices such as diamonds\, guava moonstone\, and African opal. \nThe metalwork Samora has learned to incorporate are rooted in Etruscan\, Greek\, Egyptian\, Syrian\, and even Korean designs. \nSamora’s work will remain on display in MIAC’s Diker Gallery through February of 2019. \n  \nYou may view a short documentary about Maria Samora by copying and pasting the following link. https://tinyurl.com/yd6ef9yy \n \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3701-maria-samora-master-of-elegance-2018s-living-treasure/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180302
DTEND;VALUE=DATE:20190930
DTSTAMP:20230614T175148Z
CREATED:20200424T034311Z
LAST-MODIFIED:20230614T175148Z
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SUMMARY:The Land that Enchants Me So: Picturing Popular Songs of New Mexico
DESCRIPTION:Before radio and television\, when making music at home was the evening’s entertainment and playing the piano was considered an essential talent among the middle class\, sheet music was the music consumer’s gateway to the world.”  The New Mexico History Museum celebrates this era with sheet music of popular songs about the State of New Mexico\, dating from the mid-19th through the mid-20th centuries\, in the new exhibition The Land That Enchants Me So. The show spotlights graphically striking sheet-music covers published from 1840s through about 1960\, along with other printed materials\, sound recordings\, and memorabilia relating to New Mexico and its musical life. \n“At a time before everywhere in America was pretty much like everywhere else\, songs often gave voice to civic pride. During the 19th and early-20th centuries\, people felt that their own home town was a place worthy of singing about\,” said James M. Keller\, who co-curated the exhibition with Meredith Davidson\, the Museum’s Curator of Southwest Collections. “In the 19th and early-20th centuries\, publishers understood that potential sheet-music buyers judged pieces of music—like books—by their covers. And so\, they accordingly lavished care on the creation of vivid\, original art and design for the sheet music they issued.” \nThe decorative sheet music in the exhibit is drawn from the private collection assembled over the past three decades by James M. Keller\, whose collection focuses on historical popular music from the era of vaudeville and Tin Pan Alley. The guest co-curator of the show\, he is known to New Mexico’s music-lovers through his work as a staff critic at Pasatiempo/The Santa Fe New Mexican. He is also the Program Annotator of the New York Philharmonic\, where he has served since 1995 and occupies an endowed chair\, and (since 2000) of the San Francisco Symphony.
URL:https://test-dca-mc.nmdca.net/dca-event/3546-the-land-that-enchants-me-so-picturing-popular-songs-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180216
DTEND;VALUE=DATE:20181112
DTSTAMP:20230614T175150Z
CREATED:20180427T100824Z
LAST-MODIFIED:20230614T175150Z
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SUMMARY:La Ultima Exhibición
DESCRIPTION:La Ultima Exhibición\, curated by Augustine Romero\, features visual interpretations of Rudolfo Anaya’s celebrated book\, Bless Me\, Ultima (1972)-a portrait of life in rural New Mexico as seen through the eyes of a young boy during World War II. Anaya tells of the spiritual healer\, Ultima\, as she guides young Antonio on a magical and moral journey in this novel that has inspired artists for decades. Romero curated a previous iteration of this exhibition in 2006 at the South Broadway Cultural Center and the NHCC Art Museum is thrilled to host the re-imagined version twelve years later. \nFeatured artists include: Jesús ” Cimi” Alvarado\, George C’de Baca\, Sylvia Ortiz Domney\, Christian Michael Gallegos\, Roberto Gallegos\, Eric Garcia\, Kristina Gonzales\, Nacho Jaramillo\, Al Na’ir Lara\, Chisim Bernal Lujan\, Oscar Lozoya\, Chris Ray Melendez\, El Moisés\, Derrick Montez\, Paloma Paz Nava\, Gabriel Luis Powers\, Chris Rivera\, Rebecca H. Hernandez Rosser\, and Catalina Salinas. \nAugustine Romero is an acclaimed visual artist and the curator of the South Broadway Cultural Center and the Kimo Theater for the City of Albuquerque.
URL:https://test-dca-mc.nmdca.net/dca-event/3756-la-ultima-exhibicion/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180210T090000
DTEND;TZID=America/Denver:20180829T170000
DTSTAMP:20230614T175149Z
CREATED:20180814T231219Z
LAST-MODIFIED:20230614T175149Z
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SUMMARY:Da Vinci—The Genius Exhibition at New Mexico Museum of Natural History & Science
DESCRIPTION:Da Vinci—The Genius opens at the New Mexico Museum of Natural History & Science in Albuquerque at 9am on Saturday\, February 10\, 2018.  This world class exhibition from Grande Exhibitions remains on display at the Museum daily from 9am-5pm through July 29\, 2018. \nDa Vinci – The Genius demonstrates the full scope of Leonardo da Vinci’s remarkable genius as an inventor\, artist\, anatomist\, sculptor\, engineer\, musician and architect. Guests will enjoy many unique pieces including life-size machine inventions\, entertaining animations of da Vinci’s most notable Renaissance works and an eye-opening\, in-depth analysis of his most famous piece\, “Mona Lisa.” Visitors will be able to push\, pull\, crank and interact with many of these exhibits for a hands-on understanding of the scientific principles behind them. \nCreated with the assistance of the Museo Leonardo da Vinci – Rome\, Italy\, and many experts in Italy and France\, Da Vinci – The Genius celebrates one of the most revered and dynamic minds of all time. The exhibition features 17 compelling themed areas of da Vinci’s work\, offering visitors an unmatched look inside the mind of the ultimate Renaissance man who laid the groundwork for some of modern society’s most impactful inventions such as the helicopter\, airplane\, automobile\, submarine\, parachute and bicycle. \nFor more information about Da Vinci—The Genius: http://www.nmnaturalhistory.org/exhibits/temporary-exhibits/da-vinci-genius \nDoors open to the public on February 10\, 2018.  Prices are $22 per ticket.  For Ticket information: http://www.nmnaturalhistory.org/exhibits/temporary-exhibits/da-vinci-genius \n  \n  \nAbout the New Mexico Museum of Natural History & Science: http://www.nmnaturalhistory.org. Established in 1986\, the mission of the New Mexico Museum of Natural History and Science is to preserve and interpret the distinctive natural and scientific heritage of our state through extraordinary collections\, research\, exhibits and programs designed to ignite a passion for lifelong learning. The NMMNHS offers exhibits\, exhibitions\, programs\, and workshops in Paleontology\, Geoscience\, Bioscience\, Earth Science\, Natural Science\, Gemology\, is the Southwest’s largest repository for dinosaur fossils\, and includes a Planetarium and a DynaTheater. A division of the New Mexico Department of Cultural Affairs\, the Museum is open 7 days a week\, from 9:00 a.m. – 5:00 p.m.\, closed Thanksgiving\, Christmas\, and New Year’s Day. 1801 Mountain Road NW\, northeast of Historic Old Town Plaza\, Albuquerque\, NM 87104\, (505) 841-2800.  Events\, news releases and images about activities at the Museum of Natural History and Science and other in divisions of the Department of Cultural Affairs can be accessed at media.newmexicoculture.org. \n  \n  \nABOUT GRANDE EXHIBITIONS: \nCreators and promoters of Da Vinci The Genius\, who have researched\, sourced and interpreted much of what is contained in the exhibition.   \n  \nGrande Exhibitions specializes in the creation\, design\, production\, promotion and installation of large-scale international traveling exhibitions and permanent exhibition experiences of broad cultural appeal\, which are engaging\, entertaining and educational. \n  \nGrande Exhibitions conceptualizes exhibition experiences of timeless brand appeal and transforms them into visually and technically stunning exhibit masterpieces\, ready to tour internationally. Our collection of exhibitions has been hosted in over 90 cities across six continents\, to more than 8 million people. \n  \nGrande Exhibitions operates from its head office in Melbourne\, Australia\, with satellite offices in London\, UK\, Atlanta\, USA\, and Santiago\, Chile. Grande Exhibitions also owns and operates Museo Leonardo da Vinci – a permanent museum in a prestigious central location in Rome\, Italy.  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3621-da-vinci-the-genius-exhibition-at-new-mexico-museum-of-natural-history-science/
LOCATION:NM
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180113
DTEND;VALUE=DATE:20180709
DTSTAMP:20230614T175149Z
CREATED:20180118T003206Z
LAST-MODIFIED:20230614T175149Z
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SUMMARY:Form & Function: Objects with Flair
DESCRIPTION:This fun exhibit features 44 objects from the museum’s collections that combine usefulness and beauty. \nSome objects are purely utilitarian in nature\, with no real aesthetic appeal. At the other end of the spectrum are objects of art\, which serve no functional purpose other than to be appreciated for their beauty\, or the message the artist wishes to convey. Somewhere in the middle are those things that have a definite purpose\, but which also exhibit a deliberate sense of style. That’s what the objects in this exhibit have in common. \nIt includes everything from woven items such as Navajo rugs to Apache and Pima baskets\, to vases\, pots and bowls\, as well as saddles\, guns\, and furniture. \nThe exhibit will be in the museum’s Traditions Gallery through July 8.
URL:https://test-dca-mc.nmdca.net/dca-event/3608-form-function-objects-with-flair/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3608_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180101
DTEND;VALUE=DATE:20180414
DTSTAMP:20230614T175148Z
CREATED:20180402T211520Z
LAST-MODIFIED:20230614T175148Z
UID:10001160-1514764800-1523663999@test-dca-mc.nmdca.net
SUMMARY:A Place Like No Other: Two Views of the New Mexico Landscape (at the State Capitol)
DESCRIPTION:A Place Like No Other: Two Views of the New Mexico Landscape is located at the Governor’s Gallery on the 4th floor of the State Capitol\, at the corner of Old Santa Fe Trail and Paseo de Peralta.  \nIn celebrating the 1917 founding of the New Mexico Museum of Art on Santa Fe’s historic Plaza\, it seems appropriate to highlight the work of two artists whose images of the state’s renowned beauty have helped define it in the public imagination: Sheldon Parsons and Eliot Porter. Both men came west and found themselves deeply inspired by the land\, skies\, and culture of New Mexico. Parsons quickly became an integral part of the Santa Fe art scene\, even serving as the first director of the Museum of Art. Porter gave up a career as a research scientist at Harvard to move to New Mexico and devote himself to photography\, maintaining a home and studio in Tesuque from the mid-1940s until his death in 1990. \nParsons’ paintings are saturated with the rich blues\, yellow golds\, and greens of New Mexico’s distinctive landscape while Porter\, known for his pioneering work in color photography\, photographed the state in austere black and white. Both artists looked to New Mexico’s most iconic features for their subject matter\, the stark and stunning land and the characteristic adobe of its traditional buildings. In the wake of the recent World War\, they chose to portray New Mexico as a rustic and pastoral land\, seemingly untouched by time.
URL:https://test-dca-mc.nmdca.net/dca-event/3542-a-place-like-no-other-two-views-of-the-new-mexico-landscape-at-the-state-capitol/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3542_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171214
DTEND;VALUE=DATE:20180402
DTSTAMP:20230614T175149Z
CREATED:20171220T053002Z
LAST-MODIFIED:20230614T175149Z
UID:10001162-1513209600-1522627199@test-dca-mc.nmdca.net
SUMMARY:Connie Garcia: A Lifetime of Art
DESCRIPTION:This exhibition showcases a lifetime of beautifully creative work by the late Las Cruces artist Connie Garcia. \nConnie\, who passed away Jan. 3\, 2017 at age 66\, had a creative flair and a love of art that is evident in her work. She expressed her creativity through tile\, foil\, drawing\, contemporary painting\, cards\, and much more. \nConnie began creating her artwork in the 1970s\, starting with batik art\, which she sold at art shows throughout the country.  \n“I create my art with devotion and intensity\,” Connie wrote in her artist’s statement last year. “I like to carve my own style. I don’t follow any particular ’school’ of art or technique but instead see myself as being a piece of most schools\, whether logical or illogical. I find that modern\, expressionists\, mythological\, and psychic autonomous pieces\, are my strongest influence. The energy of a piece pulls the spirit and material collage assemblage. If a client is not disturbed\, if there is no mystery\, curiosity\, or reason for further contemplation about a piece\, then there is no need for the piece.” \nThe show has been in the works for almost two years. It includes 37 pieces of artwork.
URL:https://test-dca-mc.nmdca.net/dca-event/3581-connie-garcia-a-lifetime-of-art/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3581_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171210
DTEND;VALUE=DATE:20190603
DTSTAMP:20230614T175219Z
CREATED:20181031T030413Z
LAST-MODIFIED:20230614T175219Z
UID:10001298-1512864000-1559519999@test-dca-mc.nmdca.net
SUMMARY:Lifeways of the Southern Athabaskans Note: New closing date of June 2\, 2019
DESCRIPTION:The Museum of Indian Arts and Culture will exhibit over 100 objects dating from the late 1880s to the present. Cultural objects will represent the lifeways of the different Apachean groups in New Mexico and Arizona. These cultural objects include basketry\, beaded clothing\, hunting and horse gear. \nThese groups are: Jicarilla Apache\, Mescalero Apache\, Fort Sill Apache (Chiricahua)\, San Carlos Apache and White Mountain Apache.
URL:https://test-dca-mc.nmdca.net/dca-event/3145-lifeways-of-the-southern-athabaskans-note-new-closing-date-of-june-2-2019/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3145_thumb.jpg
ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20171203T100000
DTEND;TZID=America/Denver:20190717T170000
DTSTAMP:20230614T175216Z
CREATED:20181220T224926Z
LAST-MODIFIED:20230614T175216Z
UID:10001283-1512295200-1563382800@test-dca-mc.nmdca.net
SUMMARY:Crafting Memory: The Art of Community in Peru
DESCRIPTION:The past forty years have been a time of tremendous change in the Andes\, beginning with the Agrarian Reform of 1969 that broke up the large haciendas; a twenty-year internal armed conflict with the Shining Path that engulfed the 1980’s and 1990’s and claimed nearly 70\,000 lives; economic swings\, rapid development\, the recent large investment in preserving archaeological heritage and the current booming tourism industry.  \nAll of these forces have all shaped the lives of artists and informed the art they create.  Crafting Memory visits a series of contemporary folk artists in Peru and places their work within this larger framework of Peruvian history and social change. The exhibition will explore the many routes through which craft and folk arts are learned and practiced\, including multigenerational crafting families\, self-taught artisans\, and others who came to folk arts as a means of economic survival during the time of violence.  The show includes a third generation silversmith reviving the art of tupus or shawl stick pins that were worn during the Inca Empire; the art of war orphans from the 1980’s who were trained in traditional arts to give hope in dark times; and a collective of young artists in Lima using the medium of silk screening to promote conversations between rural highland and jungle communities with their counterpart migrant neighborhoods in the city\, celebrating their shared arts\, culture\, and customs and emphasizing the value of the handmade\, and the ideas\, values\, and aesthetics that arise from Cultura Popular – common people and everyday life.
URL:https://test-dca-mc.nmdca.net/dca-event/2839-crafting-memory-the-art-of-community-in-peru/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2839_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171125
DTEND;VALUE=DATE:20181105
DTSTAMP:20230614T175147Z
CREATED:20180724T205307Z
LAST-MODIFIED:20230614T175147Z
UID:10001155-1511568000-1541375999@test-dca-mc.nmdca.net
SUMMARY:Shifting Light : Photographic Perspectives
DESCRIPTION:Shifting Light offers a twenty-first century perspective on the museum’s long-term engagement with the popular medium of photography. Organized into the broad categories of land and place\, culture and identity\, community and interconnection\, and vision and creativity\, the exhibition juxtaposes photographs in ways that amplify their meanings and suggest new narratives. Ansel Adams’ famous 1940 photograph Moonrise\, Hernandez is paired with a 1975 landscape by Thomas Barrow from his series Cancellations\, while Alfred Stieglitz’s 1918 portrait of Georgia O’Keeffe keeps company with images by Anne Noggle and Joyce Neimanas. \nUsing portraits and oral histories\, the show introduces some of the personalities in New Mexico’s twentieth-century photography scene\, such as artist Laura Gilpin and curator Beaumont Newhall. Collectors\, another integral part of the photography community\, are represented by a changing selection of promised gifts that are pledged as future additions to the museum’s collection. Visitors are invited to write or draw their own memories\, favorite photographs\, and other responses to the show. Vintage exhibition announcements\, brochures\, and publications tell a complementary story of photography’s growing prominence at the museum from the mid-1920s to the present. \nAn electronic component begins in January 2018\, when a group of twenty artists will post images inspired by the exhibition themes to the museum’s Instagram site on alternating weeks. \nSee Curator of Photography Katherine Ware’s article about the museum’s early history of exhibiting photography\, published in Winter 2017 issue of the Museum of New Mexico’s journal\, El Palacio.
URL:https://test-dca-mc.nmdca.net/dca-event/3417-shifting-light-photographic-perspectives/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3417_1200.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171125
DTEND;VALUE=DATE:20180430
DTSTAMP:20230614T175148Z
CREATED:20171127T222116Z
LAST-MODIFIED:20230614T175148Z
UID:10001156-1511568000-1525046399@test-dca-mc.nmdca.net
SUMMARY:Contact: Local to Global
DESCRIPTION:Contact: Local to Global\, like the other centennial exhibitions\, highlights the engagement of artists with New Mexico\, the Museum of Art with artists and collectors\, and New Mexico’s engagement with the national and international arts community. Additionally the exhibition looks beyond those very literal intersections and implicates larger ideas about contact such as our engagement with the land and environment\, our communities’ alignment with one another\, and more broadly the implications of contact such as the discovery of the New World\, and space exploration. \nContact: Local to Global has two interrelated components – the first of which will focus on works by artists like Bruce Nauman\, Agnes Martin\, Frederick Hammersley and Susan York who have lived and worked in the region\, as well as artists and artworks with differing connections to New Mexico. \nA second component of more contemporary artworks directly address issues of land\, location and environment and will include the site specific installation Pollination by indigenous collaborative Postcommodity\, single channel videos The Placeless Place by Berlin and New York based artists Ati Maier\, and Yorgo Alexopoulos’s work Everything In-Between. Alexopoulos’ work\, a 4K animation with custom electronics\, was shot and commissioned in New Mexico underscoring the continued relevance of the centuries-old tradition of artists making work that is a meditation on the New Mexico landscape.
URL:https://test-dca-mc.nmdca.net/dca-event/3418-contact-local-to-global/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3418_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171125
DTEND;VALUE=DATE:20181126
DTSTAMP:20230614T175147Z
CREATED:20171127T221737Z
LAST-MODIFIED:20230614T175147Z
UID:10001154-1511568000-1543190399@test-dca-mc.nmdca.net
SUMMARY:Horizons: People & Place in New Mexican Art
DESCRIPTION:Drawn primarily from the New Mexico Museum of Art’s extensive collection\, Horizons shows the wide and dynamic range of styles\, personalities\, cultures\, and forms that visual creative expression took in the 20th century\, and combines to show the heart of a land that became a major center for artistic expression in a remarkable period of human history. \nExperience for yourself some the greatest artists who lived and worked in New Mexico in the last century: Robert Henri\, Marsden Hartley\, John Sloan\, Georgia O’Keeffe\, Bert Geer Phillips\, James Stovall Morris\, Victor Higgins\, Awa Tsireh\, Maria Martinez\, Fritz Scholder\, Alfred Morang\, Cady Wells\, Andrew Dasburg\, and Gustave Baumann\, among many others. \nWith a contemporary focus since the beginning\, the New Mexico Museum of Art has been a progressive advocate for the arts over the past hundred years. Focusing on the museum’s historic collection\, Horizons honors our institution’s history as a locus for creativity. This exhibition\, including paintings\, drawings\, prints\, and furniture\, highlights the impact of the museum in creating an artistic identity for the state. \nMajor themes will include the founding of the museum\, Native arts\, a spotlight on Gustave Baumann\, 20th century art and community\, furniture design in New Mexico\, and a selection of work voted on by visitors.
URL:https://test-dca-mc.nmdca.net/dca-event/3416-horizons-people-place-in-new-mexican-art/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3416_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171110
DTEND;VALUE=DATE:20180826
DTSTAMP:20230614T175148Z
CREATED:20200501T024240Z
LAST-MODIFIED:20230614T175148Z
UID:10001159-1510272000-1535241599@test-dca-mc.nmdca.net
SUMMARY:Alzheimer’s Poetry Marble Paper Project
DESCRIPTION:Three hands-on workshops on creating marbled paper were led by Tom Leech\, curator of the Press at the Palace of the Governors\, and took place at Art Street in Albuquerque\, and Santa Fe Cares and Sierra Vista in Santa Fe\, New Mexico. \nThe artists and poets created original group poems inspired by the marble paper with poets Joanne Dwyer\, Gary Glazner and Michelle Otero.
URL:https://test-dca-mc.nmdca.net/dca-event/3512-alzheimers-poetry-marble-paper-project/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3512_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171021
DTEND;VALUE=DATE:20181002
DTSTAMP:20230614T175148Z
CREATED:20180510T225230Z
LAST-MODIFIED:20230614T175148Z
UID:10001158-1508544000-1538438399@test-dca-mc.nmdca.net
SUMMARY:Points Through Time
DESCRIPTION:Projectile points are one of the most iconic images of archaeology in the American Southwest. This exhibition focuses on some of the projectile points that are commonly found here in New Mexico from Paleoindian times (13\,500 years ago)\, through the Archaic\, and into Puebloan times (1\,260 to 110 years ago) as well as some of the exotic points that have come to New Mexico from California and Texas. \nThe exhibit discusses how archaeologists classify points\, why they change through time\, and how illegal collection of points can impact the archaeological record. \nThis exhibit opens on Saturday October 21\, 2017 at the Center for New Mexico Archaeology (7 Old Cochiti Road). After that\, the exhibit is open to the public Monday through Friday 8 a.m. to 5 p.m. and closed on holidays.
URL:https://test-dca-mc.nmdca.net/dca-event/3484-points-through-time/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3484_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171014
DTEND;VALUE=DATE:20180213
DTSTAMP:20230614T175218Z
CREATED:20200430T215701Z
LAST-MODIFIED:20230614T175218Z
UID:10001293-1507939200-1518479999@test-dca-mc.nmdca.net
SUMMARY:Out of the Box: The Art of the Cigar
DESCRIPTION:From the 1880s into the early 20th century\, cigar manufacturers provided an avenue for the lithographic arts to flourish. Layering up to 10 colors in a stone-lithography process and even adding gold embellishments and stamped embossings\, the images sold cigars through romantic landscapes\, Western adventures\, and iconic representations of women. \nHistorian Loy Glenn Westfall recently donated a portion of his collection of lusciously printed cigar box labels (possibly the world’s largest collection) to the New Mexico History Museum. In Out of the Box: The Art of the Cigar\, opening Oct. 7\, 2016\, Palace Press Curator Thomas Leech shares primo examples to showcase the rich breadth of artwork created during the golden age of cigar box labels. \n“Western imagery portrayed in this collection includes the brands Nue Mexico\, Santa Fe\, Flora Fina (Annie Oakley)\, Tom Mix and Chas. M Russell\,” Leech said. “The themes run from Western Americana to printing technology\, advertising\, popular culture\, and Cuban-American relations\, past and present.” \nThe exhibit includes a 19th-century lithography press and an explanation of the lithographic process. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2939-out-of-the-box-the-art-of-the-cigar/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2939_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20171006T173000
DTEND;TZID=America/Denver:20180325T190000
DTSTAMP:20230614T175222Z
CREATED:20200430T220929Z
LAST-MODIFIED:20230614T175222Z
UID:10001314-1507311000-1522004400@test-dca-mc.nmdca.net
SUMMARY:A Mexican Mirror Prints of the Taller de Gráfica Popular
DESCRIPTION:Following the Mexican Revolution\, artists came to see the ancient and folk art of Mexico in new light. Building on the foundation of their predecessors Jose Guadalupe Posada and Manuel Manilla\, the new generation printmakers of the Taller de Gráfica Popular\, or the “People’s Graphic Workshop\,” used their craft to promote the “progressive and democratic interests of the Mexican people\, especially in the fight against fascist reaction.” The main products of their presses were posters\, portfolios\, fine prints\, handbills and even children’s books – printed in woodcut\, linoleum and lithography.
URL:https://test-dca-mc.nmdca.net/dca-event/3386-a-mexican-mirror-prints-of-the-taller-de-grafica-popular/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3386_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170915
DTEND;VALUE=DATE:20171216
DTSTAMP:20230614T175148Z
CREATED:20171219T035119Z
LAST-MODIFIED:20230614T175148Z
UID:10001157-1505433600-1513382399@test-dca-mc.nmdca.net
SUMMARY:Governor’s Awards for Excellence in the Arts exhibition
DESCRIPTION:The Governor’s Awards for Excellence in the Arts were established in 1974 by Governor Bruce King and First Lady Alice King to celebrate the significant roles – both economic and cultural – that artists\, craftspeople and arts supporters play in the life of New Mexico. \n \nThe 2017 recipients of this life time achievement award are:\n \n\n \nBayou Seco of Silver City\, Artists\, Music:  Ken Keppeler and Jeanie McLerie\n \nWilliam deBuys of El Valle\, Artist\, Writing/Literature\n \nGustavo Victor Goler of Taos\, Artist\, Master Santero/Spanish Colonial Bultos and Retablos\n \nRussell Sanchez of San Ildefonso Pueblo\, Artist\, Pottery\n \nWill Wilson (Diné)\, Photographer\n \nHelen R. Lucero of Albuquerque\, Major Contributor to the Arts\n \nRoswell Artist-in-Residence Program of Roswell\, Major Contributor to the Arts\n\n \nThe 2017 Governor’s Awards for Excellence in the Arts exhibition\, featuring the work of the recipients takes place in the Governor’s Gallery\, 4th Floor\, of the State Capitol. Gallery hours are Monday-Friday 8 am – 5 pm\n \n \n \nThe Governor’s Awards for Excellence in the Arts are organized by the New Mexico Museum of Art and New Mexico Arts\, divisions of the New Mexico Department of Cultural Affairs.
URL:https://test-dca-mc.nmdca.net/dca-event/3441-governors-awards-for-excellence-in-the-arts-exhibition/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3441_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170827
DTEND;VALUE=DATE:20181231
DTSTAMP:20230614T175219Z
CREATED:20180716T224550Z
LAST-MODIFIED:20230614T175219Z
UID:10001300-1503792000-1546214399@test-dca-mc.nmdca.net
SUMMARY:Stepping Out: 10\,000 Years of Walking the West
DESCRIPTION:Footwear is evocative. The shoe tells us if the wearer was a child or an adult\, and can often tell us whether they were an adult man or woman\, based on size and style. Shoes retain signs of the wearer\, showing imprints of toes and heels and repairs made as much-needed or much-loved footwear became ragged. They can also hint at health problems; for example\, bunions and uneven gaits can be visible on the shoes. \nHow we protect our feet is influenced by the environment (hot\, cold\, stony\, soft)\, the materials available (leather\, plants\, beads\, quills)\, and tradition. Tradition guides whether people wear sandals or leather footwear\, as well as how they decorate them\, but tradition varies over time as conditions\, environmental and social\, change. \nThe style of the shoe also tells us about belonging\, love\, and social aspiration. Beaded moccasins are time-consuming to make\, comfortable to wear\, and beautiful to behold. Moccasins created for a family member will often reflect the love and commitment of the maker toward the wearer. Some styles of moccasins or sandals were reserved for those with status\, wealth\, or a special role in society. Footwear reflects the lives of their makers and wearers\, offering a window into the past and the present. \nThis exhibition will feature sandals that date back thousands of years found in the dry caves of New Mexico and nearby regions. The Museum of Indian Arts and Culture has amassed a significant collection of Plains and Southwest moccasins\, many beautifully beaded or quilled\, and these will be exhibited for the first time in decades. The exhibition will conclude with examples of contemporary high fashion footwear made artists like Teri Greeves\, Lisa Telford\, and Emil Her Many Horses\, showing how traditional designs and techniques are now being used to create gorgeous\, meaningful shoes in the 21st Century. \nStepping Out: 10\,000 Years of Walking the West opens at the Museum of Indian Arts and Culture on August 27\, 2017 and will be on exhibit through the end of 2018. \nCurator’s Statement by Maxine McBrinn\, PhD.
URL:https://test-dca-mc.nmdca.net/dca-event/3148-stepping-out-10000-years-of-walking-the-west/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3148_1200.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170818
DTEND;VALUE=DATE:20171204
DTSTAMP:20230614T175222Z
CREATED:20170822T205246Z
LAST-MODIFIED:20230614T175222Z
UID:10001315-1503014400-1512345599@test-dca-mc.nmdca.net
SUMMARY:On the Wing The Avian Photography of Nirmala Khandan
DESCRIPTION:“On the Wing: The Avian Photography of Nirmala Khandan” is on display in the New Mexico Farm and Ranch Heritage Museum’s Arts Corridor through Dec. 3. \nKhandan began photographing birds in his native Sri Lanka before moving to Las Cruces 17 years ago. The drastic change in environment made his artistic journey challenging and fun. \n“Birds are unpredictable\,” he said. “It’s nice when you can capture an image with a clean background in their habitat. In this exhibit\, I have compiled portraits of a variety of birds photographed in their natural habitats here in New Mexico. While most of them are residents\, some are migrants. Others may be regularly spotted here\, but some (like the Great Kiskadee) are a rare sight in our area. \n“I hope viewers will appreciate the fascinating details of the birds\, as well as gaining some insight into their behavior and the way in which they interact in their habitat\,” he added. \nKhandan\, whose work features all types of nature and wildlife photography\, began sharing his images on social media and is excited to reach a wider audience. \nHis show includes 32 images that are beautifully colorful and display great detail. While his technical expertise and talent in composition are evident\, there’s much more to his work. He hopes to raise awareness of the importance of habitat. \n“I hope this exhibit will help raise awareness\, especially among younger generations\, about the diversity and beauty of local avian life\, and encourage the preservation of our ecosystem in the face of rapid urbanization\, climate change\, and habitat loss.”
URL:https://test-dca-mc.nmdca.net/dca-event/3405-on-the-wing-the-avian-photography-of-nirmala-khandan/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3405_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170709T100000
DTEND;TZID=America/Denver:20180121T170000
DTSTAMP:20230614T175216Z
CREATED:20170918T212107Z
LAST-MODIFIED:20230614T175216Z
UID:10001287-1499594400-1516554000@test-dca-mc.nmdca.net
SUMMARY:Quilts of Southwest China
DESCRIPTION:In southwest China\, traditional bed coverings\, clothing\, and household items have long been made from patched and appliqued scraps to create artistic and functional textiles. A bi-national consortium of American and Chinese museums has worked together to document and research these quilts\, an art form little known outside certain ethnic minority communities. Although the making and using of these quilts have declined\, a surge of renewed interest among scholars\, artists\, and locals is leading to growing efforts to study the textiles and the skills needed to continue making them. \nDownload coloring pages from this exhibition. \n  \nThis exhibit is sponsored by The Henry Luce Foundation. Additional support comes from the International Folk Art Foundation; the Museum of New Mexico Foundation and donors to the Exhibitions Development Fund; and the E. Rhodes and Leona B. Carpenter Foundation. Project partners include Yunnan Nationalities Museum (Kunming\, Yunnan\, China); Anthropology Museum of Guangxi (Nanning\, Guangxi\, China); Guizhou Nationalities Museum (Guiyang\, Guizhou\, China); Michigan State University Museum (East Lansing\, Michigan\, USA); Mathers Museum of World Cultures\, Indiana University (Bloomington\, Indiana\, USA); the International Quilt Study Center and Museum\, University of Nebraska-Lincoln (Lincoln\, Nebraska\, USA); the American Folklore Society; and the Chinese Folklore Society.
URL:https://test-dca-mc.nmdca.net/dca-event/2890-quilts-of-southwest-china/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170623
DTEND;VALUE=DATE:20171104
DTSTAMP:20230614T175222Z
CREATED:20200720T232309Z
LAST-MODIFIED:20230614T175222Z
UID:10001312-1498176000-1509753599@test-dca-mc.nmdca.net
SUMMARY:Syria: Cultural Patrimony Under Threat
DESCRIPTION:As Syria’s ongoing civil war\, staggering death toll\, and displacement of thousands of refugees threatens to destroy Syrian culture\, the Palace of the Governors will display seven albums of photographs of historic sites in Syria taken between 1899 and 1909. Entitled Syria: Cultural Patrimony Under Threat\, the exhibition will includes a multi-functional information kiosk with insights into Syrian people and culture. \nPartnering with Curators Without Borders\, a non-profit that specializes in innovative museum collaborations for humanitarian response\, the exhibition highlights the vast collection of albumen prints\, showing not only the historic sites now destroyed in Syria\, but representations of its people in adjacent collections within the Photo Archives. \nAs New Mexico has been the home to many diverse groups through its millennia who sought refuge from social\, political\, ethnic and religious strife\, it continues to welcome most recently Syrian refugee families who are escaping the terrors of life in Syria today. The principal message of the exhibition is one of shared concern\, empathy\, unity\, and support for those suffering amid diaspora. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3296-syria-cultural-patrimony-under-threat/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3296_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170623
DTEND;VALUE=DATE:20180319
DTSTAMP:20230614T175147Z
CREATED:20170822T235500Z
LAST-MODIFIED:20230614T175147Z
UID:10001151-1498176000-1521417599@test-dca-mc.nmdca.net
SUMMARY:The Piñata Exhibit (Sure to be a Smash Hit!)
DESCRIPTION:The Piñata Exhibit (Sure to be a Smash Hit!) celebrates this popular art form with over 175 examples from Mexico\, California\, Arizona\, Nevada\, Texas and New Mexico. \nTraditional and iconic works\, alongside creations by contemporary piñata artists\, illustrate how piñatas maintain their historical and social importance while also reflecting transnational shifts in popular\, political\, and visual culture. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3411-the-pinata-exhibit-sure-to-be-a-smash-hit/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3411_1200.jpg
GEO:35.0681597;-106.6556345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=National Hispanic Cultural Center 1701 4th Street SW Albuquerque NM 87102 United States;X-APPLE-RADIUS=500;X-TITLE=1701 4th Street SW:geo:-106.6556345,35.0681597
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170604T100000
DTEND;TZID=America/Denver:20180716T170000
DTSTAMP:20230614T175219Z
CREATED:20190711T044855Z
LAST-MODIFIED:20230614T175219Z
UID:10001295-1496570400-1531760400@test-dca-mc.nmdca.net
SUMMARY:Negotiate\, Navigate\, Innovate: Strategies Folk Artists Use in Today’s Global Marketplace in the Mark Naylor & Dale Gunn Gallery of Conscience
DESCRIPTION:Visitors notice the Gallery of Conscience looks different than the rest of the museum.  In this gallery\, visitors are invited behind the scenes to participate directly in the creation of an exhibition.  That is why the space looks informal and unpolished- it’s on purpose.  The Gallery of Conscience team seeks to make visitors feel welcome to write comments\, leave thoughts and participate in the exhibition’s creation. \nNegotiate\, Navigate\, Innovate is about contemporary folk artists and their relationship with their patrons\, buyers and collectors. We are especially interested in understanding the pressures they might feel to keep their traditions alive in the face of modern technological advances and new consumer demands. Visitors will see a kind of “mock up” or series of idea sketches. The artworks will come at a later point in the process- after we have heard from visitors\, artists and local community members.  \nSee six digital stories created as part of a six month master apprenticeship program in 2016\, that focuses on cross-generational conversation\, documentation and learning of traditonal New Mexican folk arts \nIyamopo: My Life in Indigo  https://www.youtube.com/watch?v=93BQvlaWLoQ \nPueblo Weaving   https://www.youtube.com/watch?v=Dre1SamDIXQ \nNative Arts: Rooted in Tradition  https://www.youtube.com/watch?v=iffnsiFva7k \nColcha Embroidery: Stitching a Story https://www.youtube.com/watch?v=Y2H7J6SyFI8 \nUnfolding Tradition  https://www.youtube.com/watch?v=s4Lxduz1IFo \nLoving Creations in Clay  https://www.youtube.com/watch?v=-06LO_f2emk
URL:https://test-dca-mc.nmdca.net/dca-event/2976-negotiate-navigate-innovate-strategies-folk-artists-use-in-todays-global-marketplace-in-the-mark-naylor-dale-gunn-gallery-of-conscience/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2976_1200.jpg
ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170604T100000
DTEND;TZID=America/Denver:20180729T170000
DTSTAMP:20230614T175219Z
CREATED:20180723T000051Z
LAST-MODIFIED:20230614T175219Z
UID:10001296-1496570400-1532883600@test-dca-mc.nmdca.net
SUMMARY:Artistic Heritage: Syrian Folk Art on Display in Lloyd’s Treasure Chest
DESCRIPTION:Folk Art is a treasure\, and Lloyd’s Treasure Chest offers a participatory gallery experience highlighting the Museum’s permanent collection of over 136\,000 objects of international folk art from over 100 countries\, representing thousands of unique cultures. Because the entire collection can never be on view at the same time\, collections are carefully stored and cared for in rooms such as our Neutrogena Vault\, which visitors can view from the Treasure Chest gallery. \nVisitors are invited to think about folk art. In fact\, there is no one definition of folk art. In collecting and displaying folk art\, the museum considers various concepts: Folk art is traditional art\, reflecting shared cultural aesthetics\, community values\, priorities\, and social issues. Folk art may change over time and include innovations in traditions. Folk art is handmade\, although it may include new\, synthetic\, or recycled components. Folk art may constitute income and empowerment for an individual\, a family\, or a community. Folk art may be art of the everyday or reserved for special occasions. Folk art may be learned formally or informally\, from family or other artists. Folk art may be intangible\, including various forms of expressive culture like dance\, song\, poetry\, and food ways. Folk art is of\, by\, and for the people. We mean all people\, inclusive of class\, culture\, community\, ethnicity\, and religion. Together\, we can consider the multitude of perspectives and come closer to understanding “What is Folk Art?” \nRotating thematic displays will offer close-up views of the museum’s folk art collection. In collaboration with the New Mexico History Museum’s exhibition Syria: Cultural Patrimony Under Threat\, opening June 23\, 2017;   MOIFA’s display of Syrian folk art opened June 4\, 2017. Hands on activities appropriate for ages 3 to 103 in the gallery include: coloring activities\, origami and a Javanese musical instrument.  The cultural context of folk art can be explored with a map\, book area. The notion that Folk Art may be intangible is explored with a musical instrument: a gender\, a gamelan instrument The re-opening brings back some old favorites from past exhibitions\, including “Last of the Red Hot Lovers”\, an American sculpture made from recycled metal by artist Dwight Martinek (aka “Wild Willie”)\, “The Followers of Ghandi” by renowned Master Folk artists Nek Chand\, and a Wedding Rickshaw from Bangladesh. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3047-artistic-heritage-syrian-folk-art-on-display-in-lloyds-treasure-chest/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3047_1200.jpg
ORGANIZER;CN="Rebecca Ward":MAILTO:rebecca.ward@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170527
DTEND;VALUE=DATE:20170918
DTSTAMP:20230614T175221Z
CREATED:20170721T200456Z
LAST-MODIFIED:20230614T175221Z
UID:10001308-1495843200-1505692799@test-dca-mc.nmdca.net
SUMMARY:Lines of Thought: Drawing from Michelangelo to Now: from the British Museum
DESCRIPTION:Lines of Thought: Drawing from Michelangelo to Now examines the many ways artists have used drawing as a means of recording and provoking thought from the fifteenth century to today. \nThe internationally recognized line-up of artists featured in the exhibition is a ‘who’s who’ of artists through the centuries. The exhibition includes work by artists as diverse as Leonardo da Vinci\, Michelangelo\, Albrecht Dürer\, Piet Mondrian\, Paul Cézanne\, Pablo Picasso\, Bridget Riley\, Barbara Hepworth\, Henry Moore\, Franz Kline and Rachel Whiteread. \nCombining work from master artists of the past with artists working today\, clearly demonstrates the common thread of drawing as the basis for creation. Drawing is one of the most effective mediums for the immediate expression and representation of an artist’s ideas. Drawing often serves as the starting point for other creative arts including painting\, sculpture\, even basic engineering design and architecture. The exhibition will help visitors to explore the range inherent in the medium of drawing and may even inspire them to draw as well.
URL:https://test-dca-mc.nmdca.net/dca-event/3220-lines-of-thought-drawing-from-michelangelo-to-now-from-the-british-museum/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3220_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170514
DTEND;VALUE=DATE:20180212
DTSTAMP:20230614T175220Z
CREATED:20200930T022332Z
LAST-MODIFIED:20230614T175220Z
UID:10001301-1494720000-1518393599@test-dca-mc.nmdca.net
SUMMARY:Voices of Counterculture in the Southwest
DESCRIPTION:At a time when concerts and gatherings on the West Coast gave birth to 1967’s infamous “Summer of Love\,” New Mexico was experiencing its own social and environmental revolution depicted in Voices of Counterculture in the Southwest. \nAs the Vietnam conflict dragged on for more than a decade\, and the trajectory of civil rights activism escalated nationally\, issues of justice\, identity and social norms sparked activism among the nation’s youth. Young people from across the country flocked to alternative living situations in growing communes or organized to fight social and political injustices. From the mid-1960s into the 1970s\, the well-known draw of New Mexico’s open skies and cross-cultural environment sparked a pilgrimage of many young people to the area. \nOn display through February 11\, 2018\, the exhibition spans the decades of the 60s and 70s exploring this influx of young people to New Mexico and the subsequent collision of cultures. Through archival footage\, oral histories\, photography\, ephemera and artifacts\, the exhibition examines this cultural revolution and asks how these forms of rebellion inform the ways we think about contemporary social and political questions of what it means to be an engaged citizen.
URL:https://test-dca-mc.nmdca.net/dca-event/3166-voices-of-counterculture-in-the-southwest/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3166_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
END:VCALENDAR