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DTSTART;VALUE=DATE:20190223
DTEND;VALUE=DATE:20190624
DTSTAMP:20260507T151649
CREATED:20190201T201117Z
LAST-MODIFIED:20230621T201615Z
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SUMMARY:Brain: The Inside Story
DESCRIPTION:As you read these words\, your brain is taking in all kinds of sights and sounds\, and zeroing in on a few. It is recalling what you have learned about the forms of letters\, the meanings of words\, and what information you hope to find on this website. Your brain is making decisions and forming new memories. All the while\, it is helping you stay alert and steadily breathe. How does the brain do it all? We are only beginning to understand the inside story of this remarkable organ. Today\, advances in biochemistry and new technologies that allow us to watch the brain in action are revealing more than ever before. \nBrain: The Inside Story explores the way the human brain works\, specifically as it relates to senses (“Your Sensing Brain”)\, emotions (“Your Emotional Brain”)\, thinking (“Your Thinking Brain”)\, how the brain ages (“Your Changing Brain”)\, and how technological advances may change our brains in the future (“Your 21st Century Brain”). \nBrain: The Inside Story is organized by the American Museum of Natural History\, New York (www.amnh.org)\, in collaboration with Codice\, Idee per la cultura\, Torino\, Italy in association with Comune di Milano – Assessorato Cultura\, Italy; Guangdong Science Center\, Guangzhou\, China; and Parque de las Ciencias\, Granada\, Spain.
URL:https://test-dca-mc.nmdca.net/dca-event/brain-the-inside-story/
LOCATION:NM
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190126
DTEND;VALUE=DATE:20191001
DTSTAMP:20260507T151649
CREATED:20190201T201301Z
LAST-MODIFIED:20230614T175157Z
UID:10001200-1548460800-1569887999@test-dca-mc.nmdca.net
SUMMARY:Drugs: Cost and Consequences
DESCRIPTION:Drugs: Costs & Consequences is a traveling exhibit from the Drug Enforcement Administration’s (DEA) Museum and the DEA Educational Foundation. Formerly known as Target America\, it has traveled to 16 cities over the last 16 years\, and been viewed by over 22 million visitors. The exhibit will be on display at the New Mexico Museum of Natural History & Science in Albuquerque\, NM\, from January 26\, 2019\, through September 30\, 2019. The exhibit will be open daily. Entrance to the exhibit is included in the admission to the museum. \nDrugs: Costs & Consequences  presents a non-partisan look at the many costs and consequences of drugs to our society and provides a very powerful message of the destructive health\, environmental\, safety\, and family impacts of drug use on our society. \nStudents\, youth\, parents\, and other adults in the community will have a phenomenal learning opportunity to participate in science-based experiences as well as explore global drug issues that impact the United States\, working through to every state and community. Each visitor can be part of the solution to make changes for the better. \nVisitors will discover the latest cutting-edge science research being conducted around the country\, providing a better understanding of what drugs do to the system of the body and what can be done to stop or even reverse that damage. \nVisitors will be introduced to drug law enforcement\, drug abuse prevention education\, and drug treatment efforts being conducted around the world and how those efforts are impacting the local community. \nAs with past exhibits\, the DEA Museum aims to connect with a wide representation of organizations in the local community to promote the exhibit. These organizations have represented the private sector\, non-profit organizations\, schools/school systems\, law enforcement\, federal agencies\, state agencies\, medical fields\, pre- vention and treatment organizations\, faith-based organizations\, and others.
URL:https://test-dca-mc.nmdca.net/dca-event/4076-drugs-cost-and-consequences/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190106
DTEND;VALUE=DATE:20200505
DTSTAMP:20260507T151649
CREATED:20210407T100641Z
LAST-MODIFIED:20230614T175154Z
UID:10001190-1546732800-1588636799@test-dca-mc.nmdca.net
SUMMARY:VIRTUAL Community through Making From Peru to New Mexico PROGRAMA VIRTUAL Comunidad a través de la Creación De Perú a Nuevo México
DESCRIPTION:Places of Memory\, paired members of two Indigenous women-led organizations: Tewa Women United (Española\, New Mexico) and the National Association of the Families of the Abducted\, Detained\, and Disappeared of Peru/ANFASEP (Ayacucho\, Peru) to explore the culturally specific ways they use art to heal community and individual trauma. Street Art and Activism\, was a convening of muralists\, printers\, and painters whose work engages contemporary social issues with a focus on public visibility. Rivers of Plastic brought together sculptors Aymar Ccopacatty (Aymara) and Nora Naranjo Morse (Santa Clara)\, who both see their home landscapes being transformed by plastic waste and use sculpture to open conversations about this intrusive and persistent material. \nThroughout the course of the exhibition\, Alas de Agua Art Collective created a mural inside the museum; students at the Kha’p’o Community School at Santa Clara Pueblo created sculptures from recycled materials; and local and Peruvian artists created a mural in a neighborhood in Santa Fe’s Southside. \nThe exhibition was on view from January 6\, 2019 through May 4\, 2020. It has now been made into a virtual exhibition that you can explore online. \nONLINE RESOURCES: \nVirtual Exhibition \nObjects from the Exhibition \n  \nREAD: \nNeon Signs of Life by Amy Groleau\, El Palacio Magazine\, Summer 2018 \nSpotlight on the Lima artist collective Amapolay Manufacturas Autonómas \nhttp://www.elpalacio.org/2018/06/neon-signs-of-life/ \n  \nUnnatural Resources by Amy Groleau and Marla Redcorn-Miller\, Summer 2018 \nA conversation with Nora Naranjo Morse (Santa Clara Pueblo) and Aymar Ccopacatty (Aymara) \nhttp://www.elpalacio.org/2018/06/unnatural-resources/ \n  \nWhoever Controls the Wall\, Controls the Voice by Katherine Lewin\, Santa Fe Reporter\, July 2019 \nCoverage of our community mural project on the Southside of Santa Fe \nhttps://www.sfreporter.com/news/2019/07/05/whoever-controls-the-wall-controls-the-voice/ \n  \nWATCH: \nPlaces of Memory \nVideos from the April 2018 collaboration of Native artists and activists from Peru and New Mexico \n  \nStreet Art and Activism \nVideos from the international collaboration of Amapolay (Peru) and seven local artists during summer 2018 \n  \nRivers of Plastic \nVideos of the projects by Aymar Ccopacatty (Aymara) and Nora Naranjo Morse (Santa Clara Pueblo) during Summer 2018\, and projects by young artists at Kha’p’o Community School\, Santa Clara Pueblo\, New Mexico in Fall\, 2019 \n  \nFronteras y Semillas \nVideos of our Southside mural project with Alas de Agua Art Collective (Santa Fe\, NM)\, Three Sisters Collective (Santa Fe\, NM)\, and Amapolay Manufacturas Autónomas (Peru) \n  \n“Community Through Making” brings artists from Peru to New Mexico by Chad Brummet\, New Mexico Living/KRQE March 2019 \nInterview with Israel Haros Lopez of Alas de Agua Art Collective and Curator\, Amy Groleau \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3958-virtual-community-through-making-from-peru-to-new-mexico-programa-virtual-comunidad-a-traves-de-la-creacion-de-peru-a-nuevo-mexico/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190104
DTEND;VALUE=DATE:20190413
DTSTAMP:20260507T151649
CREATED:20181220T032325Z
LAST-MODIFIED:20230614T175156Z
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SUMMARY:Russell Lee’s FSA photography in New Mexico (Governor’s Gallery)
DESCRIPTION:Photographer Russell Lee created some of his finest work while traveling the United States for the Farm Security Administration. Among the communities he documented in New Mexico were Hobbs\, Holman\, Peñasco\, Taos\, Wagon Mound\, and Quemado.  Lee’s defining work as a documentary photographer was created in Pie Town New Mexico in 1940. \nPhotography was not the primary purpose of the FSA but its outstanding photography program is what the agency is best known and remembered for today. The artists Stryker hired became some of the most iconic of documentary photographers including Walker Evans\, Dorothea Lange\, Russell Lee\, Arthur Rothstein\, Marion Post Wolcott and Gordon Parks.  In many ways\, the FSA program defined American documentary photography and encouraged the development and popularity of the photo essay in publications like Life and Look magazine. \nRussell Lee was born in Ottawa\, Illinois in 1903. He trained and worked as a chemical engineer for years before studying to be become a painter. He borrowed a camera to develop his drawing skills and soon both his technical background and creative interests found a perfect tool of communication in the camera. Shortly after he was hired by Stryker to work for the FSA and was assigned to document the West and Midwest. While working for the FSA\, Lee produced some of the finest work of his career including extensive photo essays on the Spanish speaking people of Texas and the rural homesteaders in Pie Town\, New Mexico. \nThe photographs in the exhibition are shown with their descriptive captions and are all drawn from the New Mexico Museum of Art’s New Mexico Farm Security Administration Collection. \nCommissioned by the federal government\, the photographs and negatives taken for the Farm Security Administration and the Office of War Information are stored and maintained by the Library of Congress. Anyone can view the approximately 175\,000 black-and-white images in the Farm Security Administration/ Office of War Information collection on the Library of Congress website.   http://www.loc.gov/pictures/collection/fsa/background.html
URL:https://test-dca-mc.nmdca.net/dca-event/4019-russell-lees-fsa-photography-in-new-mexico-governors-gallery/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181220
DTEND;VALUE=DATE:20190201
DTSTAMP:20260507T151649
CREATED:20200430T220336Z
LAST-MODIFIED:20230614T175156Z
UID:10001195-1545264000-1548979199@test-dca-mc.nmdca.net
SUMMARY:Gustave Baumann Santa Fe Holiday Card Display
DESCRIPTION:Gustave Baumann exchanged hand printed holiday cards with artist friends who lived both in Santa Fe and other parts of the world. A selection of these cards are on display in the Chávez History Library for an intimate look into the lives of the Baumann family and their friends. \nLibrary access by appointment only.
URL:https://test-dca-mc.nmdca.net/dca-event/4022-gustave-baumann-santa-fe-holiday-card-display/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181216
DTEND;VALUE=DATE:20190909
DTSTAMP:20260507T151649
CREATED:20190216T014810Z
LAST-MODIFIED:20230614T175151Z
UID:10001173-1544918400-1567987199@test-dca-mc.nmdca.net
SUMMARY:A Gathering of Voices: Folk Art from the Judith Espinar and Tom Dillenberg Collection
DESCRIPTION:The unique installation of A Gathering of Voices reflects how Espinar has lived with folk art\, animating the objects through groupings that guide the viewer to cross-cultural comparisons of certain motifs\, forms\, or techniques. These “inhabited spaces” are re-created in the gallery\, along with deeper investigations of individual artists\, their workshops\, or the traditions they keep alive. \nJudith Espinar was one of the cofounders of the International Folk Art Market\, which was established in 2004 and is today the largest event of its kind focused on the work of master folk artists. She previously worked in the fashion industry in New York for more than 30 years\, before moving to Santa Fe\, where she owned and operated the longtime Santa Fe ceramic store The Clay Angel. \nPhoto: Addison Doty
URL:https://test-dca-mc.nmdca.net/dca-event/3841-a-gathering-of-voices-folk-art-from-the-judith-espinar-and-tom-dillenberg-collection/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181215
DTEND;VALUE=DATE:20190729
DTSTAMP:20260507T151649
CREATED:20190416T221238Z
LAST-MODIFIED:20230614T175152Z
UID:10001179-1544832000-1564358399@test-dca-mc.nmdca.net
SUMMARY:Carved & Cast: 20th Century New Mexican Sculpture
DESCRIPTION:Bringing art off the walls and into 3 dimensions\, Carved & Cast showcases sculpture in a range of media\, genres\, and styles that New Mexican artists utilized over the last century. The exhibition highlights the various ways sculpture engages with the cultural\, social\, and aesthetic interests of the Southwest by spotlighting significant sculptors in the Museum of Art collection\, including works by Patrocinio Barela\, Agnes C. Sims\, Eugenie Shonnard\, Fritz Scholder\, and Una Hanbury. Bringing the outside in\, this exhibition will move beyond the boundaries of the gallery and include a new interpretive program for the museum’s sculpture gardens.
URL:https://test-dca-mc.nmdca.net/dca-event/3894-carved-cast-20th-century-new-mexican-sculpture/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181215
DTEND;VALUE=DATE:20190401
DTSTAMP:20260507T151649
CREATED:20190205T030331Z
LAST-MODIFIED:20230614T175153Z
UID:10001185-1544832000-1554076799@test-dca-mc.nmdca.net
SUMMARY:Shots in the Dark
DESCRIPTION:Photography is most often associated with light and the word itself means “light writing” in Greek. However\, in this exhibition of nearly thirty images\, four Southwestern photographers explore the dark side of the medium. Featured are about thirty photographs by Christopher Colville\, scott b. davis\, Michael Lundgren\, and Ken Rosenthal. Each of the artists makes pictures in the landscape at night\, inviting us to explore our preconceptions\, fears\, and fantasies about the world of shadows. \nKen Rosenthal\, a longtime resident of Tucson\, is best known for diffused images that probe the relationship of photography to human memory\, dreams\, and stories. For his recent series The Forest\, the artist photographed at night in the Selkirk Mountains in northeast Washington\, where he has spent nearly every summer since childhood. In these dark and densely layered compositions\, the forest provides a visual vocabulary for the expression of internal psychological states\, including “thoughts on mortality\, discovery\, loss\, and renewal\,” the artist writes. “It’s the essence of the image that I want the viewer to be able to relate to\, rather than the specifics.” \nWith Phoenix as his home base\, Michael Lundgren is a frequent desert traveler\, almost becoming a fixture of the landscape himself. His images imply both the vast and the incremental time frame of that place where patience\, silence\, and careful looking yield a world of strange and subtle riches. “I’m interested in reducing the world to a bare essential\, to get closer to the heart of experience\,” the artist says. In recent bodies of work including Matter and Transfigurations\, selection from which are on view\, the artist is engaged with “making images that make you feel something you can’t quite understand. Within that interruption\, there’s the possibility to see something that we didn’t know.” \nBased in San Diego\, scott b. davis says he “began photographing the desert at night in the 1990s as a way to explore landscapes uniquely defined by darkness.” Working primarily in the American West\, he works with large-format view cameras to slow down the process of making a picture and to create large negatives. From these he makes platinum prints (a monochromatic process in which light-sensitive platinum salts are coated onto paper by the artist)\, which renders his scenes of undistinguished urban spaces in rich\, velvety tones that encompass viewers in a momentary hush outside the hustle and flow of everyday life. The low light and subtlety of these prints from his series Nocturnes and Land of Sunshine compel closer looking\, drawing the viewer in as a participant. \nChristopher Colville works most often in the Sonoran Desert near his home in Phoenix\, challenging our definition of photography in his series The Dark Hours Horizons and Works of Fire. On view are selections that demonstrate a shift from his earlier interest in expressions of energy\, violence\, and chaos to a state that is gentler and more contemplative state. To create the prints\, he spends time alone in the desert at night where he places gunpowder on photographic paper and ignites it to make a unique exposure. “I followed these images\, night after night repeating\, refining small explosions\, meditating on a single evolving line until the sun’s reflection on the moon was too bright to work\,” Colville writes about the process of making the prints. \nShots in the Dark is a companion to the exhibition Wait Until Dark in the museum’s second-floor galleries. Both are amplified by the Night Life Imagination Station dedicated to heightening viewer experience of the two shows.
URL:https://test-dca-mc.nmdca.net/dca-event/3913-shots-in-the-dark/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181117
DTEND;VALUE=DATE:20190513
DTSTAMP:20260507T151649
CREATED:20190502T012835Z
LAST-MODIFIED:20230614T175152Z
UID:10001178-1542412800-1557705599@test-dca-mc.nmdca.net
SUMMARY:Wait Until Dark
DESCRIPTION:Generally understood as simply a night scene\, the term nocturne refers to the quality of light in a painting\, and can be twilight\, waxing or waning light\, or the darkness of night. Nocturne speaks as much to the mood of a painting as it does the quality of light. Artists use this to create narratives and convey a mood that can be dreamy\, ethereal\, menacing\, meditative\, brooding\, or poetic. This exhibition is drawn from the museum’s extensive collection of nocturnes\, including painting\, prints\, and photographs. \nNight skies are one of the amazing natural beauties of New Mexico\, which is home to five Gold and Silver-Tier Dark Sky Parks\, as certified by the International Dark Sky Association. Wait Until Dark and Shots in the Dark are companion exhibitions and will be complemented by the Night Life Imagination Station where visitors of all ages are able to explore the themes of the night and delve deeper into the subject through a range of creative activities.
URL:https://test-dca-mc.nmdca.net/dca-event/3888-wait-until-dark/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181116
DTEND;VALUE=DATE:20190914
DTSTAMP:20260507T151649
CREATED:20190110T005036Z
LAST-MODIFIED:20230614T175156Z
UID:10001196-1542326400-1568419199@test-dca-mc.nmdca.net
SUMMARY:Drawn to the Land: Peter Hurd’s New Mexico
DESCRIPTION:Legendary New Mexico artist Peter Hurd is featured in this exhibit in the Museum’s Traditions Gallery. \n“Drawn to the Land: Peter Hurd’s New Mexico” features 24 paintings and some of the artist’s belongings\, including one of his palettes\, a pair of chaps\, sombrero\, guitar\, and polo helmet and mallet. \nThe show\, which includes loans from the Hurd La Rinconada Gallery in San Patricio\, N.M.\, and the El Paso Museum of Art\, also features a video about Hurd (1904-1984). \nHurd\, who was born and raised in the Roswell area\, settled in the Hondo Valley after attending West Point\, serving as a war artist correspondent during World War II\, and living in Pennsylvania\, where he met his wife\, Henriette Wyeth. The artist is celebrated for his realistic portraits and luminous Southwestern landscapes that feature the vegetation\, rolling hills\, windmills\, water tanks\, and ever-changing skies of the area in Lincoln and Chaves counties. \nUnlike many artists who are proficient in a few mediums\, Hurd was skilled in a variety of media including oil\, lithography\, watercolor\, egg tempera\, and charcoal. Light was critically important in Hurd’s work and he strove to render it accurately. Hurd felt that the medium of egg tempera allowed him to truly capture the shifting light and arid landscape of New Mexico.
URL:https://test-dca-mc.nmdca.net/dca-event/4042-drawn-to-the-land-peter-hurds-new-mexico/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
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GEO:32.2970348;-106.7188683
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181026
DTEND;VALUE=DATE:20190729
DTSTAMP:20260507T151649
CREATED:20200430T220551Z
LAST-MODIFIED:20230614T175152Z
UID:10001175-1540512000-1564358399@test-dca-mc.nmdca.net
SUMMARY:On Exhibit: Designs That Defined the Museum of New Mexico
DESCRIPTION:Santa Fe is widely recognized as a city of museums. These beloved institutions and their exhibitions have long been integral to the fabric of local culture. On Exhibit: Designs That Defined the Museum of New Mexico\, presents a fascinating look back at more than a century of changing exhibition design in the historic state museum system. This “exhibit about exhibits” reveals how presentation techniques evolved and helped establish the unique character of the Santa Fe’s museums. While there have been thousands of exhibitions mounted in Santa Fe since the early days\, most have been short-term engagements\, coming and going so often that the public may not fully appreciate the immense body of work that has been presented over the years. On Exhibit shines a spotlight on those exhibition milestones and invites visitors to consider the importance of visual design in the public space. \nOn Exhibit celebrates Santa Fe’s long legacy of museum design by presenting a unique combination of historic photographs placed alongside reconstructed vignettes depicting early exhibition displays. Sections on design\, production techniques\, and tools of the trade highlight the creative talent and skill necessary for effective exhibits. Video interviews with museum staff\, past and present\, reveal behind-the-scenes stories about the Santa Fe museums not previously known. This installation includes examples from the Palace of the Governors/New Mexico History Museum\, New Mexico Museum of Art\, Museum of International Folk Art\, Museum of Indian Arts and Culture\, and selected New Mexico Historic Sites.  \nOn Exhibit: Designs That Defined the Museum of New Mexico shows that effective exhibition design is more than just arranging objects in a space. Design serves as the bridge between a curator’s scholarship and the visitor’s comprehension. At its best\, exhibit design creates immersive environments that evoke curiosity\, facilitate learning\, and provide enjoyment for all visitors.  \nDeveloped by the Exhibit Services team of Museum Resources\, a division of the New Mexico Department of Cultural Affairs.  \nContact: David Rohr\, 505-476-1137
URL:https://test-dca-mc.nmdca.net/dca-event/3857-on-exhibit-designs-that-defined-the-museum-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3857_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20191001
DTSTAMP:20260507T151649
CREATED:20181102T032513Z
LAST-MODIFIED:20230614T175154Z
UID:10001186-1539993600-1569887999@test-dca-mc.nmdca.net
SUMMARY:Birds: Spiritual Messengers of the Skies at the Center for NM Archaeology
DESCRIPTION:Please note this exhibit is at the Center for NM Archaeology\, located at 7 Old Cochiti Road\, off the Caja Del Rio exit of 599. \nBirds are among the most cherished animals with whom we share the Earth. Where birds live well\, people thrive. The presence and wellbeing of birds reflects the health of the environment; they share every ecosystem with us\, playing the role of hunter and prey\, pollinators\, scavengers\, and dispersers of seeds. Feeding the spirit\, they can signify strength\, courage and freedom. They are companions to us and inspire us to think beyond our own confinement and limitations. With some 10\,000 species of birds in the world\, they represent one of the best adapted animals on Earth\, dating back to the time of the dinosaurs. \n“Birds: Spiritual Messengers of the Skies” explores the importance of birds among Native American culture both in the past and today. It includes information on some of the major bird species of the Southwest and how important birds have been as a resource for tools\, feathers and food. Birds in archaeology\, how they are studied and what that tells us about the past\, is also included. With help from Audubon New Mexico\, the exhibit inspires to communicate important aspects of birds and their role in our world. \nThe exhibit opens on International Archaeology Day\, Saturday\, October 20\, at the Center for New Mexico Archaeology located off the 599 Bypass in Santa Fe at 7 Old Cochiti Road (located off Caja del Rio Road\, right across from the Santa Fe Animal Shelter and Humane Society). The Center\, which houses the archaeology collections for the State of New Mexico\, and the Office of Archaeological Studies\, who shares the building\, will hold an open house from 10 a.m. to 4 p.m. and will include tours of the facility and many activities and demonstrations for children and adults including atlatl (spear) throwing and archaeology demonstrations. The event is free of charge. Thereafter\, the exhibit can be viewed in the lobby of the Center until October 2019\, Monday through Friday\, 8 a.m. to 5 p.m. (excluding holidays). \nThis exhibit complements The Year of the Bird\, the centennial of the Migratory Bird Treaty Act that was passed in 1918 to protect birds from wanton killing. The Year of the Bird is sponsored by National Geographic\, the National Audubon Society\, BirdLife International and the Cornell Lab of Ornithology. Visit any of these organizations’ sites to sign up\, learn how to help protect birds\, and find events near you!
URL:https://test-dca-mc.nmdca.net/dca-event/3917-birds-spiritual-messengers-of-the-skies-at-the-center-for-nm-archaeology/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3917_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20190128
DTSTAMP:20260507T151649
CREATED:20180926T035933Z
LAST-MODIFIED:20230614T175153Z
UID:10001184-1539993600-1548633599@test-dca-mc.nmdca.net
SUMMARY:Naturescapes 2018: Clouds
DESCRIPTION:This year\, the theme was CLOUDS and photographers explored the entire state to find clouds everywhere. We received 142 entries and the judges were able to select thirty photos that show clouds in many different forms and interpretations. \nPrizes will be awarded on Saturday\, October 20th\, 10-11am\, during the exhibit opening and members preview. \nPhotographs will be displayed from October 20th\, 2018 to January 27th\, 2019.  \n  \nFirst Place: Aguirre Spring (Tim Funk) \nSecond Place: Hideaway (Max Woltman) \nHonorable Mention: Watching the Moon Rise (Paul Zeigler) \n  \nStudent Winners:                   \nFirst Place: Retreating Storm\, Standing Bow (Vera Berger)            \nSecond Place: Clouds and Ancients (Leo Unzicker) \nHonorable Mention: Fences Can’t Keep Out Flames (Colin Ross) \n  \nThis annual photo competition celebrates nature through the art of photography. Our vision is to inspire a greater appreciation and understanding of the natural world.
URL:https://test-dca-mc.nmdca.net/dca-event/3911-naturescapes-2018-clouds/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181017
DTEND;VALUE=DATE:20191018
DTSTAMP:20260507T151649
CREATED:20181004T235544Z
LAST-MODIFIED:20230614T175153Z
UID:10001183-1539734400-1571356799@test-dca-mc.nmdca.net
SUMMARY:Back to Bones
DESCRIPTION:In advance of the Society for Vertebrate Paleontology convention\, NMMNHS plans to revisit its extensive collection with a new\, Back to Bones exhibition\, highlighting some of its most spectacular vertebrate fossils – the result of over 30 years of collecting efforts. The exhibit will be up for at least a year starting on or about Oct. 17th. \n  \n“Our museum has amassed some fantastic fossils over the last 30 years\,” said Thomas A. Williamson\, Paleontology Curator at NMMNHS and co-chair of the SVP convention. “Everything from 300-million-year-old fish and early reptiles\, dinosaur skulls from near the end of the Age of Reptiles\, to Ice Age mammals. The SVP convention affords us a chance to really show off some of our most prized specimens.”
URL:https://test-dca-mc.nmdca.net/dca-event/3909-back-to-bones/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181006
DTEND;VALUE=DATE:20190105
DTSTAMP:20260507T151649
CREATED:20180926T034818Z
LAST-MODIFIED:20230614T175153Z
UID:10001182-1538784000-1546646399@test-dca-mc.nmdca.net
SUMMARY:Picturing the Past
DESCRIPTION:Picturing the Past will feature juried selections from dozens of works submitted by paleo-artists working across the globe. The subjects span the range of life on this planet\, from trilobites to dinosaurs to sabretooth cats\, in paintings and sculptures and digital models. The museum’s collection of paleoart will also be highlighted\, with important examples of the genre from the opening of the museum in the mid-1980s.
URL:https://test-dca-mc.nmdca.net/dca-event/3908-picturing-the-past/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180929
DTEND;VALUE=DATE:20190311
DTSTAMP:20260507T151649
CREATED:20190207T195355Z
LAST-MODIFIED:20230614T175151Z
UID:10001174-1538179200-1552262399@test-dca-mc.nmdca.net
SUMMARY:Good Company: Five Artist Communities in New Mexico
DESCRIPTION:Since the end of the nineteenth century\, when some of the first academically trained artists began to settle in Taos\, later forming the Taos Society of Artists\, New Mexico has continued to provide fertile ground for artists to gather together and create a forum for their individual visions. The role of artist communities in New Mexico is explored through works by members of the Taos Society of Artists\, Los Cinco Pintores\, Transcendental Painting Group\, Rio Grande Painters\, and the Stieglitz circle. Each of these groups had a distinctive aesthetic and set of guiding principles Good Company offers a closer look at what makes each unique.
URL:https://test-dca-mc.nmdca.net/dca-event/3853-good-company-five-artist-communities-in-new-mexico/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3853_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180813
DTEND;VALUE=DATE:20181203
DTSTAMP:20260507T151649
CREATED:20180922T035330Z
LAST-MODIFIED:20230614T175153Z
UID:10001181-1534118400-1543795199@test-dca-mc.nmdca.net
SUMMARY:Joe Pfeiffer: My Long Journey
DESCRIPTION:Artist Jacob Pfeiffer’s long journey covers 80-plus years and two continents. During the course of his amazing life\, he developed his artistic talent\, painting scenes that show the pioneer days through contemporary times.  \nPfeiffer\, who moved to Las Cruces in 2013\, specializes in oil painting on canvas and linen. His works in the show feature scenes of Native Americans and early settlers\, animals\, and even scenes of local sites like the Museum and the Las Cruces Farmers’ & Crafts Market. There are 26 included in the show. \nGrowing up in Romania\, Pfeiffer began drawing pictures of animals as a young child. Pfeiffer came to the United States when he was 19\, worked at various jobs and took art classes at night. Soon\, a prominent Cincinnati gallery offered him a solo show that was a great success. \nPfeiffer’s work has evolved over the years\, depending on the subject matter. He has received dozens of awards and his work has been displayed in galleries all over the country.
URL:https://test-dca-mc.nmdca.net/dca-event/3903-joe-pfeiffer-my-long-journey/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3903_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180811
DTEND;VALUE=DATE:20180917
DTSTAMP:20260507T151649
CREATED:20180801T021349Z
LAST-MODIFIED:20230614T175152Z
UID:10001176-1533945600-1537142399@test-dca-mc.nmdca.net
SUMMARY:Cannupa Hanska Luger: Every One
DESCRIPTION:Individuals and organization across North America participated in this social collaboration\, creating a monumental portrait of loss comprised of more than 4\,000 ceramic beads\, each representing a missing or murdered indigenous woman in Canada.
URL:https://test-dca-mc.nmdca.net/dca-event/3858-cannupa-hanska-luger-every-one/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180727
DTEND;VALUE=DATE:20200101
DTSTAMP:20260507T151649
CREATED:20181102T032213Z
LAST-MODIFIED:20230614T175154Z
UID:10001187-1532649600-1577836799@test-dca-mc.nmdca.net
SUMMARY:Creating Tradition - at Epcot Center
DESCRIPTION:This special MIAC exhibition – located at Disney World’s Epcot Center (Orlando\, FL) – allows visitors to explore the artistry of American Indian communities and learn about traditional Native influences. \n“Creating Tradition: Innovation and Change in American Indian Art” showcases authentic\, historical Native artifacts alongside contemporary works of American Indian art—demonstrating examples of cultural traditions which have been handed down through generations. \nNative communities from 7 geographic regions across the United States are included in the gallery. Their art represents the richness\, depth and diversity of Native cultures past and present. Among the featured artists with works on display are fashion designer Loren Aragon (Acoma Pueblo)\, noted doll-maker Glenda McKay (Ingalik-Athabascan) and Juanita Growing Thunder (Assiniboine Sioux) from the Growing Thunder family of Montana. \nThis collection is made possible through the collaboration of the Museum of Indian Arts and Culture (MIAC) in Santa Fe\, New Mexico\, and the Smithsonian National Museum of the American Indian (NMAI) in Washington\, D.C.
URL:https://test-dca-mc.nmdca.net/dca-event/3926-creating-tradition-at-epcot-center/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3926_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180603T100000
DTEND;TZID=America/Denver:20190608T170000
DTSTAMP:20260507T151649
CREATED:20200425T050233Z
LAST-MODIFIED:20230614T175158Z
UID:10001208-1528020000-1560013200@test-dca-mc.nmdca.net
SUMMARY:Meridel Rubenstein’s Oppenheimer’s Chair and The Meeting
DESCRIPTION:Photographer Meridel Rubenstein’s “Oppenheimer’s Chair and The Meeting”  offers a thought-provoking work that weaves together two threads of history\, as a feature within the exhibition; “Atomic Histories”.
URL:https://test-dca-mc.nmdca.net/dca-event/4194-meridel-rubensteins-oppenheimers-chair-and-the-meeting/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4194_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180603
DTEND;VALUE=DATE:20200120
DTSTAMP:20260507T151649
CREATED:20191126T024313Z
LAST-MODIFIED:20230614T175150Z
UID:10001169-1527984000-1579478399@test-dca-mc.nmdca.net
SUMMARY:Atomic Histories  Remembering New Mexico’s Nuclear Past
DESCRIPTION:Beginning in World War II with the first research and fabrication of nuclear weapons in Los Alamos for the Manhattan Project and the first atomic bomb test at the Trinity site near Alamogordo\, New Mexico’s story is linked with the history of nuclear science and innovation. As soon as the war was over and the Cold War began\, two national laboratories were founded in Los Alamos and Albuquerque that advanced the technologies of war and later\, would pioneer cutting edge physics\, chemistry and other scientific fields. Mines in the Grants Mineral Belt were opened in the western part of the state that unearthed the fuel for both weapons and new sources of energy. Eventually\, the state was chosen to be the site of disposal for nuclear waste byproducts at the Waste Isolation Pilot Project in Carlsbad.  A new uranium enrichment plant has opened in Eunice. Old projects ended\, and new challenges would emerge\, but in the 21st century\, New Mexico is at the forefront of our nation’s nuclear scientific endeavors. \nThis exhibit explores the most famous events\, sometimes little known stories\, and inventions born here which impact our lives\, and helps to recognize the remarkable contributions of thousands of people involved in writing New Mexico’s Atomic Histories for the last 75 years. Two large-scale installations by Meridel Rubenstein are featured in this exhibition. \nPhoto courtesy of the Los Alamos Historical Society Archives 
URL:https://test-dca-mc.nmdca.net/dca-event/3749-atomic-histories-remembering-new-mexicos-nuclear-past/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3749_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180603
DTEND;VALUE=DATE:20190903
DTSTAMP:20260507T151649
CREATED:20190801T043651Z
LAST-MODIFIED:20230614T175149Z
UID:10001166-1527984000-1567468799@test-dca-mc.nmdca.net
SUMMARY:What’s New in New: Selections from the Carol Warren Collection Dozens of Pieces from a Recently Donated Collection
DESCRIPTION:The Museum of Indian Arts & Culture (MIAC) periodically features art recently acquired through gifts or purchases. What’s New in New: Selections from the Carol Warren Collection\, highlights the collection donated to the Museum by Carol Warren\, who was a volunteer in the Collections Department for more than 20 years. \nThe collection consists of over 200 works of art\, including paintings\, pottery\, jewelry and textiles from some of Santa Fe’s most prominent contemporary artists. A selection of this collection will be on exhibit and will include pieces created by renowned artists such as Tony Abeyta\, Tammy Garcia\, Dan Namingha\, and Jody Naranjo. \nThe exhibition\, co-curated by\, C.L. Kieffer Nail\, Antonio Chavarria\, and Valerie Verzuh\, will not only highlight outstanding contemporary artists\, but it will also feature multigenerational artists by including work of artists within the same family that have crafted their trade alongside each other. \n“By displaying pieces made by related artists\, we hope to demonstrate ways in which Native artists inspire each other through instruction as well as how individual artists exhibit their own identity through what is essentially a family practice\,” said curator C. L. Kieffer Nail. \nIn accepting new items\, whether they were made yesterday or 12\,000 years ago\, museum staff consider various issues such as curatorial collecting objectives\, gaps in collections\, potential future use of the objects such as publication and exhibition\, storage limitations and special preservation requirements. \nThe Museum of Indian Arts and Culture/Laboratory of Anthropology collections inspire appreciation for and promote knowledge of the diverse native arts\, histories\, languages\, and cultures of the Greater Southwest. This mission is made possible through the active acquisition of material culture that contributes to an understanding of the peoples that made them. \nThe creative talents of Native artists in the past\, present and future\, give purpose to the MIAC. This is why it continues to collect and preserve art and artifacts made by tribal artists from all time periods. It endeavors to educate visitors about ancient yet living Native cultures\, and provide Indian artists with examples of their ancestors’ gifts. \nThe accessioned collections of the museum are made possible by the generosity of donors and the cultivation of such by the Museum of New Mexico Foundation and its affiliated support groups. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3698-whats-new-in-new-selections-from-the-carol-warren-collection-dozens-of-pieces-from-a-recently-donated-collection/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3698_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180601
DTEND;VALUE=DATE:20190603
DTSTAMP:20260507T151649
CREATED:20190110T052244Z
LAST-MODIFIED:20230614T175154Z
UID:10001189-1527811200-1559519999@test-dca-mc.nmdca.net
SUMMARY:Hweeldi: The Woven Tribute  Commemorating the Long Walk
DESCRIPTION:The Museum of Indian Arts and Culture (MIAC) is commemorating the 150th anniversary of the signing of the Treaty of Bosque Redondo\, signed June 1\, 1868\, by displaying an extraordinary wool rug woven in tribute to the Long Walk. Created in the early 1900s\, the rug is an impressive 9 ft. by 15 ft.\, last displayed at MIAC in 1996. \nWhile the identity of the weavers of the piece remains unknown\, Navajo oral history – and likely some first-hand accounts – informed the weavers along the way with their design.  \nIn 1868\, the Long Walk was initiated by the United States military as part of Manifest Destiny\, the concept that expansion of the United States in the 1800s was both justified and inevitable. Only the 1868 treaty allowed the Navajo to return to their Diné Bikéyah (Navajo sacred lands) in northwestern New Mexico\, where they rebuilt as a nation of herders\, farmers\, and weavers. \n“The Long Walk is the most tragic historical event among the Navajo people\,” said Joyce Begay-Foss\, curator and director of education. “Among most tribal members it is not spoken about due to the sensitive nature of the historical trauma.” \n“Other tribal members feel though that we must never forget what the people who came before us suffered and endured\,” Begay-Foss added.
URL:https://test-dca-mc.nmdca.net/dca-event/3948-hweeldi-the-woven-tribute-commemorating-the-long-walk/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3948_thumb.jpg
ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180910
DTSTAMP:20260507T151649
CREATED:20180911T034416Z
LAST-MODIFIED:20230614T175149Z
UID:10001163-1527206400-1536537599@test-dca-mc.nmdca.net
SUMMARY:Frederick Hammersley: To Paint without Thinking
DESCRIPTION:Frederick Hammersley: To Paint without Thinking\, brought from The Huntington Library\, Art Collections\, and Botanical Gardens\, showcases the American artist’s sketchbooks\, notebooks\, inventories\, and vibrant color swatches to illuminate the systematic process he used to create his lively hard-edge geometric paintings. The presentation in New Mexico\, where the artist lived from 1968 until his death in 2009\, has been expanded by a dozen additional works from New Mexico Museum of Art’s collection. \nFrederick Hammersley: To Paint without Thinking at New Mexico Museum of Art will feature over 60 objects\, pairing items from Hammersley’s archives (a recent gift to the Getty Research Institute in Los Angeles) with seven paintings\, including the New Mexico Museum of Art’s recently conserved Couplet #15\,  1965 (1968)\, The Huntington’s See saw #3\, 1966\, and dozens of other works\, including lithographs\, silkscreens\, and  computer drawings from the collections of The Huntington\, New Mexico Museum of Art\, Los Angeles County Museum of Art\, Palm Springs Art Museum\, and Santa Barbara Museum of Art. \nThe museum has had a longstanding relationship with Frederick\, and holds a comprehensive collection of his artwork\, from early student work\, his computer drawings and punch cards\, prime examples of his fully mature paintings\, as well as archive materials and color studies. This carefully researched\, imaginative show will be particularly well received here in New Mexico where the artist lived for the last four decades of his life. Highlights of the Hammersley archives include his notebooks and sketchbooks\, in which the artist developed compositions over a period of decades. In these books\, he generally used a two-stage process\, first composing postage stamp-sized images—sketched out in pencil\, colored pencil\, or ballpoint pen—then selecting compositions to execute on a larger scale\, sometimes in oil paint. “These sketchbooks served as a forum for exploration and a wellspring from which he drew throughout his long career\,” said James Glisson\, Bradford and Christine Mishler Associate Curator of American Art at The Huntington and co-curator of the exhibition. “It is like peeking over his shoulder to see him at work\, altering a color or two\, adding or subtracting a line\, then moving on.”   \n“Painting Books” \nFrederick Hammersley (1919-2009)\, who lived in Los Angeles until 1968\, entered the spotlight in 1959 as one of the artists in the international exhibition “Four Abstract Classicists\,” along with Karl Benjamin\, Lorser Feitelson\, and John McLaughlin.  He was unique among his peers in that the elegant simplicity of his paintings stemmed from a rigorous process of refinement that he tracked in extreme detail. His “Painting Books\,” two of which are on view in the exhibition\, contain dated entries for every step of the painting process\, from stretching a canvas and applying multiple layers of paint to varnishing and touching up. These invaluable records outline the process and materials he used in more than 150 geometric paintings. Such a level of record-keeping was a boon for exhibition co-curator Alan Phenix\, scientist at the Getty Conservation Institute\, whose essay in the exhibition catalog describes Hammersley’s paintings from the technical perspective. Phenix observes\, “I doubt there exists anywhere such a large group of paintings that is so fully described from the material and technical point of view.” \nExperimental lithographs \n“Frederick Hammersley: To Paint without Thinking” also includes 45 of the experimental lithographs made in 1949\, a pivotal moment when Hammersley had reached an impasse with traditional painting and turned to the exacting medium of stone lithography. He taught himself the complex lithography process\, pulling prints on the weekends at the Jepson Art School in Los Angeles\, where he was teaching. Numbering in the hundreds\, these prints each measure 3by-3inches\, and consist of a 4-by-4 grid with 16 squares. \n“Computer drawings”   \nIn 1968\, Hammersley reached another “dry spell” in his painting activity and moved to Albuquerque\, New Mexico\, to teach at the University of New Mexico. Shortly after arriving there\, he learned Art1\, a computer program written by Richard Williams and among the first programs designed for visual artists. Using punch cards\, a then-state-of-the-art IBM 360/40 computer\, and a tractor-fed 1403 IBM line printer\, Hammersley made hundreds of “computer drawings.” \nWhile the interlude with computer art did not obviously  change how Hammersley approached his geometric paintings\, the Painting Book entries became much more detailed. Glisson speculates  that the artist’s step-by-step recording of  his paintings  was a result of mastering Art1’s complicated instructions for punching holes in data cards to generate shapes and patterns. “Just as chess and checkers have rules but the rules don’t dictate how a game unfolds and ends\,” Glisson said\, “Hammersley’s rules and systems didn’t predetermine the outcome of his work. For Hammersley\, the concept of “painting without thinking” was a grey area between pre-determination and pure chance where he felt unburdened enough to explore and invent.” \nExhibition catalog \nThe Huntington has published Frederick Hammersley: To Paint without Thinking (ISBN 978-0-9986817-1-9)\, a boldly illustrated catalog accompanying the exhibition and edited by James Glisson\, Bradford and Christine Mishler Associate Curator of American Art at The Huntington\, with contributions from Alan Phenix\, scientist at the Getty Conservation Institute\, Kathleen Shields\, Executive Director at the Frederick Hammersley Foundation\, and Nancy Zastudil\, Administrative Director at the Frederick Hammersley Foundation. Distributed internationally by DAP and retailing for $35\, the catalog has 120 pages and 75 illustrations. Available at thehuntingtonstore.org. \nCredit line The presentation of Frederick Hammersley: To Paint without Thinking at The Huntington received generous support from the Frederick Hammersley Foundation and the Susan and Stephen Chandler Endowment for Exhibitions of American Art. The exhibition catalog received generous support from the Frederick Hammersley Foundation. \nAbout The Huntington \nThe Huntington Library\, Art Collections\, and Botanical Gardens is a collections-based research and educational institution serving scholars and the general public. More information about The Huntington can be found online at www.huntington.org.
URL:https://test-dca-mc.nmdca.net/dca-event/3604-frederick-hammersley-to-paint-without-thinking/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180910
DTSTAMP:20260507T151649
CREATED:20180911T034402Z
LAST-MODIFIED:20230614T175149Z
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SUMMARY:Patrick Nagatani: Invented Realities
DESCRIPTION:Photographer Patrick Nagatani (1945-2017) didn’t just take pictures\, he made pictures. While most art photographs are the result of careful choices about subject\, framing\, lighting\, and other factors\, Nagatani went to even greater lengths to get the picture he wanted. With experience working in Hollywood special-effects and an MFA from UCLA\, the artist began creating models and constructing scenes specifically for the camera in the mid-1980s. \nNagatani became a leading figure in the directorial style of photography\, which not only acknowledges that photographs are fictional but lets viewers in on the joke. Nagatani and his collaborators actively staged scenes for the camera\, directing every aspect of production without hiding the strings and seams that held them together. He is known for using humor and exaggerated narratives to draw attention to social issues\, particularly the legacy of the atomic bomb. This survey across Nagatani’s rich career\, drawn primarily from the New Mexico Museum of Art’s extensive holdings\, concentrates on the artist’s creative process and use of visual storytelling. \nThe show ranges from his large-format Polaroid collaborations with painter Andrée Tracey\, for which the artists constructed elaborate and sometimes outlandish narrative scenes with frequent cameo appearances by themselves\, as well as students\, family\, and friends. The exhibition offers a rare opportunity to see two painted backdrops and a papier mâche prop made by Tracey\, on loan from the Albuquerque Museum\, for the photographs Radioactive Reds and Great Yellow Father. Video clips and label text by some of the artist’s students\, friends\, and colleagues bring Nagatani’s inventive and theatrical process to life for visitors. Also represented are photographs from series including Chromatherapy\, Nuclear Enchantment\, Japanese-American Concentration Camps\, and Tape-estries\, two lithographs\, and a set of matchbooks altered by the artist. \nNagatani was a longtime faculty member at the University of New Mexico in Albuquerque and a prominent figure in the photography world who touched many lives. He was passionate about his work\, intensely creative\, and humorous. \nThe exhibition is presented in conjunction with summer shows of the artist’s work at the Albuquerque Museum and the University of New Mexico Art Museum. Aspects of the show and related programs are in coordination with the New Mexico History Museum exhibition Atomic Histories and the Santa Fe Opera performance of Doctor Atomic. 
URL:https://test-dca-mc.nmdca.net/dca-event/3710-patrick-nagatani-invented-realities/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180514
DTEND;VALUE=DATE:20190301
DTSTAMP:20260507T151649
CREATED:20180817T193057Z
LAST-MODIFIED:20230614T175152Z
UID:10001177-1526256000-1551398399@test-dca-mc.nmdca.net
SUMMARY:Because It’s Time: Unraveling Race and Place in NM
DESCRIPTION:Because It’s Time: Unraveling Race and Place in NM examines race and identity in New Mexico and is a space for artistic expression that grapples with the complexities of who we are\, how we are understood\, and how that impacts the way we live (or don’t) in a variety of places.  The exhibition features approximately 26 newly created artworks by artists with different experiences in New Mexico alongside works from the National Hispanic Cultural Center Art Museum’s permanent collection. All of the artworks delve into  race and place through an intersectional lens alongside gender\, sexuality\, class\, nationality\, citizenship status\, etc. from local\, national\, and international perspectives. \nThis museum exhibition included much contemplation by the Visual Arts program staff and interns about what it might look like to create an exhibit that relinquished a bit of institutional control and placed it in the hands of the artists. Many of the works were not seen in their completed form until just weeks before the opening. The process continues to be a learning experience and the hope is to maintain an environment of openness and education\, for the staff and our visitors\, even after the exhibition closes. \nWe are so honored to work with this amazing group of artists. \nInvited artists include: Adelina Cruz\, Adriana Ortiz-Carmona\, Apolo Gomez Autumn Chacon\, Aziza Murray\, Baochi Zhang\, Brandee Caoba\, Corey Pickett\, Cynthia Cook\, Earl McBride\, Ehren Kee Natay\, Eliza Naranjo Morse\, Eric-Paul Riege\, Erin Currier\, Fatemeh Baigmoradi\, Grace Rosario Perkins\, Hamed Marwan\, Jami Porter Lara\, Jessica Chao\, Joanna Keane Lopez\, John Boyce\, Lucrecia Troncoso\, Monica Kennedy\, Nanibah Chacon\, Rose B. Simpson\, and Zahra Marwan. \nArtists from the permanent collection include: Ana Laura de la Garza\, Annie Lopez\, Asamblea de Artistas Revolucionarios de Oaxaca (ASARO)\, Carlos Cortéz\, Consuelo Jiménez Underwood\, Delilah Montoya\, Eduardo Muñoz Bachs\, Eric J. Garcia\, Ester Hernández\, Jason Garcia\, Nicolás de Jesús\, Noni Olabisi\, Pamela Enriquez-Courts\, Rosana Paulino\, Rupert Garcia\, Scherezade Garcia\, Vincent Valdez\, Yreina D. Cervantez.
URL:https://test-dca-mc.nmdca.net/dca-event/3870-because-its-time-unraveling-race-and-place-in-nm/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180422
DTEND;VALUE=DATE:20190204
DTSTAMP:20260507T151649
CREATED:20180330T022849Z
LAST-MODIFIED:20230614T175222Z
UID:10001313-1524355200-1549238399@test-dca-mc.nmdca.net
SUMMARY:Beadwork Adorns the World
DESCRIPTION:Glass beads are the ultimate migrants.  Where they start out is seldom where they end up.  No matter where they originate\, the locale that uses them makes them into something specific to their own world view. \nThis exhibition is about what happens to these beads when they arrive at their final destination\, whether it be the African continent (Botswana\, Cameroon\, the Democratic Republic of Congo\, Ghana\, Nigeria\, South Africa)\, to Borneo\, to Burma\, to India\, Native North America to Latin America (Mexico\, Bolivia to Ecuador).  However\, this exhibit is not actually about beads\, rather it is about the working beads resulting in Beadwork\, and what a collective of beads in a garment or an object reveals about the intentions of its makers or users.
URL:https://test-dca-mc.nmdca.net/dca-event/3348-beadwork-adorns-the-world/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180408
DTEND;VALUE=DATE:20190304
DTSTAMP:20260507T151649
CREATED:20181102T032018Z
LAST-MODIFIED:20230614T175149Z
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SUMMARY:Maria Samora: Master of Elegance 2018’s Living Treasure
DESCRIPTION:MIAC is happy to announce Maria Samora: Master of Elegance\, an exhibition that showcases this year’s Museum of Indian Arts & Culture Living Treasure and Native Treasurers Featured Artist. \nSamora (Taos Pueblo) is known for her minimalist lines\, interdisciplinary approach\, and modern designs. \nShe began apprenticing with goldsmith and master gem cutter Phil Poirer in 1998 and went on to work with him for 15 years. Since striking out on her own in 2005\, her jewelry has become known for the simplicity of its design\, textured metals\, and combinations of both gold and silver. Stones include traditional turquoise and unexpected choices such as diamonds\, guava moonstone\, and African opal. \nThe metalwork Samora has learned to incorporate are rooted in Etruscan\, Greek\, Egyptian\, Syrian\, and even Korean designs. \nSamora’s work will remain on display in MIAC’s Diker Gallery through February of 2019. \n  \nYou may view a short documentary about Maria Samora by copying and pasting the following link. https://tinyurl.com/yd6ef9yy \n \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3701-maria-samora-master-of-elegance-2018s-living-treasure/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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GEO:35.664337;-105.9252387
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180302
DTEND;VALUE=DATE:20190930
DTSTAMP:20260507T151649
CREATED:20200424T034311Z
LAST-MODIFIED:20230614T175148Z
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SUMMARY:The Land that Enchants Me So: Picturing Popular Songs of New Mexico
DESCRIPTION:Before radio and television\, when making music at home was the evening’s entertainment and playing the piano was considered an essential talent among the middle class\, sheet music was the music consumer’s gateway to the world.”  The New Mexico History Museum celebrates this era with sheet music of popular songs about the State of New Mexico\, dating from the mid-19th through the mid-20th centuries\, in the new exhibition The Land That Enchants Me So. The show spotlights graphically striking sheet-music covers published from 1840s through about 1960\, along with other printed materials\, sound recordings\, and memorabilia relating to New Mexico and its musical life. \n“At a time before everywhere in America was pretty much like everywhere else\, songs often gave voice to civic pride. During the 19th and early-20th centuries\, people felt that their own home town was a place worthy of singing about\,” said James M. Keller\, who co-curated the exhibition with Meredith Davidson\, the Museum’s Curator of Southwest Collections. “In the 19th and early-20th centuries\, publishers understood that potential sheet-music buyers judged pieces of music—like books—by their covers. And so\, they accordingly lavished care on the creation of vivid\, original art and design for the sheet music they issued.” \nThe decorative sheet music in the exhibit is drawn from the private collection assembled over the past three decades by James M. Keller\, whose collection focuses on historical popular music from the era of vaudeville and Tin Pan Alley. The guest co-curator of the show\, he is known to New Mexico’s music-lovers through his work as a staff critic at Pasatiempo/The Santa Fe New Mexican. He is also the Program Annotator of the New York Philharmonic\, where he has served since 1995 and occupies an endowed chair\, and (since 2000) of the San Francisco Symphony.
URL:https://test-dca-mc.nmdca.net/dca-event/3546-the-land-that-enchants-me-so-picturing-popular-songs-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180216
DTEND;VALUE=DATE:20181112
DTSTAMP:20260507T151649
CREATED:20180427T100824Z
LAST-MODIFIED:20230614T175150Z
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SUMMARY:La Ultima Exhibición
DESCRIPTION:La Ultima Exhibición\, curated by Augustine Romero\, features visual interpretations of Rudolfo Anaya’s celebrated book\, Bless Me\, Ultima (1972)-a portrait of life in rural New Mexico as seen through the eyes of a young boy during World War II. Anaya tells of the spiritual healer\, Ultima\, as she guides young Antonio on a magical and moral journey in this novel that has inspired artists for decades. Romero curated a previous iteration of this exhibition in 2006 at the South Broadway Cultural Center and the NHCC Art Museum is thrilled to host the re-imagined version twelve years later. \nFeatured artists include: Jesús ” Cimi” Alvarado\, George C’de Baca\, Sylvia Ortiz Domney\, Christian Michael Gallegos\, Roberto Gallegos\, Eric Garcia\, Kristina Gonzales\, Nacho Jaramillo\, Al Na’ir Lara\, Chisim Bernal Lujan\, Oscar Lozoya\, Chris Ray Melendez\, El Moisés\, Derrick Montez\, Paloma Paz Nava\, Gabriel Luis Powers\, Chris Rivera\, Rebecca H. Hernandez Rosser\, and Catalina Salinas. \nAugustine Romero is an acclaimed visual artist and the curator of the South Broadway Cultural Center and the Kimo Theater for the City of Albuquerque.
URL:https://test-dca-mc.nmdca.net/dca-event/3756-la-ultima-exhibicion/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
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END:VEVENT
END:VCALENDAR