BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Department of Culture Affairs Media Center - ECPv6.16.4.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://test-dca-mc.nmdca.net X-WR-CALDESC:Events for Department of Culture Affairs Media Center REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Denver BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20060402T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20061029T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20070311T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20071104T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20080309T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20081102T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20090308T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20091101T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20100314T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20101107T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20110313T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20111106T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20120311T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20121104T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20130310T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20131103T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20140309T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20141102T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20150308T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20151101T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20160313T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20161106T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20170312T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20171105T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20180311T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20181104T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20190310T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20191103T080000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Denver:20081224T100000 DTEND;TZID=America/Denver:20090927T170000 DTSTAMP:20230614T175228Z CREATED:20201124T021200Z LAST-MODIFIED:20230614T175228Z UID:10001348-1230112800-1254070800@test-dca-mc.nmdca.net SUMMARY:Nuevo México: El Corazón de la Cultura in Lloyd’s Treasure Chest DESCRIPTION:Tradition\, culture\, soul\, sprit\, arte. These words have long come to symbolize the ambience of Nuevo México and the abundance of traditions that abound in our region. \nNuevo México: El Corazón de la Cultura\, or New Mexico: The Heart of Culture\, at the Museum of International Folk Art\, includes all genres from metalsmithing\, weaving\, and new media to straw appliqué\, tin work\, recycled art and the art of the santero.  Items traded between New Mexico and Mexico and artifacts that would have come on the Manila galleons were also included.  \nEl Corazón de la Cultura opened Wednesday\, December 24\, 2008 and ran through September 27\, 2009. URL:https://test-dca-mc.nmdca.net/dca-event/284-nuevo-mexico-el-corazon-de-la-cultura-in-lloyds-treasure-chest/ LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/corazon.jpg ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us GEO:35.6641155;-105.9265695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20081121 DTEND;VALUE=DATE:20091026 DTSTAMP:20230614T175133Z CREATED:20200430T084514Z LAST-MODIFIED:20230614T175133Z UID:10001063-1227225600-1256515199@test-dca-mc.nmdca.net SUMMARY:Through the Lens: Creating Santa Fe DESCRIPTION:Santa Fe\, NM—The Palace of the Governors is partnering with Santa Fe Community College on the exhibition\, Through the Lens: Creating Santa Fe\, as their contribution to Santa Fe’s celebration of its 400th anniversary. The photographic exhibition opens November 21\, 2008 and runs through October 25\, 2009. \nSince the 1850s many of the most recognized names in photography have focused their lenses in and on Santa Fe. Through their creative efforts they have documented a particular place and its visual history. They helped create that “place” and the mystique of Santa Fe. Photography has long been significant in the construction of notions of space and place\, landscape and identity\, and especially in Santa Fe\, however malleable visual meaning may be\, has helped define the geographical imagination. \nCurated by photographer and educator Krista Elrick and Palace of the Governor Curator of Photography\, Mary Anne Redding\, Through the Lens: Creating Santa Fe\, examines the history of Santa Fe through the visual record created by internationally respected photographers. \nBoth documentary and fine art photographers were drawn to the region’s land\, its peoples\, the regional architecture\, and the quality of light found nowhere else in the world. The project will showcase outstanding photographs that reveal the aesthetic excellence of the artists working in Santa Fe. While the images document the city\, they have also been used\, historically\, as part of the marketing of the Santa Fe image and as a draw to other artists. URL:https://test-dca-mc.nmdca.net/dca-event/through-the-lens-creating-santa-fe-2/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/36_1200.jpg GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20081121 DTEND;VALUE=DATE:20091026 DTSTAMP:20230614T175226Z CREATED:20081121T070000Z LAST-MODIFIED:20230614T175226Z UID:10001334-1227225600-1256515199@test-dca-mc.nmdca.net SUMMARY:36 -- Through the Lens: Creating Santa Fe DESCRIPTION: URL:https://test-dca-mc.nmdca.net/dca-event/36-through-the-lens-creating-santa-fe/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20081030T080000 DTEND;TZID=America/Denver:20081208T163000 DTSTAMP:20230614T175228Z CREATED:20081101T005735Z LAST-MODIFIED:20230614T175228Z UID:10001346-1225353600-1228753800@test-dca-mc.nmdca.net SUMMARY:Exhibition: Seeds of Change DESCRIPTION:Five key "seeds"—corn\, potatoes\, diseases\, horses\, and sugar—form the core of this excellent exhibit. Each seed had a profound impact on the way people live\, and together they reshaped the very nature of life for humans\, plants\, and animals around the planet. \nThe exhibit is on display in the resource room of the Bosque Redondo Memorial at Fort Sumner State Monument.\, and is open daily from 8:00AM to 5:00PM. Two videos accompany the exhibit and are available on request. They are "Green Gold: From the Maya to the Moon" and "Seeds of Change." Educators should contact a monument ranger to schedule field trips and to obtain additional educational resources for this exhibit. URL:https://test-dca-mc.nmdca.net/dca-event/232-exhibition-seeds-of-change/ LOCATION:Bosque Redondo Memorial at Fort Sumner\, 3647 Billy the Kid Drive\, Fort Sumner\, NM\, 88119\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/232_thumb.jpg GEO:34.403294;-104.196578 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bosque Redondo Memorial at Fort Sumner 3647 Billy the Kid Drive Fort Sumner NM 88119 United States;X-APPLE-RADIUS=500;X-TITLE=3647 Billy the Kid Drive:geo:-104.196578,34.403294 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20081019 DTEND;VALUE=DATE:20111003 DTSTAMP:20230614T175133Z CREATED:20110105T012613Z LAST-MODIFIED:20230614T175133Z UID:10001065-1224374400-1317599999@test-dca-mc.nmdca.net SUMMARY:A River Apart DESCRIPTION:This exhibit is a fascinating case study in how cultures develop; how art\, culture and community are interwoven; and how art is created\, interpreted\, valued\, bought and sold. \nLocated along the central Rio Grande Valley in New Mexico and separated by that great river\, Cochiti and Santo Domingo Pueblos shared a ceramic tradition for centuries until increasing contact with outsiders ushered in tumultuous changes that set the pueblos on divergent paths. Cochiti Pueblo more freely modified its traditional forms of painted pottery to appeal to new markets while the Santo Domingo Pueblo shunned the influences of the tourist trade and art market\, continuing an artistic tradition that was conservative and insular. \nA River Apart: the Pottery of Cochiti and Santo Domingo Pueblos\, examines the pottery traditions of the two Pueblos to decipher what discoveries can be made and identities established through these representations of material culture. As the collection reveals\, the pottery represents more than anthropological artifacts or art for the marketplace. From this exhibit we learn much about the Pueblos’ history\, myths and legends\, communities\, and the various artists’ responses to influences from the outside world. URL:https://test-dca-mc.nmdca.net/dca-event/a-river-apart-2/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/38_thumb.jpg GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20081019 DTEND;VALUE=DATE:20111003 DTSTAMP:20230627T203431Z CREATED:20081019T060000Z LAST-MODIFIED:20230627T203431Z UID:10001336-1224374400-1317599999@test-dca-mc.nmdca.net SUMMARY:A River Apart DESCRIPTION:This exhibit is a fascinating case study in how cultures develop; how art\, culture and community are interwoven; and how art is created\, interpreted\, valued\, bought and sold. \nLocated along the central Rio Grande Valley in New Mexico and separated by that great river\, Cochiti and Santo Domingo Pueblos shared a ceramic tradition for centuries until increasing contact with outsiders ushered in tumultuous changes that set the pueblos on divergent paths. Cochiti Pueblo more freely modified its traditional forms of painted pottery to appeal to new markets while the Santo Domingo Pueblo shunned the influences of the tourist trade and art market\, continuing an artistic tradition that was conservative and insular. \nA River Apart: the Pottery of Cochiti and Santo Domingo Pueblos\, examines the pottery traditions of the two Pueblos to decipher what discoveries can be made and identities established through these representations of material culture. As the collection reveals\, the pottery represents more than anthropological artifacts or art for the marketplace. From this exhibit we learn much about the Pueblos’ history\, myths and legends\, communities\, and the various artists’ responses to influences from the outside world. URL:https://test-dca-mc.nmdca.net/dca-event/a-river-apart/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Exhibition GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080919 DTEND;VALUE=DATE:20090209 DTSTAMP:20230614T175134Z CREATED:20081107T005045Z LAST-MODIFIED:20230614T175134Z UID:10001067-1221782400-1234137599@test-dca-mc.nmdca.net SUMMARY:Paper Trail: How the West is One\, Too DESCRIPTION:How the West Is One\, Too presents thirty-two works of art. Shown as pairs of objects\, these works explore the diversity of Southwestern art. This exhibition include pieces by Ansel Adams\, Miguel Gandert\, Betty Hahn\, Raymond Jonson\, John Marin\, Agnes Martin\, Bruce Nauman\, Susan Rothenberg\, John Sloan\, Paul Strand\, Jaunne Quick-to – See Smith\, Awa Tsireh\, Jo Whaley and Emmi Whitehorse. URL:https://test-dca-mc.nmdca.net/dca-event/paper-trail-how-the-west-is-one-too-2/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/173_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080919 DTEND;VALUE=DATE:20090209 DTSTAMP:20230627T205227Z CREATED:20080919T060000Z LAST-MODIFIED:20230627T205227Z UID:10001338-1221782400-1234137599@test-dca-mc.nmdca.net SUMMARY:Paper Trail: How the West is One\, Too DESCRIPTION: URL:https://test-dca-mc.nmdca.net/dca-event/paper-trail-how-the-west-is-one-too/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080720 DTEND;VALUE=DATE:20180802 DTSTAMP:20230614T175133Z CREATED:20180814T053717Z LAST-MODIFIED:20230614T175133Z UID:10001061-1216512000-1533167999@test-dca-mc.nmdca.net SUMMARY:Treasures of Devotion/Tesoros de Devoción DESCRIPTION:The exhibition contains bultos\, retablos\, and crucifijos\, dating from the late 1700s to 1900. They demonstrate how European stylistic traditions and iconography were combined with new palettes\, different styles\, and distinctive regional decorative designs that transformed New Mexican santo making into a unique hybrid. Highlighting the exhibit will be esoteric pieces such as the Crucifixion in a Large Nicho by the Laguna Santero and La Santísima Trinidad\, a wood retablo with an applied paper painting of the Holy Trinity. \nThe pieces in Treasures of Devotion/Tesoros de Devoción show the diverse artistic responses that occurred as santeros answered the demand from their respective communities to bring devotional images into their churches\, homes\, and lives. The bultos\, retablos\, and crucifijos presented reveal a visual documentation of New Mexico’s cultural heritage. \nThe exhibit\, once part of the private collection of Mr. and Mrs. Larry Frank\, was recently purchased by the New Mexican legislature for the Palace of the Governors\, New Mexico History Museum in order to preserve New Mexico’s cultural heritage. It is one of the defining traditional art forms of the region and a source of pride and identity for New Mexican Hispanics. URL:https://test-dca-mc.nmdca.net/dca-event/treasures-of-devotion-tesoros-de-devocion-2/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/31_1200.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080720 DTEND;VALUE=DATE:20180802 DTSTAMP:20230627T203605Z CREATED:20080720T060000Z LAST-MODIFIED:20230627T203605Z UID:10001331-1216512000-1533167999@test-dca-mc.nmdca.net SUMMARY:Treasures of Devotion/Tesoros de Devoción DESCRIPTION:The exhibition contains bultos\, retablos\, and crucifijos\, dating from the late 1700s to 1900. They demonstrate how European stylistic traditions and iconography were combined with new palettes\, different styles\, and distinctive regional decorative designs that transformed New Mexican santo making into a unique hybrid. Highlighting the exhibit will be esoteric pieces such as the Crucifixion in a Large Nicho by the Laguna Santero and La Santísima Trinidad\, a wood retablo with an applied paper painting of the Holy Trinity. \nThe pieces in Treasures of Devotion/Tesoros de Devoción show the diverse artistic responses that occurred as santeros answered the demand from their respective communities to bring devotional images into their churches\, homes\, and lives. The bultos\, retablos\, and crucifijos presented reveal a visual documentation of New Mexico’s cultural heritage. \nThe exhibit\, once part of the private collection of Mr. and Mrs. Larry Frank\, was recently purchased by the New Mexican legislature for the Palace of the Governors\, New Mexico History Museum in order to preserve New Mexico’s cultural heritage. It is one of the defining traditional art forms of the region and a source of pride and identity for New Mexican Hispanics. URL:https://test-dca-mc.nmdca.net/dca-event/treasures-of-devotion-tesoros-de-devocion/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20080629T100000 DTEND;TZID=America/Denver:20090104T170000 DTSTAMP:20230614T175223Z CREATED:20170427T040540Z LAST-MODIFIED:20230614T175223Z UID:10001321-1214733600-1231088400@test-dca-mc.nmdca.net SUMMARY:A Chair For All Reasons DESCRIPTION:A Chair for all Reasons concentrated on materials and techniques in furniture craftsmanship\, with the objects divided into five categories of daily life: home\, work/school\, kids\, outdoors\, and ritual.   Featuring 100 objects\, A Chair for all Reasons exhibited chairs\, benches\, and stools from around the world. Eleven objects from Europe\, three from Asia\, five from Africa\, five from Central America\, two representing the New Mexican-Hispano tradition\, and seventy from the USA (with several extraordinary “Outsider” creations).The majority of chairs are Anglo-American\, from New England vernacular to contemporary studio furniture. URL:https://test-dca-mc.nmdca.net/dca-event/6-a-chair-for-all-reasons/ LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/spiralbench.jpg GEO:35.6641155;-105.9265695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080620 DTEND;VALUE=DATE:20080915 DTSTAMP:20230627T205046Z CREATED:20080620T060000Z LAST-MODIFIED:20230627T205046Z UID:10001325-1213920000-1221436799@test-dca-mc.nmdca.net SUMMARY:Tuff Stuff DESCRIPTION: URL:https://test-dca-mc.nmdca.net/dca-event/tuff-stuff/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080620 DTEND;VALUE=DATE:20080915 DTSTAMP:20230614T175132Z CREATED:20080522T023942Z LAST-MODIFIED:20230614T175132Z UID:10001057-1213920000-1221436799@test-dca-mc.nmdca.net SUMMARY:Tuff Stuff DESCRIPTION:A dominant approach to the making of art calls for the sensitive use of art materials. Paint should be applied with a fluid stroke\, the surface of paper should be respected and not gouged\, and wood should be worked with the grain\, these are words of advice offered by artists and teachers. Derived from various traditions such as Eastern aesthetics\, European craftsmanship and guilds\, and 19th century art academies\, such directives limit the vocabulary of art. \nSome 20th century art movements have spoken out\, violating these rules to produce work associated with angst\, rawness\, and distress. German Expressionists in the 1920s\, for example\, used harsh colors and bold marks to create stark political statements of opposition. In the 1980s\, Julian Schnabel became famous for his neo-expressionist paintings covered with broken shards of ceramics. \nThe artists in Tuff Stuff create beauty by aggressively manipulating their art materials. Wood hacked\, paper marred\, paint clumped\, and rubber stitched\, these are the basic vocabularies used to produce evocative works that provoke us in unexpected ways. URL:https://test-dca-mc.nmdca.net/dca-event/tuff-stuff-2/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/22_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080606 DTEND;VALUE=DATE:20080922 DTSTAMP:20230614T175223Z CREATED:20170427T040603Z LAST-MODIFIED:20230614T175223Z UID:10001322-1212710400-1222041599@test-dca-mc.nmdca.net SUMMARY:Flux: Reflections on Contemporary Glass DESCRIPTION:Glass art has enjoyed a growing audience during the past several decades\, among museums\, scholars\, and collectors alike. Glass is now a widely accepted and used medium in sculpture. Flux: Reflections on Contemporary Glass considers the sculptural possibilities of glass\, from vessel to minimalist sculpture\, blown glass to cast glass\, ancient artifact to popular culture icon. URL:https://test-dca-mc.nmdca.net/dca-event/16-flux-reflections-on-contemporary-glass/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/16_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080606 DTEND;VALUE=DATE:20080901 DTSTAMP:20230627T203654Z CREATED:20080606T060000Z LAST-MODIFIED:20230627T203654Z UID:10001332-1212710400-1220227199@test-dca-mc.nmdca.net SUMMARY:Album Amicorum DESCRIPTION:THE GOVERNOR’S GALLERY \nAlbum Amicorum – Gems of Friendship \nJune 6 – August 31\, 2008 \nThe Governor’s Gallery is pleased to be presenting Album Amicorum: Gems of Friendship an exhibition of marbled and decorated paper inspired by the album amicorum. Latin for “friendship book\,” the album amicorum dates to the sixteenth century and is the predecessor of the modern autograph book. These special albums are composed of papers\, writing and drawings collected by scholars from colleagues encountered in their travels. \nInspired by this antiquarian tradition\, master papermaker and marbler Tom Leech invited an artist colleague in Turkey to participate in an exhibition. This invitation was then passed between artists\, each inviting another from across an international border. Leech’s re-contectualization of the album amicorum grew from his initial invitation into this unique exhibition of marbled and decorated papers from twenty one artists living and working in Europe\, Asia\, Australia\, and South and North America. In addition to the examples of exquisite contemporary paper by these artists the exhibition will also include historic marbled papers from the collection of the Palace of the Governors. \nCurator Tom Leech is a master papermaker\, marbler and director of The Press at the Palace of the Governors. URL:https://test-dca-mc.nmdca.net/dca-event/album-amicorum/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080606 DTEND;VALUE=DATE:20080901 DTSTAMP:20230614T175133Z CREATED:20080522T023720Z LAST-MODIFIED:20230614T175133Z UID:10001062-1212710400-1220227199@test-dca-mc.nmdca.net SUMMARY:Album Amicorum DESCRIPTION:THE GOVERNOR’S GALLERY \nAlbum Amicorum – Gems of Friendship \nJune 6 – August 31\, 2008 \nThe Governor’s Gallery is pleased to be presenting Album Amicorum: Gems of Friendship an exhibition of marbled and decorated paper inspired by the album amicorum. Latin for “friendship book\,” the album amicorum dates to the sixteenth century and is the predecessor of the modern autograph book. These special albums are composed of papers\, writing and drawings collected by scholars from colleagues encountered in their travels. \nInspired by this antiquarian tradition\, master papermaker and marbler Tom Leech invited an artist colleague in Turkey to participate in an exhibition. This invitation was then passed between artists\, each inviting another from across an international border. Leech’s re-contectualization of the album amicorum grew from his initial invitation into this unique exhibition of marbled and decorated papers from twenty one artists living and working in Europe\, Asia\, Australia\, and South and North America. In addition to the examples of exquisite contemporary paper by these artists the exhibition will also include historic marbled papers from the collection of the Palace of the Governors. \nCurator Tom Leech is a master papermaker\, marbler and director of The Press at the Palace of the Governors. \n  \n  URL:https://test-dca-mc.nmdca.net/dca-event/album-amicorum-2/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/32_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080525 DTEND;VALUE=DATE:20081027 DTSTAMP:20230614T175132Z CREATED:20200430T084343Z LAST-MODIFIED:20230614T175132Z UID:10001056-1211673600-1225065599@test-dca-mc.nmdca.net SUMMARY:Old Spanish Trail DESCRIPTION:Called “the longest\, crookedest\, most arduous pack mule train in the history of America” by Colorado historian Leroy R. Hafen\, the Old Spanish Trail is both one of the nation’s least known trails but one of the most important pack mule trading trails in this region. \nThe Old Spanish Trail was primarily a horse and mule pack route linking the village of Santa Fe to the Pueblo of Los Angeles. The trail evolved from a network of indigenous trade routes and exploratory routes that crossed the modern states of New Mexico\, Colorado\, Utah\, Arizona\, Nevada\, and California. \nThis exhibition traces the trail’s history through illustrated wall panels and many artifacts. URL:https://test-dca-mc.nmdca.net/dca-event/old-spanish-trail-2/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/21_1200.jpg GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080525 DTEND;VALUE=DATE:20081027 DTSTAMP:20230627T205055Z CREATED:20080525T060000Z LAST-MODIFIED:20230627T205055Z UID:10001324-1211673600-1225065599@test-dca-mc.nmdca.net SUMMARY:Old Spanish Trail DESCRIPTION: URL:https://test-dca-mc.nmdca.net/dca-event/old-spanish-trail/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080511 DTEND;VALUE=DATE:20090105 DTSTAMP:20230614T175132Z CREATED:20170427T040610Z LAST-MODIFIED:20230614T175132Z UID:10001058-1210464000-1231113599@test-dca-mc.nmdca.net SUMMARY:Comic Art Indigène DESCRIPTION:Storytelling has long been a part of Native American culture. Comic Art Indigène which opens at the Museum of Indian Arts and Culture on May 11\, 2008 looks at how storytelling has been used through comics and comic inspired art to express the contemporary Native American experience. Under the larger definition of narrative art\, comic art is more related to Native American art traditions than one might expect. The earliest surviving examples of such narrative art is rock art. The historic examples used in the exhibition\, such as photographs of rock art\, ledger art\, and ceramics are meant to link Native American art traditions with contemporary voices. URL:https://test-dca-mc.nmdca.net/dca-event/comic-art-indigne-2/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/23_thumb.jpg GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080511 DTEND;VALUE=DATE:20090105 DTSTAMP:20230627T205103Z CREATED:20080511T060000Z LAST-MODIFIED:20230627T205103Z UID:10001326-1210464000-1231113599@test-dca-mc.nmdca.net SUMMARY:Comic Art Indigène DESCRIPTION: URL:https://test-dca-mc.nmdca.net/dca-event/comic-art-indigne/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Exhibition GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080424 DTEND;VALUE=DATE:20180802 DTSTAMP:20230614T175133Z CREATED:20180814T053630Z LAST-MODIFIED:20230614T175133Z UID:10001064-1208995200-1533167999@test-dca-mc.nmdca.net SUMMARY:Segesser Hide Paintings DESCRIPTION:Though the source of the Segesser Hide Paintings is obscure\, their significance cannot be clearer: the hides are rare examples of the earliest known depictions of colonial life in the United States. Moreover\, the tanned and smoothed hides carry the very faces of men whose descendants live in New Mexico today. Perhaps both paintings illustrate military expeditions dispatched from the Palace of the Governors\, when it was called las casas reales\, the royal houses. \nThe hides are on display in the Palace of the Governors; a computer interactive offering more detailed information about the sections is next door at the New Mexico History Museum (on the same campus) and can also be found online here. \nHow they came to be at the Palace of the Governors is a tale as circuitous as it was fortuitous. The hides found their way back to the Southwest—and eventually to the Palace—more than 200 years after Philipp von Segesser von Brunegg\, a Jesuit priest\, sent them to his family in Switzerland in 1758. It is believed that he acquired them in Sonora\, Mexico\, between 1732 and 1758\, from the Anzas\, a family that was prominent in military and civil affairs in both New Mexico and the Sonoran village where Father Segesser’s mission was situated. \nThe existence of the hide paintings had long had been known\, but their availability came to light in 1983 when another museum wanted to borrow them\, only to discover that the von Segesser who then owned them wanted to sell rather than lend. Enter the interest of the Palace of the Governors\, which purchased in 1988 the hide paintings designated Segesser I and Segesser II. \nSegesser I and II were painted on hides\, likely bison\, that had been tanned to make them supple\, pumiced so that the grain was no longer visible\, and sewn together to form a large canvas. The hides do not exhibit any distinctive ground or gesso layer under the paint. \nSome scholars believe that the Segesser Hide Paintings were created in New Mexico\, where imported canvas was rare and processed hides were used for a variety of purposes\, including paintings on hide\, or reposteros\, that were exported to Mexico. There is documentary evidence that hides were painted in workshops in Santa Fe. Because the Segesser renderings include several distinct styles\, some scholars suggest that as many as three artists painted specific elements of the overall rendering. We believe that the artists were indigenous New Mexicans with tribal affiliation who had the benefit of eyewitness descriptions and were taught European painting techniques. Yet the Segesser paintings were not rendered in a traditional European style typical of military paintings of that era; rather they are more characteristic of indigenous or folk-art paintings. \nThe late 17th and early 18th centuries were the final great period of European battle tapestries. Such textiles\, imported to the Americas\, might have influenced the commissioned Segesser hides. The hides contain wide\, broadly painted flower and leaf borders that simulate carved or gilded frames\, which also was typical of European tapestries from the same era. \n \nSegesser I \nThis set of hides represents an encounter between rival tribesmen\, the attacking side possibly accompanied by a Spanish leader. Scholars agree that the painting’s features\, including hills\, cliffs\, deciduous trees\, bison\, deer and pumas\, indicate that this encounter took place over varied terrain. \nWho took part in the conflict and where and when it occurred remains the subject of scholarly debate. Basing their theories on historical records and the painting’s account of the event\, some scholars suggest that Segesser I portrays one or more Spanish officers with Indian allies—possibly the Manso\, Opata\, Tlascalan\, Tarascan\, Pima and a faction of the Suma—who are attacking rival Sumas or Apaches\, in the El Paso\, Texas region. \nOthers say that the painters were unfamiliar with both the encounter and the cultures involved\, and so substituted familiar individuals\, animals and terrain in a painting that actually portrays Pueblo Indian auxiliaries attacking Plains Apache Indians. Such fighting took place in any one of a half-dozen expeditions launched between 1693 and 1719 from the Palace to the eastern plains to discourage raids by tribal factions. \nBecause the encounter has not been pinpointed\, it is not known if the individuals behind the wooden palisade are members of the defending tribe or captive slaves taken from other tribes. The attackers on horseback are equipped with Spanish weapons\, clothing and leather armor to distinguish them from the opposition. \nThere are pieces missing from the original rendering. Parts were separated from the work sometime before 1908 and given to a Segesser family member where they are today. \nSegesser II \nThese hides depict a disastrous\, 1720 rout of Spanish troops and their allies in present-day Nebraska. \nThroughout the Spanish Colonial period\, officials at the Palace of the Governors routinely dispatched troops to patrol and explore beyond the colonial boundaries. Hearing of encroachment by the French\, New Mexico Governor Antonio Valverde y Cosio dispatched Spanish troops and Pueblo Indian auxiliaries to verify the rumors. Led by New Mexico Lieutenant Governor and Commander-in-chief Pedro de Villasur\, the military expedition also was charged with locating a suitable site on the remote eastern plains for a Spanish military post\, requested by the Spanish Viceroy in Mexico City. \nThe Villasur expedition headed north from Santa Fe to Taos\, turned east\, then northeast into present-day Kansas. They followed a Pawnee route to the Platte River\, moving north into eastern Nebraska. Beyond the junction of the Platte and Loup rivers\, they encountered a large Pawnee Indian encampment. Villasur initiated a dialogue and asked Juan de Archibeque (Jean l’Archévêque)\, a Frenchman and expedition interpreter\, to write a letter in French to a European within the Pawnee camp. The efforts failed and sensing a potentially hostile situation\, the expedition retreated and camped at the confluence of the Loup and Platte rivers. \nThe Segesser II painting can be pinpointed to the August 13\, 1720\, skirmish at the expedition camp. After daybreak\, the Pawnee and their Oto Indian allies—illustrated throughout the painting by their painted and unclothed bodies and shaved or close-cropped heads—ambushed the Villasur party. The painting also includes 37 French soldiers\, identified by their European-style clothing—conical hats\, coats\, breeches\, cuffs and leggings—firing long arms at the Spanish military expedition. \nComposed of 43 royal troops\, three Spanish civilians\, 60 Pueblo Indian auxiliaries and several other Indian allies\, the Villasur expedition was caught off guard\, and the pitched battle left many of them for dead in the tall prairie grass. The attack was a major catastrophe for New Mexico and casualties amounted to a third of the province’s best soldiers. The center of the painting portrays French soldiers with Pawnee and Oto supporters surrounding the camp. At the right of the painting\, Villasur expedition members who were guarding the animals are shown running to assist their Spanish comrades. \nInterestingly\, oral and written accounts of the battle do not mention French soldiers in the area of the encounter. Several Villasur survivors reported a volley of musket fire\, but in the confusion of the battle\, they did not know who was attacking them. It is possible that French traders took part in the ambush. Governor Valverde y Cosio\, perhaps in an effort to defend the actions of Villasur\, reported “two hundred Frenchmen had fired\, supported by a countless number of Pawnee allies.” \n  \n  URL:https://test-dca-mc.nmdca.net/dca-event/segesser-hide-paintings-2/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/37_1200.jpg ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080424 DTEND;VALUE=DATE:20180802 DTSTAMP:20230627T203820Z CREATED:20080424T060000Z LAST-MODIFIED:20230627T203820Z UID:10001335-1208995200-1533167999@test-dca-mc.nmdca.net SUMMARY:Segesser Hide Paintings DESCRIPTION: URL:https://test-dca-mc.nmdca.net/dca-event/segesser-hide-paintings/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ORGANIZER;CN="Marlon Magdalena":MAILTO:marlon.magdalena GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20080420T100000 DTEND;TZID=America/Denver:20120220T170000 DTSTAMP:20230614T175224Z CREATED:20120128T050236Z LAST-MODIFIED:20230614T175224Z UID:10001327-1208685600-1329757200@test-dca-mc.nmdca.net SUMMARY:How The West is One: The Art of New Mexico DESCRIPTION:How the West Is One views New Mexico art as a holistic tradition that has been produced by important interactions between aesthetic perspectives. Over the last few decades\, historians have emphasized the fracturing of New Mexico art into competing ethnic\, aesthetic\, and conceptual groupings. This fractured history promoted the idea of three separate cultures in New Mexico\, and implied that little interaction had occurred between these differing aesthetic perspectives. The one-ness of New Mexico art is the unique\, unpredictable\, often contradictory unity that developed from cultural interactions among people from various ethnic backgrounds living in New Mexico. URL:https://test-dca-mc.nmdca.net/dca-event/24-how-the-west-is-one-the-art-of-new-mexico/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/24_thumb.jpg ORGANIZER;CN="Loie Fecteau":MAILTO:loie.fecteau@state.nm.us GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20080417T100000 DTEND;TZID=America/Denver:20120319T170000 DTSTAMP:20230614T175226Z CREATED:20120128T050106Z LAST-MODIFIED:20230614T175226Z UID:10001333-1208426400-1332176400@test-dca-mc.nmdca.net SUMMARY:Gustave Baumann Printmaker DESCRIPTION:Baumann: Born in Germany in 1881\, Baumann eventually settled down in Santa Fe\, taking inspiration from the New Mexican countryside for many of his woodblock prints. In 1931\, he began carving his “little people”—marionettes that he toured around the state for many years. Baumann’s legacy lives on today through replicas of his loveable little people\, who entertain young and old alike at the Museum of Art's annual Christmas festivity. URL:https://test-dca-mc.nmdca.net/dca-event/33-gustave-baumann-printmaker/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/33_thumb.jpg ORGANIZER;CN="Loie Fecteau":MAILTO:loie.fecteau@state.nm.us GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20080327T100000 DTEND;TZID=America/Denver:20090215T170000 DTSTAMP:20230614T175132Z CREATED:20160322T044521Z LAST-MODIFIED:20230614T175132Z UID:10001060-1206612000-1234717200@test-dca-mc.nmdca.net SUMMARY:Needles + Pins: Textiles & Tools DESCRIPTION:Often intricately carved or made of precious metal\, sewing tools they can be seen as works of art. The finished product of each process – weaving\, embroidery\, sewing/needle arts\, lace making\, non-woven textiles\, printing\, and painting\, was on view. The textiles displayed were coming out of storage for the first time.  Needles and Pins: Textiles and Tools took a comprehensive look at textiles and textile production from around the world. URL:https://test-dca-mc.nmdca.net/dca-event/needles-pins-textiles-tools-2/ LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/pinsneedles.jpg GEO:35.6641155;-105.9265695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20080327T100000 DTEND;TZID=America/Denver:20090215T170000 DTSTAMP:20230627T203903Z CREATED:20080327T160000Z LAST-MODIFIED:20230627T203903Z UID:10001329-1206612000-1234717200@test-dca-mc.nmdca.net SUMMARY:Needles + Pins: Textiles & Tools DESCRIPTION:Often intricately carved or made of precious metal\, sewing tools they can be seen as works of art. The finished product of each process – weaving\, embroidery\, sewing/needle arts\, lace making\, non-woven textiles\, printing\, and painting\, was on view. The textiles displayed were coming out of storage for the first time.  Needles and Pins: Textiles and Tools took a comprehensive look at textiles and textile production from around the world. \nFor more information\, contact Carrie Hertz at (505) 476-1222 or carrie.hertz@state.nm.us URL:https://test-dca-mc.nmdca.net/dca-event/needles-pins-textiles-tools/ LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States CATEGORIES:Exhibition GEO:35.6641155;-105.9265695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20080201 DTEND;VALUE=DATE:20080512 DTSTAMP:20230614T175223Z CREATED:20071229T031331Z LAST-MODIFIED:20230614T175223Z UID:10001320-1201824000-1210550399@test-dca-mc.nmdca.net SUMMARY:Flower Power DESCRIPTION:Images inspired by the Flower Power movement of the 1960s. URL:https://test-dca-mc.nmdca.net/dca-event/5-flower-power/ LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/5_thumb.jpg GEO:35.6878097;-105.9381003 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20071216 DTEND;VALUE=DATE:20090422 DTSTAMP:20230614T175223Z CREATED:20170427T040531Z LAST-MODIFIED:20230614T175223Z UID:10001318-1197763200-1240358399@test-dca-mc.nmdca.net SUMMARY:Native Couture A History of Santa Fe Style DESCRIPTION:Santa Fe style represents a state of mind held by those who live in this town either as full-time or part-time residents. Santa Fe style influenced fashion and design worldwide. It is not just jewelry and clothing but a feeling inside\, a sense of place and that total belief in the Navajo saying\, “Walk in beauty.” \n The spirit of Santa Fe style has inspired an exhibit with the same name at the Museum of Indian Arts and Culture. Native Couture opens December 16\, 2007 and runs through September 1\, 2008. Drawing from the museum’s incomparable collections\, this exhibition showcases both old and new jewelry – 1880 to the present. The exhibition will explore the history of Santa Fe style and what it incorporates. \n The focus of Native Couture revolves around the Dicky Pfaelzer Jewelry Collection donated to the museum by her children in 2005. Dicky\, a style-setter\, was known throughout town for creating a statement with her beautiful jewelry and exquisite clothing and a fixture on the Santa Fe gallery scene for more than eighteen years. (She also drove a station wagon painted with lizards and other Southwest iconography) URL:https://test-dca-mc.nmdca.net/dca-event/1-native-couture-a-history-of-santa-fe-style/ LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1_thumb.jpg GEO:35.664337;-105.9252387 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20070615 DTEND;VALUE=DATE:20080421 DTSTAMP:20230614T175132Z CREATED:20200430T085124Z LAST-MODIFIED:20230614T175132Z UID:10001055-1181865600-1208735999@test-dca-mc.nmdca.net SUMMARY:El Favor de los Santos DESCRIPTION:Divine intercession\, miracles\, blessings\, and gestures of appreciation: retablos and ex-votos were a main form of devotion to saints and the Holy Family for nineteenth-century Mexican families. Created largely by self-taught artists\, retablos were used as objects of veneration in home worship; a way for the faithful to continue their personal relationship with the divine. “El Favor de los Santos\,” on display through April 20\, 2008\, includes over one hundred retablos and ex-votos from the University Art Gallery at New Mexico State University. \nWith the nineteenth century came mass-produced iron-coated tin sheets and Mexican legislation seeking to separate church and state. The new laws increased the need for private devotion. The affordable medium created a high demand for retablos. Created largely by self-taught artists\, retablos were used as objects of veneration in home worship; a way for the faithful to continue their personal relationship with the divine. Home altars were highly personalized and reflected the intimate relationship a family shared with particular saints. Retablos and other objects allowed for the creation of an intimate story of faith. \nThe popularization of tin retablos illustrated the special role of the saints and other religious images in the daily lives of Catholics in New Spain. For the common people of Mexico\, these images of Christ\, the Virgin Mary\, and the vast litany of saints were accessible for reasons that went beyond affordability. Placed on home altars\, the images were no longer lofty symbols of an official religion but were comfortable members of the family\, dependable in good times and bad. From illness to marriage\, gambling to birthing to natural disaster\, their healing powers were both all-encompassing and site-specific. \nRetablos did not die out at the beginning of the twentieth century however. “Although painted tin was largely replaced by prints at that time\, today santeros continue the tradition of painting on different media\, and altars are still created in homes”\, said René Harris\, curator of the exhibition and assistant director of the Palace of the Governors/New Mexico History Museum. \nAn example of new devotional mediums is artist Randy Martinez’s “Chimayo\,” displayed in the exhibit. Martinez is a well-known low rider muralist from Chimayó\, New Mexico. Using a car as a canvas\, “Chimayo” is a combination of contemporary religious art forms and santero expression. Devotional iconography once reserved for the privacy of churches and home altars can be shared with family and the community. URL:https://test-dca-mc.nmdca.net/dca-event/el-favor-de-los-santos-2/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/19_1200.jpg GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20070615 DTEND;VALUE=DATE:20080421 DTSTAMP:20230627T205234Z CREATED:20070615T060000Z LAST-MODIFIED:20230627T205234Z UID:10001323-1181865600-1208735999@test-dca-mc.nmdca.net SUMMARY:El Favor de los Santos DESCRIPTION: URL:https://test-dca-mc.nmdca.net/dca-event/el-favor-de-los-santos/ LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States CATEGORIES:Exhibition GEO:35.6883465;-105.9381345 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465 END:VEVENT END:VCALENDAR