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DTSTART;TZID=America/Denver:20130503T100000
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SUMMARY:PETER SARKISIAN: VIDEO WORKS\, 1994-2011
DESCRIPTION:Peter Sarkisian: Video Works\, 1994-2011 opens at the New Mexico Museum of Art Friday\, May 3\, 2013 with a free reception hosted by the Women’s Board of the Museum of New Mexico. The exhibition features 15 video and mixed-media works spanning 18 years and will be on view through August 18\, 2013. \nThroughout his career Santa Fe-based artist Peter Sarkisian has been an innovator working at the cutting edge of multi-media art. Juxtaposing projected video and physical objects\, his installations explore the intersection of the moving image and sculpture. 
URL:https://test-dca-mc.nmdca.net/dca-event/1727-peter-sarkisian-video-works-1994-2011/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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SUMMARY:PETER SARKISIAN: VIDEO WORKS\, 1994-2011
DESCRIPTION:Throughout his career Santa Fe-based artist Peter Sarkisian has been an innovator working at the cutting edge of multi-media art. Juxtaposing projected video and physical objects\, his installations explore the intersection of the moving image and sculpture. \nPeter Sarkisian: Video Works\, 1994-2011 opens at the New Mexico Museum of Art Friday\, May 3\, 2013 with a free reception hosted by the Women’s Board of the Museum of New Mexico. The exhibition features 15 video and mixed-media works spanning 18 years and will be on view through August 18\, 2013.  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1730-peter-sarkisian-video-works-1994-2011/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130419T100000
DTEND;TZID=America/Denver:20130908T170000
DTSTAMP:20230614T175239Z
CREATED:20121102T001328Z
LAST-MODIFIED:20230614T175239Z
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SUMMARY:Mont St. Michel and Shiprock: Photographs by William Clift
DESCRIPTION:Mont St. Michel and Shiprock: Photographs by William Clift \nThe New Mexico Museum of Art is pleased to present this one-man exhibition by master photographer William Clift\, a long-time Santa Fe resident. The exhibition opens April 19 and runs through September 8\, 2013. \nFor almost four decades\, Clift has photographed two monolithic sites that dominate their expansive landscapes: Shiprock\, an eroded volcanic form that rises above the northwestern New Mexico desert and is sacred to the Navajo (Diné)\, and Mont St. Michel\, a tidal island off the north coast of France that is famous for its Romanesque-Gothic church and monastery. In this selection of more than seventy beautiful photographs\, Clift shares his ongoing\, nuanced exploration of the two places.  \n“These are pictures of tremendous sensitivity and resonance\,” said Katherine Ware\, Curator of Photography at the museum. “The artist’s devoted pursuit of these two subjects from 1973 to the present demonstrates the kind of seeing that is possible with sustained concentration. It’s very different from how most photographers work today.” \n  \nThe artist has long been recognized for his photographs of the New Mexico landscape but his work defies easy categorization. Born in Boston in 1944\, Clift began making photographs at the age of ten with an early interest in Polaroid image making. As a teenager\, he took a photography workshop with Paul Caponigro and was soon affiliated with many of the established practitioners of the medium. He moved to New Mexico in 1971\, where he and his wife raised a family\, and has earned a reputation as a thoughtful photographer and a meticulous printer. He is represented in the museum’s collection by twenty-four prints from across his career. \n  \nRegarding the exhibition\, Ware said\, “These photographs aren’t meant to catalog or document Shiprock and Mont St. Michel but are about the experience of being there. They capture the beauty as well as the danger of these archetypal sites in an evocative manner. The artist doesn’t add it all up for us — what animates them is how we experience them as individual viewers.” \n  \nThe exhibition is accompanied by a book with more than 130 reproductions of the artist’s Shiprock and Mont St. Michel pictures. Copies are available for purchase in the Museum Shop and from the artist’s website (http://www.williamclift.com/). \nThe traveling exhibition is organized by the Phoenix Art Museum\, where it will premiere on January 9\, 2013.  Mont St. Michel and Shiprock: Photographs by William Clift is presented through the generosity of donors to the New Mexico Museum of Art’s Director’s Leadership Fund and Exhibitions Development Fund. \nMedia Contacts: \nKatherine Ware\, Curator of Photography \nNew Mexico Museum of Art \nkate.ware@state.nm.us  \n  \nSteve Cantrell\, PR Manager \nNew Mexico Department of Cultural Affairs \n505-476-1144 \nsteve.cantrell@state.nm.us \n### \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1629-mont-st-michel-and-shiprock-photographs-by-william-clift/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20130414
DTEND;VALUE=DATE:20140317
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SUMMARY:Cowboys Real and Imagined
DESCRIPTION:When America needed hard workers\, the cowboy was there. The job was dirty and difficult\, low-paid and lowly regarded. But when an America torn by the Civil War needed a hero to unite its soul\, the unassuming cowboy was an unlikely—and ultimately lasting—pick. \nSince riding out of Spanish horse culture\, he’s been an itinerant hired hand\, an outlaw\, a movie star\, a rodeo athlete\, a radio yodeler\, and a rhinestoned disco diva. He’s been Spanish\, Mexican\, African American\, Anglo\, male\, female\, straight\, and gay. His image has been co-opted to sell trucks\, beer\, boots\, beans\, jeans\, tires\, cigarettes\, leather couches\, presidential candidates\, and a lifestyle far beyond the means of real-life buckaroos. \nDespite the sometimes tortured lengths our imaginations have taken cowboys and cowgirls\, the basic fact of their life is this: a rough-hewn job stacked against steep odds. The daily dangers of working with cattle and horses are matched by volatile global markets\, a public with fickle tastes in heroes\, and a big sky that can deliver sunshine and tornadoes\, droughts and snowstorms. \nToday\, real cowboys sit uneasily in the saddle (or on the seat of an ATV\, occasionally dubbed “a Japanese cutting horse”). Climate change has altered the range and dealt cattle-ranching a potential kill card. Even as popular culture delivers new-and-improved versions of a fanciful life on the range\, Cowboys Real and Imagined asks a bare-boned question: Will the people who tamed that range survive? \nDownload high-resolution images from the exhibition by clicking on “Go to related media” at the bottom of this page. \nUsing artifacts and photographs from its wide-ranging collections\, along with loans from more than 100 people and museums\, Cowboys Real and Imagined (April 14\, 2013\, through March 16\, 2014) blends a chronological history of Southwestern cowboys with the rise of a manufactured mystique as at home on city streets as it is in a stockyard. \nAugmented by archival footage\, oral histories\, musical performances\, and a programming series that includes showings of classic Western movies filmed in New Mexico\, the exhibition anchors the cowboy story in New Mexico\, a place that not only helped give birth to the real thing but\, due to geographical and economical factors\, has managed to hold onto it longer than most other states. \n“One of the reasons the cowboy myth has been so pervasive and long-lasting is because anybody could become a cowboy of sorts\,” said guest curator by B. Byron Price director of the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma and director of the University of Oklahoma Press. “It isn’t always what you wear\, who you are\, or what your attitude is. The exhibit asks: Who is a real cowboy? \nIn its search for an answer\, Price said\, the exhibit discovers that cowboy “is a verb\, an adjective\, a noun\, an adverb.” \nDespite a career devoted to exploring the story of the cowboy\, Price said he was amazed at what he found in the museum’s Palace of the Governors Photo Archives\, including a small cache of glass-plate negatives. Made by Ella Wormser\, the wife of a Jewish merchant\, they may be the only visual evidence of trail drives making the transition toward rail transport. \n“I went crazy when I found (those)\,” he said. “She was the wife of a mercantile owner who came to Deming in 1895 and developed an interest in photography. Most significantly\, she shot a series of images that followed a roundup near Deming and driven to a railhead through a process of chutes. You cannot imagine how rare this series is. … In one of them\, you can see her skirt in shadow\, along with the tripod and camera. \n“I’ve spent years studying this and I haven’t found any better material than here at the New Mexico History Museum. In New Mexico\, because the old style of cowboying still prevails\, that attracts photographers—contemporary photographers.” \nModern-day shooters represented in the exhibit include Barbara Van Cleave\, Lee Marmon\, Donald Woodman\, and Herbert Lotz. Other artifacts include cowboy clothing from the 1700s through contemporary times; the chuck wagon that once fed cattle-driving cowboys of the northeastern New Mexico’s famed Bell Ranch; ephemera from the dude ranches that once speckled the state; and the ads that banked on cowboys to sell products. People who pop up through the exhibit include legendary Lea County cowgirl and rancher Fern Sawyer; singer Louise Massey; actor and film producer Tom Mix; Buck Taylor\, “The King of the Cowboys”; Billy the Kid; Frederic Remington; and the anonymous Rough Riders\, cowboys\, and vaqueros whose real-life acts still feed a wide-open space of the American dream. \nAs part of the exhibit\, the Palace Press is preparing a fine-press version of Jack Thorp’s classic Songs of the Cowboys\, first published in Estancia\, NM\, in 1908\, on a press now used at the History Museum. Thorp’s was a pioneering compilation of songs he heard hummed and strummed around campfires in New Mexico and included tunes from African American cowboys. Most of what he recorded likely would have faded into the starry skies without that effort. \n \n \nCowboys Real and Imagined is generously supported by the Brindle Foundation; Burnett Foundation; Rooster and Jean Cowden Family\, Cowden Ranch; Jane and Charlie Gaillard; Albert and Ethel Herzstein Charitable Foundation\, Houston; Candace Good Jacobson in memory of Thomas Jefferson Good III; Moise Livestock Company; Newman’s Own Foundation; New Mexico Cattle Growers’ Association; New Mexico Humanities Council; Palace Guard; Eugenia Cowden Pettit and Michael Pettit; 98.1 FM Radio Free Santa Fe; and the many contributors to the Director’s Leadership\, Annual Education\, and Exhibitions Development Funds. \n  \nAlso at the museum: Tall Tales of the Wild West: The Stories of Karl May recounts the life of a German author who conjured a cowboys-and-Indians world that has resonated in Europe for over a century. In the Mezzanine Gallery through Feb. 9\, 2014. For more information\, go to: http://media.museumofnewmexico.org/events.php?action=detail&eventID=1548. \nA year’s worth of free events accompanies Cowboys Real and Imagined: \nSunday\, March 10\, 2013\, 2pm—Don Edwards\, America’s Cowboy Balladeer \nThe Grammy-nominated singer\, guitarist\, songwriter\, and historian sings and plays old-time ballads and cowboy songs. $25 at the History Museum Shop; call (505) 982-9543 or log onto www.newmexicocreates.org and click on “Museum Products.” Seating is limited. \nSaturday\, April 13\, 2013\, 6:30pm—Members Preview. \nMuseum of New Mexico Foundation members get a first peek at the exhibit and a chance to put on their best cowboy and cowgirl duds. To join\, call (505) 982-6366. \nSunday\, April 14\, 2013—Grand Opening.  \nVisit the exhibit\, enjoy refreshments and\, at 2 pm\, hear a lecture by guest curator B. Byron Price\, director of the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma and director of the University of Oklahoma Press. Free with admission (Sundays free to NM residents). \nFriday\, April 26\, 2013\, 6pm—Cowboy movie night: “Tom Mix and Ranch Life in the Great Southwest\,” with journalist and film critic Jon Bowman.  \nBesides the 1910 Ranch Life\, see a showing of the 1915 short\, Local Color\, filmed in New Mexico. Free. \nSunday\, May 5\, 2013\, 2pm—“I See By Your Outfit: Historic Cowboy Clothing\,” a presentation by Emmy award-winning costume designer Cathy Smith. \nSmith has presented at the Smithsonian Institutions’ Renwick Gallery in 2003 and the Trappings of the American West exhibition in 2008. Her lecture is an accurate and humorous look at the historical evolution of the American cowboy through photos of his costume\, equipment and horses. Examples of Smith’s costumes and pieces from her historic cowboy clothing collection are included in Cowboys Real and Imagined. Free with admission (Sundays free to NM residents). \nFriday\, May 17\, 2013\, 6pm—Cowboy movie night: “An Introduction to The Hi-Lo County\,” with Max Evans. \nThe legendary author talks with Jim Harris\, director of the Lea County Museum\, about his storied career\, including the making of movies from his works\, with a showing The Hi Lo Country (1998). Free. \nSunday\, June 16\, 2013\, 1-3pm–Father’s Day Special. Meet the Royal Court of Rodeo de Santa Fe\, try on hats courtesy of J.D. Noble and the HatSmith of Santa Fe\, and get a free portrait of Dad in a Hat by photographer Cheron Bayna Ryan. Free. \nSunday\, June 23\, 2013\, 1:30-4pm–Honoring Eastern New Mexico’s Ranching Heritage. Join Los Compadres del Palacio\, a support group of the New Mexico History Museum\, for tours of Cowboys Real and Imagined\, and step inside a 1950s-era range tent once used on the Bell Ranch. At 2 pm\, Meredith Davidson\, curator of the 19th- and 20th-century American Southwest collection\, speaks in the auditorium on “Ranching History Heard\,” using oral history\, song and sound to document the stories of New Mexico cowpunchers and ranchers. Following Davidson’s talk\, cowboy singer and onetime ranch hand Steve Cormier of Sandia Park\, NM\, will perform in the auditorium. Free; reservations recommended. Call 505-476-5191. \n Sunday\, June 30\, 2013\, 2pm–African American Cowboys. See the short documentary African American Cowboy: The Forgotten Man of the West\, by film student Victoria Liozynyansky\, followed by a discussion with Cleo Hearn and Aaron Hopkins of Cowboys of Color\, sponsors of the biggest national rodeo for black cowboys. Free. \nFriday\, July 19\, 2013\, 6pm—Cowboy movie night: “Edward Abbey and Lonely Are the Brave\,” with oral historian Jack Loeffler. \nLoeffler discusses his friendship with author Edward Abbey and the transformation of Abbey’s novel The Brave Cowboy into a 1962 icon of Western movies\, filmed in and around Albuquerque\, the Sandia Mountains\, Manzano Mountains\, Tijeras Canyon\, and Kirtland Air Force Base. Free. \nSunday\, August 4\, 2013\, 2pm—“Pride in the Saddle in New Mexico: The Story of Gay Rodeo\,” by Out West producer Gregory Hinton and photographer Blake Little. \nHinton and Little talk about the history of gay rodeo in New Mexico and Little’s rare collection of gay rodeo photographs taken from 1988-1992\, when he was a champion bull rider in the International Gay Rodeo Association. Little’s photographs will be exhibited at the Eiteljorg Museum in Indianapolis in 2014. Free with admission (Sundays free to NM residents). \nFriday\, August 9\, 2013\, 6pm—“Jack Thorp’s Songs of the Cowboys\,” by music historians Mark Gardner and Rex Rideout. \nGardner and Rideout perform and discuss the cowboy ballads collected by New Mexico cowboy\, rancher\, surveyor\, and state cattle inspector N. Howard “Jack” Thorp\, who published the very first book of cowboy songs at Estancia\, NM\, in 1908. The Palace Press this year debuts a special\, fine-press reprint of the book. Gardner and Rideout use vintage instruments and historic playing styles to present a close approximation of how this music sounded. Free. \nSaturday and Sunday\, August 10 and 11\, 2013\, 10am to 4pm—“Wild West Weekend.” \nJoin us for two days of family fun celebrating the heritage of cowboys\, featuring singing cowboys (and gals!)\, saddle makers\, trick ropers\, bootmakers\, poets\, dutch-oven cooking demonstrations\, and lots more. Mark Gardner and Rex Rideout will lead a one-hour workshop on Saturday for families on traditional cowboy songs and discuss the New Mexico cowboy lifestyle and culture as represented in the songs. Free with admission (Sundays free to NM residents; children 16 and under free daily). \nFriday\, September 20\, 2013\, 6pm—Cowboy movie night: “On the Trail of The Cowboys\,” with journalist and film critic Robert Nott.  \nFilmed at various locations in New Mexico and elsewhere\, The Cowboys (1972) is considered one of John Wayne’s greatest movies. Based on the William Dale Jennings’ novel\, the movie follows a cattle drive from Montana to South Dakota with real “boys\,” after the real ones flee the range in search of gold. Free. \nSunday\, October 27\, 2013\, 2pm: “Nice Jewish Cowboys and Cowgirls.” Noel Pugach\, professor emeritus of history at the University of New Mexico\, leads a panel discussion among members of the Gottlieb and Wertheim families\, who share their families’ stories and explain what “the cowboy way” means to them. Meredith Davidson\, curator of 19th– and 20th-century Southwest collections\, presents a selection of Ella Wormser’s images on view in the exhibit.  Presented in conjunction with the New Mexico Jewish Historical Society and Temple Beth Shalom. Free with admission; Sundays free to NM residents. \nFriday\, November 15\, 2013\, 6pm: Cowboy movie night—“Oh\, to be a Cowboy\,” with best-selling author David Morrell (of Rambo fame).  \nBased onFrank Harris’s My Reminiscences as a Cowboy\,” the 1958 movie Cowboy stars Glenn Ford and Jack Lemmon. AChicago hotel clerk dreams of life as a cowboy and gets his shot in a cattle-driving outfit. Not surprisingly\, the tenderfoot finds out life on the range is neither what he expected nor what he’s been looking for. Free.   \nFriday\, January 17\, 2014\, 6pm—Cowboy movie night: “Revisiting City Slickers\,” with author Johnny Boggs. \nA mid-life crisis plagues a man and his friends\, who find renewal and purpose on a cattle-driving vacation\, filmed at various locations in New Mexico. Starring Billy Crystal and Jack Palance (1991). Free. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/cowboys-real-and-imagined-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130414
DTEND;VALUE=DATE:20140317
DTSTAMP:20230627T205115Z
CREATED:20130414T060000Z
LAST-MODIFIED:20230627T205115Z
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SUMMARY:Cowboys Real and Imagined
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/cowboys-real-and-imagined/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130303T100000
DTEND;TZID=America/Denver:20130902T170000
DTSTAMP:20230614T175239Z
CREATED:20160316T042426Z
LAST-MODIFIED:20230614T175239Z
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SUMMARY:Plain Geometry Amish Quilts
DESCRIPTION:Quilts in the exhibit llustrated the changes in everyday life that occurred when families moved west and established communities in Ohio\, Indiana\, and other Midwestern states. A somber color palette gave way to brighter colors and more complex pieced patterns. The use of cotton or wool fabrics\, border width\, and color choice were regionally specific as well and color preferences differed according to settlement and time period. \nSome quilt designs on view were Diamond in Square and Bars. These large-piece patterns are related to an even earlier form called whole cloth quilts that were not pieced but made from one-color cloth. These quilts are the most recognizably Amish with their strong contrasting colors and fine quilting. The Pennsylvania Amish continued creating these patterns long after their brethren left for lands further west. \nThe exhibition included crib and doll quilts. These were made by an expectant mother or grandmother to welcome a new baby into the world. Crib quilts were more frequently made in Ohio\, Indiana\, and Illinois than in Lancaster County. \nVisitors of all ages enjoyed making thier own virtual quilt on the in-gallery IPad to save and share with other visitors. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1630-plain-geometry-amish-quilts/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130301T100000
DTEND;TZID=America/Denver:20130405T170000
DTSTAMP:20230614T175200Z
CREATED:20130227T003910Z
LAST-MODIFIED:20230614T175200Z
UID:10001220-1362132000-1365181200@test-dca-mc.nmdca.net
SUMMARY:Alcove 12.9 Caps an Ambitious Series of Nine Shows
DESCRIPTION:Alcove 12.9 Caps an Ambitious Series of Nine Shows \nThe New Mexico Museum of Art’s final show in the Alcove 12.0 series will open on March 1 with Alcove 12.9\, featuring works by Jeff Deemie\, Teri Greeves\, Joanne Lefrak\, James Marshall \, and Mary Tsiongas.   \nIn March of 2012\, the Museum launched the Alcove 12.0 series—nine exhibitions focusing on new work by contemporary New Mexico artists curated by Merry Scully.  
URL:https://test-dca-mc.nmdca.net/dca-event/1721-alcove-12-9-caps-an-ambitious-series-of-nine-shows/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130217T100000
DTEND;TZID=America/Denver:20131230T170000
DTSTAMP:20230614T175240Z
CREATED:20130130T070647Z
LAST-MODIFIED:20230614T175240Z
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SUMMARY:What’s New in New: Recent Acquisitions
DESCRIPTION:What’s New in New: Recent Acquisitions is the Museum of Indian Arts and Culture’s annual exhibition of new acquisitions celebrating the gallery’s namesake\, Lloyd Kiva New. What’s New in New opens on Sunday\, February 17\, 2013 from 1 to 4 p.m. and runs through December 30\, 2013. The Women’s Board of the Museum of New Mexico will serve refreshments in honor of Kiva New’s birthday anniversary.   \nCurator Tony Chavarria’s focus with this show is on modern and contemporary Native art including paintings\, monotypes\, poetry\, and sculpture created between 1968 and 2012.
URL:https://test-dca-mc.nmdca.net/dca-event/1688-whats-new-in-new-recent-acquisitions/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Chris Nail":MAILTO:chris.nail@state.nm.us
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130213T100000
DTEND;TZID=America/Denver:20130915T170000
DTSTAMP:20230614T175200Z
CREATED:20130518T033135Z
LAST-MODIFIED:20230614T175200Z
UID:10001218-1360749600-1379264400@test-dca-mc.nmdca.net
SUMMARY:Back in the Saddle and Georgia O’Keeffe
DESCRIPTION:New Mexico artists have incorporated horses in their Southwestern imagery since the 1880s. During the twentieth century\, the horse became an icon of the region\, reflecting its ethnic diversity and changing aesthetic styles. The 25 paintings\, prints\, and photographs in Back in the Saddle capture the changing spirit of Southwest art. The works are drawn from the New Mexico Museum of Art collection. \nArtists in the exhibition include Gerald Cassidy\, W. Herbert “Buck” Dunton\, Betty Hahn\, Luis A. Jiménez Jr.\, Barbara Latham\, Eliot Porter\, Olive Rush\, Fritz Scholder\, Joseph Henry Sharp\, Theodore Van Soelen\, and Walter Ufer. The Native American\, Hispanic\, and European American art on view reveals some of the fusions that have occurred across cultural divides.
URL:https://test-dca-mc.nmdca.net/dca-event/1690-back-in-the-saddle-and-georgia-okeeffe/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130108T100000
DTEND;TZID=America/Denver:20130414T050000
DTSTAMP:20230614T175240Z
CREATED:20130103T060511Z
LAST-MODIFIED:20230614T175240Z
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SUMMARY:Art on the Edge 2013
DESCRIPTION:(Santa Fe\, NM)—Eight contemporary artists from the Southwest will be featured in the Friends of Contemporary Art + Photography’s biennial juried show\, Art on the Edge\, hosted by the New Mexico Museum of Art. The artists\, who were selected by Toby Kamps of the Menil Collection\, Houston\, are Rosemary Meza-DesPlas (Dallas\, TX)\, Heidi Pollard (Albuquerque\, NM)\, Rebekah Potter (Albuquerque\, NM)\, Donna Ruff (Santa Fe\, NM)\, Joel Santaquilani (Amarillo\, TX)\, Martina Shenal (Tucson\, AZ)\, Derrick Velasquez (Denver\, CO)\, and Greta Young (Santa Fe\, NM). Art on the Edge 2013 will open to the public on January 18\, 2013. The exhibition runs through April 14\, 2013.
URL:https://test-dca-mc.nmdca.net/dca-event/1649-art-on-the-edge-2013/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20121209T100000
DTEND;TZID=America/Denver:20140105T170000
DTSTAMP:20230614T175238Z
CREATED:20160318T031959Z
LAST-MODIFIED:20230614T175238Z
UID:10001410-1355047200-1388941200@test-dca-mc.nmdca.net
SUMMARY:New World Cuisine  The Histories of Chocolate\, Mate Y Más
DESCRIPTION:New World Cuisine explored how foods around the world developed from mixing the old and the new\, and how many of the tastiest dishes and desserts came to be associated with New Mexico. \nThe mixing of peoples and foods—the fusion of cultures and traditions referred to as mestizaje—began in August 1598. It was then that Juan de Oñate’s 500-strong expedition of soldiers\, families\, and Franciscan friars settled in New Mexico on the fertile and irrigated farmland of the Tewa Pueblos of Yungue and Okhay\, located at the confluence of the Chama and Rio Grande Rivers. \nThe Old World gained new staple crops\, including potatoes\, sweet potatoes\, maize\, and cassava. Tomatoes\, chili peppers\, cacao\, peanuts\, and pineapples also were introduced\, and some became culinary centerpieces in many Old World countries: the tomato in Mediterranean countries Italy\, Greece\, and Spain; the chili pepper in India\, Korea\, Thailand\, and China\, via the Philippines; and paprika made from chili peppers\, in Hungary. \nNew World foods brought caloric and nutritional improvements over previously existing staples; others\, like tomato and chili\, complemented existing foods and traditional recipes\, adding not only nourishment but also new\, improved taste. \nBecause the New World’s vast and unpopulated fertile land was well suited for cultivating the same crops in high demand in Old World markets\, the Americas became the main global supplier. Moreover\, the increased supplies lowered prices for commodities such as sugar\, coffee\, soybeans\, oranges\, and bananas  making them affordable for the first time to the general population. \nMore than 300 objects objects from the museum’s vast collection of historical culinary items related to food harvesting\, preparation\, table settings\, and utilitarian and decorative implements were displayed. Some examples are Asian and European spice jars retrofitted with intricately detailed locking metal lids in Mexico City to protect a household’s cacao from thieves; traditional pottery cooking vessels reimagined by metal smiths using hammered copper to accommodate the molinillo used to froth chocolate; talavera kitchen and tableware modeled after Chinese import porcelains; fine antique and contemporary silverware from Europe and the Americas. All provide insight into the importance placed on crafting exquisite food vessels and implements—and that you are what you eat with. \n“It’s such a fabulous history\,” curator Nicolasa Chávez said. “We borrowed a tiny pottery sherd from Chaco Canyon that was tested for theobroma (chocolate’s scientific name). I wanted that in the exhibit to really bring home to New Mexico that we’ve had a 1\,000-year-old love affair with chocolate.”  The exhibition included an interactive scent station\, magnetic map illuminating where foods come from\, and in gallery and on social media\, \n   
URL:https://test-dca-mc.nmdca.net/dca-event/1596-new-world-cuisine-the-histories-of-chocolate-mate-y-mas/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121118
DTEND;VALUE=DATE:20140210
DTSTAMP:20230614T175137Z
CREATED:20200501T074555Z
LAST-MODIFIED:20230614T175137Z
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SUMMARY:Tall Tales of the Wild West: The Stories of Karl May
DESCRIPTION:Mention “Winnetou” or “Old Shatterhand” almost anywhere in Europe\, and you’ll be met with smiles. But try it in the United States\, and you’re more likely to earn a blank stare. Created by German author Karl May\, Winnetou and Old Shatterhand are two of the most popular fictional characters of the 19th and 20th century. In a series of novels\, they served as trail guides to the mystique of the American West and even today are celebrated in European festivals and theme parks. \nMay’s books have outsold those of Louis L’Amour and Zane Grey combined and were beloved by the likes of Albert Einstein\, Herman Hesse\, Fritz Lang\, and Franz Kafka. All of that makes the author (who died in 1912) something of an authority on cowboys\, Indians\, Rocky Mountains\, saloon girls\, soldiers\, and banks ripe for robbing. \nBut there’s a hitch: May never saw the West. “In 1908\, he made his only visit to the United States and he went as far west as Buffalo\, New York\,” said Tomas Jaehn\, librarian for the Fray Angélico Chávez History Library. \nNevertheless\, his faith in the glory of the West and his ability to nurture an entire continent’s love for it has drawn countless people across the Atlantic to visit and to stay. From Nov. 18\, 2012\, to Feb. 9\, 2014\, the New Mexico History Museum/Palace of the Governors celebrates May’s life\, legacy and lasting impact in Tall Tales of the Wild West: The Stories of Karl May. \nCurated by Jaehn (another product of Germany)\, this small\, original exhibition in the museum’s Mezzanine Gallery includes first-edition and foreign-language versions of May’s books\, along with photographs illustrating his life. On loan from the Karl May Museum is Silberbüchse\, Winnetou’s name for his rifle. May (whose name rhymes\, perhaps fittingly\, with “lie”) said he took the weapon from the Indian’s grave in Wyoming for safekeeping. In fact\, the rifle was manufactured in Radebeul as a nonworking prop. Its visit to the exhibition will mark the first time it has been seen in the land where it was purportedly made. \nA 10-minute excerpt from the Hollywood-like production Winnetou will show how a French actor portrayed a Native America and how Croatia (part of the former Republic of Yugoslavia) played New Mexico. (An American actor played Old Shatterhand.) \nBorn in 1842 in Ernstthal\, May cast about as an adult\, failing first as a teacher\, then earning enough accusations of forgery\, fraud\, petty theft and impersonating police officers and doctors to draw prison terms. While incarcerated\, he nurtured a love of writing\, emerging with tales that\, by 1886\, made him the most widely read author in Germany. \n“Karl May is such a fascinating character – millions of copies of his works sold\, telling millions of readers about the American West\, and yet he is not known in this country\,” said Jaehn\, who grew up reading May’s books and wrote the 2005 book\, Germans in the Southwest\, 1850-1920 (University of New Mexico Press). “His successful efforts to make his readers believe that he experienced all these adventures appear funny and humorous today.  Still\, Karl May is an important figure in German literature although critics are still debating his impact – some calling him an imposter\, others calling him a genius.” \nAcross Europe\, special events have marked the centennial of May’s death this year. Tall Tales of the Wild West is the first—and only—U.S. exhibition dedicated to him. In an article commemorating his centennial for The New Yorker’s April 9\, 2012\, edition\, Rivka Galchen wrote: \n“May’s prose is less purple\, and less populated with good cowboys\, than the writing of Zane Grey\, the famous American author of Wild West stories. May’s work has a chatty\, as-told-to narrative voice\, and a wit reminiscent\, at times\, of another American\, Mark Twain. Yet\, for all their echoes of setting and voice\, May’s stories read as distinctively German\, not only because of their occasional greenhorn errors. (The Apache and Kiowa were allies and not enemies\, for example.)” \nThe exhibition is generously supported by the Herzstein Foundation\, the German Consulate General in Houston\, and a grant from the New Mexico Humanities Council. \nOpening event and lecture series \nAt 2 pm on Sunday\, Nov. 18\, 2012\, an opening reception for Tale Tales of the Wild West: The Stories of Karl May will feature a lecture by Hans Grunert\, curator of the Karl May Museum in Radebeul\, Germany\, in the History Museum Auditorium. The Women’s Board of the Museum of New Mexico will serve light refreshments at 3 pm in the lobby. Invited guests include Klaus-Jochen Guehlcke\, Consul General of the Federal Republic of Germany in Houston\, Texas\, and Stephan Helgesen\, Honorary Consul of the Federal Republic of Germany in Albuquerque\, New Mexico. \nAll of the exhibition’s lectures are free with admission (Sundays free to NM residents and Friday evenings free to everyone). Each lecture is in the History Museum Auditorium: \nSunday Nov. 18\, 2012\, 2 pm: “Karl May’s Wild West\,” by Hans Grunert\, curator\, Karl May Museum\, Radebeul\, Germany. Refreshments following. \nFriday\, Feb. 15\, 2013\, 6 pm: “Karl May and Beyond: Indian Hobbyists in 20th-Century Germany\,” by Birgit Hans\, professor of Indian studies\, University of North Dakota. \nFriday\, April 12\, 2013\, 6 pm: “Karl May in America—Enthusiasm or Disappointment?” by Peter Karl Pabisch\, professor emeritus of German studies\, University of New Mexico. \nFriday\, June 14\, 2013\, 6 pm: “Karl May’s Winnetou: Imagining the Noble Savage in 19th- and 20th-Century Germany\,” by Michael Wala\, professor of North American history\, University of Bochum\, Germany.
URL:https://test-dca-mc.nmdca.net/dca-event/tall-tales-of-the-wild-west-the-stories-of-karl-may-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121118
DTEND;VALUE=DATE:20140210
DTSTAMP:20230627T205123Z
CREATED:20121118T070000Z
LAST-MODIFIED:20230627T205123Z
UID:10001408-1353196800-1391990399@test-dca-mc.nmdca.net
SUMMARY:Tall Tales of the Wild West: The Stories of Karl May
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/tall-tales-of-the-wild-west-the-stories-of-karl-may/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20121005T100000
DTEND;TZID=America/Denver:20130106T170000
DTSTAMP:20230614T175239Z
CREATED:20120921T023156Z
LAST-MODIFIED:20230614T175239Z
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SUMMARY:Chromatic Fusion and Emerge - Two Glass Shows Open
DESCRIPTION:The New Mexico Museum of Art celebrates the 50th anniversary of the American studio glass movement with two companion exhibitions. \nThe New Mexico Museum of Art announces two concurrent exhibitions of glass art to coincide with the 50th anniversary of the American studio glass movement in 2012. The exhibitions—Chromatic Fusion: The Art of Fused Glass\, featuring Klaus Moje and Emerge 2012: A Showcase of Rising Talents in Kiln-glass—include both emerging and established artists working in kilnformed glass. Artists from around the globe are highlighted in these two exhibitions that open to the public on Friday\, October 5\, 2012\, 5:30-7:30 pm\, with a reception hosted by the Women’s Board of the Museum of New Mexico. Both shows will be on view through January 6\, 2013. \nCHROMATIC FUSION   \n \nChromatic Fusion: The Art of Fused Glass\, featuring Klaus Moje explores the various technical\, thematic\, and visual approaches to kilnformed glass by artists working around the globe. The centerpiece of the exhibition is Klaus Moje’s large-scale\, multipanel work The Portland Panels: Choreographed Geometry (2007). A tour de force work by this German-born artist who helped build the renowned glass program at the Canberra School of Art in Australia\, The Portland Panels consist of four 6-foot panels and over 22\,000 pieces of glass fused together. Other artists in the exhibition likewise demonstrate their mastery of glass through myriad techniques such as murrini\, pate de verre\, slumping\, engraving\, and fusible film. These artists include Kate Baker\, Giles Bettison\, Cobi Cockburn\, Mel George\, Deborah Horrell\, Steve Klein\, Jessica Loughlin\, Richard Marquis\, Catharine Newell\, April Surgent\, Joanne Teasdale\, Carmen Vetter\, Yoko Yagi\, and Toots Zynsky. \n  \nEMERGE 2012   \nIn partnership with Bullseye Glass\, the New Mexico Museum of Art will host Emerge 2012: A Showcase of Rising Talents in Kiln-glass\, the seventh biennial juried show of early-career artists working in kilnformed glass. This international competition\, sponsored and organized by Bullseye Glass\, highlights emerging talents and innovative approaches within this field. Emerge 2012 includes the competition’s award-winners and three Juror’s Choice selections. The artworks were selected by three jurors: artists Silvia Levenson and Klaus Moje and New Mexico Museum of Art curator Laura Addison.  \nThe works are thematically and functionally diverse\, but share a mastery of materials. French artist Émilie Haman’s Once Upon a Time\, which won the Gold Award in the competition\, is an exquisitely executed kilncast-glass pig’s hoof with satin laces that is inspired by the often grotesque narrative twists in fairy tales. Japanese-born artist Sayaki Suzuki’s hyperrealistic kilncast-glass feast of Harvest Day\, which won the Kilncaster Award\, tricks the eye into believing the skins of the onion and the kernels of corn are real\, and make you anticipate the crunch of a baguette. The water lily-shaped shallow bowls by Spaniards Ester Luesma and Xavier Vega were awarded the Design Award for their creative approach to glass functional ware for restaurants that parallels the innovative approach of master chefs to their own “medium.” \nThe artists selected are: Miri Admoni (Israel)\, Karen Bexfield (United States)\, Cortney Boyd (United States)\, Victoria Calabro (United States)\, Émilie Haman (France)\, Elizabeth Fortunato (United States)\, Ester Luesma and Xavier Vega (Spain)\, Karen Mahardy (United States)\, Sayaka Suzuki (United States) and Amy Westover (United States). \n  \nA full-color catalog of Emerge 2012 is available.  \n  \n   \nAbout Bullseye Glass \nBased in Portland\, Oregon\, with resource centers in Santa Fe\, New Mexico\, and Emeryville\, California\, Bullseye Glass is a manufacturer of colored glass for art and architecture with a strong commitment to research\, education\, and promoting glass art. For more than thirty-five years\, Bullseye Glass has collaborated with a community of artists worldwide and has been instrumental in developing many of the fundamental materials and methods at the core of contemporary kiln-glass.  \n  \nAbout the New Mexico Museum of Art \nThe New Mexico Museum of Art was founded in 1917 as the Art Gallery of the Museum of New Mexico. Housed in a spectacular Pueblo Revival building designed by I. H. and William M. Rapp\, it was based on their New Mexico building at the Panama-California Exposition (1915). The museum's architecture inaugurated what has come to be known as "Santa Fe Style." For nearly 100 years\, the Museum has celebrated the diversity of the visual arts and the legacy of New Mexico as a cultural crossroads by collecting and exhibiting work by leading artists from New Mexico and elsewhere. This tradition continues today with a wide array of exhibitions with work from the world’s leading artists. The New Mexico Museum of Art brings the art of New Mexico to the world and the art of the world to New Mexico. \n  \nThe New Mexico Museum of Art is a division of the New Mexico Department of Cultural Affairs. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1600-chromatic-fusion-and-emerge-two-glass-shows-open/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120930
DTEND;VALUE=DATE:20130211
DTSTAMP:20230614T175137Z
CREATED:20200428T034900Z
LAST-MODIFIED:20230614T175137Z
UID:10001085-1348963200-1360540799@test-dca-mc.nmdca.net
SUMMARY:Altared Spaces: The Shrines of New Mexico
DESCRIPTION:Hallowed ground abounds across New Mexico’s landscape. Whether it’s a mountaintop sacred to Pueblo people\, a backyard shrine built by a Spanish descendent\, or a “ghost bike” set up in memory of a fallen bicyclist\, people of many backgrounds have found the need to invest places with their prayers and devotion. \nAltared Spaces: The Shrines of New Mexico (September 30\, 2012\, through February 10\, 2013) reveals how three New Mexico photographers interpret those places. Featuring the work of Siegfried Halus\, Jack Parsons\, and Donald Wooodman\, Altared Spaces will be in the second-floor Gathering Space of the New Mexico History Museum. The photographers’ work augments images in the exhibition Contemplative Landscape and Illuminating the Word: The Saint John’s Bible. \nDownload high-resolution images from the exhibit by clicking on “Go to related images” at the bottom of this page. \nThe photographers kick off the exhibit on Sunday\, September 30\, with a 2 pm discussion of their work in the History Museum auditorium\, followed by refreshments in the Gathering Space\, courtesy of the Women’s Board of the Museums of New Mexico. The event is free with museum admission; Sundays are free to NM residents. (And parking is free in downtown Santa Fe on Sundays.) \nGuest curator Mary Anne Redding selected images for Altared Spaces that reveal a variety of custom-made shrines bearing profound personal meaning that meld seamlessly and artfully into their surroundings. For the photographers\, that connection is personal as well. \nIn Austria\, where Siegfried Halus lived until he was eight\, shrines with images of Jesus\, the Virgin Mary\, and other religious figures are posted at crossroads and roadsides. Halus’s mother was Catholic\, his Romanian Orthodox father a liturgical sculptor who relocated his family to Philadelphia in the early 1950s. Halus apprenticed with his father as a wood carver before earning a graduate degree in sculpture. Moving to Santa Fe in 1989\, he found common ground in Hispano traditions of shrines and saint making and\, with author and santera Marie Romero Cash\, created the book Living Shrines: Home Altars in New Mexico\, published by the Museum of New Mexico Press. \n“In New Mexico\, shrines help people maintain their religious history and traditions\,” Halus says. “They not only express individual spiritual relationships\, they tell stories of how people live and have lived.” \nHalus is former director of the art department of Santa Fe Community College. With photographer Greg Mac Gregor\, he recreated the 1776  Dominguez and Escalante Expedition for the book In Search of Dominguez & Escalante: Photographing the 1776 Spanish Expedition Through the Southwest\, published by the Museum of New Mexico Press. \nShrines have been a part of Jack Parsons’ photographic journey through New Mexico for more than 35 years. As sacred spaces for religious contemplation or secular expressions of highly individual meaning\, shrines appeal to his eye and imagination for the creative process that links familiar objects to acts of personal devotion and meaningful moments in time. \n“Photographing shrines is a slight invasion of privacy\, but I appreciate their aesthetic value\,” Parsons says. “They are artful even if they are crude. They are visual touchstones for things that are meaningful in our lives.” \nParsons has published more than a dozen books\, pioneering the “lifestyle” genre with Rizzoli’s international best-seller Santa Fe Style\, which has been followed by numerous best-selling volumes on art\, décor and culture. With Carmella Padilla\, a fellow recipient of the New Mexico Governor’s Award for Excellence and Achievement in the Arts\, Parsons created both The Chile Chronicles and El Rancho de las Golondrinas. \nFor more on Parsons\, go to his website\, http://www.jackparsonsdigital.com/. \nAs a photographer who has explored landscapes worldwide\, Donald Woodman also views a shrine as any physical or spiritual destination or pilgrimage site.  While traveling in Europe for a project on the Holocaust\, for example\, he visited concentration camps\, memorials and other markers of human devastation that are shrines to those who experienced the horror. Closer to home\, he says\, everything from old railyards to the natural wonders of the Navajo Nation to the graves of Billy the Kid or Kit Carson are shrines to the settling of the West. \n“In New Mexico\, the awe-inspiring qualities of the natural environment draw people from around the world\,” he says. “The landscape is a shrine to itself.” \nWoodman has photographed New Mexico churches\, roadside memorials\, and other traditional New Mexican shrines. But he is more intrigued by less familiar subjects—such as The Lightning Field land art sculpture\, the Very Large Array astronomical radio observatory\, or nuclear history’s seminal Trinity Site—that reflect the inherent allure and reverence of the New Mexico landscape and history. For more on Woodman\, go to his website: http://donaldwoodman.com/.
URL:https://test-dca-mc.nmdca.net/dca-event/altared-spaces-the-shrines-of-new-mexico-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120930
DTEND;VALUE=DATE:20130211
DTSTAMP:20230627T205131Z
CREATED:20120930T060000Z
LAST-MODIFIED:20230627T205131Z
UID:10001407-1348963200-1360540799@test-dca-mc.nmdca.net
SUMMARY:Altared Spaces: The Shrines of New Mexico
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/altared-spaces-the-shrines-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120908T100000
DTEND;TZID=America/Denver:20120908T170000
DTSTAMP:20230614T175238Z
CREATED:20120904T221110Z
LAST-MODIFIED:20230614T175238Z
UID:10001409-1347098400-1347123600@test-dca-mc.nmdca.net
SUMMARY:New World: Timless Visions
DESCRIPTION:The New Mexico Museum of Art will host New World: Timeless Visions\, the biennial membership exhibition of the International Academy of Ceramics (IAC). The exhibition coincides with the IAC’s biennial General Assembly\, which is being held this year in Santa Fe. The exhibition will be on view September 8-23\, 2012. There will be no public reception. \nThe exhibition New World: Timeless Visions includes the work of more than 140 IAC members. The exhibition will provide visitors with a glimpse of some of the innovative and exciting contemporary ceramics being created around the globe. IAC members in the exhibition represent 35 different countries from all continents except Antarctica.
URL:https://test-dca-mc.nmdca.net/dca-event/1549-new-world-timless-visions/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120525T100000
DTEND;TZID=America/Denver:20120826T170000
DTSTAMP:20230614T175238Z
CREATED:20120522T043813Z
LAST-MODIFIED:20230614T175238Z
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SUMMARY:The Curve: Center Award Winners\, 2012
DESCRIPTION:The New Mexico Museum of Art partners again this year by exhibiting the winners of CENTER’s  annual Project Competition and Project Launch. The exhibition opens May 25 and runs through August 26\, 2012.  \nFirst place winners are Anastasia Taylor-Lind in the Project Competition for her series The National Womb\, and Odette England in the Project Launch for her series Thrice Upon a Time. \nIn The National Womb\, Taylor-Lind documents the “birth encouragement program” introduced in Nagomo Karabakh after war that began in 2008 resulted in the decimation of its population.
URL:https://test-dca-mc.nmdca.net/dca-event/1480-the-curve-center-award-winners-2012/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120518
DTEND;VALUE=DATE:20121105
DTSTAMP:20230614T175136Z
CREATED:20200429T041937Z
LAST-MODIFIED:20230614T175136Z
UID:10001082-1337299200-1352073599@test-dca-mc.nmdca.net
SUMMARY:Native American Portraits: Points of Inquiry
DESCRIPTION:Since the Civil War\, photographers have tried to capture the lives of Native American peoples\, resulting in some of the most beautiful and elegant portraits in the collections of the Palace of the Governors Photo Archives. More than 50 of these images will be on display from May 18 through November 4\, 2012\, in Native American Portraits: Points of Inquiry\, a salon-style exhibition in the History Museum’s Mezzanine Gallery. Together\, the images document the changing perceptions of Native peoples over a span of almost 100 years. \nDownload high-resolution images from the exhibit by clicking on “Go to related images” at the bottom of this page. \nIn the words of contemporary Native American photographer Pena Bonita:  “When trying to make sense of clichés\, chaos and formal training\, it seems necessary to break down fixed boundaries and explore the relationship between the real world and the point of inquiry as seen through the lens.”  \nFocused on the post-Civil War period through 1935\, Native American Portraits showcases exquisite examples by some of the most prominent photographers of their times. Included in Native American Portraits are the rigid and formal ethnographic portraits of visiting Native dignitaries to Washington\, D.C.\, following the Civil War by photographers such as Charles M. Bell and Zeno Schindler; the overly romanticized and staged photos of Edward S. Curtis and Karl Moon; and the elegant but casual at-home photographs of New Mexico’s Pueblo Indians by T. Harmon Parkhurst and others. \nCurated by Palace of the Governors Photo Archivist Daniel Kosharek\, Museum of Indian Arts and Culture Photo Archivist Diane Bird\, and Andrew Smith of the Andrew Smith Gallery\, the exhibit divides the photos into three time periods representing various “points of inquiry” into American Indian-ness. \nThe earliest photos\, from the late 1860s to about 1880\, show the government’s systematic attempts to create a visual catalog of the tribes. The goal was to document a wishful theory of the “vanishing” Indian while preserving material of their culture for scientific information.  In the next group\, from 1880-1900\, commercial photography and photo essays by professional and amateur photographers promoted tourism and the development of Western lands. In the final period\, 1900-1935\, photographers indulge in the painterly style of the Pictorial Movement\, with a soft focus\, richly textured papers\, and dramatically dark prints—all designed to show off the supposed Native characteristics of strength\, courage\, wisdom\, and beauty. \nA contemporary element of the exhibit will showcase Native American photographers Larry McNeil\, Hulleah Tsinhnahjinnie\,  and Zig Jackson\, who use photography to explore and re-claim historical Native American portraiture. They raise issues of colonialism\, subjugation\, spirit loss\, blasphemy\, identity\, and pseudo-cultural appropriation as well as questions of veracity\, historical fact and interpretation. They are harshly critical of the romantic/fashion/tourism stereotypes and the methodology of making those photographs while celebrating the spirit of the individuals photographed. \nA sampling of the historic gems from the Palace of the Governors Photo Archives can be browsed online at http://econtent.unm.edu/cdm4/indexpg.php; keyword “Indians.” \n 
URL:https://test-dca-mc.nmdca.net/dca-event/native-american-portraits-points-of-inquiry-3/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120518
DTEND;VALUE=DATE:20121105
DTSTAMP:20230627T205138Z
CREATED:20120518T060000Z
LAST-MODIFIED:20230627T205138Z
UID:10001399-1337299200-1352073599@test-dca-mc.nmdca.net
SUMMARY:Native American Portraits: Points of Inquiry
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/native-american-portraits-points-of-inquiry/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120511T100000
DTEND;TZID=America/Denver:20130101T170000
DTSTAMP:20230614T175237Z
CREATED:20120217T040842Z
LAST-MODIFIED:20230614T175237Z
UID:10001401-1336730400-1357059600@test-dca-mc.nmdca.net
SUMMARY:It’s About Time: 14\,000 Years of Art in New Mexico
DESCRIPTION:It’s About Time: 14\,000 Years of Art in New Mexico celebrates the centennial of statehood by presenting a social history of the art in the Southwest. This exhibition opens May 11\, 2012 at the New Mexico Museum of Art and runs through January 2014 and is an official New Mexico Centennial project.  High resolution images may be downloaded here from the Museum of New Mexico Media Center.     \nNew Mexicans have always made art—we have always made aestheticized objects that reflect our world views. From beautifully made\, 14\,000-year-old Paleo-Indian tools to contemporary imagery\, New Mexico art has reflected our changing technologies\, embodied our ways of making a living\, and personified our spirituality.  \nAnd where else but New Mexico has art reflected everything from the creators of stone tools to the invention of the atomic bomb? \nCurated by Joseph Traugott\, Ph.D.\, the museum’s curator of twentieth century art\, the exhibition begins with the earliest yet-discovered art—Clovis points—and proceeds in an unbroken continuum to the present.  \nIt’s About Time: 14\,000 Years of Art in New Mexico displays 120 works of art that include Native American\, Hispanic American\, and European American works as a single\, holistic tradition\, not three separate traditions that never interact. Most of the objects in the exhibition were made to be art\, others became art by metamorphosis when objects were understood in new cultural contexts. The works range from representational images to abstractions like Raymond Jonson’s paintings N and M\, an obvious reference to New Mexico. The two paintings are part of his series of 26 works based on the letters of the alphabet. \nAs markers of the past and present\, the works of art in It’s About Time spur aesthetic responses and a deeper understanding of the region’s diverse cultures—how the art of the early santeros evolved from the more baroque originally imported from Mexico to a more simplified expression to accommodate indigenous art-making materials and beliefs. Yet\, innovation by Native artists was discouraged by early anthropologists who placed a premium on the artistic styles of the past which they considered to be more “authentic” and culturally pure; fortunately Maria and Julian Martinez did not hear this message influencing generations of artists who followed. \nT.C. Cannon\, Gerald Cassidy\, Judy Chicago\, E. Irving Couse\, Robert Henri\, Marsden Hartey\, Luis Jimenez\, Raymond Jonson\, Agnes Martin\, Bruce Nauman\, Georgia O’Keeffe\, Agnes Pelton\, Florence Miller Pierce\, Diego Romero\, and Luis Tapia are some of the well-known artists in the exhibition. \nThis centennial study encourages viewers to rethink the meaning of art and aesthetics in an intercultural manner. By doing so\, we can transcend our personal perspectives and appreciate alternative aesthetic visions.  \nMuseum of New Mexico Press is producing a related hard cover publication New Mexico Art Through Time: Prehistory to the Present. This social history of New Mexico art includes 240 full-color reproductions of Native American\, Hispanic and European American art. \nIt’s About Time: 14\,000 Years of Art in New Mexico is generously supported by the New Mexico Humanities Council\, Newman’s Own Foundation\, and the Museum of New Mexico Foundation. \nMedia Contacts: \nJoe Traugott\, Ph.D.\, Curator of Twentieth Century Art \n505-476-5062 \njoe.traugott@state.nm.us \n  \nSteve Cantrell\, PR Manager \n505-476-1144 \nsteve.cantrell@state.nm.us \n  \n### \n  \nThe New Mexico Museum of Art was founded in 1917 as the Art Gallery of the Museum of New Mexico. Housed in a spectacular Pueblo Revival building designed by I. H. and William M. Rapp\, it was based on their New Mexico building at the Panama-California Exposition (1915). The museum's architecture inaugurated what has come to be known as "Santa Fe Style." For nearly 100 years\, the Museum has celebrated the diversity of the visual arts and the legacy of New Mexico as a cultural crossroads by collecting and exhibiting work by leading artists from New Mexico and elsewhere. This tradition continues today with a wide-array of exhibitions with work from the world’s leading artists. The New Mexico Museum of Art brings the art of New Mexico to the world and the art of the world to New Mexico. \n  \nThe New Mexico Museum of Art is a division of the New Mexico Department of Cultural Affairs. \n  \nInformation for the Public   \nLocation: Santa Fe’s Plaza at 107 West Palace Avenue. \nInformation:  505-476-5072 or visit www.nmartmuseum.org \nDays/Times: Tuesday through Sunday\, 10:00 a.m.-5:00 p.m.  Open Free on Fridays\, 5:00-8:00 p.m. Between Memorial Day and Labor Day the Museum is open 7 days a week\, including Mondays. \nAdmission: Adult single-museum admission is $6 for New Mexico residents\, $9 for nonresidents; OR $15 for one-day pass to two museums of your choice (Museum of Indian Arts & Culture\, Museum of International Folk Art\, New Mexico Museum of Art\, and Palace of the Governors/New Mexico History Museum) OR $20 four-day pass to the four museums listed above. Youth 16 and under\, Foundation Members\, and New Mexico Veterans with 50% or more disability always free. \nSundays: New Mexico residents with ID are admitted FREE\, Students with ID receive a $1 discount.   Wednesdays: New Mexico resident seniors (60+) with ID are free.    Field Trips: There is no charge for educational groups attending the museum with their instructor and/or adult chaperones. Contact the Tours office by phone at (505) 476-1140 or (505) 476-1211 to arrange class/group visits to the Museum. \n  \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1377-its-about-time-14000-years-of-art-in-new-mexico/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Chris Nail":MAILTO:chris.nail@state.nm.us
GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120508T100000
DTEND;TZID=America/Denver:20121224T170000
DTSTAMP:20230614T175238Z
CREATED:20120508T211439Z
LAST-MODIFIED:20230614T175238Z
UID:10001405-1336471200-1356368400@test-dca-mc.nmdca.net
SUMMARY:Treasures Seldom Seen
DESCRIPTION:Treasures Seldom Seen rejoices in the representational paintings from the New Mexico Museum of Art collection that defined mainstream New Mexico Art almost a century ago. The exhibition will be ongoing in the museum’s Clark Gallery. \n  \nLandscapes by George Bellows\, John Sloan\, and Fremont Ellis\, as well as portraits by Paul Berlin\, Oscar Berninghaus\, Victor Higgins\, and Joseph Henry Sharp are featured. In addition\, an alcove presents works by\, and about\, Georgia O’Keeffe and another introduces the museum’s Web site New Mexico Art Tells New Mexico History.
URL:https://test-dca-mc.nmdca.net/dca-event/1476-treasures-seldom-seen/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120406T100000
DTEND;TZID=America/Denver:20120826T170000
DTSTAMP:20230614T175238Z
CREATED:20120407T010743Z
LAST-MODIFIED:20230614T175238Z
UID:10001403-1333706400-1346000400@test-dca-mc.nmdca.net
SUMMARY:Waterscapes: Photographs from the Collection
DESCRIPTION:Water\, its scarcity or abundance and our relation to this substance which sustains life\, is the theme of this photography exhibition. Waterscapes follows on last year’s exhibition of cloud photographs\, both drawn from the New Mexico Museum of Art’s permanent collection by Curator of Photography Katherine Ware. The exhibition remains open through August 26\, 2012. \n  \nThe selection of more than thirty photographs showcases the museum’s strong holding of work by mid-century masters such as Ansel Adams\, Harry Callahan\, Laura Gilpin\, Lisette Model\, Eliot Porter\, and Brett Weston as well as contemporary artists including Renate Aller\, Debra Bloomfield\, Wanda Hammerbeck\, John Pfahl\, and Edward Ranney. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1413-waterscapes-photographs-from-the-collection/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120325T100000
DTEND;TZID=America/Denver:20130818T170000
DTSTAMP:20230614T175237Z
CREATED:20130301T020648Z
LAST-MODIFIED:20230614T175237Z
UID:10001400-1332669600-1376845200@test-dca-mc.nmdca.net
SUMMARY:They Wove for Horses: Diné Saddle Blankets On view March 25 through August 18\, 2013
DESCRIPTION:They Wove for Horses: Diné Saddle Blankets opens at the Museum of Indian Arts and Culture on March 25\, 2012 (on long-term view). The exhibition highlights both the textile-weaving proficiency of Diné weavers who produced complex saddle blankets for all occasions and the design skills of Diné silversmiths who created dazzling headstalls of silver and turquoise. \nThe saddle blankets on exhibit date from 1860 to 2002 and are arranged by weaving methods: tapestry weave; two-faced double weave; and twill weaves of diagonal\, diamond\, and herringbone patterns. By using a variety of warp and weft yarns—natural wool\, cotton\, angora mohair\, unraveled bayeta\, and Germantown—weavers added individuality to the everyday and fanciful tapestries they created for horses. \nHorse trappings on exhibit reveal the great pride that Diné horsemen took in their horses and how they adorned them for ceremonial and social events. The Diné first learned how to manufacture saddles and bridles from neighboring cultures and their proficiency quickly surpassed that of their mentors. That devotion resonates still\, as the horse remains a viable living force in Diné life today.
URL:https://test-dca-mc.nmdca.net/dca-event/1365-they-wove-for-horses-dine-saddle-blankets-on-view-march-25-through-august-18-2013/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120212T100000
DTEND;TZID=America/Denver:20121230T170000
DTSTAMP:20230614T175237Z
CREATED:20121024T222257Z
LAST-MODIFIED:20230614T175237Z
UID:10001396-1329040800-1356886800@test-dca-mc.nmdca.net
SUMMARY:Margarete Bagshaw: Breaking the Rules
DESCRIPTION:Margarete Bagshaw: Breaking the Rules features more than 30 paintings (some on sculpted wood panels)\, bronze and clay as wall art and multi-colored ceramic vessels that demonstrate the breadth and multi-dimensionality of Margarete Bagshaw's work. The exhibition runs through December 30\, 2012. \nBursting with color and activity Bagshaw’s canvases are vibrant combinations of precise shape\, texture\, translucent layering\, and light. Her paintings range from small to quite large and have an abstract\, Cubist quality steeped in spirituality – a connection to her Native heritage and to her artistic forbears. \nOne wonders if Bagshaw’s grandmother\, Pablita Velarde\, were alive today would she be painting like this? It’s through her mother\, acclaimed artist Helen Hardin\, that Bagshaw traces her creative lineage back to Velarde – a dynasty of independent women artists as renown for their art as they were for breaking the rules. \nIn a conversation with Smithsonian.com on March 11\, 2011\, Bagshaw described her work in relationship to Hardin and Velarde’s this way; “When I paint my own compositions\, I can connect with their independence\, strength and creativity. If I choose to reference something from their paintings in something of mine\, as in my ‘Mother Line’ series\, it is like hearing their message\, but interpreting it my own way.” \nMargarete Bagshaw\, born in 1964\, grew up surrounded by her mother and grandmother’s artwork and the presence of other well-known Native artists such as R.C. Gorman. Yet it wasn’t until the 1990s that she started her artistic journey. Art represented to Bagshaw a “very normal way of life\,” one she was accustomed to when both her grandmother and mother were at home painting. \nBagshaw\, like her grandmother and mother\, has successfully leaped the boundaries of traditional Native art where women only make pottery. And\, she\, too resists being categorized as a Native artist. In an interview with Kate Nelson in the winter issue of El Palacio magazine she said; “I’m in a position where I don’t have to be labeled… I don’t have to call myself an Indian artist to sell my work\, and I decided that it was more to my advantage not to label myself as a particular kind of artist\, based solely on my genealogy… now I know that I can be part of something\, part of that lineage\, without being defined by it.” \nIn addition to the more than 30 works on view in the exhibition will be videos of her working in her studio shot by husband Dan McGuinness. \nThe exhibition opening is Sunday\, February 12\, 2012 from 1:00 p.m. to 4:00 p.m. \n  \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1284-margarete-bagshaw-breaking-the-rules/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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GEO:35.664337;-105.9252387
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120113T173000
DTEND;TZID=America/Denver:20120422T170000
DTSTAMP:20230614T175237Z
CREATED:20111228T062844Z
LAST-MODIFIED:20230614T175237Z
UID:10001397-1326475800-1335114000@test-dca-mc.nmdca.net
SUMMARY:Repeat After Me Printmaking and the Repetition of Form
DESCRIPTION:Repeat After Me brings together 21 prints\, primarily from the museum’s collection\, that relate to repetition on two different levels: as process and as image. Included are works by Garo Antreasian\, Polly Apfelbaum\, Charles Arnoldi\, Frederick Hammersley\, Joyce Kozloff\, Sol LeWitt\, Sheryl Oring\, and Marie Watt\, among others.
URL:https://test-dca-mc.nmdca.net/dca-event/1309-repeat-after-me-printmaking-and-the-repetition-of-form/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120106T100000
DTEND;TZID=America/Denver:20121125T170000
DTSTAMP:20230614T175235Z
CREATED:20200501T074927Z
LAST-MODIFIED:20230614T175235Z
UID:10001390-1325844000-1353862800@test-dca-mc.nmdca.net
SUMMARY:47 Stars
DESCRIPTION:On April 4\, 1818\, Congress enacted the Flag Act of 1818\, setting forth a rule that no new stars could be added to the flag until the Fourth of July immediately following a state’s admission to the union. Thanks to that once-a-year-and-only-once-a-year mandate\, New Mexicans hoping to share their pride at becoming the 47th state were essentially forced into committing their first illegal acts as U.S. citizens. \nFrom January 6 through November 25\, 2012\, the New Mexico History Museum commemorates that dip into the dark side with 47 Stars\, an exhibit of the officially unofficial 47-star flag. 47 Stars joins a collection of long-term exhibits and a tongue-in-cheek front-window installation to help celebrate the state’s Centennial. \n“Conservation concerns have kept us from bringing our 47-star flags out of collections for public view\,” said Dr. Frances Levine\, director of the History Museum. “But the Centennial was too good of an opportunity to pass up. By letting visitors see these artifacts in specially designed display cases\, we hope they’ll become engaged in the amazing story of New Mexico’s struggle for statehood.” \nUpon achieving statehood\, patriotic residents hoping for a flag of their own found themselves in a bit of a bind: Just 39 days after New Mexico became a state on January 6\, 1912\, Arizona stepped up to the statehood plate on February 14\, 1912. By virtue of coming in second\, Arizona would receive its just due on July 4\, when the official flag of the United States was to switch from 46 to 48 stars. \nBut New Mexicans wanted a flag of their own – one that would flutter from the flagpoles of official buildings and showcase 47 stars\, not 46 and certainly not 48. Eager U.S. flag manufacturers were only too happy to help. Thus was born the unofficial 47-star flag. \nThe 47 Stars installation will nestle within the museum’s core exhibition\, Telling New Mexico: Stories from Then and Now. The Photo Archives at the Palace of the Governors/New Mexico History Museum will also reproduce a 1912 photo by Jesse Nusbaum showing a 47-star flag waving from what was then the state Capitol. \nDownload a high-resolution image of the flag by clicking on “go to related images” below. \nIn addition\, the museum’s Ventana Gallery by the front entrance will be festooned with bunting and the image of parade car celebrating statehood. The car will be presented as a cutout that visitors can pose behind to take Centennial souvenir photos. Visitors can also receive a miniature 47-star flag keepsake. \nTelling New Mexico has a long-term section on the struggle for statehood that includes: \n·        Audio re-enactments of arguments for and against New Mexico’s entry into the Union\, produced by aural historian Jack Loeffler. \n·        A photo of the 1910 Constitutional Convention. \n·        President Taft’s proclamation of statehood and the pen he used to sign it. \n·        The top hat worn by William McDonald to his inauguration as New Mexico’s first governor. \nGetting to that inaugural day wasn’t easy. For years\, New Mexicans working toward statehood encountered ridicule and prejudice against the state’s majority Hispanic and Native American populations.  Add to that mix a reputation for political corruption and violence – along with the machiantions of Washington politics – and it took a multi-generational struggle to join the Union.  \nNew Mexico drafted its first state constitution in 1850\, only to be handed territorial status.  A number of bids for statehood were made and rejected at the national level as continued prejudice hampered progress.  After more than 60 years as a territory\, New Mexicans drafted and passed a new bilingual constitution – the only state to have one – and joined the United States as the 47th state on January 6\, 1912.  \nThe election for New Mexico’s first statehood governor was heated and dramatic.  The expected winner\, Republican Holm O. Bursum\, didn’t garner the needed votes\, and Democrat William C. McDonald won a surprising and resounding victory.  McDonald received his law degree in New York and was lured to the booming mining town of White Oaks\, New Mexico\, in 1880.  He served as Lincoln County assessor\, territorial legislator and chairman of the Democratic Territorial Central Committee.  He owned the Carrizozo Cattle Ranch Company when he was summoned to Santa Fe for his inauguration on January 14\, 1912.  The following day\, his inaugural speech proclaimed: \nNow\, we\, the free\, independent citizens of New Mexico\, have at last come victorious from the battle\, waged for full citizenship in a sovereign state\, in that union established by their wisdom. As we look into the future\, bright hopes of promise appear to some\, and dark forebodings may dim the horizon of others. The past is history; the present is the dawn of the future. It is to the future we look and that future will be what we make it. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1144-47-stars/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120105
DTEND;VALUE=DATE:20120505
DTSTAMP:20230614T175137Z
CREATED:20200430T051700Z
LAST-MODIFIED:20230614T175137Z
UID:10001083-1325721600-1336175999@test-dca-mc.nmdca.net
SUMMARY:Between the Lines: Culture and Cartography on the Road to Statehood In the Governor’s Gallery at the State Capitol
DESCRIPTION:From a Spanish government that never quite knew where to draw its northern colony’s borders to a Mexican government that disagreed with where the lines eventually were drawn to a Texas Republic that wanted to claim the Rio Grande\, Santa Fe\, and much of eastern New Mexico\, the U.S. government eventually managed to carve out the trusty rectangle we now know as New Mexico. \nBetween the Lines: Culture and Cartography on the Road to Statehood in the Governor’s Gallery is part of the state’s 2012 Centennial celebration. The exhibition explores how cartographers interpreted New Mexico’s land\, its physical and political boundaries\, and the cultural minglings of Native\, Spanish\, Mexican\, and American people. \nBetween the Lines: Culture and Cartography on the Road to Statehood opens Thursday\, January 5 and will be on view through May 4\, 2012\, in the Governor’s Gallery on the fourth floor of the state Capitol. The Women’s Board of the Museum of New Mexico will host a public reception from 4-6 pm on January 5. The gallery is free and open to the public. \n“This exhibition looks back six centuries tracing New Mexico’s history\, culture and politics through its geography\,” said Merry Scully\, curator of the Governor’s Gallery. “The maps on view are interesting\, beautiful and educational. I am happy to open this exhibit as we begin our year-long celebration of statehood. I am sure these maps  will be a delight for the many students\, visitors and legislators who come from across the state to the Roundhouse during the legislative session.” \nDrawing on maps from outstanding public and private collections\, including the New Mexico History Museum’s Fray Angélico Chávez History Library\, the exhibition contains hand-drawn and printed maps from 1564 to the present day.  The maps demonstrate both their utility and appeal as art objects. Each map is accompanied by text highlighting its significance. \nCurated by Dennis Reinhartz\, noted historian and Professor Emeritus at the University of Texas at Arlington\, and Tomas Jaehn\, librarian at the Fray Angélico Chávez History Library\, this exhibition represents a collaboration between the New Mexico Museum of Art and the New Mexico History Museum. The maps on exhibit include: \nAn 1847 lithograph of the Territory of New Mexico done by W. H. Emory\, a major in the U.S. Corps of Topographical Engineers\, who mapped the Southwest from 1844 into the Civil War. The information he included on this particular map proved useful in the Mexican-American War and helped establish New Mexico’s future territorial boundaries. \nAn 1851 lithograph of the Western Territories by E. Gilman\, a draftsman for the publisher Duval\, that erroneously includes the New Mexican lands east of the Rio Grande as part of Texas (a claim of ownership that Texas would cling to until New Mexico became a state in 1912). \nA Rand\, McNally and Co. lithograph from 1893 showing the arrival of the Atchison\, Topeka and Santa Fe Railway—and a few liberties the railway took to attract tourists. \nA 1936 Standard Oil Map published the M.H. Gousha Co. that celebrates the “Mother Road\,” Route 66. Back then\, gas-station maps were given away free with tips on recreational activities and points of interest. \nA 1958 U.S. Forest Service map of the Lincoln National Forest\, home of Smokey Bear. \nA three-dimensional map that encourages visitors to trace the outlines of New Mexico’s mountain ridges and river valleys. \nBesides charting such land features\, cartographers in their own way chronicle our history. They help people define who they are\, where they are\, and how they move about. The story of New Mexico’s shifting boundaries reveals the places where those interests blended as well as clashed. \nDownload high-resolution images of maps in the exhibit by clicking on “Go to related images” at the bottom of this page. \nInformation for the Public:   \nThe Governor’s Gallery is located on the fourth floor of the State Capitol at the corner of Old Santa Fe Trail and Paseo de Peralta in Santa Fe\, NM.  For more information call 505-476-5072 or visit www.mfasantafe.org \nHours:  Monday – Friday\, 8 am-5 pm.  \nAdmission:  Free. \nFor more information\, contact Merry Scully at 505-476-2289 or merry.scully@state.nm.us
URL:https://test-dca-mc.nmdca.net/dca-event/between-the-lines-culture-and-cartography-on-the-road-to-statehood-in-the-governors-gallery-at-the-state-capitol-4/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20120105
DTEND;VALUE=DATE:20120505
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UID:10001398-1325721600-1336175999@test-dca-mc.nmdca.net
SUMMARY:Between the Lines: Culture and Cartography  on the Road to Statehood In the Governor’s Gallery at the State Capitol
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/between-the-lines-culture-and-cartography-on-the-road-to-statehood-in-the-governors-gallery-at-the-state-capitol-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20120105
DTEND;VALUE=DATE:20120505
DTSTAMP:20230627T205148Z
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UID:10001402-1325721600-1336175999@test-dca-mc.nmdca.net
SUMMARY:Between the Lines: Culture and Cartography on the Road to Statehood In the Governor’s Gallery at the State Capitol
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/between-the-lines-culture-and-cartography-on-the-road-to-statehood-in-the-governors-gallery-at-the-state-capitol/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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