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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210304
DTEND;VALUE=DATE:20210305
DTSTAMP:20260507T114517
CREATED:20210304T070000Z
LAST-MODIFIED:20230621T200521Z
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SUMMARY:The Buchsbaum Gallery of Southwestern Pottery
DESCRIPTION:The Buchsbaum Gallery of Southwestern Pottery exhibits nearly 300 vessels created by outstanding ceramic artists of the Pueblos of New Mexico and Arizona\, from the inception of pottery-making in the Southwest up to the present. A study center for serious scholars\, collectors\, and visitors to the region\, the gallery opened in 1997 through the generous support of Jane and Bill Buchsbaum of Santa Fe\, New Mexico. \nThe Gallery draws upon the Museum of Indian Arts and Culture’s exceptional collection of over 6\,000 ceramic masterpieces\, including representative works from the prehistoric period\, ca AD 400 – 1500\, when the ancestral potters of the Southwest experimented with clays\, slips\, paints\, and textures to create regional styles; classic examples from the historic period\, ca AD 1500 – 1800\, which saw the development of unique traditions at each Pueblo; and the modern period\, from about 1880 to the present\, when individual potters began to be recognized internationally for their work. \nThe Buchsbaum Gallery features each of the Pueblos of New Mexico and Arizona in a selection of pieces that represent the development of a community tradition. In addition\, a changing area of the gallery\, entitled Traditions Today highlights the evolving contemporary traditions of the ancient art of pottery making. \nSee the virtual tour at https://my.matterport.com/show/?m=ZzkFiq5tbhV
URL:https://test-dca-mc.nmdca.net/dca-event/the-buchsbaum-gallery-of-southwestern-pottery/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200208
DTEND;VALUE=DATE:20210329
DTSTAMP:20260507T114517
CREATED:20210209T054016Z
LAST-MODIFIED:20230614T175200Z
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SUMMARY:Word Play
DESCRIPTION:Words and pictures have a long history of playing well together\, sometimes reinforcing and sometimes contradicting each other. This exhibition of more than forty works of art in a variety of mediums features images by artists who incorporate letters\, words\, and phrases into their visual creations.  \nAmong the delights of the exhibition are photographs inspired by the words in our everyday environment\, such as shop signs\, graffiti\, and advertising\, by photographers including Van Deren Coke\, Miguel Gandert\, and Walker Evans. Comics and cartoons offer another familiar model for joining words with images\, as seen in prints by Betty Hahn\, Jason Knapp\, and Joyce Neimanas. In other cases\, words and images work together in service of a social or political message\, seen in pieces by Jaune Quick-to-See Smith\, David Sloan\, and May Stevens. Notes\, handwritten letters\, and poems also make an appearance\, incorporated into compositions by Meridel Rubenstein\, Alex Traube\, and others. These whimsical\, poignant\, and sometimes cryptic compositions are accompanied by a variety of word puzzles and games in the gallery that invite visitors to play along. \nVisit our Virtual Tours page to explore this exhibition virtually!  \nCheck out the Word Play  virtual workbook for exhibition-related activities you can do at home!  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/4388-word-play/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200125
DTEND;VALUE=DATE:20200928
DTSTAMP:20260507T114517
CREATED:20200919T034628Z
LAST-MODIFIED:20230614T175159Z
UID:10001214-1579910400-1601251199@test-dca-mc.nmdca.net
SUMMARY:The birth\, death and resurrection of Christ: from Michelangelo to Tiepolo
DESCRIPTION:During the Renaissance\, biblical episodes from the life of Christ were the artistic mainstay for a majority of artists. This exhibition focuses on the three major stages of Christ’s life: his incarnation\, in the form of the Nativity; his Crucifixion; and finally the Resurrection. Through fifty three drawings and prints from the British Museum\, we explore the way that artists differently envisioned these key moments of Christ’s life and how they prepared their paintings and frescoes on these themes. \nBeginning in the Renaissance and ending in the 18th century these skilled works chart the continuity and differences in the narrative approach\, while also providing a broad overview of the functions\, techniques and major artistic trends of the period. \nView the gallery guide
URL:https://test-dca-mc.nmdca.net/dca-event/4361-the-birth-death-and-resurrection-of-christ-from-michelangelo-to-tiepolo/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191218
DTEND;VALUE=DATE:20220707
DTSTAMP:20260507T114517
CREATED:20220205T010713Z
LAST-MODIFIED:20230614T175142Z
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SUMMARY:Home on the Range From Ranches to Rockets
DESCRIPTION:“Home on the Range: From Ranches to Rockets” stretches through two galleries. Guests will learn about ranch life in the Tularosa Basin during the early 20th century\, and how events taking place halfway around the world brought about changes that for many ranchers were permanent. The area eventually became White Sands Missile Range\, drawing some of the world’s greatest minds in science and engineering. \n “We want people to understand what ranch life out there was like and what happened to those folks\,” said Leah Tookey\, Curator of History. “At first\, it was just the ranching story\, but we then decided to get into the military and science part of it. There’s a whole section about the science and research that goes on out there.” \nWhile private land being transitioned into U.S. government property wasn’t uncommon during the 1940s\, the story this exhibit tells is uniquely New Mexico because of the scope of research and what was at stake. \nThe story begins with ranchers from Texas settling in the basin in the late 1800s where they found grass tall and plentiful. What they didn’t know was that they had arrived during a particularly wet climactic period and raising cattle would not be as profitable as they once believed\, according to Tookey. The challenging\, yet rewarding\, lifestyle these ranch families chose changed quickly and dramatically in 1942. \nAfter the Japanese attack on Pearl Harbor thrust the United States into World War II\, an executive order established a military training range in the region. The ranchers were told they needed to immediately move their families and livestock as they would not be allowed back until the end of the war. The families performed their patriotic duties and complied with the orders. Most would never return. \nWhile the basin was used to test rockets\, missiles and bombs — including the atomic bomb in 1945 — it was also used to launch America’s space program and other scientific programs\, some in the private sector. \n“For decades\, White Sands Missile Range has been referred to as a huge outdoor laboratory\, a place where weapons and civilian projects can be tested\,” said Jim Eckles\, longtime public information officer for the Range\, and co-curator of the exhibit with Tookey.
URL:https://test-dca-mc.nmdca.net/dca-event/4944-home-on-the-range-from-ranches-to-rockets/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191208
DTEND;VALUE=DATE:20230905
DTSTAMP:20260507T114517
CREATED:20221025T043841Z
LAST-MODIFIED:20230614T175151Z
UID:10001171-1575763200-1693871999@test-dca-mc.nmdca.net
SUMMARY:Yōkai: Ghosts & Demons of Japan
DESCRIPTION:The exhibition\, Yōkai: Ghosts & Demons of Japan is on display through October 30\, 2022. Special exhibition highlights include: narrative arts such as Edo period scroll paintings and woodblock prints; contemporary folk art that depicts yōkai and illustrates their eerie tales; ghost and demon characters from classical noh and kabuki performances; and special festival events. Toys\, games\, comic books\, and anime connect the past to the present\, and the classical to the popular in terms of visual arts and culture. In addition to participatory gallery crafts\, the exhibition includes an immersive\, family-friendly obake yashiki (a Japanese “monster house”)\, a popular form of entertainment in Japanese amusement parks. \n  \nONLINE RESOURCES: \n  \nVIEW THE MUSEUM YŌKAI COLLECTION: \nhttp://collection.internationalfolkart.org/collections/24685/yokai-exhibit \n  \nWATCH AND LISTEN TO JAPANESE GHOST STORIES: \nhttps://www.youtube.com/playlist?list=PL-Dx1Qh-1tenHeAG66Pv_QEwgLVP3l3jI \n  \nREAD THE ARTICLE\, “Supernatural: Get spooked by the history and pop culture of Japanese yōkaI” by Julia Goldberg\, in El Palacio Magazine: \nhttp://www.elpalacio.org/2020/01/supernatural/ \n  \nVISIT OUR OTHER ONLINE RESOURCES: \n http://moifa.org/visit/online.html
URL:https://test-dca-mc.nmdca.net/dca-event/3810-ykai-ghosts-demons-of-japan/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Rebecca Ward":MAILTO:rebecca.ward@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191127
DTEND;VALUE=DATE:20201102
DTSTAMP:20260507T114517
CREATED:20200922T015115Z
LAST-MODIFIED:20230614T175159Z
UID:10001213-1574812800-1604275199@test-dca-mc.nmdca.net
SUMMARY:Picturing Passion: Artists Interpret the Penitente Brotherhood
DESCRIPTION:As artist arrived in New Mexico over the course of the twentieth century they encountered no shortage of inspirational material. From the striking landscape\, and regional architecture to native ceremony\, the Southwest often proved exotic for artists who came from a predominantly eastern\, protestant background.  One regional community that captured the attention and imaginations of artists were the Penitent Brotherhood\, Picturing Passion brings together the work of artists who took on the penitent traditions as source material. The exhibition illustrates how artists who were new to the Southwest in the early part of the 20th century looked to Moradas\, Penitente processions\, traditions\, and material culture as source material for their work and as a distinctive feature of New Mexican culture.  It also examines the myths and stereotypes that have developed from sensationalizing the group’s beliefs and practices and endeavors to create a space to address these misconceptions. 
URL:https://test-dca-mc.nmdca.net/dca-event/4351-picturing-passion-artists-interpret-the-penitente-brotherhood/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191019
DTEND;VALUE=DATE:20200210
DTSTAMP:20260507T114517
CREATED:20200201T014117Z
LAST-MODIFIED:20230614T175159Z
UID:10001212-1571443200-1581292799@test-dca-mc.nmdca.net
SUMMARY:Alcoves 2020 #2 ON DISPLAY OCTOBER 19\, 2019 - FEBRUARY 9\, 2020
DESCRIPTION:The alcove shows continue the tradition began in 1917 of exhibiting works made by living artists.  These small\, one-person exhibitions\, called alcoves\, were held in the original gallery space through the 1950s\, resuming in the mid-1980s and again in the early 1990s and 2012. Alcoves 2020 continues this tradition with a series of six exhibitions featuring the work of artists living in New Mexico right now. These artist-centered showcases feature new ideas\, artists at all stages of their careers and artwork that is being made by artists from across New Mexico. \nAlcoves 2020 #2: October 19\, 2020 – February 9\, 2020 \nJen Pack\, Heather McGill\, Daniel McCoy\, Marietta Patricia Leis\, Sarah Stolar \nJen Pack creates her prismatic string and fiber art to satisfy a compulsion. Her work is located in a transitional zone between color and form\, and painting and sculpture. Pack says of her work: “I have always been profoundly responsive to color and the sensations color can provoke. My work has been described as an artistic oxymoron: both loud and quiet\, solid and transparent\, hand-made and precise\, delicate and aggressive\, exuberant and restrained\, formal and emotional. It is a reflection of me\, an artist of blended culture who is both loud and quiet\, urban and rural\, delicate and aggressive\, masculine and feminine\, adventurous and routine.”  Born in Astoria\, Oregon in 1976\, Pack received a BFA from Art Center college of Design in Pasadena\, California\, in 1997 and an MLIS from San Jose State University in 2008. She is a librarian as well as an artist. Jen Pack currently resides in Silver City\, New Mexico.  \nExhibiting in museums and galleries nationally and internationally since 1984\, Heather McGill has a unique ability and art making practice where opposing concepts come together and fuse into one successful union: hand-made and machine-made\, low art and high art\, nature and high tech\, feminine and masculine. The laser cut paper she uses is exquisitely airbrushed using inexpensive readymade lace and textiles by the yard for stencils. These patterns are mostly from the natural world\, including flowers\, butterflies\, spider webs and the like. They are also evocative of the 1960s and 70s trippy psychedelic patterns and artworks. These spectacular elements are then assembled and layered on a similarly painted backer board drilled with hundreds of holes so that the collaged pieces can be sewn together using beads for additional support and ornamentation. Heather McGill received her MFA from the San Francisco Art Institute\, where she refined her training in sculpture. McGill’s 26-year teaching career at the Cranbrook Academy of Art in Detroit where the automation and mass production of automobiles\, development of novel plastics\, resins\, and other materials along with the spectacular autobody and paint colors and lacquers has had a long-lasting impact on her practice\, and has become a recurring theme influencing her processes and work. \nDaniel McCoy Jr.’s father was an Irish biker and his mother a member of the Muscogee (Creek) Tribe of Oklahoma. His paintings bear influences from both sides\, the aesthetic of psychedelic counterculture melding easily with the modernist flat style of mid-century Native painters. The campy color palette and frantic\, wavy line-work that the younger McCoy (Citizen Potawatomi Nation) perfected easily lend to comic\, even ironic\, meditations on everything from Aristotle’s Great Chain of Being to Allsup’s famed hot sauce. McCoy attended the Institute of American Indian Arts in 1993\, and continues to be inspired by the vast disparity of creative expression he witnessed there. Pop culture\, Americana\, and punk rock find common ground in his work. His experiences vary just a widely as his influences\, and each\, it seems\, comes into play in his paintings\, including a stint as a sign and billboard painter. Sign painting gifted McCoy an affinity for lettering\, and the ultra-realism of the billboard business drove him to go back to something organic and imperfect: cartooning. A cartoonish style set McCoy apart because at the time Native art was still dominated by realism. Since coming to New Mexico for college\, McCoy continues to live and work in Santa Fe. \nMarietta Patricia Leis says of her work: “My work encompasses multiple media\, including paintings\, drawings\, sculpture\, and installation. There is always an element of the sensory in my art- a texture\, a color\, a deep space- something to engage the senses of the viewer. The intention of the work is to contemplate boundaries\, edges\, and limits. My abstract color fields run the risk of invisibility\, but silence\, patience\, and deep listening is fundamental to the satisfaction of the viewer.” Marie6tta Patricia Leis was born in Newark\, New Jersey. She has worked as a professional artist for 30+ years. She has lived in New York\, Los Angeles\, Perugia (Italy)\, and now lives and works in New Mexico/ She is a painter whose work has evolved from very complex abstractions to reductive color fields inspired by my Eastern Studies and nature. She has participated in Artist Residencies both in the US and abroad. Leis has shown her work abroad in Thailand\, China\, Portugal\, and England\, as well as in the US in museums and galleries. Private and public collections hold her work. She has earned her MFA from the University of New Mexico. \nSarah Stolar is an interdisciplinary artist who works from a strong psychological and female perspective. The breadth of her work includes drawing\, painting\, multi-media installation\, film\, video and performance art. She also works collaboratively with notable performance artists and non-profit organizations. She has worked on two feature-length films\, curated five gallery and museum exhibitions\, and created wearable art for international performances. Sarah grew up in her mother’s art studio\, received a BFA in Painting from the Art Academy of Cincinnati\, and an MFA in New Genres from the San Francisco Art Institute. Selected exhibitions include the Donau Festival\, Krems\, Austria; Anti-Contemporary Art Festival\, Kuopio\, Finland; Currents 2011\, Santa Fe; 53rd Venice Biennale; and a solo exhibition at BGMoCA\, Uruguay. A long-time educator\, Sarah is currently contributing faculty at the Santa Fe University of Art & Design and the Chair of the Art Department at University of New Mexico – Taos. \nAlcoves 20/20 is supported in part by the Friends of Contemporary Art + Photography. 
URL:https://test-dca-mc.nmdca.net/dca-event/4342-alcoves-2020-2-on-display-october-19-2019-february-9-2020/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191019
DTEND;VALUE=DATE:20201010
DTSTAMP:20260507T114517
CREATED:20191022T040145Z
LAST-MODIFIED:20230614T175200Z
UID:10001215-1571443200-1602287999@test-dca-mc.nmdca.net
SUMMARY:Women in Archaeology at the Center for NM Archaeology
DESCRIPTION:Please note this exhibit is on view at the Center for New Mexico Archaeology\, at 7 Old Cochiti Road\, off the Caja del Rio exit of 599.  \nThis exhibit highlights the work of 11 pioneer women in archaeology who worked in the American Southwest as well as touches on some major early and modern contributors to archaeology throughout the world.  \n“The women highlighted in this exhibition made numerous contributions to their field and helped educate many students who went on to pursue careers in archaeology. Through their work\, they have turned archaeology into the field it is\, leaving a lasting legacy for the future of the discipline\,” said exhibit co-curator Emily Hurley. “Early on in our field women were discouraged from pursing advanced degrees and conducting field work. By highlighting the work of 11 pioneer women in archaeology who worked here in the American Southwest\, our hope to help inspire future generations of women to pursue a career in archaeology.” \nFor a printable map to CNMA\, follow this link. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/4376-women-in-archaeology-at-the-center-for-nm-archaeology/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191018
DTEND;VALUE=DATE:20211019
DTSTAMP:20260507T114517
CREATED:20200721T020500Z
LAST-MODIFIED:20230614T175159Z
UID:10001211-1571356800-1634601599@test-dca-mc.nmdca.net
SUMMARY:Working on the Railroad
DESCRIPTION:They came from all over\, and through back-breaking manual labor\, railroad workers transformed the United States and impacted millions of lives. When the railroad came to New Mexico in 1879\, it brought thousands of job opportunities for local people from rural villages\, reservations\, and larger towns. In addition to the homegrown workforce\, the railroad also brought immigrant Chinese\, European\, and Mexican laborers to New Mexico. On a national scale\, by the time women were granted the vote under the 19th Amendment in 1920\, one out of every 50 citizens worked for the railroad; this number increased exponentially during US involvement in World War II. \nWorking on the Railroad tells another side of New Mexico’s locomotive history that makes no mention of passenger trains or tourism; visitors will leave the exhibition with a greater appreciation of the difficulty of this work.  All workers are represented – women\, people of color\, immigrants\, young and old – and most jobs are represented\, both on and off the tracks.                          \nFrom steel gangs to machinists and car cleaners to conductors\, every role in the railroad industry served an important purpose.    \nOpening October 18 and running through a date to be determined in 2021. Working on the Railroad is featured in the Mezzanine Gallery of the History Museum near the Fred Harvey installation. \nThis exhibit is also viewable as a virtual tour: https://my.matterport.com/show/?m=z9uNNHsiPED
URL:https://test-dca-mc.nmdca.net/dca-event/4338-working-on-the-railroad/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191006
DTEND;VALUE=DATE:20220906
DTSTAMP:20260507T114517
CREATED:20220512T212045Z
LAST-MODIFIED:20230614T175152Z
UID:10001180-1570320000-1662422399@test-dca-mc.nmdca.net
SUMMARY:Música Buena: Hispano Folk Music of New Mexico In the Hispanic Heritage Wing
DESCRIPTION:The exhibition will explore different forms of music such as special music played at different life stages (songs of birth\, weddings\, death)\, seasonal music (songs for Christmas\, Lent\, and  Harvest seasons) \,as well as liturgical and secular plays and reenactments. For example\, one such tradition is that of Moros y Cristianos\, which is based on medieval folk plays that re-enact the final battle between a newly unified Spain and the Moors who ruled for 800 years. The play represents multiethnic heritage and influences in Spanish culture and is the only play today still performed entirely on horseback. Another popular folk play\, Los Comanches\, is based entirely on historical events in the Southwestern US. This play depicts the joining of forces between the Spanish settlers and Pueblo Indians to fight and keep the invading Comanches out of New Mexican lands. There are several versions of this reenactment\, each with its own unique flavor. Another popular tradition is El Baile de los Matachines which is still practiced in both Hispano and Genízaro villages and Native Pueblos\, from the Río Arriba (Northern New Mexico) all the way south to Mexico & Guatemala. \n  \nThe exhibition will feature close to 75 objects from the museum’s permanent collection and from private collections around the state. Some of these items include: a Matachines danzante costume; a 19th century New Mexican-made violin; a hand carved wooden matraca (rattle) made by Cordova artist José Dolores López; an antique handwritten book of Alabados (religious chants sung during Holy Week and at Funerals); and contemporary instruments made by musician Cipriano Vigil and other local New Mexican artists. A New Mexico Music Living Treasure\, Vigil served as special consultant for the exhibition. Photographs and memorabilia will accompany the objects. The exhibition will include a substantial amount of the newly-digitized sound footage from the museum’s archives.  Video footage will also showcase contemporary practices of New Mexican traditions that continue today including the Baile de Los Matachines\, Las Posadas and Los Pastores\, Moros y Cristianos\, Dar los días and Los Comanches. New recordings also include interviews and footage of traditions that are handed down from elder to younger generations. Sound and video stations will be included in the exhibition along with a space for live in gallery performances. Museum visitors will be able to access online materials and continue listening to the museum’s rich store of historic music long after they have left the museum. \nONLINE RESOURCES:  \nVirtual Exhibit  \nVisit our Online Experiences page-http://moifa.org/visit/online.html \nWATCH: \nNew Mexican dramatic traditions can be religious\, ceremonial\, or secular-https://www.youtube.com/playlist?list=PL-Dx1Qh-1tek5ZcvuXHNfDo47H3ErEDLK \nThe ’entriega’ celebrates or commemorates a rite of passage-https://www.youtube.com/playlist?list=PL-Dx1Qh-1teljcY9Wpb50RM85aDoeUxYa \nContemporary musicians keep Hispano Folk Music alive and share their personal stories- https://www.youtube.com/playlist?list=PL-Dx1Qh-1telM1wlXyj5lb38VUZOZhrGL​ \nREAD:  \nProud Pageantry: How a play on horseback traveled to the new world- https://www.elpalacio.org/2020/02/proud-pageantry/ \nNo Pueden Pasar! Explore the Christmas traditions of Los Pastores and Las Posadas-http://www.elpalacio.org/2019/12/no-pueden-pasar/ \n¡Buenas Melodías! Four centuries of New Mexican music tune up for an epic show.-http://www.elpalacio.org/2019/10/buenas-melodias/ \nPhoto Caption: The Character of El Demonio smiling after chasing away a group of shepherds in La Gran Pastorela\, or Los Pastores (The Shepherds)\, a holiday play performed by the Jarales Choir Group for the Our Living Hispanic Heritage Project of the Museum of New Mexico [ca. 1980]. Photo by Mark Nohl\, Moifa Archives. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3895-musica-buena-hispano-folk-music-of-new-mexico-in-the-hispanic-heritage-wing/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191006
DTEND;VALUE=DATE:20210103
DTSTAMP:20260507T114517
CREATED:20191107T042426Z
LAST-MODIFIED:20230614T175155Z
UID:10001191-1570320000-1609631999@test-dca-mc.nmdca.net
SUMMARY:Diego Romero vs. the End of Art
DESCRIPTION:Diego Romero vs. the End of Art will be a dynamic exploration of a Cochiti Pueblo artist’s journey through life as depicted through his work.  \nFor decades\, California born Cochiti potter Diego Romero has created renowned historical and autobiographical artworks. Acclaimed for his neo-Mimbres pottery illustrating Pueblo Indian history\, his father’s Korean War stories\, and his relationships with women\, family\, substances and art\, Romero’s work lays bare the life of one Native artist and Native history.  \nThe exhibition narrative will be a biographical and culture history in conjunction with a conflict against a shadowy figure known only as the End of Art. Throughout the exhibition video presentations will feature interviews with the artist and others detailing his path and the evolution of his art. This will be one of the largest assemblages of Romero’s ceramic works and his lesser known multi-media drawings. Per conversations with the artist\, several family members will be included as part of his story and as necessary allies in his battle with the nebulous nemesis\, the End of Art. In an effort to engage a younger audience and the non-traditional museum visitor\, the catalog will be a hybrid of a traditional volume combined with elements of a graphic novel. This method will convey Romero’s stories of cultural and personal endurance. It is hoped that Native youth in particular will relate to their story through art.  \nThe goals of this exhibition are to share Romero’s unique and engaging stories of life and struggle through a cultural and pop culture lens\, and the visitor will learn of Native survival and ultimately celebration.
URL:https://test-dca-mc.nmdca.net/dca-event/4009-diego-romero-vs-the-end-of-art/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191005
DTEND;VALUE=DATE:20200106
DTSTAMP:20260507T114517
CREATED:20190313T043455Z
LAST-MODIFIED:20230614T175157Z
UID:10001204-1570233600-1578268799@test-dca-mc.nmdca.net
SUMMARY:Agnes Pelton : Desert Transcendentalist
DESCRIPTION:Organized by Phoenix Art Museum\, Agnes Pelton: Desert Transcendentalist is the first survey of the obscure American modernist painter in more than 23 years. Although she painted conventional landscapes and portraits\, Pelton (1881–1961) is most celebrated for her abstract compositions that reflect her interest in esoteric subjects\, including numerology and Agni Yoga with its principal focus on fire as a guiding force. The exhibition of more than 40 works from various private and museum collections sheds light on Pelton’s artistic contributions to American Modernism\, a movement more commonly associated with artists such as Georgia O’Keeffe (1887–1986) in the Southwest and Marsden Hartley (1877–1943) in New England. Furthermore\, Pelton’s interest in spirituality and abstraction links her to a larger international movement that is only now being properly studied and contextualized. Desert Transcendentalist represents a fascinating reexamination of an overlooked female artist and her rightful place within the canon of modern and contemporary art history.
URL:https://test-dca-mc.nmdca.net/dca-event/4092-agnes-pelton-desert-transcendentalist/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190811
DTEND;VALUE=DATE:20210101
DTSTAMP:20260507T114517
CREATED:20200923T111323Z
LAST-MODIFIED:20230614T175156Z
UID:10001198-1565481600-1609459199@test-dca-mc.nmdca.net
SUMMARY:San Ildefonso Pottery: 1600 - 1930
DESCRIPTION:San Ildefonso pottery is about a little known art\, an American art form that deserves recognition and appreciation alongside the other great world art systems. Before there was Santa Fe and before the idea of “art colony” was born there was San Ildefonso\, a small village of extraordinarily visionary artists whose ceramic legacy is rich and vitally meaningful. In addition\, San Ildefonso provided a vital partnership for first Museum of New Mexico director Edgar Lee Hewett in creating his vision of the founding of the Museum.     \nSan Ildefonso Pueblo pottery are an art form that is simultaneously both ancient and contemporary; being a constant for Pueblo people for millennia; always present\, forever evolving to reflect the historical and cultural circumstances of Pueblo people’s lives. Artisans work in a variety of styles\, always evolving in response to the changing circumstances of their own lives and the world around them.  Pottery\, or more precisely\, its aesthetics and production is ritualized behavior\, serving as a critical and material conceptual ideal of the San Ildefonso world. As San Ildefonso people remind us\, “Our history is recorded in pottery.”   \nArt is an inadequate word but there is no precise word in the Tewa language. Making pottery and painting is making life; those lives residing in the works that will be part of this exhibition. Pottery and painting incorporates a myriad of ideas from ancient design iconography to new tools and materials. But at the core of these arts sits an accurate presenting of the values and principles of Pueblo cosmology. When we speak of these arts we are hearing these values; the principles of honoring the creation through the way lives are lived. “I am prayerful when I gather my clay\,” a friend tells me. She continues\, “my mother and grandmother dug their clay here\, as did their aunties and mothers\, so I am prayerful\, respectful of this place and bring only good thoughts.”  \nConsider that pottery making is a prayer\, pottery making is creating life. Pottery has profound significance; the creation of pottery is the combining of two sacred and fertile substances –water and earth—combining them to make a new life. Designs on pottery are neither iconographic\, metaphoric nor symbol but rather become the form that is painted—a leaf form is a leaf\, a painted feather is prayer or breath. Painting infuses pottery with sacredness. These arts are visual prayer.   \nThe exhibit will use new methodologies of combining Native ethnogenisis\, discussions with descendant community members\, and museum object and archival research\, developing a holistic approach and portrait of artisans\, art production and social contexts. San Ildefonso Art will take a unique approach to best tell the stories of San Ildefonso art through their own interpretations and meanings as well as helping gallery visitors appreciate new understandings of the history\, contexts\, and meanings of San Ildefonso art\, culture and history. \nCurators Bruce Bernstein\, Erik Fender and Russell Sanchez in partnership with potters and today’s community members bring this important project to the public’s attention to help in creating more appreciation of the depth of artistic creativity and cultural knowledge incorporated into San Ildefonso Art. The MIAC’s important collections will be featured\, many of the pieces never exhibited. These artworks also tell the story of a singular alliance between the village of San Ildefonso and the foundling Museum of New Mexico. Two years before the museum was created first director Edgar Lee Hewett in the company of San Ildefonso men explored their homelands\, spending countless hours enveloped in their intimate knowledge of its cultural and natural landscapes. Whether research\, exhibition\, publication\, or education the fledgling museum relied on the men and women of the village. The village prospered in unexpected ways too\, finding their culture was valued after years of degenerative governmental pressure to cease its practice\, helping give rise to new forms of pottery. \nBernstein is a former director of MIAC and assistant director at the National Museum of the American Indian. Erik Fender and Russell Sanchez are active San Ildefonso community members and award winning potters. Both stand within their families long lineage and heritage of producing pottery. The project is a joint project of the Coe Center for the Arts and is supported by Al Anthony\, Adobe Gallery and the School for Advanced Research. \nFor video from the San Ildefonso exhibit\, please visit our YouTube channel at the following links. For the exhibition introductory film\, please click here. For the film about making pottery\, please click here. For stories about living and working in San Ildefonso\, please click here.
URL:https://test-dca-mc.nmdca.net/dca-event/4063-san-ildefonso-pottery-1600-1930/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4063_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190810
DTEND;VALUE=DATE:20191014
DTSTAMP:20260507T114517
CREATED:20191122T005300Z
LAST-MODIFIED:20230614T175157Z
UID:10001203-1565395200-1571011199@test-dca-mc.nmdca.net
SUMMARY:Alcoves 2020 #1
DESCRIPTION:The alcove shows continue the tradition began in 1917 of exhibiting works made by living artists.  These small\, one-person exhibitions\, called alcoves\, were held in the original gallery space through the 1950s\, resuming in the mid-1980s and again in the early 1990s and 2012. Alcoves 2020 continues this tradition with a series of exhibitions featuring the work of artists living in New Mexico right now. These artist-centered showcases feature new ideas\, artists at all stages of their careers and artwork that is being made by artists from across New Mexico. \nSchedule of rotations \nAugust 10\, 2019 – October 13\, 2019 \nStuart Arends\, Mokha Laget\, Diane Marsh\, Dan Namingha\, Emi Ozawa \n  \nOctober 19\, 2019 – December 15\, 2019 \nJen Pack\, Heather McGill\, Daniel McCoy\, Marietta Patricia Leis\, Sarah Stolar \n  \nDecember 21\, 2019 – February 9\, 2020 \nArtists to be announced \n  \nFebruary 15\, 2020 – April 12\, 2020 \nArtists to be announced \n  \nApril 18\, 2020 – June 14\, 2020 \nArtists to be announced \n  \nJune 20\, 2020 – August 16\, 2020 \nArtists to be announced
URL:https://test-dca-mc.nmdca.net/dca-event/4089-alcoves-2020-1/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190716
DTEND;VALUE=DATE:20191021
DTSTAMP:20260507T114517
CREATED:20200721T013717Z
LAST-MODIFIED:20230614T175158Z
UID:10001210-1563235200-1571615999@test-dca-mc.nmdca.net
SUMMARY:A Walk on the Moon The 50th Anniversary of the Apollo 11 Moon Landing
DESCRIPTION:As part of the worldwide celebration of American space history and the 50th anniversary of the first “moon walk\,” this exhibit highlighted the role of New Mexico in space exploration.
URL:https://test-dca-mc.nmdca.net/dca-event/4245-a-walk-on-the-moon-the-50th-anniversary-of-the-apollo-11-moon-landing/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190525
DTEND;VALUE=DATE:20200127
DTSTAMP:20260507T114517
CREATED:20190516T024415Z
LAST-MODIFIED:20230614T175157Z
UID:10001205-1558742400-1580083199@test-dca-mc.nmdca.net
SUMMARY:Bringing Together: Recent  Acquisitions
DESCRIPTION:A cross selection of artworks acquired by the museum over the past five years. Whether acquired by gift or purchase\, every item is carefully chosen to add to the richness of the museum collection. Spotlight on recent gifts include two glass collections\, contemporary artwork\, the finalization of the Lucy Lippard gift and several significant paintings. Loose groupings will explore and present the breadth and depth of the Museum of Art collection. How a collection is “brought together” and shared will be an undercurrent of the text and wall panels.
URL:https://test-dca-mc.nmdca.net/dca-event/4116-bringing-together-recent-acquisitions/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4116_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190511
DTEND;VALUE=DATE:20191021
DTSTAMP:20260507T114517
CREATED:20200721T020013Z
LAST-MODIFIED:20230614T175158Z
UID:10001209-1557532800-1571615999@test-dca-mc.nmdca.net
SUMMARY:A Past Rediscovered: Highlights from the Palace of the Governors At the Albuquerque Museum
DESCRIPTION:Spanish Colonial paintings\, images from the dawn of photography to contemporary digital prints\, nineteenth-century retablos and bultos\, turn-of-the-century clothing\, and rare books and maps are just some of the rare objects exhibited in A Past Rediscovered: Highlights from the Palace of the Governors. Located at the end of El Camino Real\, the Royal Road that extends from Mexico City to Santa Fe\, the Palace of the Governors collects a wide range of materials of historical value with the aim of telling the stories not only of the past but of living communities. \nThe Palace of the Governors has been continually inhabited for four hundred years. The site has witnessed a wide variety of human activity\, from the installation in Santa Fe of Spanish Governor of Northern New Spain Pedro de Peralta to the Native American-led expulsion from the region of Governor Antonio Otermín and the Spanish settlers during the Pueblo Revolt in 1680. The site has also embraced the region’s short-lived identity as part of Mexico (1821–46)\, and later served as the home and workplace of the territorial governors until the early twentieth century\, ultimately ushering in the birth of the Museum of New Mexico in 1909\, the anchor of what became the New Mexico History Museum. This complex contains the Palace\, the Photo Archives\, the Fray Angélico Chávez History Library\, the Palace Press\, and the History Museum itself. \n \n“The selection of objects explored\, pictured\, and explained\, reveal the depth\, richness\, and bright hope for the future of this land of ours\, the storied Land of Enchantment\,” says Daniel Kosharek\, Photo Curator\, Palace of the Governors Photo Archives. \nThis visual journey through time begins with one of The Palace’s largest and most important objects\, the Segesser II hide painting which depicts the 1720 defeat of Spanish troops and their allies in present-day Nebraska. The stories continue to be told through objects such as letters from Billy the Kid\, rare firearms\, images of Ansel Adams capturing iconic landscapes\, images of low riders\, and Gustave Bauman’s prints\, woodblocks and tools. \nPhotographs from the well-known Southwestern photographer Ben Wittick are included. Wittick is perhaps best known for photographing Geronimo. In addition to Wittick’s portraits\, the props he used in photographing Native Americans are included. These items provide an opportunity to contextualize these types of photographs. Several of these props can be seen in Wittick’s images and are shown together for the first time in this book and exhibition. \nAlthough specializing in photographs depicting the histories and cultures of the people of New Mexico\, the Palace of the Governors Photo Archives collection is not merely a regional archive. The collections address the history and development of photography including the present time. Some of the photographs in this collection are nationally and globally significant. The earliest photographs include portraits from 1843. Works by notable photographers such as Edweard Muybridge\, John K. Hillers\, Laura Gilpin\, Charles Lummis\, Miguel Gandert and many others are presented within their historical context. \n\nNever before in its history\, as a public museum\, have the Palace of the Governor’s vast collections been celebrated in a comprehensive exhibition accompanied by an overarching catalog. The treasure trove of original objects housed by the Palace and now shared with the Albuquerque Museum creates a unique opportunity to revisit the history of New Mexico\, the region and beyond. \nA gallery guide is availabe on the Albuquerque Museum’s website: \nhttps://www.cabq.gov/culturalservices/albuquerque-museum/past-exhibits/a-past-rediscovered
URL:https://test-dca-mc.nmdca.net/dca-event/4195-a-past-rediscovered-highlights-from-the-palace-of-the-governors-at-the-albuquerque-museum/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190505
DTEND;VALUE=DATE:20191028
DTSTAMP:20260507T114517
CREATED:20210120T012802Z
LAST-MODIFIED:20230614T175151Z
UID:10001172-1557014400-1572220799@test-dca-mc.nmdca.net
SUMMARY:VIRTUAL Alexander Girard: A Designer’s Universe
DESCRIPTION:Girard was also a pivotal figure in the history of the Museum of International Folk Art\, donating more than 100\,000 objects from his and his wife Susan’s folk art collection\, and in 1981 creating the museum’s long-term\, beloved exhibition Multiple Visions. Girard’s playful designs attest to a passion for colors\, ornamentation\, and inspirations from folk art. \n \nA Designer’s Universe was on view at the Museum of International Folk Art May 5\, 2019 – October 27\, 2019​. Now you can experience this exhibition virtually by taking the tour below: \n  \n \nVIRTUAL EXHIBIT TOUR \n \n  \n \nWATCH Installation Timelaspe Video \nREAD: \n \n\n \nSpoon to City by Laura Addison\, El Palacio Magazine. Summer 2019… Alexander Girard’s genius: tasty\, urbane\, and infinitely scalable.\n \nWhen Georgia Met Sandro by Kate Nelson\, El Palacio Magazine. Summer 2019…Embers of a fabled friendship shimmer on.\n \nA Dazzling Denizen by Jess Mullaly\, El Palacio Magazine. Spring 2019…Alexander Girard made himself at home in the world\, and made many worlds of his own.\n\n \n  \nCoinciding with the traveling retrospective\, the Museum of International Folk Art enhanced the visitor experience of its Girard collection exhibition\, Multiple Visions\, through interpretive and interactive elements designed for the 21st century. \nPhoto: Design for matchboxes of the restaurant La Fonda del Sol\, Alexander Girard\, 1960 / Alexander Girard Estate\, Vitra Design Museum.
URL:https://test-dca-mc.nmdca.net/dca-event/3815-virtual-alexander-girard-a-designers-universe/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3815_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190505
DTEND;VALUE=DATE:20200127
DTSTAMP:20260507T114517
CREATED:20191218T214543Z
LAST-MODIFIED:20230614T175158Z
UID:10001207-1557014400-1580083199@test-dca-mc.nmdca.net
SUMMARY:Girard's Modern Folk in the Lloyd's Treasure Chest
DESCRIPTION:Juxtapositions of his design work and objects from his folk art collection illustrate this marriage of “modern” and “folk.” Also on view are unique objects by Girard that are in the museum’s permanent collection. \nAlexander Girard\, Untitled (anniversary gift to Susan Girard)\, ca. 1970s\, wood\, cotton\, brass. 54 15/16 x 47 5/8 x 5 1/8 in. Museum of International Folk Art\, gift of the Girard Foundation Collection\, A.2017.26.1 \n 
URL:https://test-dca-mc.nmdca.net/dca-event/4170-girards-modern-folk-in-the-lloyds-treasure-chest/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4170_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190413
DTEND;VALUE=DATE:20191118
DTSTAMP:20260507T114517
CREATED:20190418T221959Z
LAST-MODIFIED:20230614T175157Z
UID:10001202-1555113600-1574035199@test-dca-mc.nmdca.net
SUMMARY:Social & Sublime: Land\, Place\, and Art
DESCRIPTION:The 20th century saw some of the most seismic shifts in the tried-and-true tradition of landscape as a subject for artists. In the United States\, we left the 20th century with many of the same concerns we entered it with. Among those concerns are issues of land use\, expansion and border conflicts\, and industrialization and the conservation of natural resources. During that radical period American artists looked at the land and environment through a kaleidoscope of new lenses ranging from the purely formal to the politically engaged. Now that we have moved well into the 21st century\, we are well positioned to look back at the way this genre was engaged in the previous century. \nSocial & Sublime: Land\, Place\, and Art looks at land through ideological frameworks of wilderness\, frontier\, landscape and ecology to explore shifting views of nature as an artistic subject across the 20th century. This exhibition presents a series of perspectives relating to how American artists used land and place in their work in dialogue with the social\, aesthetic\, political\, and cultural viewpoints that have shaped our understanding of land. \nAspects of the show and related programs are in coordination with the The Great Unknown: Artists at Glen Canyon and Lake Powell on view March 30-September 15\, 2019 at New Mexico Museum of Art.
URL:https://test-dca-mc.nmdca.net/dca-event/4087-social-sublime-land-place-and-art/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4087_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190407
DTEND;VALUE=DATE:20191101
DTSTAMP:20260507T114517
CREATED:20190426T033536Z
LAST-MODIFIED:20230614T175158Z
UID:10001206-1554595200-1572566399@test-dca-mc.nmdca.net
SUMMARY:The Brothers Chongo: A Tragic Comedy in Two Parts
DESCRIPTION:More than twenty years after their first joint exhibition at the Museum of Indian Arts and Culture (MIAC)\, Diego and Mateo Romero (Cochiti Pueblo) show their latest work as the 2019 Living Treasures\, opening April 7\, 2019. \nThe exhibition\, The Brothers Chongo: A Tragic Comedy in Two Parts\, features Mateo Romero’s lithographs and paintings\, as well as Diego Romero’s pottery and lithographs. \nPairing Pueblo imagery with cutting-edge messages\, the exhibition will be on view through October 2019.  \nThough the brothers employ separate artistic mediums\, the exhibition articulates a collective vision of the future for Native people. Both Diego’s pottery and Mateo’s paintings address how to heal communities through a shared experience. \nDella Warrior (Otoe-Missouria)\, director of MIAC\, addresses awarding Diego and Mateo Romero as the 2019 Living Treasures. “While their individual careers continue to soar\, we are honored to spotlight their talent\, unique perspectives and distinct artistic styles with an exhibition of their current work scheduled to open this April.” \nLillia McEnaney curates the exhibition\, capturing each of the brothers’ unique styles. Mateo creates bold brushstrokes and contemporary viewpoints with a mix of oil and acrylic paint while Diego’s pottery garners influence through graphic designs—both demonstrating innovative style through social commentary and\, at times\, humor.
URL:https://test-dca-mc.nmdca.net/dca-event/4167-the-brothers-chongo-a-tragic-comedy-in-two-parts/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190330
DTEND;VALUE=DATE:20190916
DTSTAMP:20260507T114517
CREATED:20190205T003443Z
LAST-MODIFIED:20230614T175155Z
UID:10001192-1553904000-1568591999@test-dca-mc.nmdca.net
SUMMARY:The Great Unknown: Artists at Glen Canyon and Lake Powell
DESCRIPTION:This is the story of a place. It’s a place where millions of years of the earth’s development are openly revealed and where the hopes and aspirations of the human race have been inscribed for centuries. Located in canyon country along  the Colorado River\, Glen Canyon stretches down from southeastern Utah down northern Arizona\, not far upriver from the more famous Grand Canyon. The canyon was carved into the rock of the Colorado Plateau by drops of water whose potential attracted the attention of the U.S. Bureau of Reclamation in the 1950s\, when it was looking for a place to build a dam. Amidst much controversy\, Glen Canyon Dam was completed in 1966 to generate hydroelectric power\, thus submerging much of Glen Canyon under a reservoir called Lake Powell. \nUsing artifacts\, photographs\, paintings\, writings\, and archival material\, the exhibition shares a long history of responses to Glen Canyon\, beginning with the Ancestral Puebloans who first inhabited the region and concluding with twenty-first-century artists who have visited the canyon and lake to assess it in the context of climate change. \nAmong the artists whose work is included are Byron Wolfe and Mark Klett\, Peter Goin\, Greg Mac Gregor\, Tad Nichols\, Georgia O’Keeffe\, Eliot Porter\, Martin Stupich\, Kathleen Velo\, and Todd Webb. The exhibition articulates their individual responses to this special place while also touching on the shared experience of artists who traveled together and created collaborative projects\, primarily books. \nJohn Wesley Powell\, who led expeditions through Glen Canyon in 1869 and 1871-72\, wrote about his trip as a journey into “the great unknown.” Eliot Porter’s pivotal book The Place No One Knew: Glen Canyon on the Colorado\, published in 1963 by the Sierra Club in protest of Glen Canyon Dam\, is a central touchstone in the exhibition\, itself inspiring and informing responses to Glen Canyon and Lake Powell. Floyd Dominy of the Bureau of Reclamation called the reservoir created by the dam “the Jewel of the Colorado\,” while activist Edward Abbey proclaimed that “the collapse of Glen Canyon Dam is as inevitable as the rising of the moon\, or the revival of spring\, or the flow of the river home to the sea.” \nWorking from a variety of perspectives\, the exhibition explores the canyon\, the dam\, and the lake while raising issues of sustainable living\, cultural dominance\, a sense of shared purpose\, and the future of Glen Canyon.
URL:https://test-dca-mc.nmdca.net/dca-event/4010-the-great-unknown-artists-at-glen-canyon-and-lake-powell/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4010_1200.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190328
DTEND;VALUE=DATE:20200329
DTSTAMP:20260507T114517
CREATED:20200721T021951Z
LAST-MODIFIED:20230614T175157Z
UID:10001201-1553731200-1585439999@test-dca-mc.nmdca.net
SUMMARY:We the Rosies: Women at Work
DESCRIPTION:We the Rosies: Women at Work was a collaborative effort with the crowdsourcing sculpture collective\, We the Builders. \nThis exhibition honored the many working women in New Mexico\, especially those that have labored in industries that have historically gone unrecognized. \nA larger than life 3D printed sculpture of Rosie the Riveter—an iconic World War II symbol of work\, patriotism\, and a challenge to gendered norms of the 1940s—was the center of the exhibition and featured photographs and brief biographical vignettes of New Mexico working women using photographs and brief biographical vignettes.
URL:https://test-dca-mc.nmdca.net/dca-event/4077-we-the-rosies-women-at-work/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4077_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190223
DTEND;VALUE=DATE:20191202
DTSTAMP:20260507T114517
CREATED:20191022T221438Z
LAST-MODIFIED:20230614T175156Z
UID:10001197-1550880000-1575244799@test-dca-mc.nmdca.net
SUMMARY:Beyond Standing Rock
DESCRIPTION:From early 2016 until February 23\, 2017\, Standing Rock Reservation in North Dakota was home to many individuals who were protesting the Dakota Access Pipeline (DAPL). The protest at Standing Rock Indian Reservation is just one of many instances where corporate and/or government actions were viewed as violations of Native American Treaties\, a threat to Native American well-being\, and disrespect for the sacredness of Native land. This exhibit focuses heavily on the events leading up to the DAPL construction and the experiences of many who were at Standing Rock during the protest. However\, the exhibit will also highlight other examples of similar encroachments and violations of Native American sovereignty\, many of which have impacted Native health and sacred lands.
URL:https://test-dca-mc.nmdca.net/dca-event/4044-beyond-standing-rock/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4044_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190223
DTEND;VALUE=DATE:20190624
DTSTAMP:20260507T114517
CREATED:20190201T201117Z
LAST-MODIFIED:20230621T201615Z
UID:10001199-1550880000-1561334399@test-dca-mc.nmdca.net
SUMMARY:Brain: The Inside Story
DESCRIPTION:As you read these words\, your brain is taking in all kinds of sights and sounds\, and zeroing in on a few. It is recalling what you have learned about the forms of letters\, the meanings of words\, and what information you hope to find on this website. Your brain is making decisions and forming new memories. All the while\, it is helping you stay alert and steadily breathe. How does the brain do it all? We are only beginning to understand the inside story of this remarkable organ. Today\, advances in biochemistry and new technologies that allow us to watch the brain in action are revealing more than ever before. \nBrain: The Inside Story explores the way the human brain works\, specifically as it relates to senses (“Your Sensing Brain”)\, emotions (“Your Emotional Brain”)\, thinking (“Your Thinking Brain”)\, how the brain ages (“Your Changing Brain”)\, and how technological advances may change our brains in the future (“Your 21st Century Brain”). \nBrain: The Inside Story is organized by the American Museum of Natural History\, New York (www.amnh.org)\, in collaboration with Codice\, Idee per la cultura\, Torino\, Italy in association with Comune di Milano – Assessorato Cultura\, Italy; Guangdong Science Center\, Guangzhou\, China; and Parque de las Ciencias\, Granada\, Spain.
URL:https://test-dca-mc.nmdca.net/dca-event/brain-the-inside-story/
LOCATION:NM
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2019/02/30-NMNHS-BRAIN-16.-Braille-interactive-RM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190126
DTEND;VALUE=DATE:20191001
DTSTAMP:20260507T114517
CREATED:20190201T201301Z
LAST-MODIFIED:20230614T175157Z
UID:10001200-1548460800-1569887999@test-dca-mc.nmdca.net
SUMMARY:Drugs: Cost and Consequences
DESCRIPTION:Drugs: Costs & Consequences is a traveling exhibit from the Drug Enforcement Administration’s (DEA) Museum and the DEA Educational Foundation. Formerly known as Target America\, it has traveled to 16 cities over the last 16 years\, and been viewed by over 22 million visitors. The exhibit will be on display at the New Mexico Museum of Natural History & Science in Albuquerque\, NM\, from January 26\, 2019\, through September 30\, 2019. The exhibit will be open daily. Entrance to the exhibit is included in the admission to the museum. \nDrugs: Costs & Consequences  presents a non-partisan look at the many costs and consequences of drugs to our society and provides a very powerful message of the destructive health\, environmental\, safety\, and family impacts of drug use on our society. \nStudents\, youth\, parents\, and other adults in the community will have a phenomenal learning opportunity to participate in science-based experiences as well as explore global drug issues that impact the United States\, working through to every state and community. Each visitor can be part of the solution to make changes for the better. \nVisitors will discover the latest cutting-edge science research being conducted around the country\, providing a better understanding of what drugs do to the system of the body and what can be done to stop or even reverse that damage. \nVisitors will be introduced to drug law enforcement\, drug abuse prevention education\, and drug treatment efforts being conducted around the world and how those efforts are impacting the local community. \nAs with past exhibits\, the DEA Museum aims to connect with a wide representation of organizations in the local community to promote the exhibit. These organizations have represented the private sector\, non-profit organizations\, schools/school systems\, law enforcement\, federal agencies\, state agencies\, medical fields\, pre- vention and treatment organizations\, faith-based organizations\, and others.
URL:https://test-dca-mc.nmdca.net/dca-event/4076-drugs-cost-and-consequences/
LOCATION:NM
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190106
DTEND;VALUE=DATE:20200505
DTSTAMP:20260507T114517
CREATED:20210407T100641Z
LAST-MODIFIED:20230614T175154Z
UID:10001190-1546732800-1588636799@test-dca-mc.nmdca.net
SUMMARY:VIRTUAL Community through Making From Peru to New Mexico PROGRAMA VIRTUAL Comunidad a través de la Creación De Perú a Nuevo México
DESCRIPTION:Places of Memory\, paired members of two Indigenous women-led organizations: Tewa Women United (Española\, New Mexico) and the National Association of the Families of the Abducted\, Detained\, and Disappeared of Peru/ANFASEP (Ayacucho\, Peru) to explore the culturally specific ways they use art to heal community and individual trauma. Street Art and Activism\, was a convening of muralists\, printers\, and painters whose work engages contemporary social issues with a focus on public visibility. Rivers of Plastic brought together sculptors Aymar Ccopacatty (Aymara) and Nora Naranjo Morse (Santa Clara)\, who both see their home landscapes being transformed by plastic waste and use sculpture to open conversations about this intrusive and persistent material. \nThroughout the course of the exhibition\, Alas de Agua Art Collective created a mural inside the museum; students at the Kha’p’o Community School at Santa Clara Pueblo created sculptures from recycled materials; and local and Peruvian artists created a mural in a neighborhood in Santa Fe’s Southside. \nThe exhibition was on view from January 6\, 2019 through May 4\, 2020. It has now been made into a virtual exhibition that you can explore online. \nONLINE RESOURCES: \nVirtual Exhibition \nObjects from the Exhibition \n  \nREAD: \nNeon Signs of Life by Amy Groleau\, El Palacio Magazine\, Summer 2018 \nSpotlight on the Lima artist collective Amapolay Manufacturas Autonómas \nhttp://www.elpalacio.org/2018/06/neon-signs-of-life/ \n  \nUnnatural Resources by Amy Groleau and Marla Redcorn-Miller\, Summer 2018 \nA conversation with Nora Naranjo Morse (Santa Clara Pueblo) and Aymar Ccopacatty (Aymara) \nhttp://www.elpalacio.org/2018/06/unnatural-resources/ \n  \nWhoever Controls the Wall\, Controls the Voice by Katherine Lewin\, Santa Fe Reporter\, July 2019 \nCoverage of our community mural project on the Southside of Santa Fe \nhttps://www.sfreporter.com/news/2019/07/05/whoever-controls-the-wall-controls-the-voice/ \n  \nWATCH: \nPlaces of Memory \nVideos from the April 2018 collaboration of Native artists and activists from Peru and New Mexico \n  \nStreet Art and Activism \nVideos from the international collaboration of Amapolay (Peru) and seven local artists during summer 2018 \n  \nRivers of Plastic \nVideos of the projects by Aymar Ccopacatty (Aymara) and Nora Naranjo Morse (Santa Clara Pueblo) during Summer 2018\, and projects by young artists at Kha’p’o Community School\, Santa Clara Pueblo\, New Mexico in Fall\, 2019 \n  \nFronteras y Semillas \nVideos of our Southside mural project with Alas de Agua Art Collective (Santa Fe\, NM)\, Three Sisters Collective (Santa Fe\, NM)\, and Amapolay Manufacturas Autónomas (Peru) \n  \n“Community Through Making” brings artists from Peru to New Mexico by Chad Brummet\, New Mexico Living/KRQE March 2019 \nInterview with Israel Haros Lopez of Alas de Agua Art Collective and Curator\, Amy Groleau \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3958-virtual-community-through-making-from-peru-to-new-mexico-programa-virtual-comunidad-a-traves-de-la-creacion-de-peru-a-nuevo-mexico/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3958_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190104
DTEND;VALUE=DATE:20190413
DTSTAMP:20260507T114517
CREATED:20181220T032325Z
LAST-MODIFIED:20230614T175156Z
UID:10001193-1546560000-1555113599@test-dca-mc.nmdca.net
SUMMARY:Russell Lee’s FSA photography in New Mexico (Governor’s Gallery)
DESCRIPTION:Photographer Russell Lee created some of his finest work while traveling the United States for the Farm Security Administration. Among the communities he documented in New Mexico were Hobbs\, Holman\, Peñasco\, Taos\, Wagon Mound\, and Quemado.  Lee’s defining work as a documentary photographer was created in Pie Town New Mexico in 1940. \nPhotography was not the primary purpose of the FSA but its outstanding photography program is what the agency is best known and remembered for today. The artists Stryker hired became some of the most iconic of documentary photographers including Walker Evans\, Dorothea Lange\, Russell Lee\, Arthur Rothstein\, Marion Post Wolcott and Gordon Parks.  In many ways\, the FSA program defined American documentary photography and encouraged the development and popularity of the photo essay in publications like Life and Look magazine. \nRussell Lee was born in Ottawa\, Illinois in 1903. He trained and worked as a chemical engineer for years before studying to be become a painter. He borrowed a camera to develop his drawing skills and soon both his technical background and creative interests found a perfect tool of communication in the camera. Shortly after he was hired by Stryker to work for the FSA and was assigned to document the West and Midwest. While working for the FSA\, Lee produced some of the finest work of his career including extensive photo essays on the Spanish speaking people of Texas and the rural homesteaders in Pie Town\, New Mexico. \nThe photographs in the exhibition are shown with their descriptive captions and are all drawn from the New Mexico Museum of Art’s New Mexico Farm Security Administration Collection. \nCommissioned by the federal government\, the photographs and negatives taken for the Farm Security Administration and the Office of War Information are stored and maintained by the Library of Congress. Anyone can view the approximately 175\,000 black-and-white images in the Farm Security Administration/ Office of War Information collection on the Library of Congress website.   http://www.loc.gov/pictures/collection/fsa/background.html
URL:https://test-dca-mc.nmdca.net/dca-event/4019-russell-lees-fsa-photography-in-new-mexico-governors-gallery/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4019_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181220
DTEND;VALUE=DATE:20190201
DTSTAMP:20260507T114517
CREATED:20200430T220336Z
LAST-MODIFIED:20230614T175156Z
UID:10001195-1545264000-1548979199@test-dca-mc.nmdca.net
SUMMARY:Gustave Baumann Santa Fe Holiday Card Display
DESCRIPTION:Gustave Baumann exchanged hand printed holiday cards with artist friends who lived both in Santa Fe and other parts of the world. A selection of these cards are on display in the Chávez History Library for an intimate look into the lives of the Baumann family and their friends. \nLibrary access by appointment only.
URL:https://test-dca-mc.nmdca.net/dca-event/4022-gustave-baumann-santa-fe-holiday-card-display/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4022_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181216
DTEND;VALUE=DATE:20190909
DTSTAMP:20260507T114517
CREATED:20190216T014810Z
LAST-MODIFIED:20230614T175151Z
UID:10001173-1544918400-1567987199@test-dca-mc.nmdca.net
SUMMARY:A Gathering of Voices: Folk Art from the Judith Espinar and Tom Dillenberg Collection
DESCRIPTION:The unique installation of A Gathering of Voices reflects how Espinar has lived with folk art\, animating the objects through groupings that guide the viewer to cross-cultural comparisons of certain motifs\, forms\, or techniques. These “inhabited spaces” are re-created in the gallery\, along with deeper investigations of individual artists\, their workshops\, or the traditions they keep alive. \nJudith Espinar was one of the cofounders of the International Folk Art Market\, which was established in 2004 and is today the largest event of its kind focused on the work of master folk artists. She previously worked in the fashion industry in New York for more than 30 years\, before moving to Santa Fe\, where she owned and operated the longtime Santa Fe ceramic store The Clay Angel. \nPhoto: Addison Doty
URL:https://test-dca-mc.nmdca.net/dca-event/3841-a-gathering-of-voices-folk-art-from-the-judith-espinar-and-tom-dillenberg-collection/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3841_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
END:VCALENDAR