BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Department of Culture Affairs Media Center - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://test-dca-mc.nmdca.net
X-WR-CALDESC:Events for Department of Culture Affairs Media Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Denver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20170312T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20171105T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20180311T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20181104T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20190310T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20191103T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20200308T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20201101T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20210314T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20211107T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190811
DTEND;VALUE=DATE:20210101
DTSTAMP:20260507T124934
CREATED:20200923T111323Z
LAST-MODIFIED:20230614T175156Z
UID:10001198-1565481600-1609459199@test-dca-mc.nmdca.net
SUMMARY:San Ildefonso Pottery: 1600 - 1930
DESCRIPTION:San Ildefonso pottery is about a little known art\, an American art form that deserves recognition and appreciation alongside the other great world art systems. Before there was Santa Fe and before the idea of “art colony” was born there was San Ildefonso\, a small village of extraordinarily visionary artists whose ceramic legacy is rich and vitally meaningful. In addition\, San Ildefonso provided a vital partnership for first Museum of New Mexico director Edgar Lee Hewett in creating his vision of the founding of the Museum.     \nSan Ildefonso Pueblo pottery are an art form that is simultaneously both ancient and contemporary; being a constant for Pueblo people for millennia; always present\, forever evolving to reflect the historical and cultural circumstances of Pueblo people’s lives. Artisans work in a variety of styles\, always evolving in response to the changing circumstances of their own lives and the world around them.  Pottery\, or more precisely\, its aesthetics and production is ritualized behavior\, serving as a critical and material conceptual ideal of the San Ildefonso world. As San Ildefonso people remind us\, “Our history is recorded in pottery.”   \nArt is an inadequate word but there is no precise word in the Tewa language. Making pottery and painting is making life; those lives residing in the works that will be part of this exhibition. Pottery and painting incorporates a myriad of ideas from ancient design iconography to new tools and materials. But at the core of these arts sits an accurate presenting of the values and principles of Pueblo cosmology. When we speak of these arts we are hearing these values; the principles of honoring the creation through the way lives are lived. “I am prayerful when I gather my clay\,” a friend tells me. She continues\, “my mother and grandmother dug their clay here\, as did their aunties and mothers\, so I am prayerful\, respectful of this place and bring only good thoughts.”  \nConsider that pottery making is a prayer\, pottery making is creating life. Pottery has profound significance; the creation of pottery is the combining of two sacred and fertile substances –water and earth—combining them to make a new life. Designs on pottery are neither iconographic\, metaphoric nor symbol but rather become the form that is painted—a leaf form is a leaf\, a painted feather is prayer or breath. Painting infuses pottery with sacredness. These arts are visual prayer.   \nThe exhibit will use new methodologies of combining Native ethnogenisis\, discussions with descendant community members\, and museum object and archival research\, developing a holistic approach and portrait of artisans\, art production and social contexts. San Ildefonso Art will take a unique approach to best tell the stories of San Ildefonso art through their own interpretations and meanings as well as helping gallery visitors appreciate new understandings of the history\, contexts\, and meanings of San Ildefonso art\, culture and history. \nCurators Bruce Bernstein\, Erik Fender and Russell Sanchez in partnership with potters and today’s community members bring this important project to the public’s attention to help in creating more appreciation of the depth of artistic creativity and cultural knowledge incorporated into San Ildefonso Art. The MIAC’s important collections will be featured\, many of the pieces never exhibited. These artworks also tell the story of a singular alliance between the village of San Ildefonso and the foundling Museum of New Mexico. Two years before the museum was created first director Edgar Lee Hewett in the company of San Ildefonso men explored their homelands\, spending countless hours enveloped in their intimate knowledge of its cultural and natural landscapes. Whether research\, exhibition\, publication\, or education the fledgling museum relied on the men and women of the village. The village prospered in unexpected ways too\, finding their culture was valued after years of degenerative governmental pressure to cease its practice\, helping give rise to new forms of pottery. \nBernstein is a former director of MIAC and assistant director at the National Museum of the American Indian. Erik Fender and Russell Sanchez are active San Ildefonso community members and award winning potters. Both stand within their families long lineage and heritage of producing pottery. The project is a joint project of the Coe Center for the Arts and is supported by Al Anthony\, Adobe Gallery and the School for Advanced Research. \nFor video from the San Ildefonso exhibit\, please visit our YouTube channel at the following links. For the exhibition introductory film\, please click here. For the film about making pottery\, please click here. For stories about living and working in San Ildefonso\, please click here.
URL:https://test-dca-mc.nmdca.net/dca-event/4063-san-ildefonso-pottery-1600-1930/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4063_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190810
DTEND;VALUE=DATE:20191014
DTSTAMP:20260507T124934
CREATED:20191122T005300Z
LAST-MODIFIED:20230614T175157Z
UID:10001203-1565395200-1571011199@test-dca-mc.nmdca.net
SUMMARY:Alcoves 2020 #1
DESCRIPTION:The alcove shows continue the tradition began in 1917 of exhibiting works made by living artists.  These small\, one-person exhibitions\, called alcoves\, were held in the original gallery space through the 1950s\, resuming in the mid-1980s and again in the early 1990s and 2012. Alcoves 2020 continues this tradition with a series of exhibitions featuring the work of artists living in New Mexico right now. These artist-centered showcases feature new ideas\, artists at all stages of their careers and artwork that is being made by artists from across New Mexico. \nSchedule of rotations \nAugust 10\, 2019 – October 13\, 2019 \nStuart Arends\, Mokha Laget\, Diane Marsh\, Dan Namingha\, Emi Ozawa \n  \nOctober 19\, 2019 – December 15\, 2019 \nJen Pack\, Heather McGill\, Daniel McCoy\, Marietta Patricia Leis\, Sarah Stolar \n  \nDecember 21\, 2019 – February 9\, 2020 \nArtists to be announced \n  \nFebruary 15\, 2020 – April 12\, 2020 \nArtists to be announced \n  \nApril 18\, 2020 – June 14\, 2020 \nArtists to be announced \n  \nJune 20\, 2020 – August 16\, 2020 \nArtists to be announced
URL:https://test-dca-mc.nmdca.net/dca-event/4089-alcoves-2020-1/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4089_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190716
DTEND;VALUE=DATE:20191021
DTSTAMP:20260507T124934
CREATED:20200721T013717Z
LAST-MODIFIED:20230614T175158Z
UID:10001210-1563235200-1571615999@test-dca-mc.nmdca.net
SUMMARY:A Walk on the Moon The 50th Anniversary of the Apollo 11 Moon Landing
DESCRIPTION:As part of the worldwide celebration of American space history and the 50th anniversary of the first “moon walk\,” this exhibit highlighted the role of New Mexico in space exploration.
URL:https://test-dca-mc.nmdca.net/dca-event/4245-a-walk-on-the-moon-the-50th-anniversary-of-the-apollo-11-moon-landing/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4245_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190525
DTEND;VALUE=DATE:20200127
DTSTAMP:20260507T124934
CREATED:20190516T024415Z
LAST-MODIFIED:20230614T175157Z
UID:10001205-1558742400-1580083199@test-dca-mc.nmdca.net
SUMMARY:Bringing Together: Recent  Acquisitions
DESCRIPTION:A cross selection of artworks acquired by the museum over the past five years. Whether acquired by gift or purchase\, every item is carefully chosen to add to the richness of the museum collection. Spotlight on recent gifts include two glass collections\, contemporary artwork\, the finalization of the Lucy Lippard gift and several significant paintings. Loose groupings will explore and present the breadth and depth of the Museum of Art collection. How a collection is “brought together” and shared will be an undercurrent of the text and wall panels.
URL:https://test-dca-mc.nmdca.net/dca-event/4116-bringing-together-recent-acquisitions/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4116_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190511
DTEND;VALUE=DATE:20191021
DTSTAMP:20260507T124934
CREATED:20200721T020013Z
LAST-MODIFIED:20230614T175158Z
UID:10001209-1557532800-1571615999@test-dca-mc.nmdca.net
SUMMARY:A Past Rediscovered: Highlights from the Palace of the Governors At the Albuquerque Museum
DESCRIPTION:Spanish Colonial paintings\, images from the dawn of photography to contemporary digital prints\, nineteenth-century retablos and bultos\, turn-of-the-century clothing\, and rare books and maps are just some of the rare objects exhibited in A Past Rediscovered: Highlights from the Palace of the Governors. Located at the end of El Camino Real\, the Royal Road that extends from Mexico City to Santa Fe\, the Palace of the Governors collects a wide range of materials of historical value with the aim of telling the stories not only of the past but of living communities. \nThe Palace of the Governors has been continually inhabited for four hundred years. The site has witnessed a wide variety of human activity\, from the installation in Santa Fe of Spanish Governor of Northern New Spain Pedro de Peralta to the Native American-led expulsion from the region of Governor Antonio Otermín and the Spanish settlers during the Pueblo Revolt in 1680. The site has also embraced the region’s short-lived identity as part of Mexico (1821–46)\, and later served as the home and workplace of the territorial governors until the early twentieth century\, ultimately ushering in the birth of the Museum of New Mexico in 1909\, the anchor of what became the New Mexico History Museum. This complex contains the Palace\, the Photo Archives\, the Fray Angélico Chávez History Library\, the Palace Press\, and the History Museum itself. \n \n“The selection of objects explored\, pictured\, and explained\, reveal the depth\, richness\, and bright hope for the future of this land of ours\, the storied Land of Enchantment\,” says Daniel Kosharek\, Photo Curator\, Palace of the Governors Photo Archives. \nThis visual journey through time begins with one of The Palace’s largest and most important objects\, the Segesser II hide painting which depicts the 1720 defeat of Spanish troops and their allies in present-day Nebraska. The stories continue to be told through objects such as letters from Billy the Kid\, rare firearms\, images of Ansel Adams capturing iconic landscapes\, images of low riders\, and Gustave Bauman’s prints\, woodblocks and tools. \nPhotographs from the well-known Southwestern photographer Ben Wittick are included. Wittick is perhaps best known for photographing Geronimo. In addition to Wittick’s portraits\, the props he used in photographing Native Americans are included. These items provide an opportunity to contextualize these types of photographs. Several of these props can be seen in Wittick’s images and are shown together for the first time in this book and exhibition. \nAlthough specializing in photographs depicting the histories and cultures of the people of New Mexico\, the Palace of the Governors Photo Archives collection is not merely a regional archive. The collections address the history and development of photography including the present time. Some of the photographs in this collection are nationally and globally significant. The earliest photographs include portraits from 1843. Works by notable photographers such as Edweard Muybridge\, John K. Hillers\, Laura Gilpin\, Charles Lummis\, Miguel Gandert and many others are presented within their historical context. \n\nNever before in its history\, as a public museum\, have the Palace of the Governor’s vast collections been celebrated in a comprehensive exhibition accompanied by an overarching catalog. The treasure trove of original objects housed by the Palace and now shared with the Albuquerque Museum creates a unique opportunity to revisit the history of New Mexico\, the region and beyond. \nA gallery guide is availabe on the Albuquerque Museum’s website: \nhttps://www.cabq.gov/culturalservices/albuquerque-museum/past-exhibits/a-past-rediscovered
URL:https://test-dca-mc.nmdca.net/dca-event/4195-a-past-rediscovered-highlights-from-the-palace-of-the-governors-at-the-albuquerque-museum/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4195_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190505
DTEND;VALUE=DATE:20191028
DTSTAMP:20260507T124934
CREATED:20210120T012802Z
LAST-MODIFIED:20230614T175151Z
UID:10001172-1557014400-1572220799@test-dca-mc.nmdca.net
SUMMARY:VIRTUAL Alexander Girard: A Designer’s Universe
DESCRIPTION:Girard was also a pivotal figure in the history of the Museum of International Folk Art\, donating more than 100\,000 objects from his and his wife Susan’s folk art collection\, and in 1981 creating the museum’s long-term\, beloved exhibition Multiple Visions. Girard’s playful designs attest to a passion for colors\, ornamentation\, and inspirations from folk art. \n \nA Designer’s Universe was on view at the Museum of International Folk Art May 5\, 2019 – October 27\, 2019​. Now you can experience this exhibition virtually by taking the tour below: \n  \n \nVIRTUAL EXHIBIT TOUR \n \n  \n \nWATCH Installation Timelaspe Video \nREAD: \n \n\n \nSpoon to City by Laura Addison\, El Palacio Magazine. Summer 2019… Alexander Girard’s genius: tasty\, urbane\, and infinitely scalable.\n \nWhen Georgia Met Sandro by Kate Nelson\, El Palacio Magazine. Summer 2019…Embers of a fabled friendship shimmer on.\n \nA Dazzling Denizen by Jess Mullaly\, El Palacio Magazine. Spring 2019…Alexander Girard made himself at home in the world\, and made many worlds of his own.\n\n \n  \nCoinciding with the traveling retrospective\, the Museum of International Folk Art enhanced the visitor experience of its Girard collection exhibition\, Multiple Visions\, through interpretive and interactive elements designed for the 21st century. \nPhoto: Design for matchboxes of the restaurant La Fonda del Sol\, Alexander Girard\, 1960 / Alexander Girard Estate\, Vitra Design Museum.
URL:https://test-dca-mc.nmdca.net/dca-event/3815-virtual-alexander-girard-a-designers-universe/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3815_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190505
DTEND;VALUE=DATE:20200127
DTSTAMP:20260507T124934
CREATED:20191218T214543Z
LAST-MODIFIED:20230614T175158Z
UID:10001207-1557014400-1580083199@test-dca-mc.nmdca.net
SUMMARY:Girard's Modern Folk in the Lloyd's Treasure Chest
DESCRIPTION:Juxtapositions of his design work and objects from his folk art collection illustrate this marriage of “modern” and “folk.” Also on view are unique objects by Girard that are in the museum’s permanent collection. \nAlexander Girard\, Untitled (anniversary gift to Susan Girard)\, ca. 1970s\, wood\, cotton\, brass. 54 15/16 x 47 5/8 x 5 1/8 in. Museum of International Folk Art\, gift of the Girard Foundation Collection\, A.2017.26.1 \n 
URL:https://test-dca-mc.nmdca.net/dca-event/4170-girards-modern-folk-in-the-lloyds-treasure-chest/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4170_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190413
DTEND;VALUE=DATE:20191118
DTSTAMP:20260507T124934
CREATED:20190418T221959Z
LAST-MODIFIED:20230614T175157Z
UID:10001202-1555113600-1574035199@test-dca-mc.nmdca.net
SUMMARY:Social & Sublime: Land\, Place\, and Art
DESCRIPTION:The 20th century saw some of the most seismic shifts in the tried-and-true tradition of landscape as a subject for artists. In the United States\, we left the 20th century with many of the same concerns we entered it with. Among those concerns are issues of land use\, expansion and border conflicts\, and industrialization and the conservation of natural resources. During that radical period American artists looked at the land and environment through a kaleidoscope of new lenses ranging from the purely formal to the politically engaged. Now that we have moved well into the 21st century\, we are well positioned to look back at the way this genre was engaged in the previous century. \nSocial & Sublime: Land\, Place\, and Art looks at land through ideological frameworks of wilderness\, frontier\, landscape and ecology to explore shifting views of nature as an artistic subject across the 20th century. This exhibition presents a series of perspectives relating to how American artists used land and place in their work in dialogue with the social\, aesthetic\, political\, and cultural viewpoints that have shaped our understanding of land. \nAspects of the show and related programs are in coordination with the The Great Unknown: Artists at Glen Canyon and Lake Powell on view March 30-September 15\, 2019 at New Mexico Museum of Art.
URL:https://test-dca-mc.nmdca.net/dca-event/4087-social-sublime-land-place-and-art/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4087_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190407
DTEND;VALUE=DATE:20191101
DTSTAMP:20260507T124934
CREATED:20190426T033536Z
LAST-MODIFIED:20230614T175158Z
UID:10001206-1554595200-1572566399@test-dca-mc.nmdca.net
SUMMARY:The Brothers Chongo: A Tragic Comedy in Two Parts
DESCRIPTION:More than twenty years after their first joint exhibition at the Museum of Indian Arts and Culture (MIAC)\, Diego and Mateo Romero (Cochiti Pueblo) show their latest work as the 2019 Living Treasures\, opening April 7\, 2019. \nThe exhibition\, The Brothers Chongo: A Tragic Comedy in Two Parts\, features Mateo Romero’s lithographs and paintings\, as well as Diego Romero’s pottery and lithographs. \nPairing Pueblo imagery with cutting-edge messages\, the exhibition will be on view through October 2019.  \nThough the brothers employ separate artistic mediums\, the exhibition articulates a collective vision of the future for Native people. Both Diego’s pottery and Mateo’s paintings address how to heal communities through a shared experience. \nDella Warrior (Otoe-Missouria)\, director of MIAC\, addresses awarding Diego and Mateo Romero as the 2019 Living Treasures. “While their individual careers continue to soar\, we are honored to spotlight their talent\, unique perspectives and distinct artistic styles with an exhibition of their current work scheduled to open this April.” \nLillia McEnaney curates the exhibition\, capturing each of the brothers’ unique styles. Mateo creates bold brushstrokes and contemporary viewpoints with a mix of oil and acrylic paint while Diego’s pottery garners influence through graphic designs—both demonstrating innovative style through social commentary and\, at times\, humor.
URL:https://test-dca-mc.nmdca.net/dca-event/4167-the-brothers-chongo-a-tragic-comedy-in-two-parts/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4167_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190330
DTEND;VALUE=DATE:20190916
DTSTAMP:20260507T124934
CREATED:20190205T003443Z
LAST-MODIFIED:20230614T175155Z
UID:10001192-1553904000-1568591999@test-dca-mc.nmdca.net
SUMMARY:The Great Unknown: Artists at Glen Canyon and Lake Powell
DESCRIPTION:This is the story of a place. It’s a place where millions of years of the earth’s development are openly revealed and where the hopes and aspirations of the human race have been inscribed for centuries. Located in canyon country along  the Colorado River\, Glen Canyon stretches down from southeastern Utah down northern Arizona\, not far upriver from the more famous Grand Canyon. The canyon was carved into the rock of the Colorado Plateau by drops of water whose potential attracted the attention of the U.S. Bureau of Reclamation in the 1950s\, when it was looking for a place to build a dam. Amidst much controversy\, Glen Canyon Dam was completed in 1966 to generate hydroelectric power\, thus submerging much of Glen Canyon under a reservoir called Lake Powell. \nUsing artifacts\, photographs\, paintings\, writings\, and archival material\, the exhibition shares a long history of responses to Glen Canyon\, beginning with the Ancestral Puebloans who first inhabited the region and concluding with twenty-first-century artists who have visited the canyon and lake to assess it in the context of climate change. \nAmong the artists whose work is included are Byron Wolfe and Mark Klett\, Peter Goin\, Greg Mac Gregor\, Tad Nichols\, Georgia O’Keeffe\, Eliot Porter\, Martin Stupich\, Kathleen Velo\, and Todd Webb. The exhibition articulates their individual responses to this special place while also touching on the shared experience of artists who traveled together and created collaborative projects\, primarily books. \nJohn Wesley Powell\, who led expeditions through Glen Canyon in 1869 and 1871-72\, wrote about his trip as a journey into “the great unknown.” Eliot Porter’s pivotal book The Place No One Knew: Glen Canyon on the Colorado\, published in 1963 by the Sierra Club in protest of Glen Canyon Dam\, is a central touchstone in the exhibition\, itself inspiring and informing responses to Glen Canyon and Lake Powell. Floyd Dominy of the Bureau of Reclamation called the reservoir created by the dam “the Jewel of the Colorado\,” while activist Edward Abbey proclaimed that “the collapse of Glen Canyon Dam is as inevitable as the rising of the moon\, or the revival of spring\, or the flow of the river home to the sea.” \nWorking from a variety of perspectives\, the exhibition explores the canyon\, the dam\, and the lake while raising issues of sustainable living\, cultural dominance\, a sense of shared purpose\, and the future of Glen Canyon.
URL:https://test-dca-mc.nmdca.net/dca-event/4010-the-great-unknown-artists-at-glen-canyon-and-lake-powell/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4010_1200.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190328
DTEND;VALUE=DATE:20200329
DTSTAMP:20260507T124934
CREATED:20200721T021951Z
LAST-MODIFIED:20230614T175157Z
UID:10001201-1553731200-1585439999@test-dca-mc.nmdca.net
SUMMARY:We the Rosies: Women at Work
DESCRIPTION:We the Rosies: Women at Work was a collaborative effort with the crowdsourcing sculpture collective\, We the Builders. \nThis exhibition honored the many working women in New Mexico\, especially those that have labored in industries that have historically gone unrecognized. \nA larger than life 3D printed sculpture of Rosie the Riveter—an iconic World War II symbol of work\, patriotism\, and a challenge to gendered norms of the 1940s—was the center of the exhibition and featured photographs and brief biographical vignettes of New Mexico working women using photographs and brief biographical vignettes.
URL:https://test-dca-mc.nmdca.net/dca-event/4077-we-the-rosies-women-at-work/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4077_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190223
DTEND;VALUE=DATE:20191202
DTSTAMP:20260507T124934
CREATED:20191022T221438Z
LAST-MODIFIED:20230614T175156Z
UID:10001197-1550880000-1575244799@test-dca-mc.nmdca.net
SUMMARY:Beyond Standing Rock
DESCRIPTION:From early 2016 until February 23\, 2017\, Standing Rock Reservation in North Dakota was home to many individuals who were protesting the Dakota Access Pipeline (DAPL). The protest at Standing Rock Indian Reservation is just one of many instances where corporate and/or government actions were viewed as violations of Native American Treaties\, a threat to Native American well-being\, and disrespect for the sacredness of Native land. This exhibit focuses heavily on the events leading up to the DAPL construction and the experiences of many who were at Standing Rock during the protest. However\, the exhibit will also highlight other examples of similar encroachments and violations of Native American sovereignty\, many of which have impacted Native health and sacred lands.
URL:https://test-dca-mc.nmdca.net/dca-event/4044-beyond-standing-rock/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4044_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190223
DTEND;VALUE=DATE:20190624
DTSTAMP:20260507T124934
CREATED:20190201T201117Z
LAST-MODIFIED:20230621T201615Z
UID:10001199-1550880000-1561334399@test-dca-mc.nmdca.net
SUMMARY:Brain: The Inside Story
DESCRIPTION:As you read these words\, your brain is taking in all kinds of sights and sounds\, and zeroing in on a few. It is recalling what you have learned about the forms of letters\, the meanings of words\, and what information you hope to find on this website. Your brain is making decisions and forming new memories. All the while\, it is helping you stay alert and steadily breathe. How does the brain do it all? We are only beginning to understand the inside story of this remarkable organ. Today\, advances in biochemistry and new technologies that allow us to watch the brain in action are revealing more than ever before. \nBrain: The Inside Story explores the way the human brain works\, specifically as it relates to senses (“Your Sensing Brain”)\, emotions (“Your Emotional Brain”)\, thinking (“Your Thinking Brain”)\, how the brain ages (“Your Changing Brain”)\, and how technological advances may change our brains in the future (“Your 21st Century Brain”). \nBrain: The Inside Story is organized by the American Museum of Natural History\, New York (www.amnh.org)\, in collaboration with Codice\, Idee per la cultura\, Torino\, Italy in association with Comune di Milano – Assessorato Cultura\, Italy; Guangdong Science Center\, Guangzhou\, China; and Parque de las Ciencias\, Granada\, Spain.
URL:https://test-dca-mc.nmdca.net/dca-event/brain-the-inside-story/
LOCATION:NM
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2019/02/30-NMNHS-BRAIN-16.-Braille-interactive-RM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190126
DTEND;VALUE=DATE:20191001
DTSTAMP:20260507T124934
CREATED:20190201T201301Z
LAST-MODIFIED:20230614T175157Z
UID:10001200-1548460800-1569887999@test-dca-mc.nmdca.net
SUMMARY:Drugs: Cost and Consequences
DESCRIPTION:Drugs: Costs & Consequences is a traveling exhibit from the Drug Enforcement Administration’s (DEA) Museum and the DEA Educational Foundation. Formerly known as Target America\, it has traveled to 16 cities over the last 16 years\, and been viewed by over 22 million visitors. The exhibit will be on display at the New Mexico Museum of Natural History & Science in Albuquerque\, NM\, from January 26\, 2019\, through September 30\, 2019. The exhibit will be open daily. Entrance to the exhibit is included in the admission to the museum. \nDrugs: Costs & Consequences  presents a non-partisan look at the many costs and consequences of drugs to our society and provides a very powerful message of the destructive health\, environmental\, safety\, and family impacts of drug use on our society. \nStudents\, youth\, parents\, and other adults in the community will have a phenomenal learning opportunity to participate in science-based experiences as well as explore global drug issues that impact the United States\, working through to every state and community. Each visitor can be part of the solution to make changes for the better. \nVisitors will discover the latest cutting-edge science research being conducted around the country\, providing a better understanding of what drugs do to the system of the body and what can be done to stop or even reverse that damage. \nVisitors will be introduced to drug law enforcement\, drug abuse prevention education\, and drug treatment efforts being conducted around the world and how those efforts are impacting the local community. \nAs with past exhibits\, the DEA Museum aims to connect with a wide representation of organizations in the local community to promote the exhibit. These organizations have represented the private sector\, non-profit organizations\, schools/school systems\, law enforcement\, federal agencies\, state agencies\, medical fields\, pre- vention and treatment organizations\, faith-based organizations\, and others.
URL:https://test-dca-mc.nmdca.net/dca-event/4076-drugs-cost-and-consequences/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190106
DTEND;VALUE=DATE:20200505
DTSTAMP:20260507T124934
CREATED:20210407T100641Z
LAST-MODIFIED:20230614T175154Z
UID:10001190-1546732800-1588636799@test-dca-mc.nmdca.net
SUMMARY:VIRTUAL Community through Making From Peru to New Mexico PROGRAMA VIRTUAL Comunidad a través de la Creación De Perú a Nuevo México
DESCRIPTION:Places of Memory\, paired members of two Indigenous women-led organizations: Tewa Women United (Española\, New Mexico) and the National Association of the Families of the Abducted\, Detained\, and Disappeared of Peru/ANFASEP (Ayacucho\, Peru) to explore the culturally specific ways they use art to heal community and individual trauma. Street Art and Activism\, was a convening of muralists\, printers\, and painters whose work engages contemporary social issues with a focus on public visibility. Rivers of Plastic brought together sculptors Aymar Ccopacatty (Aymara) and Nora Naranjo Morse (Santa Clara)\, who both see their home landscapes being transformed by plastic waste and use sculpture to open conversations about this intrusive and persistent material. \nThroughout the course of the exhibition\, Alas de Agua Art Collective created a mural inside the museum; students at the Kha’p’o Community School at Santa Clara Pueblo created sculptures from recycled materials; and local and Peruvian artists created a mural in a neighborhood in Santa Fe’s Southside. \nThe exhibition was on view from January 6\, 2019 through May 4\, 2020. It has now been made into a virtual exhibition that you can explore online. \nONLINE RESOURCES: \nVirtual Exhibition \nObjects from the Exhibition \n  \nREAD: \nNeon Signs of Life by Amy Groleau\, El Palacio Magazine\, Summer 2018 \nSpotlight on the Lima artist collective Amapolay Manufacturas Autonómas \nhttp://www.elpalacio.org/2018/06/neon-signs-of-life/ \n  \nUnnatural Resources by Amy Groleau and Marla Redcorn-Miller\, Summer 2018 \nA conversation with Nora Naranjo Morse (Santa Clara Pueblo) and Aymar Ccopacatty (Aymara) \nhttp://www.elpalacio.org/2018/06/unnatural-resources/ \n  \nWhoever Controls the Wall\, Controls the Voice by Katherine Lewin\, Santa Fe Reporter\, July 2019 \nCoverage of our community mural project on the Southside of Santa Fe \nhttps://www.sfreporter.com/news/2019/07/05/whoever-controls-the-wall-controls-the-voice/ \n  \nWATCH: \nPlaces of Memory \nVideos from the April 2018 collaboration of Native artists and activists from Peru and New Mexico \n  \nStreet Art and Activism \nVideos from the international collaboration of Amapolay (Peru) and seven local artists during summer 2018 \n  \nRivers of Plastic \nVideos of the projects by Aymar Ccopacatty (Aymara) and Nora Naranjo Morse (Santa Clara Pueblo) during Summer 2018\, and projects by young artists at Kha’p’o Community School\, Santa Clara Pueblo\, New Mexico in Fall\, 2019 \n  \nFronteras y Semillas \nVideos of our Southside mural project with Alas de Agua Art Collective (Santa Fe\, NM)\, Three Sisters Collective (Santa Fe\, NM)\, and Amapolay Manufacturas Autónomas (Peru) \n  \n“Community Through Making” brings artists from Peru to New Mexico by Chad Brummet\, New Mexico Living/KRQE March 2019 \nInterview with Israel Haros Lopez of Alas de Agua Art Collective and Curator\, Amy Groleau \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3958-virtual-community-through-making-from-peru-to-new-mexico-programa-virtual-comunidad-a-traves-de-la-creacion-de-peru-a-nuevo-mexico/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3958_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190104
DTEND;VALUE=DATE:20190413
DTSTAMP:20260507T124934
CREATED:20181220T032325Z
LAST-MODIFIED:20230614T175156Z
UID:10001193-1546560000-1555113599@test-dca-mc.nmdca.net
SUMMARY:Russell Lee’s FSA photography in New Mexico (Governor’s Gallery)
DESCRIPTION:Photographer Russell Lee created some of his finest work while traveling the United States for the Farm Security Administration. Among the communities he documented in New Mexico were Hobbs\, Holman\, Peñasco\, Taos\, Wagon Mound\, and Quemado.  Lee’s defining work as a documentary photographer was created in Pie Town New Mexico in 1940. \nPhotography was not the primary purpose of the FSA but its outstanding photography program is what the agency is best known and remembered for today. The artists Stryker hired became some of the most iconic of documentary photographers including Walker Evans\, Dorothea Lange\, Russell Lee\, Arthur Rothstein\, Marion Post Wolcott and Gordon Parks.  In many ways\, the FSA program defined American documentary photography and encouraged the development and popularity of the photo essay in publications like Life and Look magazine. \nRussell Lee was born in Ottawa\, Illinois in 1903. He trained and worked as a chemical engineer for years before studying to be become a painter. He borrowed a camera to develop his drawing skills and soon both his technical background and creative interests found a perfect tool of communication in the camera. Shortly after he was hired by Stryker to work for the FSA and was assigned to document the West and Midwest. While working for the FSA\, Lee produced some of the finest work of his career including extensive photo essays on the Spanish speaking people of Texas and the rural homesteaders in Pie Town\, New Mexico. \nThe photographs in the exhibition are shown with their descriptive captions and are all drawn from the New Mexico Museum of Art’s New Mexico Farm Security Administration Collection. \nCommissioned by the federal government\, the photographs and negatives taken for the Farm Security Administration and the Office of War Information are stored and maintained by the Library of Congress. Anyone can view the approximately 175\,000 black-and-white images in the Farm Security Administration/ Office of War Information collection on the Library of Congress website.   http://www.loc.gov/pictures/collection/fsa/background.html
URL:https://test-dca-mc.nmdca.net/dca-event/4019-russell-lees-fsa-photography-in-new-mexico-governors-gallery/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4019_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181220
DTEND;VALUE=DATE:20190201
DTSTAMP:20260507T124934
CREATED:20200430T220336Z
LAST-MODIFIED:20230614T175156Z
UID:10001195-1545264000-1548979199@test-dca-mc.nmdca.net
SUMMARY:Gustave Baumann Santa Fe Holiday Card Display
DESCRIPTION:Gustave Baumann exchanged hand printed holiday cards with artist friends who lived both in Santa Fe and other parts of the world. A selection of these cards are on display in the Chávez History Library for an intimate look into the lives of the Baumann family and their friends. \nLibrary access by appointment only.
URL:https://test-dca-mc.nmdca.net/dca-event/4022-gustave-baumann-santa-fe-holiday-card-display/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4022_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181216
DTEND;VALUE=DATE:20190909
DTSTAMP:20260507T124934
CREATED:20190216T014810Z
LAST-MODIFIED:20230614T175151Z
UID:10001173-1544918400-1567987199@test-dca-mc.nmdca.net
SUMMARY:A Gathering of Voices: Folk Art from the Judith Espinar and Tom Dillenberg Collection
DESCRIPTION:The unique installation of A Gathering of Voices reflects how Espinar has lived with folk art\, animating the objects through groupings that guide the viewer to cross-cultural comparisons of certain motifs\, forms\, or techniques. These “inhabited spaces” are re-created in the gallery\, along with deeper investigations of individual artists\, their workshops\, or the traditions they keep alive. \nJudith Espinar was one of the cofounders of the International Folk Art Market\, which was established in 2004 and is today the largest event of its kind focused on the work of master folk artists. She previously worked in the fashion industry in New York for more than 30 years\, before moving to Santa Fe\, where she owned and operated the longtime Santa Fe ceramic store The Clay Angel. \nPhoto: Addison Doty
URL:https://test-dca-mc.nmdca.net/dca-event/3841-a-gathering-of-voices-folk-art-from-the-judith-espinar-and-tom-dillenberg-collection/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3841_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181215
DTEND;VALUE=DATE:20190729
DTSTAMP:20260507T124934
CREATED:20190416T221238Z
LAST-MODIFIED:20230614T175152Z
UID:10001179-1544832000-1564358399@test-dca-mc.nmdca.net
SUMMARY:Carved & Cast: 20th Century New Mexican Sculpture
DESCRIPTION:Bringing art off the walls and into 3 dimensions\, Carved & Cast showcases sculpture in a range of media\, genres\, and styles that New Mexican artists utilized over the last century. The exhibition highlights the various ways sculpture engages with the cultural\, social\, and aesthetic interests of the Southwest by spotlighting significant sculptors in the Museum of Art collection\, including works by Patrocinio Barela\, Agnes C. Sims\, Eugenie Shonnard\, Fritz Scholder\, and Una Hanbury. Bringing the outside in\, this exhibition will move beyond the boundaries of the gallery and include a new interpretive program for the museum’s sculpture gardens.
URL:https://test-dca-mc.nmdca.net/dca-event/3894-carved-cast-20th-century-new-mexican-sculpture/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3894_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181215
DTEND;VALUE=DATE:20190401
DTSTAMP:20260507T124934
CREATED:20190205T030331Z
LAST-MODIFIED:20230614T175153Z
UID:10001185-1544832000-1554076799@test-dca-mc.nmdca.net
SUMMARY:Shots in the Dark
DESCRIPTION:Photography is most often associated with light and the word itself means “light writing” in Greek. However\, in this exhibition of nearly thirty images\, four Southwestern photographers explore the dark side of the medium. Featured are about thirty photographs by Christopher Colville\, scott b. davis\, Michael Lundgren\, and Ken Rosenthal. Each of the artists makes pictures in the landscape at night\, inviting us to explore our preconceptions\, fears\, and fantasies about the world of shadows. \nKen Rosenthal\, a longtime resident of Tucson\, is best known for diffused images that probe the relationship of photography to human memory\, dreams\, and stories. For his recent series The Forest\, the artist photographed at night in the Selkirk Mountains in northeast Washington\, where he has spent nearly every summer since childhood. In these dark and densely layered compositions\, the forest provides a visual vocabulary for the expression of internal psychological states\, including “thoughts on mortality\, discovery\, loss\, and renewal\,” the artist writes. “It’s the essence of the image that I want the viewer to be able to relate to\, rather than the specifics.” \nWith Phoenix as his home base\, Michael Lundgren is a frequent desert traveler\, almost becoming a fixture of the landscape himself. His images imply both the vast and the incremental time frame of that place where patience\, silence\, and careful looking yield a world of strange and subtle riches. “I’m interested in reducing the world to a bare essential\, to get closer to the heart of experience\,” the artist says. In recent bodies of work including Matter and Transfigurations\, selection from which are on view\, the artist is engaged with “making images that make you feel something you can’t quite understand. Within that interruption\, there’s the possibility to see something that we didn’t know.” \nBased in San Diego\, scott b. davis says he “began photographing the desert at night in the 1990s as a way to explore landscapes uniquely defined by darkness.” Working primarily in the American West\, he works with large-format view cameras to slow down the process of making a picture and to create large negatives. From these he makes platinum prints (a monochromatic process in which light-sensitive platinum salts are coated onto paper by the artist)\, which renders his scenes of undistinguished urban spaces in rich\, velvety tones that encompass viewers in a momentary hush outside the hustle and flow of everyday life. The low light and subtlety of these prints from his series Nocturnes and Land of Sunshine compel closer looking\, drawing the viewer in as a participant. \nChristopher Colville works most often in the Sonoran Desert near his home in Phoenix\, challenging our definition of photography in his series The Dark Hours Horizons and Works of Fire. On view are selections that demonstrate a shift from his earlier interest in expressions of energy\, violence\, and chaos to a state that is gentler and more contemplative state. To create the prints\, he spends time alone in the desert at night where he places gunpowder on photographic paper and ignites it to make a unique exposure. “I followed these images\, night after night repeating\, refining small explosions\, meditating on a single evolving line until the sun’s reflection on the moon was too bright to work\,” Colville writes about the process of making the prints. \nShots in the Dark is a companion to the exhibition Wait Until Dark in the museum’s second-floor galleries. Both are amplified by the Night Life Imagination Station dedicated to heightening viewer experience of the two shows.
URL:https://test-dca-mc.nmdca.net/dca-event/3913-shots-in-the-dark/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3913_1200.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181117
DTEND;VALUE=DATE:20190513
DTSTAMP:20260507T124934
CREATED:20190502T012835Z
LAST-MODIFIED:20230614T175152Z
UID:10001178-1542412800-1557705599@test-dca-mc.nmdca.net
SUMMARY:Wait Until Dark
DESCRIPTION:Generally understood as simply a night scene\, the term nocturne refers to the quality of light in a painting\, and can be twilight\, waxing or waning light\, or the darkness of night. Nocturne speaks as much to the mood of a painting as it does the quality of light. Artists use this to create narratives and convey a mood that can be dreamy\, ethereal\, menacing\, meditative\, brooding\, or poetic. This exhibition is drawn from the museum’s extensive collection of nocturnes\, including painting\, prints\, and photographs. \nNight skies are one of the amazing natural beauties of New Mexico\, which is home to five Gold and Silver-Tier Dark Sky Parks\, as certified by the International Dark Sky Association. Wait Until Dark and Shots in the Dark are companion exhibitions and will be complemented by the Night Life Imagination Station where visitors of all ages are able to explore the themes of the night and delve deeper into the subject through a range of creative activities.
URL:https://test-dca-mc.nmdca.net/dca-event/3888-wait-until-dark/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3888_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181116
DTEND;VALUE=DATE:20190914
DTSTAMP:20260507T124934
CREATED:20190110T005036Z
LAST-MODIFIED:20230614T175156Z
UID:10001196-1542326400-1568419199@test-dca-mc.nmdca.net
SUMMARY:Drawn to the Land: Peter Hurd’s New Mexico
DESCRIPTION:Legendary New Mexico artist Peter Hurd is featured in this exhibit in the Museum’s Traditions Gallery. \n“Drawn to the Land: Peter Hurd’s New Mexico” features 24 paintings and some of the artist’s belongings\, including one of his palettes\, a pair of chaps\, sombrero\, guitar\, and polo helmet and mallet. \nThe show\, which includes loans from the Hurd La Rinconada Gallery in San Patricio\, N.M.\, and the El Paso Museum of Art\, also features a video about Hurd (1904-1984). \nHurd\, who was born and raised in the Roswell area\, settled in the Hondo Valley after attending West Point\, serving as a war artist correspondent during World War II\, and living in Pennsylvania\, where he met his wife\, Henriette Wyeth. The artist is celebrated for his realistic portraits and luminous Southwestern landscapes that feature the vegetation\, rolling hills\, windmills\, water tanks\, and ever-changing skies of the area in Lincoln and Chaves counties. \nUnlike many artists who are proficient in a few mediums\, Hurd was skilled in a variety of media including oil\, lithography\, watercolor\, egg tempera\, and charcoal. Light was critically important in Hurd’s work and he strove to render it accurately. Hurd felt that the medium of egg tempera allowed him to truly capture the shifting light and arid landscape of New Mexico.
URL:https://test-dca-mc.nmdca.net/dca-event/4042-drawn-to-the-land-peter-hurds-new-mexico/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4042_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181026
DTEND;VALUE=DATE:20190729
DTSTAMP:20260507T124934
CREATED:20200430T220551Z
LAST-MODIFIED:20230614T175152Z
UID:10001175-1540512000-1564358399@test-dca-mc.nmdca.net
SUMMARY:On Exhibit: Designs That Defined the Museum of New Mexico
DESCRIPTION:Santa Fe is widely recognized as a city of museums. These beloved institutions and their exhibitions have long been integral to the fabric of local culture. On Exhibit: Designs That Defined the Museum of New Mexico\, presents a fascinating look back at more than a century of changing exhibition design in the historic state museum system. This “exhibit about exhibits” reveals how presentation techniques evolved and helped establish the unique character of the Santa Fe’s museums. While there have been thousands of exhibitions mounted in Santa Fe since the early days\, most have been short-term engagements\, coming and going so often that the public may not fully appreciate the immense body of work that has been presented over the years. On Exhibit shines a spotlight on those exhibition milestones and invites visitors to consider the importance of visual design in the public space. \nOn Exhibit celebrates Santa Fe’s long legacy of museum design by presenting a unique combination of historic photographs placed alongside reconstructed vignettes depicting early exhibition displays. Sections on design\, production techniques\, and tools of the trade highlight the creative talent and skill necessary for effective exhibits. Video interviews with museum staff\, past and present\, reveal behind-the-scenes stories about the Santa Fe museums not previously known. This installation includes examples from the Palace of the Governors/New Mexico History Museum\, New Mexico Museum of Art\, Museum of International Folk Art\, Museum of Indian Arts and Culture\, and selected New Mexico Historic Sites.  \nOn Exhibit: Designs That Defined the Museum of New Mexico shows that effective exhibition design is more than just arranging objects in a space. Design serves as the bridge between a curator’s scholarship and the visitor’s comprehension. At its best\, exhibit design creates immersive environments that evoke curiosity\, facilitate learning\, and provide enjoyment for all visitors.  \nDeveloped by the Exhibit Services team of Museum Resources\, a division of the New Mexico Department of Cultural Affairs.  \nContact: David Rohr\, 505-476-1137
URL:https://test-dca-mc.nmdca.net/dca-event/3857-on-exhibit-designs-that-defined-the-museum-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3857_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20191001
DTSTAMP:20260507T124934
CREATED:20181102T032513Z
LAST-MODIFIED:20230614T175154Z
UID:10001186-1539993600-1569887999@test-dca-mc.nmdca.net
SUMMARY:Birds: Spiritual Messengers of the Skies at the Center for NM Archaeology
DESCRIPTION:Please note this exhibit is at the Center for NM Archaeology\, located at 7 Old Cochiti Road\, off the Caja Del Rio exit of 599. \nBirds are among the most cherished animals with whom we share the Earth. Where birds live well\, people thrive. The presence and wellbeing of birds reflects the health of the environment; they share every ecosystem with us\, playing the role of hunter and prey\, pollinators\, scavengers\, and dispersers of seeds. Feeding the spirit\, they can signify strength\, courage and freedom. They are companions to us and inspire us to think beyond our own confinement and limitations. With some 10\,000 species of birds in the world\, they represent one of the best adapted animals on Earth\, dating back to the time of the dinosaurs. \n“Birds: Spiritual Messengers of the Skies” explores the importance of birds among Native American culture both in the past and today. It includes information on some of the major bird species of the Southwest and how important birds have been as a resource for tools\, feathers and food. Birds in archaeology\, how they are studied and what that tells us about the past\, is also included. With help from Audubon New Mexico\, the exhibit inspires to communicate important aspects of birds and their role in our world. \nThe exhibit opens on International Archaeology Day\, Saturday\, October 20\, at the Center for New Mexico Archaeology located off the 599 Bypass in Santa Fe at 7 Old Cochiti Road (located off Caja del Rio Road\, right across from the Santa Fe Animal Shelter and Humane Society). The Center\, which houses the archaeology collections for the State of New Mexico\, and the Office of Archaeological Studies\, who shares the building\, will hold an open house from 10 a.m. to 4 p.m. and will include tours of the facility and many activities and demonstrations for children and adults including atlatl (spear) throwing and archaeology demonstrations. The event is free of charge. Thereafter\, the exhibit can be viewed in the lobby of the Center until October 2019\, Monday through Friday\, 8 a.m. to 5 p.m. (excluding holidays). \nThis exhibit complements The Year of the Bird\, the centennial of the Migratory Bird Treaty Act that was passed in 1918 to protect birds from wanton killing. The Year of the Bird is sponsored by National Geographic\, the National Audubon Society\, BirdLife International and the Cornell Lab of Ornithology. Visit any of these organizations’ sites to sign up\, learn how to help protect birds\, and find events near you!
URL:https://test-dca-mc.nmdca.net/dca-event/3917-birds-spiritual-messengers-of-the-skies-at-the-center-for-nm-archaeology/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3917_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181020
DTEND;VALUE=DATE:20190128
DTSTAMP:20260507T124934
CREATED:20180926T035933Z
LAST-MODIFIED:20230614T175153Z
UID:10001184-1539993600-1548633599@test-dca-mc.nmdca.net
SUMMARY:Naturescapes 2018: Clouds
DESCRIPTION:This year\, the theme was CLOUDS and photographers explored the entire state to find clouds everywhere. We received 142 entries and the judges were able to select thirty photos that show clouds in many different forms and interpretations. \nPrizes will be awarded on Saturday\, October 20th\, 10-11am\, during the exhibit opening and members preview. \nPhotographs will be displayed from October 20th\, 2018 to January 27th\, 2019.  \n  \nFirst Place: Aguirre Spring (Tim Funk) \nSecond Place: Hideaway (Max Woltman) \nHonorable Mention: Watching the Moon Rise (Paul Zeigler) \n  \nStudent Winners:                   \nFirst Place: Retreating Storm\, Standing Bow (Vera Berger)            \nSecond Place: Clouds and Ancients (Leo Unzicker) \nHonorable Mention: Fences Can’t Keep Out Flames (Colin Ross) \n  \nThis annual photo competition celebrates nature through the art of photography. Our vision is to inspire a greater appreciation and understanding of the natural world.
URL:https://test-dca-mc.nmdca.net/dca-event/3911-naturescapes-2018-clouds/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181017
DTEND;VALUE=DATE:20191018
DTSTAMP:20260507T124934
CREATED:20181004T235544Z
LAST-MODIFIED:20230614T175153Z
UID:10001183-1539734400-1571356799@test-dca-mc.nmdca.net
SUMMARY:Back to Bones
DESCRIPTION:In advance of the Society for Vertebrate Paleontology convention\, NMMNHS plans to revisit its extensive collection with a new\, Back to Bones exhibition\, highlighting some of its most spectacular vertebrate fossils – the result of over 30 years of collecting efforts. The exhibit will be up for at least a year starting on or about Oct. 17th. \n  \n“Our museum has amassed some fantastic fossils over the last 30 years\,” said Thomas A. Williamson\, Paleontology Curator at NMMNHS and co-chair of the SVP convention. “Everything from 300-million-year-old fish and early reptiles\, dinosaur skulls from near the end of the Age of Reptiles\, to Ice Age mammals. The SVP convention affords us a chance to really show off some of our most prized specimens.”
URL:https://test-dca-mc.nmdca.net/dca-event/3909-back-to-bones/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181006
DTEND;VALUE=DATE:20190105
DTSTAMP:20260507T124934
CREATED:20180926T034818Z
LAST-MODIFIED:20230614T175153Z
UID:10001182-1538784000-1546646399@test-dca-mc.nmdca.net
SUMMARY:Picturing the Past
DESCRIPTION:Picturing the Past will feature juried selections from dozens of works submitted by paleo-artists working across the globe. The subjects span the range of life on this planet\, from trilobites to dinosaurs to sabretooth cats\, in paintings and sculptures and digital models. The museum’s collection of paleoart will also be highlighted\, with important examples of the genre from the opening of the museum in the mid-1980s.
URL:https://test-dca-mc.nmdca.net/dca-event/3908-picturing-the-past/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180929
DTEND;VALUE=DATE:20190311
DTSTAMP:20260507T124934
CREATED:20190207T195355Z
LAST-MODIFIED:20230614T175151Z
UID:10001174-1538179200-1552262399@test-dca-mc.nmdca.net
SUMMARY:Good Company: Five Artist Communities in New Mexico
DESCRIPTION:Since the end of the nineteenth century\, when some of the first academically trained artists began to settle in Taos\, later forming the Taos Society of Artists\, New Mexico has continued to provide fertile ground for artists to gather together and create a forum for their individual visions. The role of artist communities in New Mexico is explored through works by members of the Taos Society of Artists\, Los Cinco Pintores\, Transcendental Painting Group\, Rio Grande Painters\, and the Stieglitz circle. Each of these groups had a distinctive aesthetic and set of guiding principles Good Company offers a closer look at what makes each unique.
URL:https://test-dca-mc.nmdca.net/dca-event/3853-good-company-five-artist-communities-in-new-mexico/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3853_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180813
DTEND;VALUE=DATE:20181203
DTSTAMP:20260507T124934
CREATED:20180922T035330Z
LAST-MODIFIED:20230614T175153Z
UID:10001181-1534118400-1543795199@test-dca-mc.nmdca.net
SUMMARY:Joe Pfeiffer: My Long Journey
DESCRIPTION:Artist Jacob Pfeiffer’s long journey covers 80-plus years and two continents. During the course of his amazing life\, he developed his artistic talent\, painting scenes that show the pioneer days through contemporary times.  \nPfeiffer\, who moved to Las Cruces in 2013\, specializes in oil painting on canvas and linen. His works in the show feature scenes of Native Americans and early settlers\, animals\, and even scenes of local sites like the Museum and the Las Cruces Farmers’ & Crafts Market. There are 26 included in the show. \nGrowing up in Romania\, Pfeiffer began drawing pictures of animals as a young child. Pfeiffer came to the United States when he was 19\, worked at various jobs and took art classes at night. Soon\, a prominent Cincinnati gallery offered him a solo show that was a great success. \nPfeiffer’s work has evolved over the years\, depending on the subject matter. He has received dozens of awards and his work has been displayed in galleries all over the country.
URL:https://test-dca-mc.nmdca.net/dca-event/3903-joe-pfeiffer-my-long-journey/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3903_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180811
DTEND;VALUE=DATE:20180917
DTSTAMP:20260507T124934
CREATED:20180801T021349Z
LAST-MODIFIED:20230614T175152Z
UID:10001176-1533945600-1537142399@test-dca-mc.nmdca.net
SUMMARY:Cannupa Hanska Luger: Every One
DESCRIPTION:Individuals and organization across North America participated in this social collaboration\, creating a monumental portrait of loss comprised of more than 4\,000 ceramic beads\, each representing a missing or murdered indigenous woman in Canada.
URL:https://test-dca-mc.nmdca.net/dca-event/3858-cannupa-hanska-luger-every-one/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3858_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
END:VCALENDAR