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BEGIN:VEVENT
DTSTART;VALUE=DATE:20100129
DTEND;VALUE=DATE:20100419
DTSTAMP:20230614T175135Z
CREATED:20091121T053522Z
LAST-MODIFIED:20230614T175135Z
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SUMMARY:Museums in the 21st Century: Concepts\, Projects\, Buildings
DESCRIPTION:Frank Gehry\, Renzo Piano\, Daniel Libeskind\, Tadao Ando\, Spacelab’s (Peter Cook/Colin Fournier)\, Rafael Viñoly\, and Yoshio Taniguchi are members of a pantheon of architects regarded for their original\, innovative\, and groundbreaking designs. In common\, they were all commissioned between 2000 and 2010 to design museums – some realized\, others in progress\, and a few indefinitely on hold. \n The first ten years of the 21st century witnessed the apex internationally for the commissioning of museum buildings by star architects\, such as these. The many new museum buildings\, renovations\, and/or expansions taking place all over the world interested the director of the Art Centre Basel\, Suzanne Greub\, who then developed the exhibition Museums of the 21st Century\, opening at the New Mexico Museum of Art on Friday\, January 29\, 2010.  \nThe installation of the Museums in the 21st Century: Concepts\, Projects\, Buildings at the New Mexico Museum of Art will conclude the exhibition’s successful national and international tour. Museum curator Merry Scully has selected more than a dozen museum building projects from the original exhibition for inclusion in the installation in Santa Fe. \n Among the architectural projects featured in Museums in the 21st Century are Frank Gehry’s unrealized design for the Corcoran Gallery of Art\, Washington\, D.C.; Renzo Piano’s lyrical Zentrum Paul Klee in Bern\, Switzerland; Daniel Libeskind’s controversial extension of the Denver Art Museum; Tadao Ando’s dramatic design for the partially recessed Chichi Art Museum\, Naoshima\, Japan; Spacelab’s (Peter Cook/Colin Fournier) “friendly alien” the Kunsthaus Graz\, Austria; Rafael Viñoly’s design of The Nasher Museum\, Duke University\, Durham\, North Carolina; and Yoshio Taniguchi’s expansion and renovation of the Museum of Modern Art\, New York. \n Greub considered the new architecture in terms of the look and function of the structures and how the new architecture would interplay with each particular museum’s history\, geography\, holdings\, and programming. Art Centre Basel and the represented architects collaborated on the design of each project with fully realized architectural models\, selected sketches\, computer renderings\, and animations of the various museum projects. \n Art Centre Basel has produced a catalog in several languages with images of the represented projects and critical essays by acclaimed experts. The catalog is available for sale in the New Mexico Museum of Art shop.  \nMuseums in the 21st Century: Concepts\, Projects\, Buildings is an Art Centre Basel exhibition (www.artcentralbasel.com). Idea and concept Suzanne Greub and Thierry Greub\, Art Center Basel; Realization: Christine Gisi\, Art Centre Basel. \n The exhibition opens on Friday\, January 29\, 2010 5:30 – 7:30 with a reception hosted by the Women’s Board of the Museum of New Mexico and will run through April 18\, 2010. \n This exhibition has been made possible in part through the generous support of The Burnett Foundation and Thornburg Investment Management. \n High resolution exhibition images may be downloaded from the Media Center at http://media.museumofnewmexico.org/.
URL:https://test-dca-mc.nmdca.net/dca-event/museums-in-the-21st-century-concepts-projects-buildings-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/554_thumb.jpg
ORGANIZER;CN="Chris Nail":MAILTO:chris.nail@state.nm.us
GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20091220T100000
DTEND;TZID=America/Denver:20110807T170000
DTSTAMP:20230614T175230Z
CREATED:20160318T031414Z
LAST-MODIFIED:20230614T175230Z
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SUMMARY:Material World: Textiles and Dress from the Collection
DESCRIPTION:The exhibition was accompanied by a richly illustrated catalogue authored by exhibition curator Bobbie Sumberg. The catalog divides the textile and costume collection into two categories\, textiles and dress\, and into several subcategories: textiles for the bed; for the dwelling; for the church\, temple\, or ceremony; and\, decorative pieces such as samplers. Dress is divided into headwear\, outerwear\, footwear\, accessories\, ceremonial\, and complete ensembles. \nFormer Curator Bobbie Sumberg said\, “Making and embellishing textiles can be a powerful tool of socialization and a reflection of cultural values. By looking at the production and use of textiles\, numerous aspects of history and culture become illuminated. For example\, gender roles within a family and within a society or culture are usually played out when cloth is made and worn. \nThe exhibition was in the Cotsen Gallery of the Neutrogena Wing from December 20\, 2009 through August 7\, 2011.
URL:https://test-dca-mc.nmdca.net/dca-event/478-material-world-textiles-and-dress-from-the-collection/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20091120T100000
DTEND;TZID=America/Denver:20180801T170000
DTSTAMP:20230614T175229Z
CREATED:20200430T084917Z
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SUMMARY:Santa Fe Found: Fragments of Time The archaeological and historic roots of America’s oldest capital city
DESCRIPTION:Now 400 years old\, Santa Fe was once an infant city on the remote frontier.  Santa Fe Found: Fragments of Time\, on long-term exhibit in the Palace of the Governors\, explores the archaeological evidence and historical documentation of the City Different before the Spanish arrived\, as well as at the settling of the first colony in San Gabriel del Yungue\, the founding of Santa Fe and its first 100 years as New Mexico’s first capital. \nCo-curated by Josef Diaz of the New Mexico History Museum/Palace of the Governors and Stephen Post of the DCA/Office of Archaeological Studies\, Santa Fe Found collects more than 160 artifacts from four historic sites\, along with maps\, documents\, household goods\, weaponry and religious objects. Together\, they tell the story of cultural encounters between early colonists and the Native Americans who had long called this place home. \n“This exhibition gives visitors a broad perspective of the settling of Santa Fe and the web of cultural influences the Spanish brought with them\,” Diaz said. “The founding of Santa Fe is a big and complex story to tell\, and this show offers a glimpse of different aspects of Spanish colonial life\, from the domestic to the economic to the political and religious.” \nSanta Fe Found serves as living proof of how the lives of the founders were lived\, including who they married\, the hardships they faced\, the tools they used and the foods they ate. (Hint: Carne Adovada was generations away; turkey\, deer and rabbit were often the dish of the day.) \nPrior to the construction of the New Mexico History Museum\, which opened in May 2009\, Post and his fellow archaeologists conducted a two-year dig to investigate the archaeology of the site at 113 Lincoln Ave.\, just off the Santa Fe Plaza. More than 90\,000 artifacts were unearthed from the 17th-century\, revealing tales of life as it once was. \n“Surprising to some and not to others\, the New Mexico History Museum was complex and rich in the information it yielded on 300 years of people living and working behind the Palace of the Governors\,” Post said. “Combined with Dedie Snow’s 1974-1975 excavations within the Palace\, our work gives a unique inside-outside look at a central place in New Mexico history.” \nOther featured archaeological sites add to the story. The Baca-Garvisu site was the home of a prominent Santa Fe family in the 1700s\, located where the Santa Fe Community Convention Center now stands. The Sanchez Site\, an early Spanish estancia\, or rural settlement\, was partly excavated in the 1980s and is now managed by El Rancho de los Golondrinas. Also prominent in the exhibition is San Gabriel del Yungue at the Pueblo of Ohkay Owingeh\, where the first Spanish colonists briefly set their roots. \nSpain’s far northern colony of Santa Fe was reached by a six-month journey up El Camino Real\, a barely mapped and uncertain route that held only hazy promises of water and shelter. Holding together a caravan of 700 people – soldiers\, friars\, men and a few women and children – and the tools and livestock it would take to build a new colony tested the explorers’ abilities and\, sometimes\, their humanity. \nSome of the artifacts show that\, despite the frontier conditions\, fine goods had managed to travel up El Camino Real to homes and missions in the colony. A sampling of the pottery that was found on the digs includes Spanish majolica\, blue-and-white Mexican pottery modeled on examples from the Ming Dynasty in China\, colorful Mexican pottery and Pueblo pottery. Also found were tobacco pipes\, gold earrings\, gunflints and arrowheads. \nA few sherds of the pottery found by archaeologists speak to a monumental expedition. Centuries past\, they were parts of delicate Ming vases loaded onto a Spanish galleon at a Chinese port for an ocean journey then a bumpy trip up El Camino Real to the young colony. \n“Considering the Chinese pottery traveled across the ocean and then 1\,600 miles up the Camino Real\, it’s not surprising – and it’s even amazing – that we found only one or two pieces of these vessels\,” Post said. \n   \nFrom these roots grew La Villa Real de Santa Fe\, the Royal City of Santa Fe. What do the historical accounts say of the homes they built and the crops they grew? What has the soil yielded of their lives\, the fragile beginnings of a young Spanish colony? \nCome to the exhibit to find out. \nFunding for the Santa Fe Found exhibition and lecture series was made possible by the Palace Guard\, a support group of the Museum of New Mexico Foundation; the Gala Opening Committee; Friends of Archaeology\, a support group of the Museum of New Mexico Foundation; the Santa Fe 400th; and the Museum of New Mexico Foundation. \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/436-santa-fe-found-fragments-of-time-the-archaeological-and-historic-roots-of-americas-oldest-capital-city/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20091009
DTEND;VALUE=DATE:20100111
DTSTAMP:20230627T201358Z
CREATED:20091009T060000Z
LAST-MODIFIED:20230627T201358Z
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SUMMARY:Manmade: Notions of Landscape From the Lannan Foundation
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/manmade-notions-of-landscape-from-the-lannan-foundation/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20091009
DTEND;VALUE=DATE:20100111
DTSTAMP:20230614T175135Z
CREATED:20091008T222042Z
LAST-MODIFIED:20230614T175135Z
UID:10001074-1255046400-1263167999@test-dca-mc.nmdca.net
SUMMARY:Manmade: Notions of Landscape From the Lannan Foundation
DESCRIPTION:The work of nine artists will be featured in Manmade: Notions of Landscape from the Lannan Collection. Landscape is often thought of as a pristine wilderness\, uninhabited and unmarred by human presence\, despite the fact that for many decades now landscape has in practice been represented as incontrovertibly interconnected with mankind and the land itself has been the very material of artmaking. \nManmade: Notions of Landscape from the Lannan Collection\, an exhibition primarily of photography including two significant installations\, one by James Turrell and the other by Robert Smithson. The exhibition will be on display at the New Mexico Museum of Art October 9\, 2009\, through January 10\, 2010. \nOne of the threads that runs through the Santa Fe-based Lannan Foundation collection is an exploration of man and the landscape—not landscape in its most literal sense\, but landscape as a construction of meanings and relationships that are always morphing\, growing\, decaying\, and exploding. These various facets of landscape include the natural\, the cultural\, the social\, and the political. Everywhere human presence\, for good or bad\, is evident and our relationship to our environment is always under negotiation.  \nThe Lannan Foundation works related to landscape are never of the sort that is a celebration purely of a sublime or pristine nature; rather they are of the terrain inscribed with all manner of human interaction\, including manmade creations meant to guide our way through the oceans\, earthworks\, human-aided natural disaster\, and the theatre of war. \n“For over 20 years\, Lannan Foundation has supported the creation and maintenance of important land art projects such as James Turrell’s Roden Crater\, Robert Smithson’s Spiral Jetty\, Michael Heizer’s City Complex\, and Walter de Maria’s Lightning Fields\,” states Lannan Foundation Program Director for Art Christie Mazuera Davis. “Our collection\, which numbers over 800 works of art\, features a significant amount of photography\, much of which focuses on the land or manmade environments. While the Foundation has not established a specific criterion to collect landscape-oriented artwork\, it is this medium that has perhaps best captured the many-faceted relationship between man and the environment in recent decades.”  \nThe photo-based works that will be on view in Manmade: Notions of Landscape from the Lannan Collection includes post-Katrina photographs of a ravaged landscape by Debbie Fleming Caffery; images of the meeting of land and sea that have been witness to historic moments by Thomas Joshua Cooper; a typological grid of lighthouse photographs by Olafur Eliasson; the confessional water images of Roni Horn; nighttime photographs of wars acted out in the desert by An-My Le; “portraits” of explosions in the landscape by Sarah Pickering; and photographs of the contemporary industrial landscape by Victoria Sambunaris. \nTwo well-known Earthwork artists are also represented in the exhibition. The Lannan Collection has rich holdings of James Turrell’s work\, including hand-worked aerial views of Roden Crater\, an extinct volcano outside of Flagstaff\,  Arizona\, that the artist has been “sculpting” into a monumental earthwork since 1979. Also on view in the New Mexico Museum of Art’s galleries will be Robert Smithson’s 1969 sculptural masterwork Map of Broken Glass (Atlantis)\, an example both of his early work with earth and glass or mirrors and of his reconsideration of the nature of sculpture. \n“This is the museum’s first exhibition of works from the Lannan Foundation collection\,” states Curator of Contemporary Art Laura Addison. “There is a tremendous consistency of vision between the Lannan Foundation’s collecting interests and their broader mission. The works in Manmade may take landscape tradition as its point of departure\, but there is nothing ordinary about the artists’ approach to their subject matter. These are not simply pretty pictures of the environment. There is a strong sense of purpose that underlies the photographs\, in keeping with the Lannan Foundation’s ethos of social responsibility and critical engagement. Each of the artists in Manmade single-mindedly pursues a particular question or problem with respect to the man/land relationship or in terms of art historical paradigms from Minimalism to New Topographics. In some instances that pursuit will take an artist to the ends of the earth\, literally.” \n 
URL:https://test-dca-mc.nmdca.net/dca-event/manmade-notions-of-landscape-from-the-lannan-foundation-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20090927T100000
DTEND;TZID=America/Denver:20110131T170000
DTSTAMP:20230614T175227Z
CREATED:20160322T044033Z
LAST-MODIFIED:20230614T175227Z
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SUMMARY:A Century of Masters:  The NEA Heritage Fellows of New Mexico
DESCRIPTION:New Mexico residents are well-represented in this distinguished group of talented artists\, especially given the size of the state’s population. The Museum of International Folk Art holds examples of the works of all the Fellows from New Mexico in its collections\, from weavings\, colcha embroidery and silversmithing\, to pottery\, tinwork\, straw appliqué\, hide painting\, retablos\, and woodcarving. \n“The quality and range of artworks created by New Mexico’s National Heritage Fellows is impressive. The exhibit will stand as testimony to the dedication and skill of these talented artists;” said Dr. Joyce Ice\, former Director of the Museum of International Folk Art. \nA Century of Masters opened September 27\, 2009 and closed January\, 2011\,  and celebrated the Museum of New Mexico’s 100th Anniversary. National Heritage Fellowship Artists from New Mexico featured in this exhibition:  \nGeorge López (artist\, woodcarver\, deceased) 1982 \nMargaret Tafoya (Santa Clara potter\, deceased) 1984 \nCleofes Vigil (storyteller\, singer\, deceased) 1984 \nHelen Cordero (Cochiti potter\, deceased) 1986 \nEmilio & Senaida Romero (artists\, tinwork and colcha embroidery\, deceased) 1987 \nFrances Varos Graves (colcha embroiderer\, deceased)1994 \n Ramón José López(artist\, santero and silversmith) 1997  \nRoberto & Lorenzo Martinez (musicians) 2003  \nCharles M. Carrillo (artist\, santero) 2006  \nEsther Martinez (San Juan storyteller\, deceased) 2006  \nEliseo & Paula Rodriguez (artists\, straw appliqué) 2004  \nIrvin Trujillo (Rio Grande weaver) 2007. The exhibition closed January 31\, 2011
URL:https://test-dca-mc.nmdca.net/dca-event/228-a-century-of-masters-the-nea-heritage-fellows-of-new-mexico/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/century.jpg
ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
GEO:35.6641155;-105.9265695
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090925
DTEND;VALUE=DATE:20100201
DTSTAMP:20230627T202015Z
CREATED:20090925T060000Z
LAST-MODIFIED:20230627T202015Z
UID:10001359-1253836800-1264982399@test-dca-mc.nmdca.net
SUMMARY:The Surreal Life: Gerry Snyder and Marco Rosichelli
DESCRIPTION:The Surreal Life sets up a dialogue between the work of two artists\, Gerry Snyder and Marco Rosichelli\, who share a desire to create alternative universes both familiar and strange. A Surreal Life opens at the New Mexico Museum of Art on September 25\, 2009. \nSnyder and Rosichelli present in their art extremely well known elements – Snyder’s beautifully crafted paintings with their Renaissance inspired backdrops and Rosichelli’s finely crafted playground toys. However\, they juxtapose these artistic elements with surreal content\, Snyder with amorphous balloon-like cartoon shapes and Rosichelli with fetus-like forms. \nRosichelli’s sculptures evoke common objects reminiscent of childhood icons and toys. He says\, “…the viewers are enticed to interact with the work.” \nThe figures in Snyder’s paintings have an unruly organic quality that suggest Darwinian principles run amok; they can’t stop growing extra breasts yet lack basic necessities like arms or mouths. \nWe are asked to consider the anthropomorphic forms represented in both artists’ work\, either through our subconscious dream-fueled mind or as literal symbols. Is the Rosichelli sculpture in the exhibition\, “Spring Fetus 2\,” the realization of some dream gone bad or more literally a hobby horse common to children’s playgrounds? Is Snyder asking us to look at the forms in his paintings as if through a window or is the canvas a mirror? \nExhibition curator Tim Rodgers\, Ph.D.\, said that he hopes the viewer will\, “…find such art inspiring in that it opens up new possibilities and alternative worlds.” \nSnyder earned his BFA from the University of Oregon and his MA\, Art and Media\, at New York University. Snyder lives in New Mexico. His work has been exhibited internationally and is in the Whitney and DeYoung Museums’ permanent collections. Rosichelli received his BFA in sculpture and design from Southern Oregon University in Ashland\, Oregon. He recently earned an MFA in sculpture from Arizona State University\, in Tempe\, Arizona. He was recently the recipient of a public art commission through the Scottsdale Public Arts Commission\, in Scottsdale\, Arizona. Rosichelli currently lives in Arizona. Rosichelli has mostly shown in Arizona and Oregon and The Surreal Life is a good opportunity to see an emerging and more established artists’ take on this topic. \nThe Surreal Life: Gerry Snyder and Marco Rosichelli opens Friday\, September 25\, 2009 with a reception hosted by the Women’s Board of the Museum of New Mexico from 5:30 p.m. to 7:30 p.m. Admission is free. The exhibition will run through January 31\, 2010.
URL:https://test-dca-mc.nmdca.net/dca-event/the-surreal-life-gerry-snyder-and-marco-rosichelli/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090925
DTEND;VALUE=DATE:20100201
DTSTAMP:20230614T175135Z
CREATED:20090804T033201Z
LAST-MODIFIED:20230614T175135Z
UID:10001075-1253836800-1264982399@test-dca-mc.nmdca.net
SUMMARY:The Surreal Life: Gerry Snyder and Marco Rosichelli
DESCRIPTION:The Surreal Life sets up a dialogue between the work of two artists\, Gerry Snyder and Marco Rosichelli\, who share a desire to create alternative universes both familiar and strange. A Surreal Life opens at the New Mexico Museum of Art on September 25\, 2009. \n  \nSnyder and Rosichelli present in their art extremely well known elements – Snyder’s beautifully crafted paintings with their Renaissance inspired backdrops and Rosichelli’s finely crafted playground toys. However\, they juxtapose these artistic elements with surreal content\, Snyder with amorphous balloon-like cartoon shapes and Rosichelli with fetus-like forms. \n  \nRosichelli’s sculptures evoke common objects reminiscent of childhood icons and toys. He says\, “…the viewers are enticed to interact with the work.”  \n  \nThe figures in Snyder’s paintings have an unruly organic quality that suggest Darwinian principles run amok; they can’t stop growing extra breasts yet lack basic necessities like arms or mouths. \n  \nWe are asked to consider the anthropomorphic forms represented in both artists’ work\, either through our subconscious dream-fueled mind or as literal symbols. Is the Rosichelli sculpture in the exhibition\, “Spring Fetus 2\,” the realization of some dream gone bad or more literally a hobby horse common to children’s playgrounds? Is Snyder asking us to look at the forms in his paintings as if through a window or is the canvas a mirror? \n  \nExhibition curator Tim Rodgers\, Ph.D.\, said that he hopes the viewer will\, “…find such art inspiring in that it opens up new possibilities and alternative worlds.” \n  \nSnyder earned his BFA from the University of Oregon and his MA\, Art and Media\, at New York University. Snyder lives in New Mexico. His work has been exhibited internationally and is in the Whitney and DeYoung Museums’ permanent collections. Rosichelli received his BFA in sculpture and design from Southern Oregon University in Ashland\,  Oregon. He recently earned an MFA in sculpture from Arizona State University\, in Tempe\, Arizona. He was recently the recipient of a public art commission through the Scottsdale Public Arts Commission\, in Scottsdale\,  Arizona. Rosichelli currently lives in Arizona. Rosichelli has mostly shown in Arizona and Oregon and The Surreal Life is a good opportunity to see an emerging and more established artists’ take on this topic.  \n  \nThe Surreal Life: Gerry Snyder and Marco Rosichelli opens Friday\, September 25\, 2009 with a reception hosted by the Women’s Board of the Museum of New Mexico from 5:30 p.m. to 7:30 p.m. Admission is free. The exhibition will run through January 31\, 2010. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/the-surreal-life-gerry-snyder-and-marco-rosichelli-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20090830
DTEND;VALUE=DATE:20100222
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SUMMARY:Native Couture II: Innovation and Style Native American fashion design—mainstream acceptance
DESCRIPTION:Santa Fe\, NM —Native American couturiers and the international fashion world knew that Native design had truly arrived on the scene when in February 2009\, Native designers Dorothy Grant\, Patricia Michaels\, and Virgil Ortiz showed during New York Fashion Week\, a historic first for Native American designers. It took decades for the work of Native designers to achieve full acceptance in their own communities and more so in the mainstream fashion world. Staying true to their cultural heritage\, pushing traditional boundaries\, and building upon the work of pioneers like Lloyd Kiva New\, today’s generation of Native designers creates extraordinary work challenging long-held stereotypes.   \nNative Couture II: Innovation and Style opens at the Museum of Indian Arts and Culture on Sunday\, August 30\, 2009. This exhibition explores the history of Native fashion from hand-made clothing and accessories of the 1880s that influenced the development of a Santa Fe Style\, to today’s contemporary Native couturiers. At its root\, Indian art is the quintessential original American art. This centuries-long influence of Native American art requires the buyer\, or wearer\, and the American public in general to ponder the origins of a truly unique American style. \nTraditional Native American garments and accessories translate easily to the mainstream couture world – both are personalized and highly embellished. After contact with Europeans\, the change in Native American clothing materials and styles had a profound effect on Euro-American clothing. One example of this is “Santa Fe Style\,” the subject of one section of this exhibition. Santa   Fe style can be seen on individuals throughout the world today thanks to internationally known contemporary designers as Ralph Lauren. New Mexico Native couturiers Pilar Agoyo (Ohkay Owingeh/Cochiti/Santo Domingo)\, Patricia Michaels (Taos)\, Virgil Ortiz (Cochiti)\, and Penny Singer (Diné) take their fashion designs beyond Santa Fe Style and have created a unique style of Native Couture.  \nThe fashion designers in Native Couture II: Innovation and Style come from a variety of cultural and educational backgrounds. Native American art often straddles two worlds: traditional and contemporary\, yet pushes the design palette into the contemporary sphere. Cutting edge Native American  fashion\, accessories\, and jewelry strongly relate to the lived experience of today’s artists. Many contemporary Native designers are multi-vocal\, drawing inspiration from unquestionably “Native” elements – pottery symbols or beadwork patterns – from the eclectic to the cutting edge. All of the artists in this exhibition take advantage of this creative license still referencing their cultural roots. There are the classic purses by Dorothy Grant (Haida) and Virgil Ortiz\, the freer more eclectic concepts as seen in the work of Penny Singer’s blending of a contemporary handbag with a pictorial past\, Teri Greeves’ (Kiowa) beaded high tops or Pilar Agoyo’s metallic vinyl bag with familiar Pueblo motifs. Reaching for the cutting edge are accessories less likely to be worn by the cautious collector\, such as Wayne Nez Gaussoin’s license plate bracelet or Rose B. Simpson’s (Santa Clara) take on a “hoodie.” \nToday’s mainstream acceptance builds on a history of Native couturiers who have designed clothing for regional and national markets since the 1940s. The creation of Indian wearable art for the mainstream marketplace at this time was a reaffirmation of tribal identity in the face of increasing pressures for acculturation. This was one of many endeavors undertaken to communicate the continued existence and distinct values of Native America to the world at large. In 1946\, Lloyd Kiva New (Cherokee/Scottish/Irish) opened a boutique in Scottsdale\, AZ. He started designing handbags based on traditional Indian tribal pouches and design motifs and within ten years he had expanded to couture. A striking purple and yellow wool cape in the exhibit is a fine example of New’s Scottish heritage while his shirt and fabric samples illustrate his collaborations with two Hopi artists\, Charles Loloma and Manfred Susenkewa. \nThis movement toward greater awareness of cultural traditions became more pronounced in the 1960s. The Civil Rights era saw Native Americans advocating for their rights and cultural autonomy. Finally\, in 1962 a school co-founded by New was opened in Santa   Fe for Native American students to learn traditional art and design – the Institute of American Indian Arts (IAIA). This institution provided the cultural foundation leading some to experimentation. Many of today’s well-known designers\, such as Pilar Agoyo and Patricia Michaels\, trained under Kimberley “Wendy” Ponca (Osage) at IAIA and benefited from this art movement.  \nPonca encouraged her students to experiment with different fabrics and designs\, some of which are part of the exhibition. Agoyo’s black and silver vinyl jacket and skirt reflect her Pueblo heritage while making a fabric not usually found in mainstream clothing both comfortable to wear and aesthetically pleasing. Michael’s two piece titled Pueblo Chanel\, is an example of her unique style with a hand painted silk feather skirt topped with a Chanel-cut transparent top of burnt velvet revealing a woven design that is open in the front and back. A center piece of Native Couture is the two piece pleated metallic silver and black skirt that is topped by the Modern Feather Boa by David\, Wayne and Tazbah Gaussoin.    \nFashion designs do not necessarily stand alone and jewelry is used to accent and compliment the design. It goes without saying that Kenneth Begay (Diné) and Charles Loloma were the pioneers of modern Native American jewelry design. Begay’s work dating to the early 1940s could almost be mistaken for work by Spratling\, the famous Mexican silversmith. Loloma’s greatest legacy as a jeweler was his sense of color and his use of exotic stones. Both Begay and Loloma broke with the traditional pairing of silver and turquoise and conceptually opened the door to contemporary Southwest Indian jewelry design.    \nThe next generation of Native American jewelry designers took the art to a higher level of refinement. Two artists who introduced new design concepts into contemporary Southwest Indian jewelry are Gail Bird (Laguna/Santo Domingo) and Yazzie Johnson (Diné). Some of the others who are part of this generation represented in the exhibition include Michael Kabotie (Hopi)\, Duane Maktima (Hopi/Laguna)\, and Jesse Monogya (Diné/Hopi).  \nToday’s generation of contemporary jewelers including\, David and Wayne Gaussoin (Picuris/Diné/French)\, Cody Sanderson (Diné/Hopi/Pima/Nambe)\, Pat Pruitt (Laguna)\, Rebecca\, Begay (Diné)\, Dylan Poblano ( Zuni)\, Maria Samora (Taos)\, Tammy Garcia (Santa Clara)\, and Lee Yazzie (Diné)\, have fewer restrictions on their work and are free to explore new techniques and create innovative designs. \nNative Couture II  features a range of Native American fashion design and jewelry that has been created over the past half century. Even the most avant-garde designs are created by hand using the timeless traditions and techniques of handcrafting wearable art that is authentically Native American. All this can be seen in the new exhibition at the Museum of Indian Arts and Culture.    \nNative Couture II: Innovation and Style opens to the public on Sunday\, August 20\, 2009 at 1.30 p.m. with a reception hosted by the Women’s Board of the Museum of New Mexico. \n  Media Contacts \nShelby Tisdale\, Director \n505-476-1251 \nshelby.tisdale@state.nm.us \n  \nSteve Cantrell\, PR Manager \n505-476-1144 \n505-310-3539 – cell \nsteve.cantrell@state.nm.us \n  \n### \nLocated on Museum Hill™\, the Museum of Indian Arts and Culture shares the beautiful Milner Plaza with the Museum  of International Folk Art.  Here\, Now and Always\, a major permanent exhibition at the Museum  of Indian Arts and Culture\, combines the voices of living Native Americans with ancient and contemporary artifacts and interactive multimedia to tell the complex stories of the Southwest.  The Buchsbaum Gallery displays ceramics from the region’s pueblos.  Five changing galleries present exhibits on subjects ranging from archaeological excavations to contemporary art.  In addition\, an outdoor sculpture garden offers rotating exhibits of works by Native American sculptors.  \nThe Museum  of Indian Arts and Culture is a division of the Department of Cultural Affairs. \n  \nInformation for the Public \nLocation:  The Museum  of Indian Arts and Culture is located on Museum Hill™\, Camino Lejo off Old Santa Fe Trail. \nInformation: 505-476-1269 or visit www.indianartsandculture.org \nDays/Times: Monday through Sunday\, 10:00 a.m.-5:00 p.m.  Between Memorial Day and Labor Day the Museum is also open on Monday. \nAdmission: \nSundays: New   Mexico residents with ID are admitted FREE.  Wednesdays: New Mexico resident seniors (60+) with ID are free.    Adult single-museum admission is $6 for New Mexico residents\, $9 for nonresidents; OR $15 one- day\, two museums of your choice (Museum of Indian Arts and Culture\, Museum of International Folk Art\, New Mexico Museum of Art\, and New Mexico History Museum) OR $20 four-day pass to five museums (includes all 4 listed above and the Museum of Spanish Colonial Art) Students with ID receive a one-dollar discount. Youth 16 and under\, New  Mexico Veterans with 50% or more disability\, and Museum of New Mexico Foundation   Members always free.     Field Trips: There is no charge for educational groups attending the museum with their instructor and/or adult chaperones. Contact the Tours office by phone at (505) 476-1140 or (505) 476-1211 to arrange class/group visits to the Museum. \nDirect flights between Santa Fe and Dallas/Fort Worth are now available on American Eagle.
URL:https://test-dca-mc.nmdca.net/dca-event/native-couture-ii-innovation-and-style-native-american-fashion-design-mainstream-acceptance-2/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20090830
DTEND;VALUE=DATE:20100222
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SUMMARY:Native Couture II: Innovation and Style Native American fashion design—mainstream acceptance
DESCRIPTION:Santa Fe\, NM —Native American couturiers and the international fashion world knew that Native design had truly arrived on the scene when in February 2009\, Native designers Dorothy Grant\, Patricia Michaels\, and Virgil Ortiz showed during New York Fashion Week\, a historic first for Native American designers. It took decades for the work of Native designers to achieve full acceptance in their own communities and more so in the mainstream fashion world. Staying true to their cultural heritage\, pushing traditional boundaries\, and building upon the work of pioneers like Lloyd Kiva New\, today’s generation of Native designers creates extraordinary work challenging long-held stereotypes. \nNative Couture II: Innovation and Style opens at the Museum of Indian Arts and Culture on Sunday\, August 30\, 2009. This exhibition explores the history of Native fashion from hand-made clothing and accessories of the 1880s that influenced the development of a Santa Fe Style\, to today’s contemporary Native couturiers. At its root\, Indian art is the quintessential original American art. This centuries-long influence of Native American art requires the buyer\, or wearer\, and the American public in general to ponder the origins of a truly unique American style. \nTraditional Native American garments and accessories translate easily to the mainstream couture world – both are personalized and highly embellished. After contact with Europeans\, the change in Native American clothing materials and styles had a profound effect on Euro-American clothing. One example of this is “Santa Fe Style\,” the subject of one section of this exhibition. Santa Fe style can be seen on individuals throughout the world today thanks to internationally known contemporary designers as Ralph Lauren. New Mexico Native couturiers Pilar Agoyo (Ohkay Owingeh/Cochiti/Santo Domingo)\, Patricia Michaels (Taos)\, Virgil Ortiz (Cochiti)\, and Penny Singer (Diné) take their fashion designs beyond Santa Fe Style and have created a unique style of Native Couture. \nThe fashion designers in Native Couture II: Innovation and Style come from a variety of cultural and educational backgrounds. Native American art often straddles two worlds: traditional and contemporary\, yet pushes the design palette into the contemporary sphere. Cutting edge Native American fashion\, accessories\, and jewelry strongly relate to the lived experience of today’s artists. Many contemporary Native designers are multi-vocal\, drawing inspiration from unquestionably “Native” elements – pottery symbols or beadwork patterns – from the eclectic to the cutting edge. All of the artists in this exhibition take advantage of this creative license still referencing their cultural roots. There are the classic purses by Dorothy Grant (Haida) and Virgil Ortiz\, the freer more eclectic concepts as seen in the work of Penny Singer’s blending of a contemporary handbag with a pictorial past\, Teri Greeves’ (Kiowa) beaded high tops or Pilar Agoyo’s metallic vinyl bag with familiar Pueblo motifs. Reaching for the cutting edge are accessories less likely to be worn by the cautious collector\, such as Wayne Nez Gaussoin’s license plate bracelet or Rose B. Simpson’s (Santa Clara) take on a “hoodie.” \nToday’s mainstream acceptance builds on a history of Native couturiers who have designed clothing for regional and national markets since the 1940s. The creation of Indian wearable art for the mainstream marketplace at this time was a reaffirmation of tribal identity in the face of increasing pressures for acculturation. This was one of many endeavors undertaken to communicate the continued existence and distinct values of Native America to the world at large. In 1946\, Lloyd Kiva New (Cherokee/Scottish/Irish) opened a boutique in Scottsdale\, AZ. He started designing handbags based on traditional Indian tribal pouches and design motifs and within ten years he had expanded to couture. A striking purple and yellow wool cape in the exhibit is a fine example of New’s Scottish heritage while his shirt and fabric samples illustrate his collaborations with two Hopi artists\, Charles Loloma and Manfred Susenkewa. \nThis movement toward greater awareness of cultural traditions became more pronounced in the 1960s. The Civil Rights era saw Native Americans advocating for their rights and cultural autonomy. Finally\, in 1962 a school co-founded by New was opened in Santa Fe for Native American students to learn traditional art and design – the Institute of American Indian Arts (IAIA). This institution provided the cultural foundation leading some to experimentation. Many of today’s well-known designers\, such as Pilar Agoyo and Patricia Michaels\, trained under Kimberley “Wendy” Ponca (Osage) at IAIA and benefited from this art movement. \nPonca encouraged her students to experiment with different fabrics and designs\, some of which are part of the exhibition. Agoyo’s black and silver vinyl jacket and skirt reflect her Pueblo heritage while making a fabric not usually found in mainstream clothing both comfortable to wear and aesthetically pleasing. Michael’s two piece titled Pueblo Chanel\, is an example of her unique style with a hand painted silk feather skirt topped with a Chanel-cut transparent top of burnt velvet revealing a woven design that is open in the front and back. A center piece of Native Couture is the two piece pleated metallic silver and black skirt that is topped by the Modern Feather Boa by David\, Wayne and Tazbah Gaussoin. \nFashion designs do not necessarily stand alone and jewelry is used to accent and compliment the design. It goes without saying that Kenneth Begay (Diné) and Charles Loloma were the pioneers of modern Native American jewelry design. Begay’s work dating to the early 1940s could almost be mistaken for work by Spratling\, the famous Mexican silversmith. Loloma’s greatest legacy as a jeweler was his sense of color and his use of exotic stones. Both Begay and Loloma broke with the traditional pairing of silver and turquoise and conceptually opened the door to contemporary Southwest Indian jewelry design. \nThe next generation of Native American jewelry designers took the art to a higher level of refinement. Two artists who introduced new design concepts into contemporary Southwest Indian jewelry are Gail Bird (Laguna/Santo Domingo) and Yazzie Johnson (Diné). Some of the others who are part of this generation represented in the exhibition include Michael Kabotie (Hopi)\, Duane Maktima (Hopi/Laguna)\, and Jesse Monogya (Diné/Hopi). \nToday’s generation of contemporary jewelers including\, David and Wayne Gaussoin (Picuris/Diné/French)\, Cody Sanderson (Diné/Hopi/Pima/Nambe)\, Pat Pruitt (Laguna)\, Rebecca\, Begay (Diné)\, Dylan Poblano ( Zuni)\, Maria Samora (Taos)\, Tammy Garcia (Santa Clara)\, and Lee Yazzie (Diné)\, have fewer restrictions on their work and are free to explore new techniques and create innovative designs. \nNative Couture II  features a range of Native American fashion design and jewelry that has been created over the past half century. Even the most avant-garde designs are created by hand using the timeless traditions and techniques of handcrafting wearable art that is authentically Native American. All this can be seen in the new exhibition at the Museum of Indian Arts and Culture. \nNative Couture II: Innovation and Style opens to the public on Sunday\, August 20\, 2009 at 1.30 p.m. with a reception hosted by the Women’s Board of the Museum of New Mexico.
URL:https://test-dca-mc.nmdca.net/dca-event/native-couture-ii-innovation-and-style-native-american-fashion-design-mainstream-acceptance/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20090605
DTEND;VALUE=DATE:20090914
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LAST-MODIFIED:20230627T203138Z
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SUMMARY:American Impressionism: Paintings From the Phillips Collection
DESCRIPTION:Seeing in a New Way – Shocking and rebellious\, the Impressionists painted out in the open air\, and used their paints in new ways to show nuances of changing light. Explore at the Museum more than 65 Impressionist works (ca. 1880-1920) from the renowned Phillips Collection\, as it tours the country. \nCelebrated American artists including John Henry Twatchman\, J. Alden Weir\, Childe Hassam\, Theodore Robinson and William Lathrop\, Maurice Prendergast\, Gifford Beal\, and Helen Turner applied the brighter palette and broken brushwork of French impressionism to the American landscape\, focusing on views of parks and beaches as well as urban views and charming interiors. Reflecting the seasons\, changing light and optical effects\, these works also relate emotional and spiritual character of the landscape. \nThis exhibition has been organized by The Phillips Collection\, Washington\, D.C. The exhibition and national tour are supported by the National Endowment for the Arts as part of the American Masterpieces program.
URL:https://test-dca-mc.nmdca.net/dca-event/american-impressionism-paintings-from-the-phillips-collection/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090605
DTEND;VALUE=DATE:20090914
DTSTAMP:20230614T175134Z
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LAST-MODIFIED:20230614T175134Z
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SUMMARY:American Impressionism: Paintings From the Phillips Collection
DESCRIPTION:Seeing in a New   Way – Shocking and rebellious\, the Impressionists painted out in the open air\, and used their paints in new ways to show nuances of changing light. Explore at the Museum more than 65 Impressionist works (ca. 1880-1920) from the renowned Phillips Collection\, as it tours the country.  \nCelebrated American artists including John Henry Twatchman\, J. Alden Weir\, Childe Hassam\, Theodore Robinson and William Lathrop\, Maurice Prendergast\, Gifford Beal\, and Helen Turner applied the brighter palette and broken brushwork of French impressionism to the American landscape\, focusing on views of parks and beaches as well as urban views and charming interiors. Reflecting the seasons\, changing light and optical effects\, these works also relate emotional and spiritual character of the landscape. \nThis exhibition has been organized by The Phillips Collection\, Washington\, D.C. The exhibition and national tour are supported by the National Endowment for the Arts as part of the American Masterpieces program.
URL:https://test-dca-mc.nmdca.net/dca-event/american-impressionism-paintings-from-the-phillips-collection-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20090524T100000
DTEND;TZID=America/Denver:20100411T170000
DTSTAMP:20230614T175229Z
CREATED:20200430T230143Z
LAST-MODIFIED:20230614T175229Z
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SUMMARY:Fashioning New Mexico What We Wore to Mark Life’s Passages
DESCRIPTION:  \n \n  \n \nLife’s passages carry layers of meaning and memory – the foods we eat\, the songs we sing\, the clothes we wear. The ways in which our predecessors chose to clothe themselves – for a baptism\, a prom\, a war\, or an opera opening – have been collected by the New Mexico History Museum for 100 years. As part of the Museum’s grand opening May 24\, many of those outfits are\, shall we say\, coming out of the closet. \nFashioning New Mexico\, the premiere exhibition in the Museum’s Changing Gallery\, explores what our clothes say about us and what they mean to us. Some of the celebratory events depicted in it are singular to New Mexico\, such as fiestas and Native American ceremonies. Others are the classic passages that form the basis of our lives and of the tales we have told since the earliest campfire was lit: a child’s birth\, coming of age\, marriage\, anniversaries\, ascents to power and going to war. \nThe Museum’s collection of nearly 4\,000 costumes and accessories\, with many pieces dating from the 1830s to the 1970s\, has long lacked the space it takes for a proper exhibit. The opening of the Museum’s second-floor\, 5\,700-square-foot Changing Gallery finally makes it possible. \nTo senior curator Louise Stiver\, it’s both a celebration and a swan song\, as she unveils her final exhibition. \n“This is the first time for the Museum to focus on our collection of costumes and accessories\,” she said. “A number of the items in the collection represent celebrations that occurred here in New Mexico – from weddings to going to the opera to entering military service. There’s a little bit of everything for people to see.” \nBut\, she cautions\, “this is not a fashion show.” \n“Rather\, it will focus on how people fashioned their lives. Some clothing might stand alone\, while others will be part of a vignette that might include furniture\, portraits\, weaponry\, accessories\, historical documents and other props to tell the story.” \nOther features include a high-seated “penny farthing” bicycle\, and interactive features where a visitor can practice tying a corset\, using the secret language of fans or virtually “trying on” some of the outfits in the exhibit. Student-interns from New Mexico Highlands University are preparing a station that uses computerized images on a mirror that let visitors virtually “try on” some of the outfits in the exhibition. \nWhat’s coming out of the closet? Plenty – about 350 items\, including a dozen 19th- and 20th-century wedding gowns\, flapper dresses\, flamenco outfits\, WWI uniforms\, inaugural ballgowns and an assortment of underwear through the centuries. Thirty of the Museum’s classic fans will reveal a time when delicate painting and embroidery turned a utilitarian item into art. \nDonors through the years have included the heirs of the Harroun\, Manderfield and Armijo families of Santa Fe\, the McMillans of Socorro\, the Jaramillos from northern New Mexico\, and the McDonalds of Carrizozo\, to name a few. \nThe pieces cover modern history as well\, including a turquoise outfit recalling the grandeur of Dangerous Liaisons-era France. The outfit\, worn by Santa Fe artist Paul Stephen Valdez to the Equality New Mexico Gala in 2008\, was loaned by him for this special exhibition. \nConservator Rebecca Tinkham has worked on every costume in the exhibition\, painstakingly repairing the rips and frays of time\, a task that prior to now also made displaying the items problematic. With the Museum’s climate-controlled galleries\, fragile fabrics can withstand the rigors of exhibition. \nBesides mending seams\, Tinkham has found herself working on corsets\, hoops\, bustles\, pantaloons and petticoats. \n“These days\, the clothes fit the body\,” she said. “But for a good part of history\, the body was made to fit the clothes with bustles\, hoops\, metal bust improvers.” \nOne of the things that most impressed her about the collection was how well New Mexicans dressed. \n“A lot of the clothes are just so pretty to look at\,” Tinkham said. “There were a lot of people in New Mexico who did dress to style. They were definitely stylish for the period.” \nThose period-specific styles are also revealed in the Museum’s archival photos accompanying the exhibit\, which buttress the notion of these being the clothes New Mexicans lived\, worked and played in. \nAs they have for the last century\, the collection of artifacts and photographs detailing our stylish ways would have continued. But without the new exhibition gallery\, the wait to see them would have been even longer. \n“The New Mexico History Museum opens a new chapter in the life of the Palace of the Governors\,” Stiver said. “This new gallery allows us to expand our Museum’s mission and display exceptional examples from the Palace’s collections never before seen by the public.”
URL:https://test-dca-mc.nmdca.net/dca-event/407-fashioning-new-mexico-what-we-wore-to-mark-lifes-passages/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20090515T100000
DTEND;TZID=America/Denver:20090816T170000
DTSTAMP:20230614T175227Z
CREATED:20200714T021327Z
LAST-MODIFIED:20230614T175227Z
UID:10001341-1242381600-1250442000@test-dca-mc.nmdca.net
SUMMARY:Writing With Thread: Traditional Textiles of Southwest Chinese Minorities Traveling exhibition
DESCRIPTION:More than 500 objects in Writing with Thread: Traditional Textiles of Southwest Chinese Minorities\, represented 15 ethnic groups and nearly 100 subgroups in China. \nThis exhibition was curated by Angela Sheng\, Assistant Professor of Chinese Art History at McMaster University in Hamilton\, Ontario\, Canada from the collection of the Evergrand Museum\, Taoyuan\, Taiwan. The exhibition closed in Santa Fe on August 16\, 2009.
URL:https://test-dca-mc.nmdca.net/dca-event/183-writing-with-thread-traditional-textiles-of-southwest-chinese-minorities-traveling-exhibition/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/183_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090424
DTEND;VALUE=DATE:20090907
DTSTAMP:20230627T204932Z
CREATED:20090424T060000Z
LAST-MODIFIED:20230627T204932Z
UID:10001347-1240531200-1252281599@test-dca-mc.nmdca.net
SUMMARY:Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/intertwined-contemporary-baskets-from-the-sara-and-david-lieberman-collection/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090424
DTEND;VALUE=DATE:20090907
DTSTAMP:20230614T175134Z
CREATED:20081119T045831Z
LAST-MODIFIED:20230614T175134Z
UID:10001070-1240531200-1252281599@test-dca-mc.nmdca.net
SUMMARY:Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection
DESCRIPTION:Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection opens at the New Mexico  Museum of Art on April 24\, 2009 and runs through September 6\, 2009. The Women’s Board of the Museum of New Mexico will host an opening reception on the Free Friday Evening\, April 24\, 2009 from 5:30 p.m. to 7:30p.m. \n  \nIntertwined and its accompanying catalog will provide an international look at contemporary basket making and its current level of innovation and experimentation. The baskets in their collection utilize a range of materials and techniques from traditional organic to commercial and often surprising media.  Represented artists include the well-known international to the regional—four from Santa Fe—and they work in both functional containers as well as closed\, sculptural forms.   \n  \nIntertwined will include more than 70 traditional and non-traditional baskets\, including works by some of the major figures in contemporary basket making:  Ed Rossbach\, Katherine Westphal\, Sally Black\, Kiyomi Iwata\, Kazuaki Honma\, Dorothy Gill Barnes\, Carol Eckert John McQueen\, Elsie Holiday\, Ferne Jacobs\, Norma Minkowitz\, Fran Reed\, Lisa Telford\, John Garrett\, Kay Kahn\, and many more. Both Garrett and Kahn are New   Mexico artists. \n  \n“This exhibition demonstrates how basketry has been redefined during the past four decades\,” says Laura Addison\, Curator of Contemporary Art at the New Mexico Museum of Art and local curator for this exhibition. She goes on to say\,  “Many of the works in Intertwined are unrecognizable as baskets; rather they are sculptures that employ traditional\, and nontraditional\, basketmaking techniques and materials. The Liebermans’ collection is exceptional in its quality and breadth. Included are works primarily from the United  States\, including Native American basketry\, but also from Japan and Great Britain.” \n  \nThe contemporary baskets of Intertwined are another sub-category of “crafts” that the Museum has been showing in recent years\, including this summer’s exhibition Flux: Reflections on Contemporary Glass and several exhibitions on ceramics over the past decade.  \n  \nIntertwined is curated by Heather Sealy Lineberry\, Senior Curator\, ASU Art Museum. Jane Sauer\, nationally known basket maker and scholar\, consulted on the selection process. The 48-page color catalog includes an essay by nationally-known curator and scholar Kenneth R. Trapp\, and a short piece by artist Ferne Jacobs. \n  \nIntertwined: Contemporary Baskets from the Sara and David Lieberman Collection is organized by the Arizona State University Art\, Tempe\, Arizona. \nThe ASU Art  Museum is part of the Herberger College of Fine Arts at Arizona State University. 
URL:https://test-dca-mc.nmdca.net/dca-event/intertwined-contemporary-baskets-from-the-sara-and-david-lieberman-collection-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/259_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20090403T100000
DTEND;TZID=America/Denver:20090614T170000
DTSTAMP:20230614T175229Z
CREATED:20090221T005308Z
LAST-MODIFIED:20230614T175229Z
UID:10001351-1238752800-1244998800@test-dca-mc.nmdca.net
SUMMARY:Canvassing the Neighborhood: New Mexico Artists’ Views of Neighborhood Life
DESCRIPTION:Many Santa Feans knew Teal McKibben as part of the Canyon Road  community of artists and shopkeepers. But few of her customers knew her as an  artist. McKibben specialized in the region’s indigenous arts that also filled  her apartment behind the store. This private\, solitary artist wove figurative  textiles and drew large pastels of her collections. However\, McKibben rarely  revealed her spellbinding works to outsiders. \nTim  Prythero constructs his own neighborhoods of diners\, trailers\, taco  wagons\, service stations\, and auto parts stores. This hyper-real sculptor revels  in the patina of well worn objects from a fleeting past\, and skillfully  recreates the illusion of those surfaces. \nCarlotta  Boettcher salvages automobile hoods and transforms them into metal  “canvases” for her paintings. These works present an eclectic mix of imagery  that ranges from memories of Cuba to geometric abstraction. \nAnd from  another perspective\, Alex Harris offers an over-the-hood view  of life in Northern New Mexico. Many of his color photographs present New Mexico  as it is often seen – through the windshield of a car or  truck. \nCanvassing the Neighborhood confirms that unexpected works of art  always turn up in the neighborhoods of New Mexico.  \nFor more information\,  contact Joseph Traugott at 505-476-5062 or joseph.traugott@state.nm.us
URL:https://test-dca-mc.nmdca.net/dca-event/374-canvassing-the-neighborhood-new-mexico-artists-views-of-neighborhood-life/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/374_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20090308T100000
DTEND;TZID=America/Denver:20100314T170000
DTSTAMP:20230614T175227Z
CREATED:20160318T031528Z
LAST-MODIFIED:20230614T175227Z
UID:10001344-1236506400-1268586000@test-dca-mc.nmdca.net
SUMMARY:Dancing Shadows\, Epic Tales: Wayang Kulit of Indonesia Epic Tales: Wayang Kulit of Indonesia
DESCRIPTION:Dancing Shadows\, Epic Tales: Wayang Kulit of Indonesia introduced the distinct form of wayang kulit found in Central Java. Various aspects of this performance art were explored\, including gamelan\, artistic techniques involved in making shadow puppets\, the cast of characters\, and regional variations of wayang. A puppet workshop\, where Visitors of all ages made and played with shadow puppets was complemented by computer kiosks to learn more about Gamelan instruments and Shadow puppets. \nThis highly refined and complex art form may be performed to commemorate important rites-of-passage (such as circumcisions and weddings)\, holidays\, national events (such as political elections)\, and personal accomplishments. \nPerformances are usually based on classical literature such as the Indian epics\, Mahabharata and Ramayana with contemporary issues incorporated into particular scenes. In fact\, the Museum of International Folk Art houses George Bush and Saddam Hussein shadow puppets. Important moral\, ethical\, and philosophical ideas are taught in every show\, while entertaining the audience at times with roaring humor and special action-packed scenes. \nThe exhibit’s highlight was a 3.5 meter\, double sided screen. Much like audiences in Central Java\, museum visitors can watch dancing and battling shadows (on video) on one side of the screen and walk around the stage to watch (a video of) the shadow master at work from “behind the scenes.” \nThis award winning exhibit featured a full gamelan ensemble and the Museum’s own extraordinary collection of wayang kulit— a full set of over 200 gold and bronze-leafed Surakarta-style\, court-based shadow puppets acquired from some of Java’s prominent puppeteers. The puppets flank the screen to the left and right creating the typical yet stunning arrangement that can be seen at actual performances in Central Java. Dancing Shadows\, Epic Tales: Wayang Kulit of Indonesia opened March 8\, 2009 and closed March 14\, 2010 and is available on-line
URL:https://test-dca-mc.nmdca.net/dca-event/223-dancing-shadows-epic-tales-wayang-kulit-of-indonesia-epic-tales-wayang-kulit-of-indonesia/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/dancing-shadows.jpg
ORGANIZER;CN="Rebecca Ward":MAILTO:rebecca.ward@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090220
DTEND;VALUE=DATE:20090504
DTSTAMP:20230627T203326Z
CREATED:20090220T070000Z
LAST-MODIFIED:20230627T203326Z
UID:10001349-1235088000-1241395199@test-dca-mc.nmdca.net
SUMMARY:Alternative Spaces Site-Specific Installations by Eight New Mexico Artists
DESCRIPTION:Santa Fe\, NM —The New Mexico Museum of Art presents Alternative Spaces\, February 20\, 2009 through May 3\, 2009\, a challenging exhibition that runs counter to the conventional display of artwork in a museum setting. The eight artists in Alternative Spaces will take over various locations in the museum and instill them with their own meaning. \nAlternative Spaces is a (mostly) galleryless exhibition that presents contemporary installations in dialogue with the museum’s historic architecture. Eight New Mexico artists will create works in the museum’s architectural nooks and crannies and public spaces not typically used for the display of artwork\, including St. Francis Auditorium\, the lobby and its fireplace\, stairwells\, and the façade. \nSince 1917\, when the Pueblo Revival building was constructed as the state art museum\, it has been celebrated as an architectural landmark. One aim of installation art is to dissolve the barrier between viewer and art\, and Alternative Spaces invites contemporary artists to transform the visitor’s experience of the museum’s architectural features through the dynamic and unexpected juxtaposition of past and present. The eight artists whose installations will integrate with these spaces are Cathy Aten\, Ligia Bouton\, Madelin Coit\, Angela Elmendorf\, Joanne Lefrak\, John Tinker\, Jared Antonio-Justo Trujillo\, and Colin Zaug. \nTinker’s work will be on the west wall of the central courtyard. He will create out of hydrostone (a mixture of plaster and concrete) 38 individually cast and painted abstract flying “insects” that will occupy approximately 33 feet. Tinker has modeled his insect on the small purplish gray Asian moth called Iridopsis Humaria\, which only comes alive in the winter (like the exhibition). Each moth measures 2 ½  inches wide\, by 2 inches high\, by 1/2 inch deep. In placing this installation in an outdoor space that often serves as a gathering place\, Tinker has in a sense given the courtyard over to a different sort of gathering. \nThe Museum’s lobby fireplace will receive the attention of Cathy Aten. Aten is keen on breaking the barrier of “observer and observed” found in the predictable gallery spaces in a fine arts museum. Using wood\, steel\, and light\, Aten said of her piece; “I chose the lobby fireplace to create a reflection of what actually happens there. The elements air\, matter and fire meet and a particular landscape is created; alive and ephemeral\, leaving us at the same time satisfied and not. The task I have set for myself is to peel away anything in my thoughts or execution that does not NEED to be there\, with the desire that what is left is pure and essential to the experience I wish to evoke in the viewer. The aforementioned equation is widened here to include viewer+viewed+experience=art.” \nFor Altered Spaces\, Ligia Bouton takes on Gustave Baumann as a “site” within the New Mexico Museum of Art. In contrast to the more traditional concept of a geographic site\, Baumann’s involvement in the early development of the Museum makes him an interesting historical and figurative site to interact with in the context of this exhibition. The resulting installation incorporates furniture made by Baumann with intricate puppet figures made by Bouton that echo Baumann’s marionettes. With the help of projected digital video\, these characters come to life to enact their frustrations\, boredom\, and fears while they wait backstage for the return of Baumann. The piece draws on Baumann’s woodcut print “The Marionettes Backstage” (ca. 1935) in which the lifeless puppets wait for their creator to animate them. This video and sculptural installation draws inspiration from Beckett’s play “Waiting for Godot\,” in which the characters wait endlessly for someone the audience quickly realizes will never appear. As with Vladimir and Estragon\, the puppets in Bouton’s installation are held in a constant state of arrested motion while they express their longing for Baumann to return. \nColin Zaug will place translucent white stars\, 1 to 3 feet in diameter across the Museum’s façade in a project called Constellation. The stars will go around the balcony and southeast bell tower of St. Francis Auditorium\, down toward the Museum’s main entrance. The stars will randomly strobe – during the day the effect is a subtle flickering behind the geometric shape of the stars\, and at night it becomes a dramatic lightning storm animating the body of the building. \nThe New Mexico Museum of Art has the largest collection of work by Gustave Baumann in the world. On view at the same time as Alternative Spaces will be the exhibition Pulling Strings:The Marionettes and Art of Gustave Baumann\, which will include the original marionettes carved by Baumann. \nAlternative Spaces opens Friday\, February 20\, 2009 with a reception hosted by the Women’s Board of the Museum of New Mexico from 5:30 p.m. to 7:30 p.m. Admission is free and the public is welcome.
URL:https://test-dca-mc.nmdca.net/dca-event/alternative-spaces-site-specific-installations-by-eight-new-mexico-artists/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090220
DTEND;VALUE=DATE:20090504
DTSTAMP:20230614T175134Z
CREATED:20081212T045214Z
LAST-MODIFIED:20230614T175134Z
UID:10001071-1235088000-1241395199@test-dca-mc.nmdca.net
SUMMARY:Alternative Spaces Site-Specific Installations by Eight New Mexico Artists
DESCRIPTION:Santa Fe\, NM —The New Mexico Museum of Art presents Alternative Spaces\, February 20\, 2009 through May 3\, 2009\, a challenging exhibition that runs counter to the conventional display of artwork in a museum setting. The eight artists in Alternative Spaces will take over various locations in the museum and instill them with their own meaning.  \nAlternative Spaces is a (mostly) galleryless exhibition that presents contemporary installations in dialogue with the museum’s historic architecture. Eight New Mexico artists will create works in the museum’s architectural nooks and crannies and public spaces not typically used for the display of artwork\, including St. Francis Auditorium\, the lobby and its fireplace\, stairwells\, and the façade. \nSince 1917\, when the Pueblo Revival building was constructed as the state art museum\, it has been celebrated as an architectural landmark. One aim of installation art is to dissolve the barrier between viewer and art\, and Alternative Spaces invites contemporary artists to transform the visitor’s experience of the museum’s architectural features through the dynamic and unexpected juxtaposition of past and present. The eight artists whose installations will integrate with these spaces are Cathy Aten\, Ligia Bouton\, Madelin Coit\, Angela Elmendorf\, Joanne Lefrak\, John Tinker\, Jared Antonio-Justo Trujillo\, and Colin Zaug.  \nTinker’s work will be on the west wall of the central courtyard. He will create out of hydrostone (a mixture of plaster and concrete) 38 individually cast and painted abstract flying "insects" that will occupy approximately 33 feet. Tinker has modeled his insect on the small purplish gray Asian moth called Iridopsis Humaria\, which only comes alive in the winter (like the exhibition). Each moth measures 2 ½  inches wide\, by 2 inches high\, by 1/2 inch deep. In placing this installation in an outdoor space that often serves as a gathering place\, Tinker has in a sense given the courtyard over to a different sort of gathering. \nThe Museum’s lobby fireplace will receive the attention of Cathy Aten. Aten is keen on breaking the barrier of “observer and observed” found in the predictable gallery spaces in a fine arts museum. Using wood\, steel\, and light\, Aten said of her piece; “I chose the lobby fireplace to create a reflection of what actually happens there. The elements air\, matter and fire meet and a particular landscape is created; alive and ephemeral\, leaving us at the same time satisfied and not. The task I have set for myself is to peel away anything in my thoughts or execution that does not NEED to be there\, with the desire that what is left is pure and essential to the experience I wish to evoke in the viewer. The aforementioned equation is widened here to include viewer+viewed+experience=art.”  \nFor Altered Spaces\, Ligia Bouton takes on Gustave Baumann as a “site” within the New Mexico Museum of Art. In contrast to the more traditional concept of a geographic site\, Baumann’s involvement in the early development of the Museum makes him an interesting historical and figurative site to interact with in the context of this exhibition. The resulting installation incorporates furniture made by Baumann with intricate puppet figures made by Bouton that echo Baumann’s marionettes. With the help of projected digital video\, these characters come to life to enact their frustrations\, boredom\, and fears while they wait backstage for the return of Baumann. The piece draws on Baumann’s woodcut print “The Marionettes Backstage” (ca. 1935) in which the lifeless puppets wait for their creator to animate them. This video and sculptural installation draws inspiration from Beckett’s play “Waiting for Godot\,” in which the characters wait endlessly for someone the audience quickly realizes will never appear. As with Vladimir and Estragon\, the puppets in Bouton’s installation are held in a constant state of arrested motion while they express their longing for Baumann to return. \nColin Zaug will place translucent white stars\, 1 to 3 feet in diameter across the Museum’s façade in a project called Constellation. The stars will go around the balcony and southeast bell tower of St. Francis   Auditorium\, down toward the Museum’s main entrance. The stars will randomly strobe – during the day the effect is a subtle flickering behind the geometric shape of the stars\, and at night it becomes a dramatic lightning storm animating the body of the building. \nThe New Mexico Museum of Art has the largest collection of work by Gustave Baumann in the world. On view at the same time as Alternative Spaces will be the exhibition Pulling Strings:The Marionettes and Art of Gustave Baumann\, which will include the original marionettes carved by Baumann. \nAlternative Spaces opens Friday\, February 20\, 2009 with a reception hosted by the Women’s Board of the Museum of New Mexico from 5:30 p.m. to 7:30 p.m. Admission is free and the public is welcome. \n  \n ### \n The New Mexico Museum of Art was founded in 1917 as the Art Gallery of the Museum of New Mexico. Housed in a spectacular Pueblo Revival building designed by I. H. and William M. Rapp\, it was based on their New   Mexico building at the Panama-California Exposition (1915). The museum's architecture inaugurated what has come to be known as "Santa Fe Style." For more than 90 years\, the Museum has collected and exhibited work by leading artists from New   Mexico and elsewhere. This tradition continues today with a wide-array of exhibitions with work from the world’s leading artists. The New Mexico Museum of Art brings the art of New  Mexico to the world and the art of the world to New Mexico. \nThe New Mexico Museum of Art is a division of the New Mexico Department of Cultural Affairs. \nInformation for the Public   \nLocation: Santa Fe’s Plaza at 107 West Palace Avenue. \nInformation:  505-476-5072 or visit www.nmartmuseum.org \nDays/Times: Tuesday through Sunday\, 10:00 a.m.-5:00 p.m.  Open Free on Fridays\, 5:00-8:00 p.m.\, with the exception of major exhibition openings.  \nAdmission: School groups free. Children 16 and under free. New Mexico residents with ID free on Sundays. New Mexico resident Senior Citizens (age 60+) with ID free Wednesdays. Museum Foundation members free. NM Veterans with 50% or greater disability free. Students with ID $1 discount. Single visit to one museum: $9.00 for non-state residents\, $6.00 for New Mexico residents.  Four-day pass to five museums including state-run museums in Santa   Fe plus The Museum of Spanish Colonial Art $20.00. One-day pass for any two state museums (Museum of International Folk Art\, Museum of Indian Arts and Culture\, New Mexico Museum of Art\, and Palace of the Governors/New Mexico History Museum) $15.00.  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/alternative-spaces-site-specific-installations-by-eight-new-mexico-artists-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/287_thumb.jpg
GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090215
DTEND;VALUE=DATE:20100103
DTSTAMP:20230627T205208Z
CREATED:20090215T070000Z
LAST-MODIFIED:20230627T205208Z
UID:10001339-1234656000-1262476799@test-dca-mc.nmdca.net
SUMMARY:Native American Picture Books of Change The Art of Historic Editions
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/native-american-picture-books-of-change-the-art-of-historic-editions/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090215
DTEND;VALUE=DATE:20100103
DTSTAMP:20230614T175134Z
CREATED:20081211T063638Z
LAST-MODIFIED:20230614T175134Z
UID:10001068-1234656000-1262476799@test-dca-mc.nmdca.net
SUMMARY:Native American Picture Books of Change The Art of Historic Editions
DESCRIPTION:Native American Picture Books of Change—is an exhibition of original works by Hopi\, Navajo\, Apache\, and Pueblo artists who illustrated children's books in the 1920's through today. Based on the book of the same title by Rebecca Benes\, the exhibition focuses on illustrations in Native American children’s books of the last century. Emerging Indian artists illustrated the stories for Indian students based on Native oral traditions and narratives about everyday Indian life.
URL:https://test-dca-mc.nmdca.net/dca-event/native-american-picture-books-of-change-the-art-of-historic-editions-2/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/174_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090130
DTEND;VALUE=DATE:20090511
DTSTAMP:20230627T205218Z
CREATED:20090130T070000Z
LAST-MODIFIED:20230627T205218Z
UID:10001340-1233273600-1241999999@test-dca-mc.nmdca.net
SUMMARY:Pulling Strings The Marionettes and Art of Gustave Baumann
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/pulling-strings-the-marionettes-and-art-of-gustave-baumann/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090130
DTEND;VALUE=DATE:20090511
DTSTAMP:20230614T175134Z
CREATED:20080723T023928Z
LAST-MODIFIED:20230614T175134Z
UID:10001069-1233273600-1241999999@test-dca-mc.nmdca.net
SUMMARY:Pulling Strings The Marionettes and Art of Gustave Baumann
DESCRIPTION:Donated to the Museum in 1973 by his wife Jane Baumann\, the marionettes\, props\, and other stage material have been used in Christmas productions since 1935. Originally intended to amuse their daughter Anne in their home\, the marionettes quickly became well-known in the Santa Fe community and performances were soon offered annually in St. Francis auditorium in the Museum. Although the marionettes are much loved in Santa Fe\, there has never been a complete display of them in theatrical settings. \n  \nTo recreate the experience of viewing the marionettes on stage\, an audiotape will accompany the exhibition and give viewers the opportunity to hear actors perform sections of the scripts written by Gustave Baumann and his associates. \n  \n  In addition to the staged marionettes\, the exhibition will present prints and paintings by Baumann that are part of the Museum’s collection of over 2\,000 works by the artist. Baumann’s works produced in New Mexico that relate to the theatrical performances of the marionettes will be emphasized.
URL:https://test-dca-mc.nmdca.net/dca-event/pulling-strings-the-marionettes-and-art-of-gustave-baumann-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/176_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20081224T100000
DTEND;TZID=America/Denver:20090927T170000
DTSTAMP:20230614T175228Z
CREATED:20201124T021200Z
LAST-MODIFIED:20230614T175228Z
UID:10001348-1230112800-1254070800@test-dca-mc.nmdca.net
SUMMARY:Nuevo México: El Corazón de la Cultura in  Lloyd’s Treasure Chest
DESCRIPTION:Tradition\, culture\, soul\, sprit\, arte. These words have long come to symbolize the ambience of Nuevo México and the abundance of traditions that abound in our region. \nNuevo México: El Corazón de la Cultura\, or New Mexico: The Heart of Culture\, at the Museum of International Folk Art\, includes all genres from metalsmithing\, weaving\, and new media to straw appliqué\, tin work\, recycled art and the art of the santero.  Items traded between New Mexico and Mexico and artifacts that would have come on the Manila galleons were also included.  \nEl Corazón de la Cultura opened Wednesday\, December 24\, 2008 and ran through September 27\, 2009.
URL:https://test-dca-mc.nmdca.net/dca-event/284-nuevo-mexico-el-corazon-de-la-cultura-in-lloyds-treasure-chest/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/corazon.jpg
ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20081121
DTEND;VALUE=DATE:20091026
DTSTAMP:20230614T175133Z
CREATED:20200430T084514Z
LAST-MODIFIED:20230614T175133Z
UID:10001063-1227225600-1256515199@test-dca-mc.nmdca.net
SUMMARY:Through the Lens: Creating Santa Fe
DESCRIPTION:Santa Fe\, NM—The Palace of the Governors is partnering with Santa Fe Community College on the exhibition\, Through the Lens: Creating Santa Fe\, as their contribution to Santa Fe’s celebration of its 400th anniversary. The photographic exhibition opens November 21\, 2008 and runs through October 25\, 2009. \nSince the 1850s many of the most recognized names in photography have focused their lenses in and on Santa Fe. Through their creative efforts they have documented a particular place and its visual history. They helped create that “place” and the mystique of Santa Fe. Photography has long been significant in the construction of notions of space and place\, landscape and identity\, and especially in Santa Fe\, however malleable visual meaning may be\, has helped define the geographical imagination. \nCurated by photographer and educator Krista Elrick and Palace of the Governor Curator of Photography\, Mary Anne Redding\, Through the Lens: Creating Santa Fe\, examines the history of Santa Fe through the visual record created by internationally respected photographers. \nBoth documentary and fine art photographers were drawn to the region’s land\, its peoples\, the regional architecture\, and the quality of light found nowhere else in the world. The project will showcase outstanding photographs that reveal the aesthetic excellence of the artists working in Santa Fe. While the images document the city\, they have also been used\, historically\, as part of the marketing of the Santa Fe image and as a draw to other artists.
URL:https://test-dca-mc.nmdca.net/dca-event/through-the-lens-creating-santa-fe-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/36_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20081121
DTEND;VALUE=DATE:20091026
DTSTAMP:20230614T175226Z
CREATED:20081121T070000Z
LAST-MODIFIED:20230614T175226Z
UID:10001334-1227225600-1256515199@test-dca-mc.nmdca.net
SUMMARY:36 -- Through the Lens: Creating Santa Fe
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/36-through-the-lens-creating-santa-fe/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20081030T080000
DTEND;TZID=America/Denver:20081208T163000
DTSTAMP:20230614T175228Z
CREATED:20081101T005735Z
LAST-MODIFIED:20230614T175228Z
UID:10001346-1225353600-1228753800@test-dca-mc.nmdca.net
SUMMARY:Exhibition:  Seeds of Change
DESCRIPTION:Five key "seeds"—corn\, potatoes\, diseases\, horses\, and sugar—form the core of this excellent exhibit. Each seed had a profound impact on the way people live\, and together they reshaped the very nature of life for humans\, plants\, and animals around the planet.  \nThe exhibit is on display in the resource room of the Bosque Redondo Memorial at Fort Sumner State Monument.\, and is open daily from 8:00AM to 5:00PM. Two videos accompany the exhibit and are available on request. They are "Green Gold: From the Maya to the Moon" and "Seeds of Change." Educators should contact a monument ranger to schedule field trips and to obtain additional educational resources for this exhibit.
URL:https://test-dca-mc.nmdca.net/dca-event/232-exhibition-seeds-of-change/
LOCATION:Bosque Redondo Memorial at Fort Sumner\, 3647 Billy the Kid Drive\, Fort Sumner\, NM\, 88119\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/232_thumb.jpg
GEO:34.403294;-104.196578
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bosque Redondo Memorial at Fort Sumner 3647 Billy the Kid Drive Fort Sumner NM 88119 United States;X-APPLE-RADIUS=500;X-TITLE=3647 Billy the Kid Drive:geo:-104.196578,34.403294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20081019
DTEND;VALUE=DATE:20111003
DTSTAMP:20230614T175133Z
CREATED:20110105T012613Z
LAST-MODIFIED:20230614T175133Z
UID:10001065-1224374400-1317599999@test-dca-mc.nmdca.net
SUMMARY:A River Apart
DESCRIPTION:This exhibit is a fascinating case study in how cultures develop; how art\, culture and community are interwoven; and how art is created\, interpreted\, valued\, bought and sold. \nLocated along the central Rio Grande Valley in New Mexico and separated by that great river\, Cochiti and Santo Domingo Pueblos shared a ceramic tradition for centuries until increasing contact with outsiders ushered in tumultuous changes that set the pueblos on divergent paths. Cochiti Pueblo more freely modified its traditional forms of painted pottery to appeal to new markets while the Santo Domingo Pueblo shunned the influences of the tourist trade and art market\, continuing an artistic tradition that was conservative and insular. \nA River Apart: the Pottery of Cochiti and Santo Domingo Pueblos\, examines the pottery traditions of the two Pueblos to decipher what discoveries can be made and identities established through these representations of material culture. As the collection reveals\, the pottery represents more than anthropological artifacts or art for the marketplace. From this exhibit we learn much about the Pueblos’ history\, myths and legends\, communities\, and the various artists’ responses to influences from the outside world.
URL:https://test-dca-mc.nmdca.net/dca-event/a-river-apart-2/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/38_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20081019
DTEND;VALUE=DATE:20111003
DTSTAMP:20230627T203431Z
CREATED:20081019T060000Z
LAST-MODIFIED:20230627T203431Z
UID:10001336-1224374400-1317599999@test-dca-mc.nmdca.net
SUMMARY:A River Apart
DESCRIPTION:This exhibit is a fascinating case study in how cultures develop; how art\, culture and community are interwoven; and how art is created\, interpreted\, valued\, bought and sold. \nLocated along the central Rio Grande Valley in New Mexico and separated by that great river\, Cochiti and Santo Domingo Pueblos shared a ceramic tradition for centuries until increasing contact with outsiders ushered in tumultuous changes that set the pueblos on divergent paths. Cochiti Pueblo more freely modified its traditional forms of painted pottery to appeal to new markets while the Santo Domingo Pueblo shunned the influences of the tourist trade and art market\, continuing an artistic tradition that was conservative and insular. \nA River Apart: the Pottery of Cochiti and Santo Domingo Pueblos\, examines the pottery traditions of the two Pueblos to decipher what discoveries can be made and identities established through these representations of material culture. As the collection reveals\, the pottery represents more than anthropological artifacts or art for the marketplace. From this exhibit we learn much about the Pueblos’ history\, myths and legends\, communities\, and the various artists’ responses to influences from the outside world.
URL:https://test-dca-mc.nmdca.net/dca-event/a-river-apart/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
END:VCALENDAR