BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Department of Culture Affairs Media Center - ECPv6.16.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Department of Culture Affairs Media Center
X-ORIGINAL-URL:https://test-dca-mc.nmdca.net
X-WR-CALDESC:Events for Department of Culture Affairs Media Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Denver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20160313T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20161106T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20170312T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20171105T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20180311T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20181104T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20190310T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20191103T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20200308T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20201101T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20210314T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20211107T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20191001
DTSTAMP:20230614T175154Z
CREATED:20181102T032513Z
LAST-MODIFIED:20230614T175154Z
UID:10001186-1539993600-1569887999@test-dca-mc.nmdca.net
SUMMARY:Birds: Spiritual Messengers of the Skies at the Center for NM Archaeology
DESCRIPTION:Please note this exhibit is at the Center for NM Archaeology\, located at 7 Old Cochiti Road\, off the Caja Del Rio exit of 599. \nBirds are among the most cherished animals with whom we share the Earth. Where birds live well\, people thrive. The presence and wellbeing of birds reflects the health of the environment; they share every ecosystem with us\, playing the role of hunter and prey\, pollinators\, scavengers\, and dispersers of seeds. Feeding the spirit\, they can signify strength\, courage and freedom. They are companions to us and inspire us to think beyond our own confinement and limitations. With some 10\,000 species of birds in the world\, they represent one of the best adapted animals on Earth\, dating back to the time of the dinosaurs. \n“Birds: Spiritual Messengers of the Skies” explores the importance of birds among Native American culture both in the past and today. It includes information on some of the major bird species of the Southwest and how important birds have been as a resource for tools\, feathers and food. Birds in archaeology\, how they are studied and what that tells us about the past\, is also included. With help from Audubon New Mexico\, the exhibit inspires to communicate important aspects of birds and their role in our world. \nThe exhibit opens on International Archaeology Day\, Saturday\, October 20\, at the Center for New Mexico Archaeology located off the 599 Bypass in Santa Fe at 7 Old Cochiti Road (located off Caja del Rio Road\, right across from the Santa Fe Animal Shelter and Humane Society). The Center\, which houses the archaeology collections for the State of New Mexico\, and the Office of Archaeological Studies\, who shares the building\, will hold an open house from 10 a.m. to 4 p.m. and will include tours of the facility and many activities and demonstrations for children and adults including atlatl (spear) throwing and archaeology demonstrations. The event is free of charge. Thereafter\, the exhibit can be viewed in the lobby of the Center until October 2019\, Monday through Friday\, 8 a.m. to 5 p.m. (excluding holidays). \nThis exhibit complements The Year of the Bird\, the centennial of the Migratory Bird Treaty Act that was passed in 1918 to protect birds from wanton killing. The Year of the Bird is sponsored by National Geographic\, the National Audubon Society\, BirdLife International and the Cornell Lab of Ornithology. Visit any of these organizations’ sites to sign up\, learn how to help protect birds\, and find events near you!
URL:https://test-dca-mc.nmdca.net/dca-event/3917-birds-spiritual-messengers-of-the-skies-at-the-center-for-nm-archaeology/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3917_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20190128
DTSTAMP:20230614T175153Z
CREATED:20180926T035933Z
LAST-MODIFIED:20230614T175153Z
UID:10001184-1539993600-1548633599@test-dca-mc.nmdca.net
SUMMARY:Naturescapes 2018: Clouds
DESCRIPTION:This year\, the theme was CLOUDS and photographers explored the entire state to find clouds everywhere. We received 142 entries and the judges were able to select thirty photos that show clouds in many different forms and interpretations. \nPrizes will be awarded on Saturday\, October 20th\, 10-11am\, during the exhibit opening and members preview. \nPhotographs will be displayed from October 20th\, 2018 to January 27th\, 2019.  \n  \nFirst Place: Aguirre Spring (Tim Funk) \nSecond Place: Hideaway (Max Woltman) \nHonorable Mention: Watching the Moon Rise (Paul Zeigler) \n  \nStudent Winners:                   \nFirst Place: Retreating Storm\, Standing Bow (Vera Berger)            \nSecond Place: Clouds and Ancients (Leo Unzicker) \nHonorable Mention: Fences Can’t Keep Out Flames (Colin Ross) \n  \nThis annual photo competition celebrates nature through the art of photography. Our vision is to inspire a greater appreciation and understanding of the natural world.
URL:https://test-dca-mc.nmdca.net/dca-event/3911-naturescapes-2018-clouds/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181017
DTEND;VALUE=DATE:20191018
DTSTAMP:20230614T175153Z
CREATED:20181004T235544Z
LAST-MODIFIED:20230614T175153Z
UID:10001183-1539734400-1571356799@test-dca-mc.nmdca.net
SUMMARY:Back to Bones
DESCRIPTION:In advance of the Society for Vertebrate Paleontology convention\, NMMNHS plans to revisit its extensive collection with a new\, Back to Bones exhibition\, highlighting some of its most spectacular vertebrate fossils – the result of over 30 years of collecting efforts. The exhibit will be up for at least a year starting on or about Oct. 17th. \n  \n“Our museum has amassed some fantastic fossils over the last 30 years\,” said Thomas A. Williamson\, Paleontology Curator at NMMNHS and co-chair of the SVP convention. “Everything from 300-million-year-old fish and early reptiles\, dinosaur skulls from near the end of the Age of Reptiles\, to Ice Age mammals. The SVP convention affords us a chance to really show off some of our most prized specimens.”
URL:https://test-dca-mc.nmdca.net/dca-event/3909-back-to-bones/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181006
DTEND;VALUE=DATE:20190105
DTSTAMP:20230614T175153Z
CREATED:20180926T034818Z
LAST-MODIFIED:20230614T175153Z
UID:10001182-1538784000-1546646399@test-dca-mc.nmdca.net
SUMMARY:Picturing the Past
DESCRIPTION:Picturing the Past will feature juried selections from dozens of works submitted by paleo-artists working across the globe. The subjects span the range of life on this planet\, from trilobites to dinosaurs to sabretooth cats\, in paintings and sculptures and digital models. The museum’s collection of paleoart will also be highlighted\, with important examples of the genre from the opening of the museum in the mid-1980s.
URL:https://test-dca-mc.nmdca.net/dca-event/3908-picturing-the-past/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180929
DTEND;VALUE=DATE:20190311
DTSTAMP:20230614T175151Z
CREATED:20190207T195355Z
LAST-MODIFIED:20230614T175151Z
UID:10001174-1538179200-1552262399@test-dca-mc.nmdca.net
SUMMARY:Good Company: Five Artist Communities in New Mexico
DESCRIPTION:Since the end of the nineteenth century\, when some of the first academically trained artists began to settle in Taos\, later forming the Taos Society of Artists\, New Mexico has continued to provide fertile ground for artists to gather together and create a forum for their individual visions. The role of artist communities in New Mexico is explored through works by members of the Taos Society of Artists\, Los Cinco Pintores\, Transcendental Painting Group\, Rio Grande Painters\, and the Stieglitz circle. Each of these groups had a distinctive aesthetic and set of guiding principles Good Company offers a closer look at what makes each unique.
URL:https://test-dca-mc.nmdca.net/dca-event/3853-good-company-five-artist-communities-in-new-mexico/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3853_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180813
DTEND;VALUE=DATE:20181203
DTSTAMP:20230614T175153Z
CREATED:20180922T035330Z
LAST-MODIFIED:20230614T175153Z
UID:10001181-1534118400-1543795199@test-dca-mc.nmdca.net
SUMMARY:Joe Pfeiffer: My Long Journey
DESCRIPTION:Artist Jacob Pfeiffer’s long journey covers 80-plus years and two continents. During the course of his amazing life\, he developed his artistic talent\, painting scenes that show the pioneer days through contemporary times.  \nPfeiffer\, who moved to Las Cruces in 2013\, specializes in oil painting on canvas and linen. His works in the show feature scenes of Native Americans and early settlers\, animals\, and even scenes of local sites like the Museum and the Las Cruces Farmers’ & Crafts Market. There are 26 included in the show. \nGrowing up in Romania\, Pfeiffer began drawing pictures of animals as a young child. Pfeiffer came to the United States when he was 19\, worked at various jobs and took art classes at night. Soon\, a prominent Cincinnati gallery offered him a solo show that was a great success. \nPfeiffer’s work has evolved over the years\, depending on the subject matter. He has received dozens of awards and his work has been displayed in galleries all over the country.
URL:https://test-dca-mc.nmdca.net/dca-event/3903-joe-pfeiffer-my-long-journey/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3903_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180811
DTEND;VALUE=DATE:20180917
DTSTAMP:20230614T175152Z
CREATED:20180801T021349Z
LAST-MODIFIED:20230614T175152Z
UID:10001176-1533945600-1537142399@test-dca-mc.nmdca.net
SUMMARY:Cannupa Hanska Luger: Every One
DESCRIPTION:Individuals and organization across North America participated in this social collaboration\, creating a monumental portrait of loss comprised of more than 4\,000 ceramic beads\, each representing a missing or murdered indigenous woman in Canada.
URL:https://test-dca-mc.nmdca.net/dca-event/3858-cannupa-hanska-luger-every-one/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3858_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180727
DTEND;VALUE=DATE:20200101
DTSTAMP:20230614T175154Z
CREATED:20181102T032213Z
LAST-MODIFIED:20230614T175154Z
UID:10001187-1532649600-1577836799@test-dca-mc.nmdca.net
SUMMARY:Creating Tradition - at Epcot Center
DESCRIPTION:This special MIAC exhibition – located at Disney World’s Epcot Center (Orlando\, FL) – allows visitors to explore the artistry of American Indian communities and learn about traditional Native influences. \n“Creating Tradition: Innovation and Change in American Indian Art” showcases authentic\, historical Native artifacts alongside contemporary works of American Indian art—demonstrating examples of cultural traditions which have been handed down through generations. \nNative communities from 7 geographic regions across the United States are included in the gallery. Their art represents the richness\, depth and diversity of Native cultures past and present. Among the featured artists with works on display are fashion designer Loren Aragon (Acoma Pueblo)\, noted doll-maker Glenda McKay (Ingalik-Athabascan) and Juanita Growing Thunder (Assiniboine Sioux) from the Growing Thunder family of Montana. \nThis collection is made possible through the collaboration of the Museum of Indian Arts and Culture (MIAC) in Santa Fe\, New Mexico\, and the Smithsonian National Museum of the American Indian (NMAI) in Washington\, D.C.
URL:https://test-dca-mc.nmdca.net/dca-event/3926-creating-tradition-at-epcot-center/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3926_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180603T100000
DTEND;TZID=America/Denver:20190608T170000
DTSTAMP:20230614T175158Z
CREATED:20200425T050233Z
LAST-MODIFIED:20230614T175158Z
UID:10001208-1528020000-1560013200@test-dca-mc.nmdca.net
SUMMARY:Meridel Rubenstein’s Oppenheimer’s Chair and The Meeting
DESCRIPTION:Photographer Meridel Rubenstein’s “Oppenheimer’s Chair and The Meeting”  offers a thought-provoking work that weaves together two threads of history\, as a feature within the exhibition; “Atomic Histories”.
URL:https://test-dca-mc.nmdca.net/dca-event/4194-meridel-rubensteins-oppenheimers-chair-and-the-meeting/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4194_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180603
DTEND;VALUE=DATE:20200120
DTSTAMP:20230614T175150Z
CREATED:20191126T024313Z
LAST-MODIFIED:20230614T175150Z
UID:10001169-1527984000-1579478399@test-dca-mc.nmdca.net
SUMMARY:Atomic Histories  Remembering New Mexico’s Nuclear Past
DESCRIPTION:Beginning in World War II with the first research and fabrication of nuclear weapons in Los Alamos for the Manhattan Project and the first atomic bomb test at the Trinity site near Alamogordo\, New Mexico’s story is linked with the history of nuclear science and innovation. As soon as the war was over and the Cold War began\, two national laboratories were founded in Los Alamos and Albuquerque that advanced the technologies of war and later\, would pioneer cutting edge physics\, chemistry and other scientific fields. Mines in the Grants Mineral Belt were opened in the western part of the state that unearthed the fuel for both weapons and new sources of energy. Eventually\, the state was chosen to be the site of disposal for nuclear waste byproducts at the Waste Isolation Pilot Project in Carlsbad.  A new uranium enrichment plant has opened in Eunice. Old projects ended\, and new challenges would emerge\, but in the 21st century\, New Mexico is at the forefront of our nation’s nuclear scientific endeavors. \nThis exhibit explores the most famous events\, sometimes little known stories\, and inventions born here which impact our lives\, and helps to recognize the remarkable contributions of thousands of people involved in writing New Mexico’s Atomic Histories for the last 75 years. Two large-scale installations by Meridel Rubenstein are featured in this exhibition. \nPhoto courtesy of the Los Alamos Historical Society Archives 
URL:https://test-dca-mc.nmdca.net/dca-event/3749-atomic-histories-remembering-new-mexicos-nuclear-past/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3749_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180603
DTEND;VALUE=DATE:20190903
DTSTAMP:20230614T175149Z
CREATED:20190801T043651Z
LAST-MODIFIED:20230614T175149Z
UID:10001166-1527984000-1567468799@test-dca-mc.nmdca.net
SUMMARY:What’s New in New: Selections from the Carol Warren Collection Dozens of Pieces from a Recently Donated Collection
DESCRIPTION:The Museum of Indian Arts & Culture (MIAC) periodically features art recently acquired through gifts or purchases. What’s New in New: Selections from the Carol Warren Collection\, highlights the collection donated to the Museum by Carol Warren\, who was a volunteer in the Collections Department for more than 20 years. \nThe collection consists of over 200 works of art\, including paintings\, pottery\, jewelry and textiles from some of Santa Fe’s most prominent contemporary artists. A selection of this collection will be on exhibit and will include pieces created by renowned artists such as Tony Abeyta\, Tammy Garcia\, Dan Namingha\, and Jody Naranjo. \nThe exhibition\, co-curated by\, C.L. Kieffer Nail\, Antonio Chavarria\, and Valerie Verzuh\, will not only highlight outstanding contemporary artists\, but it will also feature multigenerational artists by including work of artists within the same family that have crafted their trade alongside each other. \n“By displaying pieces made by related artists\, we hope to demonstrate ways in which Native artists inspire each other through instruction as well as how individual artists exhibit their own identity through what is essentially a family practice\,” said curator C. L. Kieffer Nail. \nIn accepting new items\, whether they were made yesterday or 12\,000 years ago\, museum staff consider various issues such as curatorial collecting objectives\, gaps in collections\, potential future use of the objects such as publication and exhibition\, storage limitations and special preservation requirements. \nThe Museum of Indian Arts and Culture/Laboratory of Anthropology collections inspire appreciation for and promote knowledge of the diverse native arts\, histories\, languages\, and cultures of the Greater Southwest. This mission is made possible through the active acquisition of material culture that contributes to an understanding of the peoples that made them. \nThe creative talents of Native artists in the past\, present and future\, give purpose to the MIAC. This is why it continues to collect and preserve art and artifacts made by tribal artists from all time periods. It endeavors to educate visitors about ancient yet living Native cultures\, and provide Indian artists with examples of their ancestors’ gifts. \nThe accessioned collections of the museum are made possible by the generosity of donors and the cultivation of such by the Museum of New Mexico Foundation and its affiliated support groups. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3698-whats-new-in-new-selections-from-the-carol-warren-collection-dozens-of-pieces-from-a-recently-donated-collection/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3698_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180601
DTEND;VALUE=DATE:20190603
DTSTAMP:20230614T175154Z
CREATED:20190110T052244Z
LAST-MODIFIED:20230614T175154Z
UID:10001189-1527811200-1559519999@test-dca-mc.nmdca.net
SUMMARY:Hweeldi: The Woven Tribute  Commemorating the Long Walk
DESCRIPTION:The Museum of Indian Arts and Culture (MIAC) is commemorating the 150th anniversary of the signing of the Treaty of Bosque Redondo\, signed June 1\, 1868\, by displaying an extraordinary wool rug woven in tribute to the Long Walk. Created in the early 1900s\, the rug is an impressive 9 ft. by 15 ft.\, last displayed at MIAC in 1996. \nWhile the identity of the weavers of the piece remains unknown\, Navajo oral history – and likely some first-hand accounts – informed the weavers along the way with their design.  \nIn 1868\, the Long Walk was initiated by the United States military as part of Manifest Destiny\, the concept that expansion of the United States in the 1800s was both justified and inevitable. Only the 1868 treaty allowed the Navajo to return to their Diné Bikéyah (Navajo sacred lands) in northwestern New Mexico\, where they rebuilt as a nation of herders\, farmers\, and weavers. \n“The Long Walk is the most tragic historical event among the Navajo people\,” said Joyce Begay-Foss\, curator and director of education. “Among most tribal members it is not spoken about due to the sensitive nature of the historical trauma.” \n“Other tribal members feel though that we must never forget what the people who came before us suffered and endured\,” Begay-Foss added.
URL:https://test-dca-mc.nmdca.net/dca-event/3948-hweeldi-the-woven-tribute-commemorating-the-long-walk/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3948_thumb.jpg
ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180910
DTSTAMP:20230614T175149Z
CREATED:20180911T034416Z
LAST-MODIFIED:20230614T175149Z
UID:10001163-1527206400-1536537599@test-dca-mc.nmdca.net
SUMMARY:Frederick Hammersley: To Paint without Thinking
DESCRIPTION:Frederick Hammersley: To Paint without Thinking\, brought from The Huntington Library\, Art Collections\, and Botanical Gardens\, showcases the American artist’s sketchbooks\, notebooks\, inventories\, and vibrant color swatches to illuminate the systematic process he used to create his lively hard-edge geometric paintings. The presentation in New Mexico\, where the artist lived from 1968 until his death in 2009\, has been expanded by a dozen additional works from New Mexico Museum of Art’s collection. \nFrederick Hammersley: To Paint without Thinking at New Mexico Museum of Art will feature over 60 objects\, pairing items from Hammersley’s archives (a recent gift to the Getty Research Institute in Los Angeles) with seven paintings\, including the New Mexico Museum of Art’s recently conserved Couplet #15\,  1965 (1968)\, The Huntington’s See saw #3\, 1966\, and dozens of other works\, including lithographs\, silkscreens\, and  computer drawings from the collections of The Huntington\, New Mexico Museum of Art\, Los Angeles County Museum of Art\, Palm Springs Art Museum\, and Santa Barbara Museum of Art. \nThe museum has had a longstanding relationship with Frederick\, and holds a comprehensive collection of his artwork\, from early student work\, his computer drawings and punch cards\, prime examples of his fully mature paintings\, as well as archive materials and color studies. This carefully researched\, imaginative show will be particularly well received here in New Mexico where the artist lived for the last four decades of his life. Highlights of the Hammersley archives include his notebooks and sketchbooks\, in which the artist developed compositions over a period of decades. In these books\, he generally used a two-stage process\, first composing postage stamp-sized images—sketched out in pencil\, colored pencil\, or ballpoint pen—then selecting compositions to execute on a larger scale\, sometimes in oil paint. “These sketchbooks served as a forum for exploration and a wellspring from which he drew throughout his long career\,” said James Glisson\, Bradford and Christine Mishler Associate Curator of American Art at The Huntington and co-curator of the exhibition. “It is like peeking over his shoulder to see him at work\, altering a color or two\, adding or subtracting a line\, then moving on.”   \n“Painting Books” \nFrederick Hammersley (1919-2009)\, who lived in Los Angeles until 1968\, entered the spotlight in 1959 as one of the artists in the international exhibition “Four Abstract Classicists\,” along with Karl Benjamin\, Lorser Feitelson\, and John McLaughlin.  He was unique among his peers in that the elegant simplicity of his paintings stemmed from a rigorous process of refinement that he tracked in extreme detail. His “Painting Books\,” two of which are on view in the exhibition\, contain dated entries for every step of the painting process\, from stretching a canvas and applying multiple layers of paint to varnishing and touching up. These invaluable records outline the process and materials he used in more than 150 geometric paintings. Such a level of record-keeping was a boon for exhibition co-curator Alan Phenix\, scientist at the Getty Conservation Institute\, whose essay in the exhibition catalog describes Hammersley’s paintings from the technical perspective. Phenix observes\, “I doubt there exists anywhere such a large group of paintings that is so fully described from the material and technical point of view.” \nExperimental lithographs \n“Frederick Hammersley: To Paint without Thinking” also includes 45 of the experimental lithographs made in 1949\, a pivotal moment when Hammersley had reached an impasse with traditional painting and turned to the exacting medium of stone lithography. He taught himself the complex lithography process\, pulling prints on the weekends at the Jepson Art School in Los Angeles\, where he was teaching. Numbering in the hundreds\, these prints each measure 3by-3inches\, and consist of a 4-by-4 grid with 16 squares. \n“Computer drawings”   \nIn 1968\, Hammersley reached another “dry spell” in his painting activity and moved to Albuquerque\, New Mexico\, to teach at the University of New Mexico. Shortly after arriving there\, he learned Art1\, a computer program written by Richard Williams and among the first programs designed for visual artists. Using punch cards\, a then-state-of-the-art IBM 360/40 computer\, and a tractor-fed 1403 IBM line printer\, Hammersley made hundreds of “computer drawings.” \nWhile the interlude with computer art did not obviously  change how Hammersley approached his geometric paintings\, the Painting Book entries became much more detailed. Glisson speculates  that the artist’s step-by-step recording of  his paintings  was a result of mastering Art1’s complicated instructions for punching holes in data cards to generate shapes and patterns. “Just as chess and checkers have rules but the rules don’t dictate how a game unfolds and ends\,” Glisson said\, “Hammersley’s rules and systems didn’t predetermine the outcome of his work. For Hammersley\, the concept of “painting without thinking” was a grey area between pre-determination and pure chance where he felt unburdened enough to explore and invent.” \nExhibition catalog \nThe Huntington has published Frederick Hammersley: To Paint without Thinking (ISBN 978-0-9986817-1-9)\, a boldly illustrated catalog accompanying the exhibition and edited by James Glisson\, Bradford and Christine Mishler Associate Curator of American Art at The Huntington\, with contributions from Alan Phenix\, scientist at the Getty Conservation Institute\, Kathleen Shields\, Executive Director at the Frederick Hammersley Foundation\, and Nancy Zastudil\, Administrative Director at the Frederick Hammersley Foundation. Distributed internationally by DAP and retailing for $35\, the catalog has 120 pages and 75 illustrations. Available at thehuntingtonstore.org. \nCredit line The presentation of Frederick Hammersley: To Paint without Thinking at The Huntington received generous support from the Frederick Hammersley Foundation and the Susan and Stephen Chandler Endowment for Exhibitions of American Art. The exhibition catalog received generous support from the Frederick Hammersley Foundation. \nAbout The Huntington \nThe Huntington Library\, Art Collections\, and Botanical Gardens is a collections-based research and educational institution serving scholars and the general public. More information about The Huntington can be found online at www.huntington.org.
URL:https://test-dca-mc.nmdca.net/dca-event/3604-frederick-hammersley-to-paint-without-thinking/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3604_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180910
DTSTAMP:20230614T175149Z
CREATED:20180911T034402Z
LAST-MODIFIED:20230614T175149Z
UID:10001168-1527206400-1536537599@test-dca-mc.nmdca.net
SUMMARY:Patrick Nagatani: Invented Realities
DESCRIPTION:Photographer Patrick Nagatani (1945-2017) didn’t just take pictures\, he made pictures. While most art photographs are the result of careful choices about subject\, framing\, lighting\, and other factors\, Nagatani went to even greater lengths to get the picture he wanted. With experience working in Hollywood special-effects and an MFA from UCLA\, the artist began creating models and constructing scenes specifically for the camera in the mid-1980s. \nNagatani became a leading figure in the directorial style of photography\, which not only acknowledges that photographs are fictional but lets viewers in on the joke. Nagatani and his collaborators actively staged scenes for the camera\, directing every aspect of production without hiding the strings and seams that held them together. He is known for using humor and exaggerated narratives to draw attention to social issues\, particularly the legacy of the atomic bomb. This survey across Nagatani’s rich career\, drawn primarily from the New Mexico Museum of Art’s extensive holdings\, concentrates on the artist’s creative process and use of visual storytelling. \nThe show ranges from his large-format Polaroid collaborations with painter Andrée Tracey\, for which the artists constructed elaborate and sometimes outlandish narrative scenes with frequent cameo appearances by themselves\, as well as students\, family\, and friends. The exhibition offers a rare opportunity to see two painted backdrops and a papier mâche prop made by Tracey\, on loan from the Albuquerque Museum\, for the photographs Radioactive Reds and Great Yellow Father. Video clips and label text by some of the artist’s students\, friends\, and colleagues bring Nagatani’s inventive and theatrical process to life for visitors. Also represented are photographs from series including Chromatherapy\, Nuclear Enchantment\, Japanese-American Concentration Camps\, and Tape-estries\, two lithographs\, and a set of matchbooks altered by the artist. \nNagatani was a longtime faculty member at the University of New Mexico in Albuquerque and a prominent figure in the photography world who touched many lives. He was passionate about his work\, intensely creative\, and humorous. \nThe exhibition is presented in conjunction with summer shows of the artist’s work at the Albuquerque Museum and the University of New Mexico Art Museum. Aspects of the show and related programs are in coordination with the New Mexico History Museum exhibition Atomic Histories and the Santa Fe Opera performance of Doctor Atomic. 
URL:https://test-dca-mc.nmdca.net/dca-event/3710-patrick-nagatani-invented-realities/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3710_1200.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180514
DTEND;VALUE=DATE:20190301
DTSTAMP:20230614T175152Z
CREATED:20180817T193057Z
LAST-MODIFIED:20230614T175152Z
UID:10001177-1526256000-1551398399@test-dca-mc.nmdca.net
SUMMARY:Because It’s Time: Unraveling Race and Place in NM
DESCRIPTION:Because It’s Time: Unraveling Race and Place in NM examines race and identity in New Mexico and is a space for artistic expression that grapples with the complexities of who we are\, how we are understood\, and how that impacts the way we live (or don’t) in a variety of places.  The exhibition features approximately 26 newly created artworks by artists with different experiences in New Mexico alongside works from the National Hispanic Cultural Center Art Museum’s permanent collection. All of the artworks delve into  race and place through an intersectional lens alongside gender\, sexuality\, class\, nationality\, citizenship status\, etc. from local\, national\, and international perspectives. \nThis museum exhibition included much contemplation by the Visual Arts program staff and interns about what it might look like to create an exhibit that relinquished a bit of institutional control and placed it in the hands of the artists. Many of the works were not seen in their completed form until just weeks before the opening. The process continues to be a learning experience and the hope is to maintain an environment of openness and education\, for the staff and our visitors\, even after the exhibition closes. \nWe are so honored to work with this amazing group of artists. \nInvited artists include: Adelina Cruz\, Adriana Ortiz-Carmona\, Apolo Gomez Autumn Chacon\, Aziza Murray\, Baochi Zhang\, Brandee Caoba\, Corey Pickett\, Cynthia Cook\, Earl McBride\, Ehren Kee Natay\, Eliza Naranjo Morse\, Eric-Paul Riege\, Erin Currier\, Fatemeh Baigmoradi\, Grace Rosario Perkins\, Hamed Marwan\, Jami Porter Lara\, Jessica Chao\, Joanna Keane Lopez\, John Boyce\, Lucrecia Troncoso\, Monica Kennedy\, Nanibah Chacon\, Rose B. Simpson\, and Zahra Marwan. \nArtists from the permanent collection include: Ana Laura de la Garza\, Annie Lopez\, Asamblea de Artistas Revolucionarios de Oaxaca (ASARO)\, Carlos Cortéz\, Consuelo Jiménez Underwood\, Delilah Montoya\, Eduardo Muñoz Bachs\, Eric J. Garcia\, Ester Hernández\, Jason Garcia\, Nicolás de Jesús\, Noni Olabisi\, Pamela Enriquez-Courts\, Rosana Paulino\, Rupert Garcia\, Scherezade Garcia\, Vincent Valdez\, Yreina D. Cervantez.
URL:https://test-dca-mc.nmdca.net/dca-event/3870-because-its-time-unraveling-race-and-place-in-nm/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3870_1200.jpg
GEO:35.0681597;-106.6556345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=National Hispanic Cultural Center 1701 4th Street SW Albuquerque NM 87102 United States;X-APPLE-RADIUS=500;X-TITLE=1701 4th Street SW:geo:-106.6556345,35.0681597
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180422
DTEND;VALUE=DATE:20190204
DTSTAMP:20230614T175222Z
CREATED:20180330T022849Z
LAST-MODIFIED:20230614T175222Z
UID:10001313-1524355200-1549238399@test-dca-mc.nmdca.net
SUMMARY:Beadwork Adorns the World
DESCRIPTION:Glass beads are the ultimate migrants.  Where they start out is seldom where they end up.  No matter where they originate\, the locale that uses them makes them into something specific to their own world view. \nThis exhibition is about what happens to these beads when they arrive at their final destination\, whether it be the African continent (Botswana\, Cameroon\, the Democratic Republic of Congo\, Ghana\, Nigeria\, South Africa)\, to Borneo\, to Burma\, to India\, Native North America to Latin America (Mexico\, Bolivia to Ecuador).  However\, this exhibit is not actually about beads\, rather it is about the working beads resulting in Beadwork\, and what a collective of beads in a garment or an object reveals about the intentions of its makers or users.
URL:https://test-dca-mc.nmdca.net/dca-event/3348-beadwork-adorns-the-world/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3348_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180408
DTEND;VALUE=DATE:20190304
DTSTAMP:20230614T175149Z
CREATED:20181102T032018Z
LAST-MODIFIED:20230614T175149Z
UID:10001167-1523145600-1551657599@test-dca-mc.nmdca.net
SUMMARY:Maria Samora: Master of Elegance 2018’s Living Treasure
DESCRIPTION:MIAC is happy to announce Maria Samora: Master of Elegance\, an exhibition that showcases this year’s Museum of Indian Arts & Culture Living Treasure and Native Treasurers Featured Artist. \nSamora (Taos Pueblo) is known for her minimalist lines\, interdisciplinary approach\, and modern designs. \nShe began apprenticing with goldsmith and master gem cutter Phil Poirer in 1998 and went on to work with him for 15 years. Since striking out on her own in 2005\, her jewelry has become known for the simplicity of its design\, textured metals\, and combinations of both gold and silver. Stones include traditional turquoise and unexpected choices such as diamonds\, guava moonstone\, and African opal. \nThe metalwork Samora has learned to incorporate are rooted in Etruscan\, Greek\, Egyptian\, Syrian\, and even Korean designs. \nSamora’s work will remain on display in MIAC’s Diker Gallery through February of 2019. \n  \nYou may view a short documentary about Maria Samora by copying and pasting the following link. https://tinyurl.com/yd6ef9yy \n \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3701-maria-samora-master-of-elegance-2018s-living-treasure/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3701_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180302
DTEND;VALUE=DATE:20190930
DTSTAMP:20230614T175148Z
CREATED:20200424T034311Z
LAST-MODIFIED:20230614T175148Z
UID:10001161-1519948800-1569801599@test-dca-mc.nmdca.net
SUMMARY:The Land that Enchants Me So: Picturing Popular Songs of New Mexico
DESCRIPTION:Before radio and television\, when making music at home was the evening’s entertainment and playing the piano was considered an essential talent among the middle class\, sheet music was the music consumer’s gateway to the world.”  The New Mexico History Museum celebrates this era with sheet music of popular songs about the State of New Mexico\, dating from the mid-19th through the mid-20th centuries\, in the new exhibition The Land That Enchants Me So. The show spotlights graphically striking sheet-music covers published from 1840s through about 1960\, along with other printed materials\, sound recordings\, and memorabilia relating to New Mexico and its musical life. \n“At a time before everywhere in America was pretty much like everywhere else\, songs often gave voice to civic pride. During the 19th and early-20th centuries\, people felt that their own home town was a place worthy of singing about\,” said James M. Keller\, who co-curated the exhibition with Meredith Davidson\, the Museum’s Curator of Southwest Collections. “In the 19th and early-20th centuries\, publishers understood that potential sheet-music buyers judged pieces of music—like books—by their covers. And so\, they accordingly lavished care on the creation of vivid\, original art and design for the sheet music they issued.” \nThe decorative sheet music in the exhibit is drawn from the private collection assembled over the past three decades by James M. Keller\, whose collection focuses on historical popular music from the era of vaudeville and Tin Pan Alley. The guest co-curator of the show\, he is known to New Mexico’s music-lovers through his work as a staff critic at Pasatiempo/The Santa Fe New Mexican. He is also the Program Annotator of the New York Philharmonic\, where he has served since 1995 and occupies an endowed chair\, and (since 2000) of the San Francisco Symphony.
URL:https://test-dca-mc.nmdca.net/dca-event/3546-the-land-that-enchants-me-so-picturing-popular-songs-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3546_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180216
DTEND;VALUE=DATE:20181112
DTSTAMP:20230614T175150Z
CREATED:20180427T100824Z
LAST-MODIFIED:20230614T175150Z
UID:10001170-1518739200-1541980799@test-dca-mc.nmdca.net
SUMMARY:La Ultima Exhibición
DESCRIPTION:La Ultima Exhibición\, curated by Augustine Romero\, features visual interpretations of Rudolfo Anaya’s celebrated book\, Bless Me\, Ultima (1972)-a portrait of life in rural New Mexico as seen through the eyes of a young boy during World War II. Anaya tells of the spiritual healer\, Ultima\, as she guides young Antonio on a magical and moral journey in this novel that has inspired artists for decades. Romero curated a previous iteration of this exhibition in 2006 at the South Broadway Cultural Center and the NHCC Art Museum is thrilled to host the re-imagined version twelve years later. \nFeatured artists include: Jesús ” Cimi” Alvarado\, George C’de Baca\, Sylvia Ortiz Domney\, Christian Michael Gallegos\, Roberto Gallegos\, Eric Garcia\, Kristina Gonzales\, Nacho Jaramillo\, Al Na’ir Lara\, Chisim Bernal Lujan\, Oscar Lozoya\, Chris Ray Melendez\, El Moisés\, Derrick Montez\, Paloma Paz Nava\, Gabriel Luis Powers\, Chris Rivera\, Rebecca H. Hernandez Rosser\, and Catalina Salinas. \nAugustine Romero is an acclaimed visual artist and the curator of the South Broadway Cultural Center and the Kimo Theater for the City of Albuquerque.
URL:https://test-dca-mc.nmdca.net/dca-event/3756-la-ultima-exhibicion/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3756_1200.jpg
GEO:35.0681597;-106.6556345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=National Hispanic Cultural Center 1701 4th Street SW Albuquerque NM 87102 United States;X-APPLE-RADIUS=500;X-TITLE=1701 4th Street SW:geo:-106.6556345,35.0681597
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180210T090000
DTEND;TZID=America/Denver:20180829T170000
DTSTAMP:20230614T175149Z
CREATED:20180814T231219Z
LAST-MODIFIED:20230614T175149Z
UID:10001165-1518253200-1535562000@test-dca-mc.nmdca.net
SUMMARY:Da Vinci—The Genius Exhibition at New Mexico Museum of Natural History & Science
DESCRIPTION:Da Vinci—The Genius opens at the New Mexico Museum of Natural History & Science in Albuquerque at 9am on Saturday\, February 10\, 2018.  This world class exhibition from Grande Exhibitions remains on display at the Museum daily from 9am-5pm through July 29\, 2018. \nDa Vinci – The Genius demonstrates the full scope of Leonardo da Vinci’s remarkable genius as an inventor\, artist\, anatomist\, sculptor\, engineer\, musician and architect. Guests will enjoy many unique pieces including life-size machine inventions\, entertaining animations of da Vinci’s most notable Renaissance works and an eye-opening\, in-depth analysis of his most famous piece\, “Mona Lisa.” Visitors will be able to push\, pull\, crank and interact with many of these exhibits for a hands-on understanding of the scientific principles behind them. \nCreated with the assistance of the Museo Leonardo da Vinci – Rome\, Italy\, and many experts in Italy and France\, Da Vinci – The Genius celebrates one of the most revered and dynamic minds of all time. The exhibition features 17 compelling themed areas of da Vinci’s work\, offering visitors an unmatched look inside the mind of the ultimate Renaissance man who laid the groundwork for some of modern society’s most impactful inventions such as the helicopter\, airplane\, automobile\, submarine\, parachute and bicycle. \nFor more information about Da Vinci—The Genius: http://www.nmnaturalhistory.org/exhibits/temporary-exhibits/da-vinci-genius \nDoors open to the public on February 10\, 2018.  Prices are $22 per ticket.  For Ticket information: http://www.nmnaturalhistory.org/exhibits/temporary-exhibits/da-vinci-genius \n  \n  \nAbout the New Mexico Museum of Natural History & Science: http://www.nmnaturalhistory.org. Established in 1986\, the mission of the New Mexico Museum of Natural History and Science is to preserve and interpret the distinctive natural and scientific heritage of our state through extraordinary collections\, research\, exhibits and programs designed to ignite a passion for lifelong learning. The NMMNHS offers exhibits\, exhibitions\, programs\, and workshops in Paleontology\, Geoscience\, Bioscience\, Earth Science\, Natural Science\, Gemology\, is the Southwest’s largest repository for dinosaur fossils\, and includes a Planetarium and a DynaTheater. A division of the New Mexico Department of Cultural Affairs\, the Museum is open 7 days a week\, from 9:00 a.m. – 5:00 p.m.\, closed Thanksgiving\, Christmas\, and New Year’s Day. 1801 Mountain Road NW\, northeast of Historic Old Town Plaza\, Albuquerque\, NM 87104\, (505) 841-2800.  Events\, news releases and images about activities at the Museum of Natural History and Science and other in divisions of the Department of Cultural Affairs can be accessed at media.newmexicoculture.org. \n  \n  \nABOUT GRANDE EXHIBITIONS: \nCreators and promoters of Da Vinci The Genius\, who have researched\, sourced and interpreted much of what is contained in the exhibition.   \n  \nGrande Exhibitions specializes in the creation\, design\, production\, promotion and installation of large-scale international traveling exhibitions and permanent exhibition experiences of broad cultural appeal\, which are engaging\, entertaining and educational. \n  \nGrande Exhibitions conceptualizes exhibition experiences of timeless brand appeal and transforms them into visually and technically stunning exhibit masterpieces\, ready to tour internationally. Our collection of exhibitions has been hosted in over 90 cities across six continents\, to more than 8 million people. \n  \nGrande Exhibitions operates from its head office in Melbourne\, Australia\, with satellite offices in London\, UK\, Atlanta\, USA\, and Santiago\, Chile. Grande Exhibitions also owns and operates Museo Leonardo da Vinci – a permanent museum in a prestigious central location in Rome\, Italy.  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3621-da-vinci-the-genius-exhibition-at-new-mexico-museum-of-natural-history-science/
LOCATION:NM
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3621_1200.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180113
DTEND;VALUE=DATE:20180709
DTSTAMP:20230614T175149Z
CREATED:20180118T003206Z
LAST-MODIFIED:20230614T175149Z
UID:10001164-1515801600-1531094399@test-dca-mc.nmdca.net
SUMMARY:Form & Function: Objects with Flair
DESCRIPTION:This fun exhibit features 44 objects from the museum’s collections that combine usefulness and beauty. \nSome objects are purely utilitarian in nature\, with no real aesthetic appeal. At the other end of the spectrum are objects of art\, which serve no functional purpose other than to be appreciated for their beauty\, or the message the artist wishes to convey. Somewhere in the middle are those things that have a definite purpose\, but which also exhibit a deliberate sense of style. That’s what the objects in this exhibit have in common. \nIt includes everything from woven items such as Navajo rugs to Apache and Pima baskets\, to vases\, pots and bowls\, as well as saddles\, guns\, and furniture. \nThe exhibit will be in the museum’s Traditions Gallery through July 8.
URL:https://test-dca-mc.nmdca.net/dca-event/3608-form-function-objects-with-flair/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3608_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180101
DTEND;VALUE=DATE:20180414
DTSTAMP:20230614T175148Z
CREATED:20180402T211520Z
LAST-MODIFIED:20230614T175148Z
UID:10001160-1514764800-1523663999@test-dca-mc.nmdca.net
SUMMARY:A Place Like No Other: Two Views of the New Mexico Landscape (at the State Capitol)
DESCRIPTION:A Place Like No Other: Two Views of the New Mexico Landscape is located at the Governor’s Gallery on the 4th floor of the State Capitol\, at the corner of Old Santa Fe Trail and Paseo de Peralta.  \nIn celebrating the 1917 founding of the New Mexico Museum of Art on Santa Fe’s historic Plaza\, it seems appropriate to highlight the work of two artists whose images of the state’s renowned beauty have helped define it in the public imagination: Sheldon Parsons and Eliot Porter. Both men came west and found themselves deeply inspired by the land\, skies\, and culture of New Mexico. Parsons quickly became an integral part of the Santa Fe art scene\, even serving as the first director of the Museum of Art. Porter gave up a career as a research scientist at Harvard to move to New Mexico and devote himself to photography\, maintaining a home and studio in Tesuque from the mid-1940s until his death in 1990. \nParsons’ paintings are saturated with the rich blues\, yellow golds\, and greens of New Mexico’s distinctive landscape while Porter\, known for his pioneering work in color photography\, photographed the state in austere black and white. Both artists looked to New Mexico’s most iconic features for their subject matter\, the stark and stunning land and the characteristic adobe of its traditional buildings. In the wake of the recent World War\, they chose to portray New Mexico as a rustic and pastoral land\, seemingly untouched by time.
URL:https://test-dca-mc.nmdca.net/dca-event/3542-a-place-like-no-other-two-views-of-the-new-mexico-landscape-at-the-state-capitol/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3542_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171214
DTEND;VALUE=DATE:20180402
DTSTAMP:20230614T175149Z
CREATED:20171220T053002Z
LAST-MODIFIED:20230614T175149Z
UID:10001162-1513209600-1522627199@test-dca-mc.nmdca.net
SUMMARY:Connie Garcia: A Lifetime of Art
DESCRIPTION:This exhibition showcases a lifetime of beautifully creative work by the late Las Cruces artist Connie Garcia. \nConnie\, who passed away Jan. 3\, 2017 at age 66\, had a creative flair and a love of art that is evident in her work. She expressed her creativity through tile\, foil\, drawing\, contemporary painting\, cards\, and much more. \nConnie began creating her artwork in the 1970s\, starting with batik art\, which she sold at art shows throughout the country.  \n“I create my art with devotion and intensity\,” Connie wrote in her artist’s statement last year. “I like to carve my own style. I don’t follow any particular ’school’ of art or technique but instead see myself as being a piece of most schools\, whether logical or illogical. I find that modern\, expressionists\, mythological\, and psychic autonomous pieces\, are my strongest influence. The energy of a piece pulls the spirit and material collage assemblage. If a client is not disturbed\, if there is no mystery\, curiosity\, or reason for further contemplation about a piece\, then there is no need for the piece.” \nThe show has been in the works for almost two years. It includes 37 pieces of artwork.
URL:https://test-dca-mc.nmdca.net/dca-event/3581-connie-garcia-a-lifetime-of-art/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3581_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171210
DTEND;VALUE=DATE:20190603
DTSTAMP:20230614T175219Z
CREATED:20181031T030413Z
LAST-MODIFIED:20230614T175219Z
UID:10001298-1512864000-1559519999@test-dca-mc.nmdca.net
SUMMARY:Lifeways of the Southern Athabaskans Note: New closing date of June 2\, 2019
DESCRIPTION:The Museum of Indian Arts and Culture will exhibit over 100 objects dating from the late 1880s to the present. Cultural objects will represent the lifeways of the different Apachean groups in New Mexico and Arizona. These cultural objects include basketry\, beaded clothing\, hunting and horse gear. \nThese groups are: Jicarilla Apache\, Mescalero Apache\, Fort Sill Apache (Chiricahua)\, San Carlos Apache and White Mountain Apache.
URL:https://test-dca-mc.nmdca.net/dca-event/3145-lifeways-of-the-southern-athabaskans-note-new-closing-date-of-june-2-2019/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3145_thumb.jpg
ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20171203T100000
DTEND;TZID=America/Denver:20190717T170000
DTSTAMP:20230614T175216Z
CREATED:20181220T224926Z
LAST-MODIFIED:20230614T175216Z
UID:10001283-1512295200-1563382800@test-dca-mc.nmdca.net
SUMMARY:Crafting Memory: The Art of Community in Peru
DESCRIPTION:The past forty years have been a time of tremendous change in the Andes\, beginning with the Agrarian Reform of 1969 that broke up the large haciendas; a twenty-year internal armed conflict with the Shining Path that engulfed the 1980’s and 1990’s and claimed nearly 70\,000 lives; economic swings\, rapid development\, the recent large investment in preserving archaeological heritage and the current booming tourism industry.  \nAll of these forces have all shaped the lives of artists and informed the art they create.  Crafting Memory visits a series of contemporary folk artists in Peru and places their work within this larger framework of Peruvian history and social change. The exhibition will explore the many routes through which craft and folk arts are learned and practiced\, including multigenerational crafting families\, self-taught artisans\, and others who came to folk arts as a means of economic survival during the time of violence.  The show includes a third generation silversmith reviving the art of tupus or shawl stick pins that were worn during the Inca Empire; the art of war orphans from the 1980’s who were trained in traditional arts to give hope in dark times; and a collective of young artists in Lima using the medium of silk screening to promote conversations between rural highland and jungle communities with their counterpart migrant neighborhoods in the city\, celebrating their shared arts\, culture\, and customs and emphasizing the value of the handmade\, and the ideas\, values\, and aesthetics that arise from Cultura Popular – common people and everyday life.
URL:https://test-dca-mc.nmdca.net/dca-event/2839-crafting-memory-the-art-of-community-in-peru/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2839_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171125
DTEND;VALUE=DATE:20181105
DTSTAMP:20230614T175147Z
CREATED:20180724T205307Z
LAST-MODIFIED:20230614T175147Z
UID:10001155-1511568000-1541375999@test-dca-mc.nmdca.net
SUMMARY:Shifting Light : Photographic Perspectives
DESCRIPTION:Shifting Light offers a twenty-first century perspective on the museum’s long-term engagement with the popular medium of photography. Organized into the broad categories of land and place\, culture and identity\, community and interconnection\, and vision and creativity\, the exhibition juxtaposes photographs in ways that amplify their meanings and suggest new narratives. Ansel Adams’ famous 1940 photograph Moonrise\, Hernandez is paired with a 1975 landscape by Thomas Barrow from his series Cancellations\, while Alfred Stieglitz’s 1918 portrait of Georgia O’Keeffe keeps company with images by Anne Noggle and Joyce Neimanas. \nUsing portraits and oral histories\, the show introduces some of the personalities in New Mexico’s twentieth-century photography scene\, such as artist Laura Gilpin and curator Beaumont Newhall. Collectors\, another integral part of the photography community\, are represented by a changing selection of promised gifts that are pledged as future additions to the museum’s collection. Visitors are invited to write or draw their own memories\, favorite photographs\, and other responses to the show. Vintage exhibition announcements\, brochures\, and publications tell a complementary story of photography’s growing prominence at the museum from the mid-1920s to the present. \nAn electronic component begins in January 2018\, when a group of twenty artists will post images inspired by the exhibition themes to the museum’s Instagram site on alternating weeks. \nSee Curator of Photography Katherine Ware’s article about the museum’s early history of exhibiting photography\, published in Winter 2017 issue of the Museum of New Mexico’s journal\, El Palacio.
URL:https://test-dca-mc.nmdca.net/dca-event/3417-shifting-light-photographic-perspectives/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3417_1200.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171125
DTEND;VALUE=DATE:20180430
DTSTAMP:20230614T175148Z
CREATED:20171127T222116Z
LAST-MODIFIED:20230614T175148Z
UID:10001156-1511568000-1525046399@test-dca-mc.nmdca.net
SUMMARY:Contact: Local to Global
DESCRIPTION:Contact: Local to Global\, like the other centennial exhibitions\, highlights the engagement of artists with New Mexico\, the Museum of Art with artists and collectors\, and New Mexico’s engagement with the national and international arts community. Additionally the exhibition looks beyond those very literal intersections and implicates larger ideas about contact such as our engagement with the land and environment\, our communities’ alignment with one another\, and more broadly the implications of contact such as the discovery of the New World\, and space exploration. \nContact: Local to Global has two interrelated components – the first of which will focus on works by artists like Bruce Nauman\, Agnes Martin\, Frederick Hammersley and Susan York who have lived and worked in the region\, as well as artists and artworks with differing connections to New Mexico. \nA second component of more contemporary artworks directly address issues of land\, location and environment and will include the site specific installation Pollination by indigenous collaborative Postcommodity\, single channel videos The Placeless Place by Berlin and New York based artists Ati Maier\, and Yorgo Alexopoulos’s work Everything In-Between. Alexopoulos’ work\, a 4K animation with custom electronics\, was shot and commissioned in New Mexico underscoring the continued relevance of the centuries-old tradition of artists making work that is a meditation on the New Mexico landscape.
URL:https://test-dca-mc.nmdca.net/dca-event/3418-contact-local-to-global/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3418_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171125
DTEND;VALUE=DATE:20181126
DTSTAMP:20230614T175147Z
CREATED:20171127T221737Z
LAST-MODIFIED:20230614T175147Z
UID:10001154-1511568000-1543190399@test-dca-mc.nmdca.net
SUMMARY:Horizons: People & Place in New Mexican Art
DESCRIPTION:Drawn primarily from the New Mexico Museum of Art’s extensive collection\, Horizons shows the wide and dynamic range of styles\, personalities\, cultures\, and forms that visual creative expression took in the 20th century\, and combines to show the heart of a land that became a major center for artistic expression in a remarkable period of human history. \nExperience for yourself some the greatest artists who lived and worked in New Mexico in the last century: Robert Henri\, Marsden Hartley\, John Sloan\, Georgia O’Keeffe\, Bert Geer Phillips\, James Stovall Morris\, Victor Higgins\, Awa Tsireh\, Maria Martinez\, Fritz Scholder\, Alfred Morang\, Cady Wells\, Andrew Dasburg\, and Gustave Baumann\, among many others. \nWith a contemporary focus since the beginning\, the New Mexico Museum of Art has been a progressive advocate for the arts over the past hundred years. Focusing on the museum’s historic collection\, Horizons honors our institution’s history as a locus for creativity. This exhibition\, including paintings\, drawings\, prints\, and furniture\, highlights the impact of the museum in creating an artistic identity for the state. \nMajor themes will include the founding of the museum\, Native arts\, a spotlight on Gustave Baumann\, 20th century art and community\, furniture design in New Mexico\, and a selection of work voted on by visitors.
URL:https://test-dca-mc.nmdca.net/dca-event/3416-horizons-people-place-in-new-mexican-art/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3416_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171110
DTEND;VALUE=DATE:20180826
DTSTAMP:20230614T175148Z
CREATED:20200501T024240Z
LAST-MODIFIED:20230614T175148Z
UID:10001159-1510272000-1535241599@test-dca-mc.nmdca.net
SUMMARY:Alzheimer’s Poetry Marble Paper Project
DESCRIPTION:Three hands-on workshops on creating marbled paper were led by Tom Leech\, curator of the Press at the Palace of the Governors\, and took place at Art Street in Albuquerque\, and Santa Fe Cares and Sierra Vista in Santa Fe\, New Mexico. \nThe artists and poets created original group poems inspired by the marble paper with poets Joanne Dwyer\, Gary Glazner and Michelle Otero.
URL:https://test-dca-mc.nmdca.net/dca-event/3512-alzheimers-poetry-marble-paper-project/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3512_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171021
DTEND;VALUE=DATE:20181002
DTSTAMP:20230614T175148Z
CREATED:20180510T225230Z
LAST-MODIFIED:20230614T175148Z
UID:10001158-1508544000-1538438399@test-dca-mc.nmdca.net
SUMMARY:Points Through Time
DESCRIPTION:Projectile points are one of the most iconic images of archaeology in the American Southwest. This exhibition focuses on some of the projectile points that are commonly found here in New Mexico from Paleoindian times (13\,500 years ago)\, through the Archaic\, and into Puebloan times (1\,260 to 110 years ago) as well as some of the exotic points that have come to New Mexico from California and Texas. \nThe exhibit discusses how archaeologists classify points\, why they change through time\, and how illegal collection of points can impact the archaeological record. \nThis exhibit opens on Saturday October 21\, 2017 at the Center for New Mexico Archaeology (7 Old Cochiti Road). After that\, the exhibit is open to the public Monday through Friday 8 a.m. to 5 p.m. and closed on holidays.
URL:https://test-dca-mc.nmdca.net/dca-event/3484-points-through-time/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3484_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
END:VCALENDAR