BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Department of Culture Affairs Media Center - ECPv6.16.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Department of Culture Affairs Media Center
X-ORIGINAL-URL:https://test-dca-mc.nmdca.net
X-WR-CALDESC:Events for Department of Culture Affairs Media Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Denver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20100314T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20101107T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20110313T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20111106T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20120311T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20121104T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20130310T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20131103T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20140309T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20141102T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20150308T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20151101T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121118
DTEND;VALUE=DATE:20140210
DTSTAMP:20230627T205123Z
CREATED:20121118T070000Z
LAST-MODIFIED:20230627T205123Z
UID:10001408-1353196800-1391990399@test-dca-mc.nmdca.net
SUMMARY:Tall Tales of the Wild West: The Stories of Karl May
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/tall-tales-of-the-wild-west-the-stories-of-karl-may/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20121005T100000
DTEND;TZID=America/Denver:20130106T170000
DTSTAMP:20230614T175239Z
CREATED:20120921T023156Z
LAST-MODIFIED:20230614T175239Z
UID:10001411-1349431200-1357491600@test-dca-mc.nmdca.net
SUMMARY:Chromatic Fusion and Emerge - Two Glass Shows Open
DESCRIPTION:The New Mexico Museum of Art celebrates the 50th anniversary of the American studio glass movement with two companion exhibitions. \nThe New Mexico Museum of Art announces two concurrent exhibitions of glass art to coincide with the 50th anniversary of the American studio glass movement in 2012. The exhibitions—Chromatic Fusion: The Art of Fused Glass\, featuring Klaus Moje and Emerge 2012: A Showcase of Rising Talents in Kiln-glass—include both emerging and established artists working in kilnformed glass. Artists from around the globe are highlighted in these two exhibitions that open to the public on Friday\, October 5\, 2012\, 5:30-7:30 pm\, with a reception hosted by the Women’s Board of the Museum of New Mexico. Both shows will be on view through January 6\, 2013. \nCHROMATIC FUSION   \n \nChromatic Fusion: The Art of Fused Glass\, featuring Klaus Moje explores the various technical\, thematic\, and visual approaches to kilnformed glass by artists working around the globe. The centerpiece of the exhibition is Klaus Moje’s large-scale\, multipanel work The Portland Panels: Choreographed Geometry (2007). A tour de force work by this German-born artist who helped build the renowned glass program at the Canberra School of Art in Australia\, The Portland Panels consist of four 6-foot panels and over 22\,000 pieces of glass fused together. Other artists in the exhibition likewise demonstrate their mastery of glass through myriad techniques such as murrini\, pate de verre\, slumping\, engraving\, and fusible film. These artists include Kate Baker\, Giles Bettison\, Cobi Cockburn\, Mel George\, Deborah Horrell\, Steve Klein\, Jessica Loughlin\, Richard Marquis\, Catharine Newell\, April Surgent\, Joanne Teasdale\, Carmen Vetter\, Yoko Yagi\, and Toots Zynsky. \n  \nEMERGE 2012   \nIn partnership with Bullseye Glass\, the New Mexico Museum of Art will host Emerge 2012: A Showcase of Rising Talents in Kiln-glass\, the seventh biennial juried show of early-career artists working in kilnformed glass. This international competition\, sponsored and organized by Bullseye Glass\, highlights emerging talents and innovative approaches within this field. Emerge 2012 includes the competition’s award-winners and three Juror’s Choice selections. The artworks were selected by three jurors: artists Silvia Levenson and Klaus Moje and New Mexico Museum of Art curator Laura Addison.  \nThe works are thematically and functionally diverse\, but share a mastery of materials. French artist Émilie Haman’s Once Upon a Time\, which won the Gold Award in the competition\, is an exquisitely executed kilncast-glass pig’s hoof with satin laces that is inspired by the often grotesque narrative twists in fairy tales. Japanese-born artist Sayaki Suzuki’s hyperrealistic kilncast-glass feast of Harvest Day\, which won the Kilncaster Award\, tricks the eye into believing the skins of the onion and the kernels of corn are real\, and make you anticipate the crunch of a baguette. The water lily-shaped shallow bowls by Spaniards Ester Luesma and Xavier Vega were awarded the Design Award for their creative approach to glass functional ware for restaurants that parallels the innovative approach of master chefs to their own “medium.” \nThe artists selected are: Miri Admoni (Israel)\, Karen Bexfield (United States)\, Cortney Boyd (United States)\, Victoria Calabro (United States)\, Émilie Haman (France)\, Elizabeth Fortunato (United States)\, Ester Luesma and Xavier Vega (Spain)\, Karen Mahardy (United States)\, Sayaka Suzuki (United States) and Amy Westover (United States). \n  \nA full-color catalog of Emerge 2012 is available.  \n  \n   \nAbout Bullseye Glass \nBased in Portland\, Oregon\, with resource centers in Santa Fe\, New Mexico\, and Emeryville\, California\, Bullseye Glass is a manufacturer of colored glass for art and architecture with a strong commitment to research\, education\, and promoting glass art. For more than thirty-five years\, Bullseye Glass has collaborated with a community of artists worldwide and has been instrumental in developing many of the fundamental materials and methods at the core of contemporary kiln-glass.  \n  \nAbout the New Mexico Museum of Art \nThe New Mexico Museum of Art was founded in 1917 as the Art Gallery of the Museum of New Mexico. Housed in a spectacular Pueblo Revival building designed by I. H. and William M. Rapp\, it was based on their New Mexico building at the Panama-California Exposition (1915). The museum's architecture inaugurated what has come to be known as "Santa Fe Style." For nearly 100 years\, the Museum has celebrated the diversity of the visual arts and the legacy of New Mexico as a cultural crossroads by collecting and exhibiting work by leading artists from New Mexico and elsewhere. This tradition continues today with a wide array of exhibitions with work from the world’s leading artists. The New Mexico Museum of Art brings the art of New Mexico to the world and the art of the world to New Mexico. \n  \nThe New Mexico Museum of Art is a division of the New Mexico Department of Cultural Affairs. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1600-chromatic-fusion-and-emerge-two-glass-shows-open/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1600_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120930
DTEND;VALUE=DATE:20130211
DTSTAMP:20230614T175137Z
CREATED:20200428T034900Z
LAST-MODIFIED:20230614T175137Z
UID:10001085-1348963200-1360540799@test-dca-mc.nmdca.net
SUMMARY:Altared Spaces: The Shrines of New Mexico
DESCRIPTION:Hallowed ground abounds across New Mexico’s landscape. Whether it’s a mountaintop sacred to Pueblo people\, a backyard shrine built by a Spanish descendent\, or a “ghost bike” set up in memory of a fallen bicyclist\, people of many backgrounds have found the need to invest places with their prayers and devotion. \nAltared Spaces: The Shrines of New Mexico (September 30\, 2012\, through February 10\, 2013) reveals how three New Mexico photographers interpret those places. Featuring the work of Siegfried Halus\, Jack Parsons\, and Donald Wooodman\, Altared Spaces will be in the second-floor Gathering Space of the New Mexico History Museum. The photographers’ work augments images in the exhibition Contemplative Landscape and Illuminating the Word: The Saint John’s Bible. \nDownload high-resolution images from the exhibit by clicking on “Go to related images” at the bottom of this page. \nThe photographers kick off the exhibit on Sunday\, September 30\, with a 2 pm discussion of their work in the History Museum auditorium\, followed by refreshments in the Gathering Space\, courtesy of the Women’s Board of the Museums of New Mexico. The event is free with museum admission; Sundays are free to NM residents. (And parking is free in downtown Santa Fe on Sundays.) \nGuest curator Mary Anne Redding selected images for Altared Spaces that reveal a variety of custom-made shrines bearing profound personal meaning that meld seamlessly and artfully into their surroundings. For the photographers\, that connection is personal as well. \nIn Austria\, where Siegfried Halus lived until he was eight\, shrines with images of Jesus\, the Virgin Mary\, and other religious figures are posted at crossroads and roadsides. Halus’s mother was Catholic\, his Romanian Orthodox father a liturgical sculptor who relocated his family to Philadelphia in the early 1950s. Halus apprenticed with his father as a wood carver before earning a graduate degree in sculpture. Moving to Santa Fe in 1989\, he found common ground in Hispano traditions of shrines and saint making and\, with author and santera Marie Romero Cash\, created the book Living Shrines: Home Altars in New Mexico\, published by the Museum of New Mexico Press. \n“In New Mexico\, shrines help people maintain their religious history and traditions\,” Halus says. “They not only express individual spiritual relationships\, they tell stories of how people live and have lived.” \nHalus is former director of the art department of Santa Fe Community College. With photographer Greg Mac Gregor\, he recreated the 1776  Dominguez and Escalante Expedition for the book In Search of Dominguez & Escalante: Photographing the 1776 Spanish Expedition Through the Southwest\, published by the Museum of New Mexico Press. \nShrines have been a part of Jack Parsons’ photographic journey through New Mexico for more than 35 years. As sacred spaces for religious contemplation or secular expressions of highly individual meaning\, shrines appeal to his eye and imagination for the creative process that links familiar objects to acts of personal devotion and meaningful moments in time. \n“Photographing shrines is a slight invasion of privacy\, but I appreciate their aesthetic value\,” Parsons says. “They are artful even if they are crude. They are visual touchstones for things that are meaningful in our lives.” \nParsons has published more than a dozen books\, pioneering the “lifestyle” genre with Rizzoli’s international best-seller Santa Fe Style\, which has been followed by numerous best-selling volumes on art\, décor and culture. With Carmella Padilla\, a fellow recipient of the New Mexico Governor’s Award for Excellence and Achievement in the Arts\, Parsons created both The Chile Chronicles and El Rancho de las Golondrinas. \nFor more on Parsons\, go to his website\, http://www.jackparsonsdigital.com/. \nAs a photographer who has explored landscapes worldwide\, Donald Woodman also views a shrine as any physical or spiritual destination or pilgrimage site.  While traveling in Europe for a project on the Holocaust\, for example\, he visited concentration camps\, memorials and other markers of human devastation that are shrines to those who experienced the horror. Closer to home\, he says\, everything from old railyards to the natural wonders of the Navajo Nation to the graves of Billy the Kid or Kit Carson are shrines to the settling of the West. \n“In New Mexico\, the awe-inspiring qualities of the natural environment draw people from around the world\,” he says. “The landscape is a shrine to itself.” \nWoodman has photographed New Mexico churches\, roadside memorials\, and other traditional New Mexican shrines. But he is more intrigued by less familiar subjects—such as The Lightning Field land art sculpture\, the Very Large Array astronomical radio observatory\, or nuclear history’s seminal Trinity Site—that reflect the inherent allure and reverence of the New Mexico landscape and history. For more on Woodman\, go to his website: http://donaldwoodman.com/.
URL:https://test-dca-mc.nmdca.net/dca-event/altared-spaces-the-shrines-of-new-mexico-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1493_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120930
DTEND;VALUE=DATE:20130211
DTSTAMP:20230627T205131Z
CREATED:20120930T060000Z
LAST-MODIFIED:20230627T205131Z
UID:10001407-1348963200-1360540799@test-dca-mc.nmdca.net
SUMMARY:Altared Spaces: The Shrines of New Mexico
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/altared-spaces-the-shrines-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120908T100000
DTEND;TZID=America/Denver:20120908T170000
DTSTAMP:20230614T175238Z
CREATED:20120904T221110Z
LAST-MODIFIED:20230614T175238Z
UID:10001409-1347098400-1347123600@test-dca-mc.nmdca.net
SUMMARY:New World: Timless Visions
DESCRIPTION:The New Mexico Museum of Art will host New World: Timeless Visions\, the biennial membership exhibition of the International Academy of Ceramics (IAC). The exhibition coincides with the IAC’s biennial General Assembly\, which is being held this year in Santa Fe. The exhibition will be on view September 8-23\, 2012. There will be no public reception. \nThe exhibition New World: Timeless Visions includes the work of more than 140 IAC members. The exhibition will provide visitors with a glimpse of some of the innovative and exciting contemporary ceramics being created around the globe. IAC members in the exhibition represent 35 different countries from all continents except Antarctica.
URL:https://test-dca-mc.nmdca.net/dca-event/1549-new-world-timless-visions/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1549_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120525T100000
DTEND;TZID=America/Denver:20120826T170000
DTSTAMP:20230614T175238Z
CREATED:20120522T043813Z
LAST-MODIFIED:20230614T175238Z
UID:10001406-1337940000-1346000400@test-dca-mc.nmdca.net
SUMMARY:The Curve: Center Award Winners\, 2012
DESCRIPTION:The New Mexico Museum of Art partners again this year by exhibiting the winners of CENTER’s  annual Project Competition and Project Launch. The exhibition opens May 25 and runs through August 26\, 2012.  \nFirst place winners are Anastasia Taylor-Lind in the Project Competition for her series The National Womb\, and Odette England in the Project Launch for her series Thrice Upon a Time. \nIn The National Womb\, Taylor-Lind documents the “birth encouragement program” introduced in Nagomo Karabakh after war that began in 2008 resulted in the decimation of its population.
URL:https://test-dca-mc.nmdca.net/dca-event/1480-the-curve-center-award-winners-2012/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1480_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120518
DTEND;VALUE=DATE:20121105
DTSTAMP:20230614T175136Z
CREATED:20200429T041937Z
LAST-MODIFIED:20230614T175136Z
UID:10001082-1337299200-1352073599@test-dca-mc.nmdca.net
SUMMARY:Native American Portraits: Points of Inquiry
DESCRIPTION:Since the Civil War\, photographers have tried to capture the lives of Native American peoples\, resulting in some of the most beautiful and elegant portraits in the collections of the Palace of the Governors Photo Archives. More than 50 of these images will be on display from May 18 through November 4\, 2012\, in Native American Portraits: Points of Inquiry\, a salon-style exhibition in the History Museum’s Mezzanine Gallery. Together\, the images document the changing perceptions of Native peoples over a span of almost 100 years. \nDownload high-resolution images from the exhibit by clicking on “Go to related images” at the bottom of this page. \nIn the words of contemporary Native American photographer Pena Bonita:  “When trying to make sense of clichés\, chaos and formal training\, it seems necessary to break down fixed boundaries and explore the relationship between the real world and the point of inquiry as seen through the lens.”  \nFocused on the post-Civil War period through 1935\, Native American Portraits showcases exquisite examples by some of the most prominent photographers of their times. Included in Native American Portraits are the rigid and formal ethnographic portraits of visiting Native dignitaries to Washington\, D.C.\, following the Civil War by photographers such as Charles M. Bell and Zeno Schindler; the overly romanticized and staged photos of Edward S. Curtis and Karl Moon; and the elegant but casual at-home photographs of New Mexico’s Pueblo Indians by T. Harmon Parkhurst and others. \nCurated by Palace of the Governors Photo Archivist Daniel Kosharek\, Museum of Indian Arts and Culture Photo Archivist Diane Bird\, and Andrew Smith of the Andrew Smith Gallery\, the exhibit divides the photos into three time periods representing various “points of inquiry” into American Indian-ness. \nThe earliest photos\, from the late 1860s to about 1880\, show the government’s systematic attempts to create a visual catalog of the tribes. The goal was to document a wishful theory of the “vanishing” Indian while preserving material of their culture for scientific information.  In the next group\, from 1880-1900\, commercial photography and photo essays by professional and amateur photographers promoted tourism and the development of Western lands. In the final period\, 1900-1935\, photographers indulge in the painterly style of the Pictorial Movement\, with a soft focus\, richly textured papers\, and dramatically dark prints—all designed to show off the supposed Native characteristics of strength\, courage\, wisdom\, and beauty. \nA contemporary element of the exhibit will showcase Native American photographers Larry McNeil\, Hulleah Tsinhnahjinnie\,  and Zig Jackson\, who use photography to explore and re-claim historical Native American portraiture. They raise issues of colonialism\, subjugation\, spirit loss\, blasphemy\, identity\, and pseudo-cultural appropriation as well as questions of veracity\, historical fact and interpretation. They are harshly critical of the romantic/fashion/tourism stereotypes and the methodology of making those photographs while celebrating the spirit of the individuals photographed. \nA sampling of the historic gems from the Palace of the Governors Photo Archives can be browsed online at http://econtent.unm.edu/cdm4/indexpg.php; keyword “Indians.” \n 
URL:https://test-dca-mc.nmdca.net/dca-event/native-american-portraits-points-of-inquiry-3/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1346_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120518
DTEND;VALUE=DATE:20121105
DTSTAMP:20230627T205138Z
CREATED:20120518T060000Z
LAST-MODIFIED:20230627T205138Z
UID:10001399-1337299200-1352073599@test-dca-mc.nmdca.net
SUMMARY:Native American Portraits: Points of Inquiry
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/native-american-portraits-points-of-inquiry/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120511T100000
DTEND;TZID=America/Denver:20130101T170000
DTSTAMP:20230614T175237Z
CREATED:20120217T040842Z
LAST-MODIFIED:20230614T175237Z
UID:10001401-1336730400-1357059600@test-dca-mc.nmdca.net
SUMMARY:It’s About Time: 14\,000 Years of Art in New Mexico
DESCRIPTION:It’s About Time: 14\,000 Years of Art in New Mexico celebrates the centennial of statehood by presenting a social history of the art in the Southwest. This exhibition opens May 11\, 2012 at the New Mexico Museum of Art and runs through January 2014 and is an official New Mexico Centennial project.  High resolution images may be downloaded here from the Museum of New Mexico Media Center.     \nNew Mexicans have always made art—we have always made aestheticized objects that reflect our world views. From beautifully made\, 14\,000-year-old Paleo-Indian tools to contemporary imagery\, New Mexico art has reflected our changing technologies\, embodied our ways of making a living\, and personified our spirituality.  \nAnd where else but New Mexico has art reflected everything from the creators of stone tools to the invention of the atomic bomb? \nCurated by Joseph Traugott\, Ph.D.\, the museum’s curator of twentieth century art\, the exhibition begins with the earliest yet-discovered art—Clovis points—and proceeds in an unbroken continuum to the present.  \nIt’s About Time: 14\,000 Years of Art in New Mexico displays 120 works of art that include Native American\, Hispanic American\, and European American works as a single\, holistic tradition\, not three separate traditions that never interact. Most of the objects in the exhibition were made to be art\, others became art by metamorphosis when objects were understood in new cultural contexts. The works range from representational images to abstractions like Raymond Jonson’s paintings N and M\, an obvious reference to New Mexico. The two paintings are part of his series of 26 works based on the letters of the alphabet. \nAs markers of the past and present\, the works of art in It’s About Time spur aesthetic responses and a deeper understanding of the region’s diverse cultures—how the art of the early santeros evolved from the more baroque originally imported from Mexico to a more simplified expression to accommodate indigenous art-making materials and beliefs. Yet\, innovation by Native artists was discouraged by early anthropologists who placed a premium on the artistic styles of the past which they considered to be more “authentic” and culturally pure; fortunately Maria and Julian Martinez did not hear this message influencing generations of artists who followed. \nT.C. Cannon\, Gerald Cassidy\, Judy Chicago\, E. Irving Couse\, Robert Henri\, Marsden Hartey\, Luis Jimenez\, Raymond Jonson\, Agnes Martin\, Bruce Nauman\, Georgia O’Keeffe\, Agnes Pelton\, Florence Miller Pierce\, Diego Romero\, and Luis Tapia are some of the well-known artists in the exhibition. \nThis centennial study encourages viewers to rethink the meaning of art and aesthetics in an intercultural manner. By doing so\, we can transcend our personal perspectives and appreciate alternative aesthetic visions.  \nMuseum of New Mexico Press is producing a related hard cover publication New Mexico Art Through Time: Prehistory to the Present. This social history of New Mexico art includes 240 full-color reproductions of Native American\, Hispanic and European American art. \nIt’s About Time: 14\,000 Years of Art in New Mexico is generously supported by the New Mexico Humanities Council\, Newman’s Own Foundation\, and the Museum of New Mexico Foundation. \nMedia Contacts: \nJoe Traugott\, Ph.D.\, Curator of Twentieth Century Art \n505-476-5062 \njoe.traugott@state.nm.us \n  \nSteve Cantrell\, PR Manager \n505-476-1144 \nsteve.cantrell@state.nm.us \n  \n### \n  \nThe New Mexico Museum of Art was founded in 1917 as the Art Gallery of the Museum of New Mexico. Housed in a spectacular Pueblo Revival building designed by I. H. and William M. Rapp\, it was based on their New Mexico building at the Panama-California Exposition (1915). The museum's architecture inaugurated what has come to be known as "Santa Fe Style." For nearly 100 years\, the Museum has celebrated the diversity of the visual arts and the legacy of New Mexico as a cultural crossroads by collecting and exhibiting work by leading artists from New Mexico and elsewhere. This tradition continues today with a wide-array of exhibitions with work from the world’s leading artists. The New Mexico Museum of Art brings the art of New Mexico to the world and the art of the world to New Mexico. \n  \nThe New Mexico Museum of Art is a division of the New Mexico Department of Cultural Affairs. \n  \nInformation for the Public   \nLocation: Santa Fe’s Plaza at 107 West Palace Avenue. \nInformation:  505-476-5072 or visit www.nmartmuseum.org \nDays/Times: Tuesday through Sunday\, 10:00 a.m.-5:00 p.m.  Open Free on Fridays\, 5:00-8:00 p.m. Between Memorial Day and Labor Day the Museum is open 7 days a week\, including Mondays. \nAdmission: Adult single-museum admission is $6 for New Mexico residents\, $9 for nonresidents; OR $15 for one-day pass to two museums of your choice (Museum of Indian Arts & Culture\, Museum of International Folk Art\, New Mexico Museum of Art\, and Palace of the Governors/New Mexico History Museum) OR $20 four-day pass to the four museums listed above. Youth 16 and under\, Foundation Members\, and New Mexico Veterans with 50% or more disability always free. \nSundays: New Mexico residents with ID are admitted FREE\, Students with ID receive a $1 discount.   Wednesdays: New Mexico resident seniors (60+) with ID are free.    Field Trips: There is no charge for educational groups attending the museum with their instructor and/or adult chaperones. Contact the Tours office by phone at (505) 476-1140 or (505) 476-1211 to arrange class/group visits to the Museum. \n  \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1377-its-about-time-14000-years-of-art-in-new-mexico/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1377_thumb.jpg
ORGANIZER;CN="Chris Nail":MAILTO:chris.nail@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120508T100000
DTEND;TZID=America/Denver:20121224T170000
DTSTAMP:20230614T175238Z
CREATED:20120508T211439Z
LAST-MODIFIED:20230614T175238Z
UID:10001405-1336471200-1356368400@test-dca-mc.nmdca.net
SUMMARY:Treasures Seldom Seen
DESCRIPTION:Treasures Seldom Seen rejoices in the representational paintings from the New Mexico Museum of Art collection that defined mainstream New Mexico Art almost a century ago. The exhibition will be ongoing in the museum’s Clark Gallery. \n  \nLandscapes by George Bellows\, John Sloan\, and Fremont Ellis\, as well as portraits by Paul Berlin\, Oscar Berninghaus\, Victor Higgins\, and Joseph Henry Sharp are featured. In addition\, an alcove presents works by\, and about\, Georgia O’Keeffe and another introduces the museum’s Web site New Mexico Art Tells New Mexico History.
URL:https://test-dca-mc.nmdca.net/dca-event/1476-treasures-seldom-seen/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1476_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120406T100000
DTEND;TZID=America/Denver:20120826T170000
DTSTAMP:20230614T175238Z
CREATED:20120407T010743Z
LAST-MODIFIED:20230614T175238Z
UID:10001403-1333706400-1346000400@test-dca-mc.nmdca.net
SUMMARY:Waterscapes: Photographs from the Collection
DESCRIPTION:Water\, its scarcity or abundance and our relation to this substance which sustains life\, is the theme of this photography exhibition. Waterscapes follows on last year’s exhibition of cloud photographs\, both drawn from the New Mexico Museum of Art’s permanent collection by Curator of Photography Katherine Ware. The exhibition remains open through August 26\, 2012. \n  \nThe selection of more than thirty photographs showcases the museum’s strong holding of work by mid-century masters such as Ansel Adams\, Harry Callahan\, Laura Gilpin\, Lisette Model\, Eliot Porter\, and Brett Weston as well as contemporary artists including Renate Aller\, Debra Bloomfield\, Wanda Hammerbeck\, John Pfahl\, and Edward Ranney. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1413-waterscapes-photographs-from-the-collection/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1413_thumb.jpeg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120325T100000
DTEND;TZID=America/Denver:20130818T170000
DTSTAMP:20230614T175237Z
CREATED:20130301T020648Z
LAST-MODIFIED:20230614T175237Z
UID:10001400-1332669600-1376845200@test-dca-mc.nmdca.net
SUMMARY:They Wove for Horses: Diné Saddle Blankets On view March 25 through August 18\, 2013
DESCRIPTION:They Wove for Horses: Diné Saddle Blankets opens at the Museum of Indian Arts and Culture on March 25\, 2012 (on long-term view). The exhibition highlights both the textile-weaving proficiency of Diné weavers who produced complex saddle blankets for all occasions and the design skills of Diné silversmiths who created dazzling headstalls of silver and turquoise. \nThe saddle blankets on exhibit date from 1860 to 2002 and are arranged by weaving methods: tapestry weave; two-faced double weave; and twill weaves of diagonal\, diamond\, and herringbone patterns. By using a variety of warp and weft yarns—natural wool\, cotton\, angora mohair\, unraveled bayeta\, and Germantown—weavers added individuality to the everyday and fanciful tapestries they created for horses. \nHorse trappings on exhibit reveal the great pride that Diné horsemen took in their horses and how they adorned them for ceremonial and social events. The Diné first learned how to manufacture saddles and bridles from neighboring cultures and their proficiency quickly surpassed that of their mentors. That devotion resonates still\, as the horse remains a viable living force in Diné life today.
URL:https://test-dca-mc.nmdca.net/dca-event/1365-they-wove-for-horses-dine-saddle-blankets-on-view-march-25-through-august-18-2013/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1365_thumb.jpg
ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120212T100000
DTEND;TZID=America/Denver:20121230T170000
DTSTAMP:20230614T175237Z
CREATED:20121024T222257Z
LAST-MODIFIED:20230614T175237Z
UID:10001396-1329040800-1356886800@test-dca-mc.nmdca.net
SUMMARY:Margarete Bagshaw: Breaking the Rules
DESCRIPTION:Margarete Bagshaw: Breaking the Rules features more than 30 paintings (some on sculpted wood panels)\, bronze and clay as wall art and multi-colored ceramic vessels that demonstrate the breadth and multi-dimensionality of Margarete Bagshaw's work. The exhibition runs through December 30\, 2012. \nBursting with color and activity Bagshaw’s canvases are vibrant combinations of precise shape\, texture\, translucent layering\, and light. Her paintings range from small to quite large and have an abstract\, Cubist quality steeped in spirituality – a connection to her Native heritage and to her artistic forbears. \nOne wonders if Bagshaw’s grandmother\, Pablita Velarde\, were alive today would she be painting like this? It’s through her mother\, acclaimed artist Helen Hardin\, that Bagshaw traces her creative lineage back to Velarde – a dynasty of independent women artists as renown for their art as they were for breaking the rules. \nIn a conversation with Smithsonian.com on March 11\, 2011\, Bagshaw described her work in relationship to Hardin and Velarde’s this way; “When I paint my own compositions\, I can connect with their independence\, strength and creativity. If I choose to reference something from their paintings in something of mine\, as in my ‘Mother Line’ series\, it is like hearing their message\, but interpreting it my own way.” \nMargarete Bagshaw\, born in 1964\, grew up surrounded by her mother and grandmother’s artwork and the presence of other well-known Native artists such as R.C. Gorman. Yet it wasn’t until the 1990s that she started her artistic journey. Art represented to Bagshaw a “very normal way of life\,” one she was accustomed to when both her grandmother and mother were at home painting. \nBagshaw\, like her grandmother and mother\, has successfully leaped the boundaries of traditional Native art where women only make pottery. And\, she\, too resists being categorized as a Native artist. In an interview with Kate Nelson in the winter issue of El Palacio magazine she said; “I’m in a position where I don’t have to be labeled… I don’t have to call myself an Indian artist to sell my work\, and I decided that it was more to my advantage not to label myself as a particular kind of artist\, based solely on my genealogy… now I know that I can be part of something\, part of that lineage\, without being defined by it.” \nIn addition to the more than 30 works on view in the exhibition will be videos of her working in her studio shot by husband Dan McGuinness. \nThe exhibition opening is Sunday\, February 12\, 2012 from 1:00 p.m. to 4:00 p.m. \n  \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1284-margarete-bagshaw-breaking-the-rules/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1284_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120113T173000
DTEND;TZID=America/Denver:20120422T170000
DTSTAMP:20230614T175237Z
CREATED:20111228T062844Z
LAST-MODIFIED:20230614T175237Z
UID:10001397-1326475800-1335114000@test-dca-mc.nmdca.net
SUMMARY:Repeat After Me Printmaking and the Repetition of Form
DESCRIPTION:Repeat After Me brings together 21 prints\, primarily from the museum’s collection\, that relate to repetition on two different levels: as process and as image. Included are works by Garo Antreasian\, Polly Apfelbaum\, Charles Arnoldi\, Frederick Hammersley\, Joyce Kozloff\, Sol LeWitt\, Sheryl Oring\, and Marie Watt\, among others.
URL:https://test-dca-mc.nmdca.net/dca-event/1309-repeat-after-me-printmaking-and-the-repetition-of-form/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120106T100000
DTEND;TZID=America/Denver:20121125T170000
DTSTAMP:20230614T175235Z
CREATED:20200501T074927Z
LAST-MODIFIED:20230614T175235Z
UID:10001390-1325844000-1353862800@test-dca-mc.nmdca.net
SUMMARY:47 Stars
DESCRIPTION:On April 4\, 1818\, Congress enacted the Flag Act of 1818\, setting forth a rule that no new stars could be added to the flag until the Fourth of July immediately following a state’s admission to the union. Thanks to that once-a-year-and-only-once-a-year mandate\, New Mexicans hoping to share their pride at becoming the 47th state were essentially forced into committing their first illegal acts as U.S. citizens. \nFrom January 6 through November 25\, 2012\, the New Mexico History Museum commemorates that dip into the dark side with 47 Stars\, an exhibit of the officially unofficial 47-star flag. 47 Stars joins a collection of long-term exhibits and a tongue-in-cheek front-window installation to help celebrate the state’s Centennial. \n“Conservation concerns have kept us from bringing our 47-star flags out of collections for public view\,” said Dr. Frances Levine\, director of the History Museum. “But the Centennial was too good of an opportunity to pass up. By letting visitors see these artifacts in specially designed display cases\, we hope they’ll become engaged in the amazing story of New Mexico’s struggle for statehood.” \nUpon achieving statehood\, patriotic residents hoping for a flag of their own found themselves in a bit of a bind: Just 39 days after New Mexico became a state on January 6\, 1912\, Arizona stepped up to the statehood plate on February 14\, 1912. By virtue of coming in second\, Arizona would receive its just due on July 4\, when the official flag of the United States was to switch from 46 to 48 stars. \nBut New Mexicans wanted a flag of their own – one that would flutter from the flagpoles of official buildings and showcase 47 stars\, not 46 and certainly not 48. Eager U.S. flag manufacturers were only too happy to help. Thus was born the unofficial 47-star flag. \nThe 47 Stars installation will nestle within the museum’s core exhibition\, Telling New Mexico: Stories from Then and Now. The Photo Archives at the Palace of the Governors/New Mexico History Museum will also reproduce a 1912 photo by Jesse Nusbaum showing a 47-star flag waving from what was then the state Capitol. \nDownload a high-resolution image of the flag by clicking on “go to related images” below. \nIn addition\, the museum’s Ventana Gallery by the front entrance will be festooned with bunting and the image of parade car celebrating statehood. The car will be presented as a cutout that visitors can pose behind to take Centennial souvenir photos. Visitors can also receive a miniature 47-star flag keepsake. \nTelling New Mexico has a long-term section on the struggle for statehood that includes: \n·        Audio re-enactments of arguments for and against New Mexico’s entry into the Union\, produced by aural historian Jack Loeffler. \n·        A photo of the 1910 Constitutional Convention. \n·        President Taft’s proclamation of statehood and the pen he used to sign it. \n·        The top hat worn by William McDonald to his inauguration as New Mexico’s first governor. \nGetting to that inaugural day wasn’t easy. For years\, New Mexicans working toward statehood encountered ridicule and prejudice against the state’s majority Hispanic and Native American populations.  Add to that mix a reputation for political corruption and violence – along with the machiantions of Washington politics – and it took a multi-generational struggle to join the Union.  \nNew Mexico drafted its first state constitution in 1850\, only to be handed territorial status.  A number of bids for statehood were made and rejected at the national level as continued prejudice hampered progress.  After more than 60 years as a territory\, New Mexicans drafted and passed a new bilingual constitution – the only state to have one – and joined the United States as the 47th state on January 6\, 1912.  \nThe election for New Mexico’s first statehood governor was heated and dramatic.  The expected winner\, Republican Holm O. Bursum\, didn’t garner the needed votes\, and Democrat William C. McDonald won a surprising and resounding victory.  McDonald received his law degree in New York and was lured to the booming mining town of White Oaks\, New Mexico\, in 1880.  He served as Lincoln County assessor\, territorial legislator and chairman of the Democratic Territorial Central Committee.  He owned the Carrizozo Cattle Ranch Company when he was summoned to Santa Fe for his inauguration on January 14\, 1912.  The following day\, his inaugural speech proclaimed: \nNow\, we\, the free\, independent citizens of New Mexico\, have at last come victorious from the battle\, waged for full citizenship in a sovereign state\, in that union established by their wisdom. As we look into the future\, bright hopes of promise appear to some\, and dark forebodings may dim the horizon of others. The past is history; the present is the dawn of the future. It is to the future we look and that future will be what we make it. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1144-47-stars/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1144_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120105
DTEND;VALUE=DATE:20120505
DTSTAMP:20230614T175137Z
CREATED:20200430T051700Z
LAST-MODIFIED:20230614T175137Z
UID:10001083-1325721600-1336175999@test-dca-mc.nmdca.net
SUMMARY:Between the Lines: Culture and Cartography on the Road to Statehood In the Governor’s Gallery at the State Capitol
DESCRIPTION:From a Spanish government that never quite knew where to draw its northern colony’s borders to a Mexican government that disagreed with where the lines eventually were drawn to a Texas Republic that wanted to claim the Rio Grande\, Santa Fe\, and much of eastern New Mexico\, the U.S. government eventually managed to carve out the trusty rectangle we now know as New Mexico. \nBetween the Lines: Culture and Cartography on the Road to Statehood in the Governor’s Gallery is part of the state’s 2012 Centennial celebration. The exhibition explores how cartographers interpreted New Mexico’s land\, its physical and political boundaries\, and the cultural minglings of Native\, Spanish\, Mexican\, and American people. \nBetween the Lines: Culture and Cartography on the Road to Statehood opens Thursday\, January 5 and will be on view through May 4\, 2012\, in the Governor’s Gallery on the fourth floor of the state Capitol. The Women’s Board of the Museum of New Mexico will host a public reception from 4-6 pm on January 5. The gallery is free and open to the public. \n“This exhibition looks back six centuries tracing New Mexico’s history\, culture and politics through its geography\,” said Merry Scully\, curator of the Governor’s Gallery. “The maps on view are interesting\, beautiful and educational. I am happy to open this exhibit as we begin our year-long celebration of statehood. I am sure these maps  will be a delight for the many students\, visitors and legislators who come from across the state to the Roundhouse during the legislative session.” \nDrawing on maps from outstanding public and private collections\, including the New Mexico History Museum’s Fray Angélico Chávez History Library\, the exhibition contains hand-drawn and printed maps from 1564 to the present day.  The maps demonstrate both their utility and appeal as art objects. Each map is accompanied by text highlighting its significance. \nCurated by Dennis Reinhartz\, noted historian and Professor Emeritus at the University of Texas at Arlington\, and Tomas Jaehn\, librarian at the Fray Angélico Chávez History Library\, this exhibition represents a collaboration between the New Mexico Museum of Art and the New Mexico History Museum. The maps on exhibit include: \nAn 1847 lithograph of the Territory of New Mexico done by W. H. Emory\, a major in the U.S. Corps of Topographical Engineers\, who mapped the Southwest from 1844 into the Civil War. The information he included on this particular map proved useful in the Mexican-American War and helped establish New Mexico’s future territorial boundaries. \nAn 1851 lithograph of the Western Territories by E. Gilman\, a draftsman for the publisher Duval\, that erroneously includes the New Mexican lands east of the Rio Grande as part of Texas (a claim of ownership that Texas would cling to until New Mexico became a state in 1912). \nA Rand\, McNally and Co. lithograph from 1893 showing the arrival of the Atchison\, Topeka and Santa Fe Railway—and a few liberties the railway took to attract tourists. \nA 1936 Standard Oil Map published the M.H. Gousha Co. that celebrates the “Mother Road\,” Route 66. Back then\, gas-station maps were given away free with tips on recreational activities and points of interest. \nA 1958 U.S. Forest Service map of the Lincoln National Forest\, home of Smokey Bear. \nA three-dimensional map that encourages visitors to trace the outlines of New Mexico’s mountain ridges and river valleys. \nBesides charting such land features\, cartographers in their own way chronicle our history. They help people define who they are\, where they are\, and how they move about. The story of New Mexico’s shifting boundaries reveals the places where those interests blended as well as clashed. \nDownload high-resolution images of maps in the exhibit by clicking on “Go to related images” at the bottom of this page. \nInformation for the Public:   \nThe Governor’s Gallery is located on the fourth floor of the State Capitol at the corner of Old Santa Fe Trail and Paseo de Peralta in Santa Fe\, NM.  For more information call 505-476-5072 or visit www.mfasantafe.org \nHours:  Monday – Friday\, 8 am-5 pm.  \nAdmission:  Free. \nFor more information\, contact Merry Scully at 505-476-2289 or merry.scully@state.nm.us
URL:https://test-dca-mc.nmdca.net/dca-event/between-the-lines-culture-and-cartography-on-the-road-to-statehood-in-the-governors-gallery-at-the-state-capitol-4/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1399_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120105
DTEND;VALUE=DATE:20120505
DTSTAMP:20230627T205158Z
CREATED:20120105T070000Z
LAST-MODIFIED:20230627T205158Z
UID:10001398-1325721600-1336175999@test-dca-mc.nmdca.net
SUMMARY:Between the Lines: Culture and Cartography  on the Road to Statehood In the Governor’s Gallery at the State Capitol
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/between-the-lines-culture-and-cartography-on-the-road-to-statehood-in-the-governors-gallery-at-the-state-capitol-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120105
DTEND;VALUE=DATE:20120505
DTSTAMP:20230627T205148Z
CREATED:20120105T070000Z
LAST-MODIFIED:20230627T205148Z
UID:10001402-1325721600-1336175999@test-dca-mc.nmdca.net
SUMMARY:Between the Lines: Culture and Cartography on the Road to Statehood In the Governor’s Gallery at the State Capitol
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/between-the-lines-culture-and-cartography-on-the-road-to-statehood-in-the-governors-gallery-at-the-state-capitol/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120105
DTEND;VALUE=DATE:20120505
DTSTAMP:20230614T175136Z
CREATED:20111231T050439Z
LAST-MODIFIED:20230614T175136Z
UID:10001081-1325721600-1336175999@test-dca-mc.nmdca.net
SUMMARY:Between the Lines: Culture and Cartography  on the Road to Statehood In the Governor’s Gallery at the State Capitol
DESCRIPTION:From a Spanish government that never quite knew where to draw its northern colony’s borders to a Mexican government that disagreed with where the lines eventually were drawn to a Texas Republic that wanted to claim the Rio Grande\, Santa Fe\, and much of eastern New Mexico\, the U.S. government eventually managed to carve out the trusty rectangle we now know as New Mexico. \nBetween the Lines: Culture and Cartography on the Road to Statehood in the Governor’s Gallery is part of the state’s 2012 Centennial celebration. The exhibition explores how cartographers interpreted New Mexico’s land\, its physical and political boundaries\, and the cultural minglings of Native\, Spanish\, Mexican\, and American people.  \nBetween the Lines: Culture and Cartography on the Road to Statehood opens Thursday\, January 5 and will be on view through May 4\, 2012\, in the Governor’s Gallery on the fourth floor of the state Capitol. The Women’s Board of the Museum of New Mexico will host a public reception from 4-6 pm on January 5. The gallery is free and open to the public.  \n“This exhibition looks back six centuries tracing New Mexico’s history\, culture and politics through its geography\,” said Merry Scully\, curator of the Governor’s Gallery. “The maps on view are interesting\, beautiful and educational. I am happy to open this exhibit as we begin our year-long celebration of statehood. I am sure these maps  will be a delight for the many students\, visitors and legislators who come from across the state to the Roundhouse during the legislative session.”  \nDrawing on maps from outstanding public and private collections\, including the New Mexico History Museum’s Fray Angélico Chávez History Library\, the exhibition contains hand-drawn and printed maps from 1564 to the present day.  The maps demonstrate both their utility and appeal as art objects. Each map is accompanied by text highlighting its significance.  \nCurated by Dennis Reinhartz\, noted historian and Professor Emeritus at the University of Texas at Arlington\, and Tomas Jaehn\, librarian at the Fray Angélico Chávez History Library\, this exhibition represents a collaboration between the New Mexico Museum of Art and the New    Mexico History Museum. The maps on exhibit include: \n An 1847 lithograph of the Territory  of New Mexico done by W. H. Emory\, a major in the U.S. Corps of Topographical Engineers\, who mapped the Southwest from 1844 into the Civil War. The information he included on this particular map proved useful in the Mexican-American War and helped establish New Mexico’s future territorial boundaries. \nAn 1851 lithograph of the Western Territories by E. Gilman\, a      draftsman for the publisher Duval\, that erroneously includes the New      Mexican lands east of the Rio Grande      as part of Texas (a claim of      ownership that Texas would cling      to until New Mexico became a      state in 1912). \nA Rand\, McNally and Co. lithograph from 1893 showing the arrival      of the Atchison\,      Topeka      and Santa Fe Railway—and a few liberties the railway took to attract      tourists. \nA 1936 Standard Oil Map published the M.H. Gousha Co. that celebrates the “Mother Road\,”      Route 66. Back then\, gas-station maps were given away free with tips on      recreational activities and points of interest. \nA 1958 U.S. Forest Service map of the Lincoln National Forest\, home of Smokey      Bear. \nA three-dimensional map that encourages      visitors to trace the outlines of New        Mexico’s mountain ridges and river valleys.   \nBesides charting such land features\, cartographers in their own way chronicle our history. They help people define who they are\, where they are\, and how they move about. The story of New Mexico’s shifting boundaries reveals the places where those interests blended as well as clashed. \nDownload high-resolution images of maps in the exhibit by clicking on "Go to related images" at the bottom of this page. \nInformation for the Public:   \nThe Governor’s Gallery is located on the fourth floor of the State Capitol at the corner of Old Santa Fe Trail and Paseo de Peralta in Santa Fe\, NM.  For more information call 505-476-5072 or visit www.mfasantafe.org \nHours:  Monday – Friday\, 8 am-5 pm.   \nAdmission:  Free. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/between-the-lines-culture-and-cartography-on-the-road-to-statehood-in-the-governors-gallery-at-the-state-capitol-3/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1314_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20111120T100000
DTEND;TZID=America/Denver:20140224T170000
DTSTAMP:20230614T175236Z
CREATED:20130301T021201Z
LAST-MODIFIED:20230614T175236Z
UID:10001394-1321783200-1393261200@test-dca-mc.nmdca.net
SUMMARY:Woven Identities November 20\, 2011 through February 23\, 2014
DESCRIPTION:For the first time in over 30 years\, the Museum of Indian Arts and Culture opens a major exhibition of North American Indian baskets on Sunday\, November 20\, 2011. The exhibition runs through February 23\, 2014. \nAll objects tell a story\, if you know the right questions to ask. At the time the baskets in this exhibition were collected little to no information was recorded; the weaver’s names are largely unknown. Nonetheless\, each basket has an identity\, a woven identity. The identity of each basket—where it was made; when it was made; who made it; who it was made for; why it was made—by “reading” its individual characteristics.  \nTo read a basket five principal traits must be taken into account: material\, construction\, form and design\, and utility. Woven Identities is divided into five sections representing these essential and diagnostic Native American basketry traits. If you ever wanted to learn the language of baskets\, begin your journey with this exhibition.  \nOn exhibit are baskets woven by artists representing 60 cultural groups\, today referred to as tribes\, bands\, or pueblos. The weavers’ ancestral lands are in six culture areas of Western North America: The Southwest\, Great Basin\, Plateau\, California\, the Northwest Coast\, and the Arctic. \nBaskets can be functional. Burden baskets were for carrying. The improbable task of cooking was done in baskets—heated stones were added to food and liquid contents in meal preparation. Water was carried and clams collected in others. Baskets also served as hats (especially\, but not exclusively\, to the tourist trade). \nYet\, function does not trump beauty. Basket making techniques are inherently attractive. Among the baskets on view are examples of false embroidery\, cross weave\, plaiting\, and coiling. Materials like wrapped twine\, corn husk\, roots\, rhizomes\, stems\, branches\, leaves\, grass\, and cedar bark add their own good looks. \nOf the 241 baskets in the exhibition\, only 45 have been attributed to individual artists. Woven Identities honors those weavers and the many others whose names we do not yet know.
URL:https://test-dca-mc.nmdca.net/dca-event/1249-woven-identities-november-20-2011-through-february-23-2014/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1249_thumb.jpeg
ORGANIZER;CN="Daniel Zillmann":MAILTO:daniel.zillmann@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111118
DTEND;VALUE=DATE:20120514
DTSTAMP:20230614T175136Z
CREATED:20200428T040313Z
LAST-MODIFIED:20230614T175136Z
UID:10001080-1321574400-1336953599@test-dca-mc.nmdca.net
SUMMARY:The Letter\, the Word & the Book
DESCRIPTION:Set on our mezzanine level\, The Letter\, the Word & the Book is a small exhibition that complements Illuminating the Word: The Saint John’s Bible by highlighting other 20th- and 21st-century practitioners of a centuries-old craft. Using calligraphy\, engravings\, enameling and more\, the artists featured put a  contemporary twist on documents ranging from handbills to Bibles. \nCurated by Palace Press Director Tom Leech\, the exhibition includes: \n■ The Pennyroyal Caxton Bible\, a contemporary Old and New Testament in two volumes\, illustrated with phenomenally detailed woodcuts by Barry Moser. Several of Moser’s prints are also on display\, revealing a unique artistic vision of figures like John the Baptist. \n■ Two books by Santa Fe santero Ramón José López: a contemporary Book of Hours on parchment tanned by the artist\, and a book of engravings based on iconography found in Mexican prints of the 17th and 18th centuries. Four of López’s engraved copper plates are also on display. \n■ Samples of lettering by stone carver John Benson\, who was\, until his retirement\, the proprietor of the John Stevens Shop\, one of the oldest businesses in the United States. Benson carved the lettering on the grave of John F. Kennedy and on the FDR Memorial on the National Mall in Washington\, D.C. \n■ A fired-enamel calligraphic wall “mural” and enameled Celtic lettering tiles by Colorado artist Patricia Musick. \n■ Examples of calligraphy by the late Raphael Boguslav\, including sketches that were recently collected in a book published by Fisher Press in Santa Fe. \n■ A handmade paper “lantern book” alphabet by paper artist Helen Heibert. \nWith this exhibition and The Saint John’s Bible\, the museum reaches both back in time and forward to celebrate what is all too quickly disappearing from our lives. \nDownload high-resolution images from the exhibition by clicking on “Go To Related Images\,” at below.
URL:https://test-dca-mc.nmdca.net/dca-event/the-letter-the-word-the-book-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1283_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111118
DTEND;VALUE=DATE:20120514
DTSTAMP:20230627T205242Z
CREATED:20111118T070000Z
LAST-MODIFIED:20230627T205242Z
UID:10001395-1321574400-1336953599@test-dca-mc.nmdca.net
SUMMARY:The Letter\, the Word & the Book
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/the-letter-the-word-the-book/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20111028T100000
DTEND;TZID=America/Denver:20120422T050000
DTSTAMP:20230614T175236Z
CREATED:20110913T030816Z
LAST-MODIFIED:20230614T175236Z
UID:10001392-1319796000-1335070800@test-dca-mc.nmdca.net
SUMMARY:James Drake: Salon of a Thousand Souls
DESCRIPTION:One-person exhibition at the New   Mexico Museum of Art \nThroughout his career\, James Drake has examined the theme of humanity in all of its triumphs\, failures\, and follies—including war; love and desire; greed\, gluttony\, and vanity; and the realities of life along the U.S.-Mexico border. The New Mexico Museum of Art exhibition James Drake: Salon of a Thousand Souls includes 19 sculptures and works on paper by the Santa Fe-based artist spanning nearly 25 years. The exhibition opens with a free reception on Friday\, October 28\, 2011. It remains on view through April 22\, 2012.
URL:https://test-dca-mc.nmdca.net/dca-event/1212-james-drake-salon-of-a-thousand-souls/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1212_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20111028T100000
DTEND;TZID=America/Denver:20111028T100000
DTSTAMP:20230614T175236Z
CREATED:20111012T203140Z
LAST-MODIFIED:20230614T175236Z
UID:10001393-1319796000-1319796000@test-dca-mc.nmdca.net
SUMMARY:Past Present Future: Three New Mexico Photographers
DESCRIPTION:New Mexico photographers Michael Berman\, David Taylor\, and Connie Samaras will be featured in an exhibition of their work at the New Mexico Museum of Art opening October 28\, 2011 running through Apr 22\, 2012.      \nEach of the three photographers in this exhibition\, Michael Berman\, David Taylor\, and Connie Samaras\, presents us with a desert landscape that is simultaneously of the present\, reflecting the past and hinting at the future. \nMichael Berman’s work focuses on the years he has spent photographing the Chihuahuan Desert grasslands\, an area that includes portions of New Mexico\, Texas and Northern Mexico. Having studied biology\, Berman’s images reveal the rugged beauty of the land\, but also the evolution of that eco-system. \nDavid Taylor’s large scale color photographs are from an on-going project to locate and document all 276 of the monuments that delineate the international border between the United State and Mexico. \nConnie Samaras documents the building of Spaceport America in southern New Mexico. Her pictures reveal the history of the land and speculation about the future. \nAll three photographers bring into focus a landscape that exists within a frame that that is biological\, political and hypothetical. \nMichael Berman and David Taylor are both Guggeheim Foundation Fellows\, and Connie Samaras is a full professor at the University of California\, Irvine.  \n  \nMedia Contacts: \nMerry Scully\, Governor’s Gallery Curator \nmerry.scully@state.nm.us \n505-476-2289 \n  \nSteve Cantrell\, PR Manager \n505-476-1144 \nsteve.cantrell@state.nm.us \n  \n### \n  \nThe New Mexico Museum of Art is a division of the New Mexico Department of Cultural Affairs.
URL:https://test-dca-mc.nmdca.net/dca-event/1234-past-present-future-three-new-mexico-photographers/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1234_thumb.jpeg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20111023T100000
DTEND;TZID=America/Denver:20121230T170000
DTSTAMP:20230614T175229Z
CREATED:20200501T075626Z
LAST-MODIFIED:20230614T175229Z
UID:10001355-1319364000-1356886800@test-dca-mc.nmdca.net
SUMMARY:Illuminating the Word: The Saint John’s Bible An epic work of art
DESCRIPTION:Exhibition’s run extended to December 30\, 2012. \nIn 1450\, Johannes Gutenberg’s invention of movable type revolutionized the way the world shared information. Its leap into what was then the cutting edge of technology sounded a death knell for a form of the book still cherished today: the handwritten\, illuminated Bible. \nSome 550 years later\, the senior scribe to Her Majesty Queen Elizabeth’s Crown Office at the House of Lords approached the Benedictine monks of Saint John’s Abbey and University in Collegeville\, Minn.\, with a proposal. \nSince childhood\, Donald Jackson had dreamed of creating a handwritten and illuminated Bible in the pre-Gutenberg style. In the early 1990s\, while attending a retreat at New Mexico’s Ghost Ranch\, he sketched out a concept piece\, Christ in the Desert\, expanding on that dream. After showing it to the monks in 1995\, he received the go-ahead to create what is now known as The Saint John’s Bible – an entire handwritten Bible with illumination\, calligraphy\, the finest materials\, and the staying power of 2\,000 years. \nIn 2000\, Jackson and a crew of artists and calligraphers began the first of 1\,150 vellum pages. This fall\, the project achieved completion\, when Jackson wrote the word “Amen” on the final page of the Book of Revelation. Before being bound into volumes and placed on permanent exhibition at Saint John’s Abbey\, 44 pages from two of its seven volumes – Prophets and Wisdom Books – will be exhibited at the New Mexico History Museum. \nDownload high-resolution images from the exhibition by clicking on “Go to related images” at the bottom of this page. \nIlluminating the Word: The Saint John’s Bible will be on display in the museum’s second-floor Albert and Ethel Herzstein Gallery from Oct. 23 through December 30\, 2012.  The exhibit shares its space and spirit with Contemplative Landscape\, an array of black-and-white photographs celebrating the ties between landscape\, art\, architecture and sacred rituals in the Land of Enchantment. \nAlso part of the exhibitions: \nA page from the 550-year-old Gutenberg Bible.Early editions of the King James Bible\, this year celebrating its 400th anniversary. \n \nThe Letter\, the Word & the Book\, a small exhibit of books and lettering in the Mezzanine Gallery from Nov. 18\, 2011\, to April 15\, 2012. \nFree lectures\, performances and calligraphy workshops. \nAn evening with Donald Jackson\, artistic director of The Saint John’s Bible and senior scribe to Her Majesty Queen Elizabeth’s Crown Office at the House of Lords. \n“I consider this to be the artistic equivalent of the Apollo moon mission\,” said Tom Leech\, curator of the Palace Press. ”The Saint John’s Bible sets a standard of excellence that will never again be approached in our lifetimes. Combined with Contemplative Landscape\, it offers visitors an opportunity to witness a historic burst of creativity and craftsmanship\, and to reflect on their own spirituality\, whatever form that may take.” \nProphets\, completed in April 2005\, includes 232 pages and 20 illuminations from the books of Isaiah\, Jeremiah\, Ezekiel\, Daniel\, Amos and Zechariah. Illuminated pages in the History Museum’s exhibition will include Vision of Isaiah\, Messianic Predictions\, Suffering Servant\, Vision at Chebar\, Valley of the Dry Bones\, Vision of the New Temple\, Vision of the Son of Man\, Demands of Social Justice\, and Rejoice. \nWisdom Books\, completed in July 2006\, includes 136 pages and 24 illuminations from the books of Job\, Proverbs\, Ecclesiastes\, Song of Solomon\, and Sirach. Illuminated pages in the History Museum’s exhibition will include the Job Frontispiece\, Wisdom Woman\, Garden of Desire\, Seven Pillars of Wisdom\, and Creation\, Covenant\, Shekinah\, Kingdom. \nIn commissioning the project\, the monks of Saint John’s revived a medieval tradition in which monasteries preserved knowledge and culture for the sake of the greater community. The Saint John’s Bible represents their commitment to the study of scripture and to educational\, artistic and spiritual pursuits. \nCrafted with turkey\, goose and swan quills\, century-old handmade inks\, hand-ground pigments\, and gold and silver leaf gild on calfskin vellum\, The Saint John’s Bible will collectively weigh over 350 pounds and measure roughly 2’ tall by 3’ wide when open. Guided by a combination of artistic skill and cutting-edge computer-assisted layouts\, the project takes its place among the milestones of sacred literature.  \n“I hope some of the emotion that we have collectively managed to put into the Bible will touch the hearts and emotions of those people who look at what we put onto the pages\,” said Jackson\, whose Ghost Ranch-era painting will be shown for the first time in this exhibit. \n Visitors will find themselves drawn into reading the words of the text rather than skimming past them. Observant readers will note a variety of details: The illuminated letters starting each chapter are individually unique – a goal that proved a challenge when devising decorative T’s\, given how often the word “the” begins a sentence in the English language. Artistic and clever techniques were also employed by the scribes and artists to deal with “errata” – those perfectly human mistakes that crop up in even the most divine texts. In addition\, each of those scribes had to learn a calligraphic script specially designed by Jackson for the project. \nAlong with members of the monastic community of Saint John’s Abbey\, Episcopalian\, Protestant and Jewish advisers helped form the vision of The Saint John’s Bible\, which blends scientific advancements and anthropological understandings with the traditional text of the New Revised Standard Version of the Bible. Contemporary aspects include its reflections of science\, technology and space; its multicultural and interreligious imagery; and its depiction of women. Advanced technologies have also been used to create a digital template of the Bible. \n“It’s the one thing we’ll probably be remembered for 500 years from now\,” said Eric Hollas OSB\, a monk of Saint John’ Abbey and associate director of arts and culture at Saint John’s University. “The buildings will go. Most of the buildings that all of us see today are going to be gone 500 years from now. And oddly enough\, this one piece of human artistic achievement will probably still be here.” \n(More information about The Saint John’s Bible is available on The Saint John’s Bible web site; http://www.saintjohnsbible.org/.) \nIlluminating the Word: The Saint John’s Bible and Contemplative Landscape are generously supported by the New Mexico Humanities Council\, the Scanlon Family Foundation\, and the Museum of New Mexico Foundation. \n \nLectures\, workshops and performances for Illuminating the Word: The Saint John’s Bible and Contemplative Landscape will be held in the History Museum Auditorium and are free with admission unless otherwise noted. The schedule: \nSunday\, October 23\, 2011\, 2-4 pm: Opening reception in the museum’s second-floor Gathering Space. At 2 pm\, join photographer Tony O’Brien and writer Christopher Merrill (Light in the Desert: Photographs from the Monastery of Christ in the Desert\, MNM Press\, 2011) for a lecture and book signing in the auditorium. \nSunday\, November 6\, 2011\, 2 pm: “Lay Folk and the Psalms\,” lecture by Carol Neel\, medieval historian at Colorado College. \nMonday\, November 7\, 2011\, 6 pm\, The Lensic Performing Arts Center: “Donald Jackson: Illuminating the Word\,” a special evening with the lead artist and calligrapher of The Saint John’s Bible. $15. Private reception following\, $50. Tickets at www.ticketssantafe.org\, or call (505) 988-1234. \nFriday\, November 18\, 2011\, 6 pm: “Calligraphic Trails\,” lecture by artist and calligrapher Patricia R. Musick. \nSaturday\, November 19\, 2011\, 10 am-4 pm\, NMHM Classroom: “Irish Manuscript Bookhand\,” calligraphy workshop with Patricia R. Musick. Cost is $80. Limited seating; call (505) 476-5096 to register. \nSunday\, December 4\, 2011\, 2 pm: Sacred choral music by Schola Cantorum of Santa Fe and the monks of Christ in the Desert Monastery. \nSunday\, January 22\, 2012\, 2 pm: “On the Weight of Words\,” lecture by renowned artists Barry Moser and John Benson. \nSaturday\, February 25\, 2012\, 10 am-4 pm\, NMHM Classroom: “Oh My Gouache\,” calligraphy workshop by Diane von Arx\, special treatment artist for The Saint John’s Bible. Cost is $100. Limited seating; call (505) 476-5096 to register. \nSunday\, February 26\, 2012\, 2 pm: “Special Treatment Illuminations for The Saint John’s Bible\,” lecture by Diane von Arx. \nNEW EVENT: Sunday\, March 11\, 2012\, 2 pm: Schola Cantorum of Santa Fe and the monks of Christ in the Desert Monastery perform in the History Museum Lobby. \nSunday\, March 25\, 2012\, 2 pm: “Endangered Texts: Preserving Ancient Books the Benedictine Way in the 21st Century\,” lecture by Father Columba Stewart\, executive director of the Hill Museum and Manuscript Library at St. John’s University in Minnesota. \nSunday\, April 29\, 2012\, 2 pm: Contemplative Landscape photographers panel discussion; Kirk Gittings\, Ed Ranney\, Janet Russek\, Sharon Stewart and Don Usner. \nCANCELLED: Friday\, June 1\, 2012\, 6 pm: “Fragile Faith\,” lecture by Contemplative Landscape photographer David Robin. \nFriday\, June 8\, 2012\, 6 pm: “Landscape and Memory\,” lecture by artist and calligrapher Laurie Doctor. \nSaturday and Sunday\, June 9 & 10\, 2012\, 10 am-4 pm\, NMHM Classroom: “Landscape and Lettering: Before the Separation of Drawing and Writing\,” calligraphy workshop with Laurie Doctor. Cost is $200. Limited seating; call (505) 476-5096 to register. \nFriday\, July 13\, 2012\, 6 pm: “Poetry & Photographs\,” discussion and poetry reading with Contemplative Landscape photographer Teresa Neptune and poet Miriam Sagan. \nSunday\, October 14\, 2012\, 2 pm: “Ritualized Naming of the Landscape through Photography\,” lecture by John Carter\, photography curator at the Nebraska State Historical Society. \nSunday\, November 4\, 2012\, 2 pm: Red as a Lotus: Letters to a Dead Trappist\, poetry reading by Lisa Gill; and Compassion Rising\, a film about Thomas Merton and the Dalai Lama. \nSunday\, December 2\, 2012\, 2 pm: Sacred choral music by Schola Cantorum of Santa Fe and the monks of Christ in the Desert Monastery. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/439-illuminating-the-word-the-saint-johns-bible-an-epic-work-of-art/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/439_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20111023T100000
DTEND;TZID=America/Denver:20121230T170000
DTSTAMP:20230614T175231Z
CREATED:20200429T042445Z
LAST-MODIFIED:20230614T175231Z
UID:10001369-1319364000-1356886800@test-dca-mc.nmdca.net
SUMMARY:Contemplative Landscape
DESCRIPTION:After covering the lives of drug addicts and prostitutes in America and the struggle of Afghan rebels fighting the Soviets – including a stint as a prisoner of war – Santa Fe-based photojournalist Tony O’Brien turned to Christ in the Desert Monastery in Abiquiu\, N.M.\, to restore his spirit. During the year he spent living with the Benedictine monks\, they allowed him to document their daily activities and rituals\, both contemplative and secular. \nO’Brien’s work from that era now forms the heart of a new exhibition at the New Mexico History Museum\, Contemplative Landscape\, Oct. 23\, 2011\, through Dec. 30\, 2012\, exploring how photographers see the state’s meditative topography: the land\, art\, architecture\, and people who build and populate the sacred. \nDownload high-resolution images from the exhibit by clicking on “Go to related images” at the bottom of this page. \nDrawing on the extensive holdings of the Photo Archives\, with the participation of contemporary photographers\, Contemplative Landscape’s black-and-white photographs explore the emotional and ceremonial practices of people as varied as Buddhists\, Catholics\, Protestants\, Jews\, and Sikhs\, to name just a few of the diverse faith-based communities who call New Mexico home. \nThroughout our time\, creativity and spirituality have blended in ways as monumental and communal as the world’s great cathedrals and as small and personal as a roadside descanso marking another person’s passage from the earth. \n“The idea is to think about the spiritual\, however it manifests for the viewer personally\,” said Mary Anne Redding\, curator of the Photo Archives. “What is considered sacred or contemplative varies. What these places have in common is that they draw people to them either in the built or natural environment. Each is infused with an energy that collects over time as people come together or seek enlightenment. New Mexico encompasses and encourages radically different religious practices. Each of these communities adds a different perspective to the meaning of religion and contributes their practices to the diversity of spiritual belief.” \nContemplative Landscape shares its space and spirit with Illuminating the Word: Saint John’s Bible (Oct. 23\, 2011\, through December 30\, 2012) in the museum’s second-floor Albert and Ethel Herzstein Gallery. As part of the exhibition design\, visitors will be invited to enter a contemplative area to pray\, meditate or simply sit in silence – opportunities too often lacking in the 21st-century world. \nIn addition to O’Brien\, photographers represented in the exhibit include: \nWyatt Davis\, Tyler Dingee\, Ferenz Fedor\, Miguel Gander\, Laura Gilpin\, Kirk Gittings\, Cary Herz\, Debora Hunter\, William Henry Jackson\, Ernest Knee\, Paul Logsdon\, Elliott McDowell\, Teresa Neptune\, Jesse L. Nusbaum\, T. Harmon Parkhurst\, Edward Ranney\, David Robin\, Janet Russek\, Sharon Stewart\, Don J. Usner\, Adam Clark Vroman\, Nancy Hunter Warren\, George Ben Wittick. \nThe photographers have used their work to explore and renew their faith\, even challenge their own and others’ beliefs. The result is an exhibit that marries an adobe morada abandoned by the Penitentes to processions of robe-clad monks carrying out the Stations of the Cross in desert canyons. For so many of these photographers\, their images illuminate their personal quests. \nAward-winning photographer Cary Herz\, who died in 2008\, was working on a project in the Las Vegas\, N.M.\, Jewish Cemetery in 1985 when someone told her of other Jews in New Mexico – people who had practiced their faith in secret. As Herz began investigating\, she found slides of grave markers that appeared to contain Jewish symbols\, a discovery that led her to cover 10\,000 miles documenting the lives of people in Texas\, New Mexico\, Colorado and Arizona\, the descendents of a secret history that has its roots in the Spanish and Portugese Inquisitions. \nAnother example is photographer Kirk Gittings\, who was hired by New Mexico magazine to photograph the rapidly deteriorating historic churches of northern New Mexico. Through that work\, he and writer Michael Miller won a National Endowment for the Arts grant that for four years allowed Gittings to immerse himself in Catholic spirituality. Given the keys to a church to photograph at his leisure\, he would sit in the pews\, breathe the scent of candlewax and reconnect with the saints. A few years later\, he converted to Catholicism. \nOf his own work\, Edward Ranney says: “The petroglyphs associated with the ancient Pueblo sites in New Mexico’s Galisteo Basin give us an entry to the imaginative and religious world-view of these early Pueblo people. In addition\, as Lucy Lippard has observed\, they `focus space\,’ and make visible the Pueblo people’s concerns and beliefs\, and their relationship with their gods.” \nAnd\, says Teresa Neptune: “My camera serves as a tool for my own awareness; with it I challenge myself to constantly pay more attention and see the world in a more creative way. Every landscape\, every street has the potential to be seen contemplatively. What a joy to share and celebrate this way of seeing in “Contemplative Landscape.” \nThe Photo Archives at the Palace of the Governors recently acquired 20 of O’Brien’s images from his Monastery of Christ in the Desert portfolio. O’Brien’s experiences in the monastery are the subject of his new book with writer Christopher Merrill\, Light in the Desert: Photographs from the Monastery of Christ in the Desert (Museum of New Mexico Press)\, debuting with the exhibition. \nA New York City native\, O’Brien began his photography career in 1973 at the Santa Fe New Mexican\, the Santa Fe Reporter and the Albuquerque Journal North. His work has appeared in national and international publications\, including Life magazine\, Time\, Newsweek\, and the New York Times Sunday Magazine. He has also worked with the Ford Foundation on a land-use project on Zuni Pueblo\, as well as a water-works project in the colonias along the Texas border for the Pew Foundation. \nAmong the places that have exhibited his work: the Museum of Our National Heritage\, Massachusetts; the Southeast Museum of Photography\, Florida; the Adham Center of Photography\, Cairo\, Egypt; The Newseum in New York and the Sag Harbor Picture Gallery. In 1990\, O’Brien was awarded the first Eliot Porter Foundation Grant for his work in Afghanistan. He has taught documentary photography and was director of the Documentary Studies Program at the Santa University of Art and Design (formerly the College of Santa Fe)\, where he is on the faculty at the Narion Center of Photographic Arts.   \nIn 1989\, while on assignment for Life magazine\, he was taken prisoner in Afghanistan for six weeks\, an experience that led to his 1994-95 sojourn at Christ in the Desert as a practicing member of the contemplative community. \n \n“You sit in that chapel and the light dances throughout the day\,” O’Brien said. “It can go from just plain to pure beauty. I began to look at things a little differently. I began to be more aware of what it was that I was looking at and really taking my time. And the willingness to let things go.” \nFounded in the town of Abiquiu in 1964\, the Monastery of Christ in the Desert follows the Benedictine life with no external apostolates. It maintains a guesthouse for private retreats where men and women can share the Divine Office and Mass in the Abbey Church with the monks. Set in the Chama Canyon\, about 75 miles north of Santa Fe\, the monastery is surrounded by miles of wilderness\, assuring solitude and quiet. \nIlluminating the Word: The Saint John’s Bible and Contemplative Landscape are generously supported by the New Mexico Humanities Council\, the Scanlan Family Foundation\, and the Museum of New Mexico Foundation. \n \nLectures\, workshops and performances for Illuminating the Word: The Saint John’s Bible and Contemplative Landscape will be held in the History Museum Auditorium and are free with admission unless otherwise noted. The schedule: \nSunday\, October 23\, 2011\, 2-4 pm: Opening reception in the museum’s second-floor Gathering Space. At 2 pm\, join photographer Tony O’Brien and writer Christopher Merrill (Light in the Desert: Photographs from the Monastery of Christ in the Desert\, MNM Press\, 2011) for a lecture and book signing in the auditorium. \nSunday\, November 6\, 2011\, 2 pm: “Lay Folk and the Psalms\,” lecture by Carol Neel\, medieval historian at Colorado College. \nMonday\, November 7\, 2011\, 6 pm\, The Lensic Performing Arts Center: “Donald Jackson: Illuminating the Word\,” a special evening with the lead artist and calligrapher of The Saint John’s Bible. $15. Private reception following\, $50. Tickets at www.ticketssantafe.org\, or call (505) 988-1234. \nFriday\, November 18\, 2011\, 6 pm: “Calligraphic Trails\,” lecture by artist and calligrapher Patricia R. Musick. \nSaturday\, November 19\, 2011\, 10 am-4 pm\, NMHM Classroom: “Irish Manuscript Bookhand\,” calligraphy workshop with Patricia R. Musick. Cost is $80. Limited seating; call (505) 476-5096 to register. \nSunday\, December 4\, 2011\, 2 pm: Sacred choral music by Schola Cantorum of Santa Fe and the monks of Christ in the Desert Monastery. \nSunday\, January 22\, 2012\, 2 pm: “On the Weight of Words\,” lecture by renowned artists Barry Moser and John Benson. \nSaturday\, February 25\, 2012\, 10 am-4 pm\, NMHM Classroom: “Oh My Gouache\,” calligraphy workshop by Dianne Von Arx\, special treatment artist for The Saint John’s Bible. Cost is $100. Limited seating; call (505) 476-5096 to register. \nSunday\, February 26\, 2012\, 2 pm: “Special Treatment Illuminations for The Saint John’s Bible\,” lecture by Dianne Von Arx. \nNEW EVENT: Sunday\, March 11\, 2012\, 2 pm: Schola Cantorum of Santa Fe and the monks of Christ in the Desert Monastery perform in the History Museum Lobby. \nSunday\, March 25\, 2012\, 2 pm: “Endangered Texts: Preserving Ancient Books the Benedictine Way in the 21st Century\,” lecture by Father Columba Stewart\, executive director of the Hill Museum and Manuscript Library at St. John’s University in Minnesota. \nSunday\, April 29\, 2012\, 2 pm: Contemplative Landscape photographers panel discussion; Kirk Gittings\, Ed Ranney\, Janet Russek\, Sharon Stewart and Don Usner. \nCANCELLED: Friday\, June 1\, 2012\, 6 pm: “Fragile Faith\,” lecture by Contemplative Landscape photographer David Robin. \nFriday\, June 8\, 2012\, 6 pm: “Landscape and Memory\,” lecture by artist and calligrapher Laurie Doctor. \nSaturday and Sunday\, June 9 & 10\, 2012\, 10 am-4 pm\, NMHM Classroom: “Landscape and Lettering: Before the Separation of Drawing and Writing\,” calligraphy workshop with Laurie Doctor. Cost is $200. Limited seating; call (505) 476-5096 to register. \nFriday\, July 13\, 2012\, 6 pm: “Poetry & Photographs\,” discussion and poetry reading with Contemplative Landscape photographer Teresa Neptune and poet Miriam Sagan. \nSunday\, October 14\,2012\, 2 pm: “Ritualized Naming of the Landscape through Photography\,” lecture by John Carter\, photography curator at the Nebraska State Historical Society. \nSunday\, November 4\, 2012\, 2 pm: Red as a Lotus: Letters to a Dead Trappist\, poetry reading by Lisa Gill; and Compassion Rising\, a film about Thomas Merton and the Dalai Lama. \nSunday\, December 2\, 2012\, 2 pm: Sacred choral music by Schola Cantorum of Santa Fe and the monks of Christ in the Desert Monastery. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/774-contemplative-landscape/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/774_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20111001T100000
DTEND;TZID=America/Denver:20130106T170000
DTSTAMP:20230614T175234Z
CREATED:20160316T042407Z
LAST-MODIFIED:20230614T175234Z
UID:10001386-1317463200-1357491600@test-dca-mc.nmdca.net
SUMMARY:Young Brides\, Old Treasures  Macedonian Embroidered Dress
DESCRIPTION:The exhibition Young Brides\, Old Treasures: Macedonian Embroidered Dress is on line. Until the mid-twentieth century\, Macedonian women wove\, embroidered\, and wore magnificent ensembles of dress that indicated to a knowing eye what village and region they came from and where they were in the cycle of life. From puberty through betrothal\, marriage\, child bearing\, and old age\, dress changed to reflect status change. Historic ensembles\, no longer made but preserved in the museum\, also illustrate the tumultuous political history of the region; pan-Slavic\, Byzantine\, and Ottoman influences can be seen in embroidered motifs\, materials\, garments\, and jewelry. The outstanding collection the Museum has dates primarily from 1890 to 1920 with some later pieces from the 1950s. The exhibit featrured 27 mannequins in multi-layered ensembles as well as individual garments and pieces of jewelry belonging to Museum of International Folk Art; the Collection was made complete with a large donation from the Macedonian Arts Council» so that it is today the largest and most comprehensive museum collection in the United States. The exhibition was complemented by a catalog
URL:https://test-dca-mc.nmdca.net/dca-event/1077-young-brides-old-treasures-macedonian-embroidered-dress/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/brides.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110916
DTEND;VALUE=DATE:20120530
DTSTAMP:20230614T175136Z
CREATED:20200429T042650Z
LAST-MODIFIED:20230614T175136Z
UID:10001079-1316131200-1338335999@test-dca-mc.nmdca.net
SUMMARY:From a Distant Road
DESCRIPTION:Blending an eclectic mix of Eastern and Western poetry and printing techniques\, From a Distant Road features hand-colored Japanese albumen prints and original haiga by Santa Fe poet John Brandi. The exhibit runs Sept. 16-March 4\, 2012\, in the John Gaw Meem Room. \nThe exhibit includes: Eighteen of Brandi’s contemporary haiga (haiku poems accompanied by brush art work) that find their source in the poet-painters of 17th-century Japan. The haiga will be displayed on papers marbled by Palace Press Curator Tom Leech in the Japanese technique of suminagashi (black ink floating).  Six hand-tinted albumen photographs from a collection of late 19th-century images of Japan from the Photo Archives at the Palace of the Governors\, paired with excerpts from the travel diaries of 17th-century haiku master Matsuo Basho. A new marbled broadside from the Palace Press featuring a prose poem by Brandi. \nDownload high-resolution images from the exhibit by clicking on “G to related images\,” below. \nTo kick off the exhibition\, poet John Brandi will speak on “Haiku Painting: The History of Haiga\,” and read haiku from his new book\, Seeding the Cosmos (La Alameda Press)\, a selection of 30 years of his work from New Mexico and abroad. The event begins at 6 pm on Friday\, Sept. 16\, in the John Gaw Meem Room. In this high-spirited program\, Brandi’s poems will be accompanied by JB Bryan on alto sax. \nThe event is free\, but seating is limited. \nBesides reading from his work\, Brandi will talk about the practice of haiku in everyday life\, the art of haibun (prose punctuated by a haiku)\, and aspects of haiga. Nonoguchi Ryūho\, a 17th-century poet\, was the first person to regularly include paintings alongside his calligraphy\, although Japanese poetry was often enhanced by images for centuries prior. \nBrandi\, a Southern California native\, was encouraged by his parents toward the art of traveling\, witnessing\, writing and painting. After graduating from Cal State Northridge\, he joined the Peace Corps and worked with Andean farmers. Returning home\, he made contact with Beat Generation poet Gary Snyder. In 1971\, he moved to New Mexico and\, in his early years here\, traveled with Japanese poet Nanao Sakaki\, and compiled That Back Road In\, the first of his many poetry collections. In 1979\, he received a National Endowment for the Arts Fellowship for Poetry. \nModern American haiku is said to have been given new life by Jack Kerouac\, author of the Beat classic\, On the Road. Brandi was a consultant for the museum’s 2007 Kerouac exhibit\, Jack Kerouac and the Writer’s Life. As a poet\, Brandi owes much to the West Coast Beat tradition\, but he also refers to poets as diverse as Federico Garcia Lorca\, Pablo Neruda\, and Matsuo Basho as influences. As a painter\, he says\, his practice as poet-painter-traveler harkens back to the 8th-century Chinese master Wang Wei.  \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/from-a-distant-road-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1178_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110916
DTEND;VALUE=DATE:20120530
DTSTAMP:20230627T205249Z
CREATED:20110916T060000Z
LAST-MODIFIED:20230627T205249Z
UID:10001391-1316131200-1338335999@test-dca-mc.nmdca.net
SUMMARY:From a Distant Road
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/from-a-distant-road/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20110811T100000
DTEND;TZID=America/Denver:20111002T050000
DTSTAMP:20230614T175235Z
CREATED:20110811T224758Z
LAST-MODIFIED:20230614T175235Z
UID:10001389-1313056800-1317531600@test-dca-mc.nmdca.net
SUMMARY:New Native Photography\, 2011
DESCRIPTION:New Native Photography\, 2011\, opens Friday\, August 12\, 6 p.m. at the New Mexico Museum of Art in collaboration with the Southwestern Association for Indian Arts (SWAIA). The exhibition of contemporary Native photography is in conjunction with the 90Th Santa Fe Indian Market.
URL:https://test-dca-mc.nmdca.net/dca-event/1143-new-native-photography-2011/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1143_thumb.jpeg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
END:VCALENDAR