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DTSTART;VALUE=DATE:20140223
DTEND;VALUE=DATE:20141013
DTSTAMP:20230614T175137Z
CREATED:20200428T032125Z
LAST-MODIFIED:20230614T175137Z
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SUMMARY:Donald Woodman: Transformed by New Mexico
DESCRIPTION:Beginning with his early years working as a research photographer at the Sacramento Peak Solar Observatory in southern New Mexico\, photographer Donald Woodman honed his photographic vision first through stars and clouds and then through sandy soil\, majestic peaks and his own interior life. Donald Woodman: Transformed by New Mexico explores that journey through a series of photographs on exhibit February 23 through October 12\, 2014\, in the New Mexico History Museum’s Mezzanine Gallery. \nTransformed by New Mexico is one of the commemorations of the History Museum’s fifth anniversary\, a yearlong series of exhibits and events celebrating all the museum has accomplished since its opening in May 2009. In 2011\, Woodman was the first person to donate his photographs\, negatives\, books\, diaries\, equipment\, and research material to the Photo Legacy Project at the Palace of the Governors Photo Archives. The Photo Legacy Project aims to collect the work of contemporary photographers to bolster the archives historical holdings of nearly 1 million images. \nDonald Woodman: Transformed by New Mexico includes more than a dozen examplesof the Belen-based photographer’s work from the early 1970s to 1998—a period in the artist’s life when he abruptly abandoned the formative but conservative East Coast and committed himself to a new life and vision in New Mexico. The exhibit traces his early photographs\, made while studying with his most important mentor\, Minor White\, at the Massachusetts Institute of Technology. The images continue through scientific explorations at the Sacramento Peak Solar Observatory in Sunspot\, NM\, examinations of light and landscapes\, and intimate selections from The Therapist Series. Each of the images invites the viewer to look deeply at the tones\, forms and shapes; to begin to understand the relationship Woodman has with his cameras\, his world\, and himself as he moves quietly from behind the lens to placing himself in its focus. \nInitially unaware of the “Land of Enchantment” except through his studies and readings in the history of photography\, Woodman became captivated by the light and landscape of southern New Mexico and the promise of a fulfilling creative life. Besides Minor White\, his early photographic influences include: assistant to renowned architectural photographer Ezra Stoller\, Alfred Stieglitz’s writings\, Edward Weston’s Daybooks\, and Ansel Adams’ Zone System. Woodman spent nearly two years studying under White’s intimate guidance and they remained close until White’s death in 1976. Several times in his 1971–73 hand-written diaries\, Woodman noted these words from White: “When one is thinking visually there are no words\, there are colors\, there are forms\, there are shapes\, there are relationships\, there are all things that are visual but there are no words. No Words.” \n  \nThe exhibit is curated by Mary Anne Redding\, photography chair at the Santa Fe University of Art and Design. In an article she wrote about the exhibit for El Palacio magazine\, Redding said: \nIn many ways photographer Donald Woodman is one of the stereotypical free spirits who arrived in New Mexico in a VW van in the early 1970s\, searching for a new life unfettered by the conservative conventions and stodginess of the East Coast\, to experiment with new-found freedoms involving hallucinatory drugs and liberated sexual exploration. And yet\, Woodman’s long personal aesthetic trajectory\, which continues today\, is uniquely his own. \nAfter leaving Sunspot\, Woodman became a personal assistant to legendary painter Agnes Martin in Galisteo\, NM. Based on that experience\, he is now working on a book\, Agnes Martin and Me. In 1985 he met artist Judy Chicago. The two married that year and have been collaborators in life and art ever since. His photographs have been collected by some of the world’s most venerable institutions\, including London’s Victoria and Albert Museum\, Switzerland’s Museum of Art and History\, the New Orleans Museum of Art\, and Ohio’s Butler Art Institute. \nNeed photos? Click on “Go to related images” at the bottom of this page.
URL:https://test-dca-mc.nmdca.net/dca-event/donald-woodman-transformed-by-new-mexico-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140223
DTEND;VALUE=DATE:20141013
DTSTAMP:20230627T205028Z
CREATED:20140223T070000Z
LAST-MODIFIED:20230627T205028Z
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SUMMARY:Donald Woodman: Transformed by New Mexico
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/donald-woodman-transformed-by-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140216T100000
DTEND;TZID=America/Denver:20150105T170000
DTSTAMP:20230614T175205Z
CREATED:20141024T013041Z
LAST-MODIFIED:20230614T175205Z
UID:10001238-1392544800-1420477200@test-dca-mc.nmdca.net
SUMMARY:Native American Portraits: Points of Inquiry
DESCRIPTION:More than 50 images from the Palace of the Governors Photo Archives  – along with contemporary images by Native photographers – document the changing perceptions of Native peoples over a span of almost 100 years.
URL:https://test-dca-mc.nmdca.net/dca-event/2076-native-american-portraits-points-of-inquiry/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us
GEO:35.664337;-105.9252387
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140201T100000
DTEND;TZID=America/Denver:20141230T170000
DTSTAMP:20230614T175204Z
CREATED:20140429T212830Z
LAST-MODIFIED:20230614T175204Z
UID:10001236-1391248800-1419958800@test-dca-mc.nmdca.net
SUMMARY:Spotlight on Gustave Baumann
DESCRIPTION:Gustave Baumann is one of New Mexico’s most treasured artists\, known widely for his woodblock prints of Southwestern landscapes and traditions. \nThe New Mexico Museum of Art has a comprehensive collection of Gustave Baumann’s work which includes prints\, drawings\, paintings\, studies\, furniture\, and the eclectic menagerie of marionettes used to entertain generations of New Mexicans both young and old. Spotlight on Gustave Baumann opens February 1\, 2014.
URL:https://test-dca-mc.nmdca.net/dca-event/2074-spotlight-on-gustave-baumann/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140201T100000
DTEND;TZID=America/Denver:20141230T170000
DTSTAMP:20230614T175204Z
CREATED:20140131T052632Z
LAST-MODIFIED:20230614T175204Z
UID:10001237-1391248800-1419958800@test-dca-mc.nmdca.net
SUMMARY:New Mexico Art Tells New Mexico History
DESCRIPTION:Artists as diverse as E. Irving Couse\, Joseph Henry Sharp\, T.C. Cannon\, Agnes Martin\, Maria Martinez and Georgia O’Keeffe share the museum’s Clarke Gallery for New Mexico Art Tells New Mexico History. This exhibition\, culled from the New Mexico Museum of Art’s collection\, tells the many stories which make up New Mexico through the eyes of some of this state’s most respected artists. The exhibition opens at the New Mexico Museum of Art on February 1\, 2014.
URL:https://test-dca-mc.nmdca.net/dca-event/2075-new-mexico-art-tells-new-mexico-history/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20131214T100000
DTEND;TZID=America/Denver:20140309T170000
DTSTAMP:20230614T175201Z
CREATED:20131204T063319Z
LAST-MODIFIED:20230614T175201Z
UID:10001224-1387015200-1394384400@test-dca-mc.nmdca.net
SUMMARY:Renaissance to Goya: Prints and Drawings from Spain
DESCRIPTION:Renaissance to Goya: Prints and Drawings from Spain provides a compelling overview of more than 200 years of artistic production\, including many works which have never before been on display.  The New Mexico Museum of Art is the only American venue in this international tour. Learn more. Not a Foundation member? Join here!
URL:https://test-dca-mc.nmdca.net/dca-event/1916-renaissance-to-goya-prints-and-drawings-from-spain/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1916_thumb.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20131117T100000
DTEND;TZID=America/Denver:20150105T170000
DTSTAMP:20230614T175138Z
CREATED:20160310T055741Z
LAST-MODIFIED:20230614T175138Z
UID:10001093-1384682400-1420477200@test-dca-mc.nmdca.net
SUMMARY:BRASIL & ARTE POPULAR
DESCRIPTION:The varied cultural mix found throughout the vast region of Brazil not only draws from the original indigenous inhabitants\, but also from the Portuguese colonists who began to settle there in the sixteenth century\, as well as the enslaved Africans brought by the Europeans.  The majority of work in the exhibit was from the twentieth century when folk artists found that they had more freedom to portray their history\, folklore\, and daily life. Religious practitioners could now carry out their rituals openly and festival performers were able to draw from old traditions and use contemporary issues to create lively pageants and dramas. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/brasil-arte-popular-2/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20131117T100000
DTEND;TZID=America/Denver:20150105T170000
DTSTAMP:20230627T205036Z
CREATED:20131117T170000Z
LAST-MODIFIED:20230627T205036Z
UID:10001232-1384682400-1420477200@test-dca-mc.nmdca.net
SUMMARY:BRASIL & ARTE POPULAR
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/brasil-arte-popular/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20131027T100000
DTEND;TZID=America/Denver:20131230T170000
DTSTAMP:20230614T175204Z
CREATED:20131127T030906Z
LAST-MODIFIED:20230614T175204Z
UID:10001233-1382868000-1388422800@test-dca-mc.nmdca.net
SUMMARY:Triumph TR8 in MIAC lobby
DESCRIPTION:Award-winning author David Morrell introduces a free showing of Cowboy\, the trail-driving classic of a greenhorn spurred by a dream\, on Friday\, Nov. 15\, at 5:30 pm in the History Museum Auditorium. This Classic Cowboy Movie Night is part of the museum’s ongoing exhibit\, Cowboy Real and Imagined. \n“Filmed near Santa Fe\, Cowboy is one of the classic trail-drive movies\,” said Morrell\, author of First Blood\, the novel that gave birth to Rambo. “Reminiscent of Red River\, it emphasizes that real cowboys weren’t like the glamorized ones that Jack Lemmon’s character imagines. Delivering another solid performance in a western\, Glenn Ford dominates the screen\, especially on horseback. Few actors rode more gracefully.” \nReleased in 1958\, Cowboy is based on Frank Harris’ semi-autobiographical novel My Reminiscences as a Cowboy. Jack Lemmon (in his only western role) portrays a city-boy hotel clerk who dreams of being a cowboy. He partners with a rough-and-tough cowboy\, Tom Reece\, played by Glenn Ford\, and hits the trail only to learn some hard truths about cowboying and life in general. According to Rotten Tomatoes\, “The film’s most talked-about scene finds a group of cowboys planting a rattlesnake in one of their comrade’s blankets as a joke; their regretful but oddly detached reaction when the bitten man dies speaks volumes about the Real West. Also memorable is the performance of Brian Donlevy as Doc Bender\, an ageing gunfighter who can’t stand the notion of becoming an anachronism. One of the more unorthodox westerns of the 1950s\, Cowboy is also one of the best.” \nMorrell\, a Santa Fe resident\, holds a Ph.D. in American literature from Penn State and was an English professor at the University of Iowa. His numerous New York Times bestsellers include the classic spy trilogy The Brotherhood of the Rose (the basis for the only television mini-series to premier after a Super Bowl)\, The Fraternity of the Stone\, and The League of Night and Fog. An Edgar\, Anthony\, and Macavity nominee\, Morrell received three Bram Stoker awards and the prestigious Thriller Master award from the International Thriller Writers organization. His writing book\, The Successful Novelist\, discusses what he has learned in his four decades as an author. \nHis latest is a Victorian mystery/thriller\, Murder as a Fine Art\, which Publishers Weekly chose as one of the top 10 crime novels of 2013. Learn more at www.davidmorrell.net. \nCowboys Real and Imagined explores New Mexico’s cowboy legacy from its origin in the Spanish vaquero tradition through itinerant hired hands\, outlaws\, rodeo stars\, cowboy singers\, Tom Mix movies and more. The exhibit grounds the cowboy story in New Mexico through rare photographs\, cowboy gear\, movies and art. It includes a bounty of artifacts ranging in size from the palm-sized tintype of Billy the Kid purchased at a 2011 auction by William Koch to the chuck wagon once used by cowboys on New Mexico’s legendary Bell Ranch. \nThe exhibition is generously supported by the Brindle Foundation; Burnett Foundation; Albert and Ethel Herzstein Charitable Foundation\, Houston; Candace Good Jacobson in memory of Thomas Jefferson Good III; New Mexico Humanities Council; Newman’s Own Foundation; Palace Guard; Eugenia Cowden Pettit and Michael Pettit; Jane and Charlie Gaillard; Moise Livestock Company; the New Mexico Cattle Growers’ Association; and the many contributors to the Director’s Leadership\, Annual Education\, and Exhibitions Development Funds. \n  \n  \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1967-triumph-tr8-in-miac-lobby/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130929T100000
DTEND;TZID=America/Denver:20150908T170000
DTSTAMP:20230614T175201Z
CREATED:20140123T031424Z
LAST-MODIFIED:20230614T175201Z
UID:10001225-1380448800-1441731600@test-dca-mc.nmdca.net
SUMMARY:Heartbeat: Music of the Native Southwest
DESCRIPTION:A celebration of sight\, sound\, and activity for visitors of all ages\, Heartbeat: Music of the Native Southwest\, opens Sunday\, September 29\, 2013 at the Museum of Indian Arts and Culture. Over 100 objects relating to Southwestern Native dance and music will be featured\, including a flute made by Grammy award-winning artist Robert Mirabal of Taos Pueblo. \nCollectively used for indigenous ritual performance\, the drums\, flutes\, rasps\, rattles\, and clothing featured in the exhibition convey a richly layered message. Music\, too\, is integral to the ceremony—it is more than accompaniment for the dancers; each song is a prayer providing a pathway to the here and now and to the worlds beyond. \nNative music of the Southwest is still shaped by traditional cultural practices\, as well as today by those powerful disseminators of American and World music\, the internet\, television\, radio\, CDs\, and DVDs. \nCurator Tony Chavarria (Santa Clara Pueblo) says\, “For American Indian cultures—Southwestern tribes in particular—music has remained the heartbeat of sacred life ways for more than two thousand years. Music binds the earthly realms with their oppositional counterparts. Indigenous Southwest musicians express themselves through traditional forms as well as a wide variety of contemporary musical styles informed through their cultural basis.” \nIn the gallery\, the sights and sounds of Native dance and music can be experienced in multiple interactive zones. Visitors can listen to the wide array of Native music being produced today\, how different types of instruments sound\, and view historical footage of dance performances. And make your own music in the Heartbeat Recording Studio. \nMusic is fundamentally interwoven into the everyday lives of Native Americans; continuing to bind the ancient cultures of the Southwest to their lands and life ways. Heartbeat: Music of the Native Southwest\, through a Native curatorial voice\, explores this enduring connection between the past and present. \nThe opening on Sunday\, September 29\, 2013 from 1 to 4 p.m. will feature performances\, demonstrations\, hands-on activities for the entire family\, and refreshments provided by the Women’s Board of the Museum of New Mexico. \n \nOpening Schedule : \n1-4 p.m.: Drum making demonstration by Arnold Herrera (Cochiti Pueblo) in the Mural Gallery \nArnold Herrera is a 2011 Governor’s Arts Awards recipient. He is a master of several traditional Pueblo art forms. While best known as a drum maker he is also celebrated for his silverwork jewelry and red willow baskets\, as well as his skills as a Keresan song composer\, and traditional dance choreographer. \n1 p.m. and 3:30 p.m.:  Haaku’ Buffalo Group of Acoma Pueblo on Milner Plaza \n  \n1:30 p.m. and 3:15 p.m.:  Tewa Women’s Choir of Ohkay Owingeh Pueblo in the MIAC Theater \nThe Tewa Women’s Choir from Ohkay Owingeh Pueblo has kept the Tewa language alive by performing traditional and social songs in public venues for more than 40 years. \n2 p.m.: Sihasin\, Alter-Native Rock Music on Milner Plaza \nSister and brother\, Jeneda and Clayson Benally of the Indigenous punk rock band Blackfire\, are from the Navajo (Dine’) Nation in Northern Arizona. Their music reflects hope for equality\, healthy and respectful communities and social and environmental justice. Sihasin (See-ha-szin) is a Navajo word meaning to think with hope and assurance. \n  \n2:30 p.m.: Talk: Overview of Native Music of the Southwest by Angelo Joaquin (Tohono O’odham)\, Ethnomusicologist in the MIAC Theater \nAngelo Joaquin\, Jr. has directed the annual Waila Festival in Tucson since 1989. Waila (why-la) is now considered the traditional social dance music of the O’odham with its roots in the desert of southern Arizona. \nOngoing from 1-4 p.m.: All-ages hands-on activity\, cardboard drum decorating in the MIAC classroom \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1927-heartbeat-music-of-the-native-southwest/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="TJ Hilton":MAILTO:thomas.hilton@dca.nm.gov
GEO:35.664337;-105.9252387
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130707T100000
DTEND;TZID=America/Denver:20140105T170000
DTSTAMP:20230614T175201Z
CREATED:20160316T041956Z
LAST-MODIFIED:20230614T175201Z
UID:10001223-1373191200-1388941200@test-dca-mc.nmdca.net
SUMMARY:Let’s Talk About This:  Folk Artists Respond to HIV/AIDS
DESCRIPTION:The Gallery of Conscience became a new kind of experimental exhibition space at the Museum of International Folk Art in 2013. Everything in the gallery is a work in progress. Come in\, linger\, talk\, share ideas and explore important issues of conscience together\, drawing on the power of folk arts to “show and tell it like it is.” \n  \nWe must come to see that the end we seek is a society at peace with itself\, a society that can live with its conscience.”  -Dr. Martin Luther King\, Jr.\, Alabama\, 1965   \n“You must not be ashamed to speak out\, telling the community! When you keep quiet you sign your own death warrant.”  Maria Rengane\, embroiderer\, South Africa
URL:https://test-dca-mc.nmdca.net/dca-event/1849-lets-talk-about-this-folk-artists-respond-to-hiv-aids/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130609T100000
DTEND;TZID=America/Denver:20140727T170000
DTSTAMP:20230614T175200Z
CREATED:20160310T055847Z
LAST-MODIFIED:20230614T175200Z
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SUMMARY:Tako Kichi: Kite Crazy in Japan
DESCRIPTION:Japanese Kites have been a long delightful and entertaining tradition.  The exhibition featured traditional kites from various regions of Japan\, and work by respected kite artists.  This exhibition explored the cultural\, historical. artistic perspectives of kite making and flying. The exhibit was complemented with a video of kite fights in Japan and in-gallery kite making.  Public programs included Artist demonstrations\, with kite making and flying.
URL:https://test-dca-mc.nmdca.net/dca-event/1693-tako-kichi-kite-crazy-in-japan/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/takokichi.jpg
ORGANIZER;CN="Rebecca Ward":MAILTO:rebecca.ward@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130503T100000
DTEND;TZID=America/Denver:20130818T170000
DTSTAMP:20230614T175200Z
CREATED:20130328T235024Z
LAST-MODIFIED:20230614T175200Z
UID:10001221-1367575200-1376845200@test-dca-mc.nmdca.net
SUMMARY:PETER SARKISIAN: VIDEO WORKS\, 1994-2011
DESCRIPTION:Peter Sarkisian: Video Works\, 1994-2011 opens at the New Mexico Museum of Art Friday\, May 3\, 2013 with a free reception hosted by the Women’s Board of the Museum of New Mexico. The exhibition features 15 video and mixed-media works spanning 18 years and will be on view through August 18\, 2013. \nThroughout his career Santa Fe-based artist Peter Sarkisian has been an innovator working at the cutting edge of multi-media art. Juxtaposing projected video and physical objects\, his installations explore the intersection of the moving image and sculpture. 
URL:https://test-dca-mc.nmdca.net/dca-event/1727-peter-sarkisian-video-works-1994-2011/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130503T100000
DTEND;TZID=America/Denver:20130818T170000
DTSTAMP:20230614T175201Z
CREATED:20130314T002239Z
LAST-MODIFIED:20230614T175201Z
UID:10001222-1367575200-1376845200@test-dca-mc.nmdca.net
SUMMARY:PETER SARKISIAN: VIDEO WORKS\, 1994-2011
DESCRIPTION:Throughout his career Santa Fe-based artist Peter Sarkisian has been an innovator working at the cutting edge of multi-media art. Juxtaposing projected video and physical objects\, his installations explore the intersection of the moving image and sculpture. \nPeter Sarkisian: Video Works\, 1994-2011 opens at the New Mexico Museum of Art Friday\, May 3\, 2013 with a free reception hosted by the Women’s Board of the Museum of New Mexico. The exhibition features 15 video and mixed-media works spanning 18 years and will be on view through August 18\, 2013.  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1730-peter-sarkisian-video-works-1994-2011/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130419T100000
DTEND;TZID=America/Denver:20130908T170000
DTSTAMP:20230614T175239Z
CREATED:20121102T001328Z
LAST-MODIFIED:20230614T175239Z
UID:10001412-1366365600-1378659600@test-dca-mc.nmdca.net
SUMMARY:Mont St. Michel and Shiprock: Photographs by William Clift
DESCRIPTION:Mont St. Michel and Shiprock: Photographs by William Clift \nThe New Mexico Museum of Art is pleased to present this one-man exhibition by master photographer William Clift\, a long-time Santa Fe resident. The exhibition opens April 19 and runs through September 8\, 2013. \nFor almost four decades\, Clift has photographed two monolithic sites that dominate their expansive landscapes: Shiprock\, an eroded volcanic form that rises above the northwestern New Mexico desert and is sacred to the Navajo (Diné)\, and Mont St. Michel\, a tidal island off the north coast of France that is famous for its Romanesque-Gothic church and monastery. In this selection of more than seventy beautiful photographs\, Clift shares his ongoing\, nuanced exploration of the two places.  \n“These are pictures of tremendous sensitivity and resonance\,” said Katherine Ware\, Curator of Photography at the museum. “The artist’s devoted pursuit of these two subjects from 1973 to the present demonstrates the kind of seeing that is possible with sustained concentration. It’s very different from how most photographers work today.” \n  \nThe artist has long been recognized for his photographs of the New Mexico landscape but his work defies easy categorization. Born in Boston in 1944\, Clift began making photographs at the age of ten with an early interest in Polaroid image making. As a teenager\, he took a photography workshop with Paul Caponigro and was soon affiliated with many of the established practitioners of the medium. He moved to New Mexico in 1971\, where he and his wife raised a family\, and has earned a reputation as a thoughtful photographer and a meticulous printer. He is represented in the museum’s collection by twenty-four prints from across his career. \n  \nRegarding the exhibition\, Ware said\, “These photographs aren’t meant to catalog or document Shiprock and Mont St. Michel but are about the experience of being there. They capture the beauty as well as the danger of these archetypal sites in an evocative manner. The artist doesn’t add it all up for us — what animates them is how we experience them as individual viewers.” \n  \nThe exhibition is accompanied by a book with more than 130 reproductions of the artist’s Shiprock and Mont St. Michel pictures. Copies are available for purchase in the Museum Shop and from the artist’s website (http://www.williamclift.com/). \nThe traveling exhibition is organized by the Phoenix Art Museum\, where it will premiere on January 9\, 2013.  Mont St. Michel and Shiprock: Photographs by William Clift is presented through the generosity of donors to the New Mexico Museum of Art’s Director’s Leadership Fund and Exhibitions Development Fund. \nMedia Contacts: \nKatherine Ware\, Curator of Photography \nNew Mexico Museum of Art \nkate.ware@state.nm.us  \n  \nSteve Cantrell\, PR Manager \nNew Mexico Department of Cultural Affairs \n505-476-1144 \nsteve.cantrell@state.nm.us \n### \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1629-mont-st-michel-and-shiprock-photographs-by-william-clift/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130414
DTEND;VALUE=DATE:20140317
DTSTAMP:20230614T175137Z
CREATED:20200501T074438Z
LAST-MODIFIED:20230614T175137Z
UID:10001084-1365897600-1395014399@test-dca-mc.nmdca.net
SUMMARY:Cowboys Real and Imagined
DESCRIPTION:When America needed hard workers\, the cowboy was there. The job was dirty and difficult\, low-paid and lowly regarded. But when an America torn by the Civil War needed a hero to unite its soul\, the unassuming cowboy was an unlikely—and ultimately lasting—pick. \nSince riding out of Spanish horse culture\, he’s been an itinerant hired hand\, an outlaw\, a movie star\, a rodeo athlete\, a radio yodeler\, and a rhinestoned disco diva. He’s been Spanish\, Mexican\, African American\, Anglo\, male\, female\, straight\, and gay. His image has been co-opted to sell trucks\, beer\, boots\, beans\, jeans\, tires\, cigarettes\, leather couches\, presidential candidates\, and a lifestyle far beyond the means of real-life buckaroos. \nDespite the sometimes tortured lengths our imaginations have taken cowboys and cowgirls\, the basic fact of their life is this: a rough-hewn job stacked against steep odds. The daily dangers of working with cattle and horses are matched by volatile global markets\, a public with fickle tastes in heroes\, and a big sky that can deliver sunshine and tornadoes\, droughts and snowstorms. \nToday\, real cowboys sit uneasily in the saddle (or on the seat of an ATV\, occasionally dubbed “a Japanese cutting horse”). Climate change has altered the range and dealt cattle-ranching a potential kill card. Even as popular culture delivers new-and-improved versions of a fanciful life on the range\, Cowboys Real and Imagined asks a bare-boned question: Will the people who tamed that range survive? \nDownload high-resolution images from the exhibition by clicking on “Go to related media” at the bottom of this page. \nUsing artifacts and photographs from its wide-ranging collections\, along with loans from more than 100 people and museums\, Cowboys Real and Imagined (April 14\, 2013\, through March 16\, 2014) blends a chronological history of Southwestern cowboys with the rise of a manufactured mystique as at home on city streets as it is in a stockyard. \nAugmented by archival footage\, oral histories\, musical performances\, and a programming series that includes showings of classic Western movies filmed in New Mexico\, the exhibition anchors the cowboy story in New Mexico\, a place that not only helped give birth to the real thing but\, due to geographical and economical factors\, has managed to hold onto it longer than most other states. \n“One of the reasons the cowboy myth has been so pervasive and long-lasting is because anybody could become a cowboy of sorts\,” said guest curator by B. Byron Price director of the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma and director of the University of Oklahoma Press. “It isn’t always what you wear\, who you are\, or what your attitude is. The exhibit asks: Who is a real cowboy? \nIn its search for an answer\, Price said\, the exhibit discovers that cowboy “is a verb\, an adjective\, a noun\, an adverb.” \nDespite a career devoted to exploring the story of the cowboy\, Price said he was amazed at what he found in the museum’s Palace of the Governors Photo Archives\, including a small cache of glass-plate negatives. Made by Ella Wormser\, the wife of a Jewish merchant\, they may be the only visual evidence of trail drives making the transition toward rail transport. \n“I went crazy when I found (those)\,” he said. “She was the wife of a mercantile owner who came to Deming in 1895 and developed an interest in photography. Most significantly\, she shot a series of images that followed a roundup near Deming and driven to a railhead through a process of chutes. You cannot imagine how rare this series is. … In one of them\, you can see her skirt in shadow\, along with the tripod and camera. \n“I’ve spent years studying this and I haven’t found any better material than here at the New Mexico History Museum. In New Mexico\, because the old style of cowboying still prevails\, that attracts photographers—contemporary photographers.” \nModern-day shooters represented in the exhibit include Barbara Van Cleave\, Lee Marmon\, Donald Woodman\, and Herbert Lotz. Other artifacts include cowboy clothing from the 1700s through contemporary times; the chuck wagon that once fed cattle-driving cowboys of the northeastern New Mexico’s famed Bell Ranch; ephemera from the dude ranches that once speckled the state; and the ads that banked on cowboys to sell products. People who pop up through the exhibit include legendary Lea County cowgirl and rancher Fern Sawyer; singer Louise Massey; actor and film producer Tom Mix; Buck Taylor\, “The King of the Cowboys”; Billy the Kid; Frederic Remington; and the anonymous Rough Riders\, cowboys\, and vaqueros whose real-life acts still feed a wide-open space of the American dream. \nAs part of the exhibit\, the Palace Press is preparing a fine-press version of Jack Thorp’s classic Songs of the Cowboys\, first published in Estancia\, NM\, in 1908\, on a press now used at the History Museum. Thorp’s was a pioneering compilation of songs he heard hummed and strummed around campfires in New Mexico and included tunes from African American cowboys. Most of what he recorded likely would have faded into the starry skies without that effort. \n \n \nCowboys Real and Imagined is generously supported by the Brindle Foundation; Burnett Foundation; Rooster and Jean Cowden Family\, Cowden Ranch; Jane and Charlie Gaillard; Albert and Ethel Herzstein Charitable Foundation\, Houston; Candace Good Jacobson in memory of Thomas Jefferson Good III; Moise Livestock Company; Newman’s Own Foundation; New Mexico Cattle Growers’ Association; New Mexico Humanities Council; Palace Guard; Eugenia Cowden Pettit and Michael Pettit; 98.1 FM Radio Free Santa Fe; and the many contributors to the Director’s Leadership\, Annual Education\, and Exhibitions Development Funds. \n  \nAlso at the museum: Tall Tales of the Wild West: The Stories of Karl May recounts the life of a German author who conjured a cowboys-and-Indians world that has resonated in Europe for over a century. In the Mezzanine Gallery through Feb. 9\, 2014. For more information\, go to: http://media.museumofnewmexico.org/events.php?action=detail&eventID=1548. \nA year’s worth of free events accompanies Cowboys Real and Imagined: \nSunday\, March 10\, 2013\, 2pm—Don Edwards\, America’s Cowboy Balladeer \nThe Grammy-nominated singer\, guitarist\, songwriter\, and historian sings and plays old-time ballads and cowboy songs. $25 at the History Museum Shop; call (505) 982-9543 or log onto www.newmexicocreates.org and click on “Museum Products.” Seating is limited. \nSaturday\, April 13\, 2013\, 6:30pm—Members Preview. \nMuseum of New Mexico Foundation members get a first peek at the exhibit and a chance to put on their best cowboy and cowgirl duds. To join\, call (505) 982-6366. \nSunday\, April 14\, 2013—Grand Opening.  \nVisit the exhibit\, enjoy refreshments and\, at 2 pm\, hear a lecture by guest curator B. Byron Price\, director of the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma and director of the University of Oklahoma Press. Free with admission (Sundays free to NM residents). \nFriday\, April 26\, 2013\, 6pm—Cowboy movie night: “Tom Mix and Ranch Life in the Great Southwest\,” with journalist and film critic Jon Bowman.  \nBesides the 1910 Ranch Life\, see a showing of the 1915 short\, Local Color\, filmed in New Mexico. Free. \nSunday\, May 5\, 2013\, 2pm—“I See By Your Outfit: Historic Cowboy Clothing\,” a presentation by Emmy award-winning costume designer Cathy Smith. \nSmith has presented at the Smithsonian Institutions’ Renwick Gallery in 2003 and the Trappings of the American West exhibition in 2008. Her lecture is an accurate and humorous look at the historical evolution of the American cowboy through photos of his costume\, equipment and horses. Examples of Smith’s costumes and pieces from her historic cowboy clothing collection are included in Cowboys Real and Imagined. Free with admission (Sundays free to NM residents). \nFriday\, May 17\, 2013\, 6pm—Cowboy movie night: “An Introduction to The Hi-Lo County\,” with Max Evans. \nThe legendary author talks with Jim Harris\, director of the Lea County Museum\, about his storied career\, including the making of movies from his works\, with a showing The Hi Lo Country (1998). Free. \nSunday\, June 16\, 2013\, 1-3pm–Father’s Day Special. Meet the Royal Court of Rodeo de Santa Fe\, try on hats courtesy of J.D. Noble and the HatSmith of Santa Fe\, and get a free portrait of Dad in a Hat by photographer Cheron Bayna Ryan. Free. \nSunday\, June 23\, 2013\, 1:30-4pm–Honoring Eastern New Mexico’s Ranching Heritage. Join Los Compadres del Palacio\, a support group of the New Mexico History Museum\, for tours of Cowboys Real and Imagined\, and step inside a 1950s-era range tent once used on the Bell Ranch. At 2 pm\, Meredith Davidson\, curator of the 19th- and 20th-century American Southwest collection\, speaks in the auditorium on “Ranching History Heard\,” using oral history\, song and sound to document the stories of New Mexico cowpunchers and ranchers. Following Davidson’s talk\, cowboy singer and onetime ranch hand Steve Cormier of Sandia Park\, NM\, will perform in the auditorium. Free; reservations recommended. Call 505-476-5191. \n Sunday\, June 30\, 2013\, 2pm–African American Cowboys. See the short documentary African American Cowboy: The Forgotten Man of the West\, by film student Victoria Liozynyansky\, followed by a discussion with Cleo Hearn and Aaron Hopkins of Cowboys of Color\, sponsors of the biggest national rodeo for black cowboys. Free. \nFriday\, July 19\, 2013\, 6pm—Cowboy movie night: “Edward Abbey and Lonely Are the Brave\,” with oral historian Jack Loeffler. \nLoeffler discusses his friendship with author Edward Abbey and the transformation of Abbey’s novel The Brave Cowboy into a 1962 icon of Western movies\, filmed in and around Albuquerque\, the Sandia Mountains\, Manzano Mountains\, Tijeras Canyon\, and Kirtland Air Force Base. Free. \nSunday\, August 4\, 2013\, 2pm—“Pride in the Saddle in New Mexico: The Story of Gay Rodeo\,” by Out West producer Gregory Hinton and photographer Blake Little. \nHinton and Little talk about the history of gay rodeo in New Mexico and Little’s rare collection of gay rodeo photographs taken from 1988-1992\, when he was a champion bull rider in the International Gay Rodeo Association. Little’s photographs will be exhibited at the Eiteljorg Museum in Indianapolis in 2014. Free with admission (Sundays free to NM residents). \nFriday\, August 9\, 2013\, 6pm—“Jack Thorp’s Songs of the Cowboys\,” by music historians Mark Gardner and Rex Rideout. \nGardner and Rideout perform and discuss the cowboy ballads collected by New Mexico cowboy\, rancher\, surveyor\, and state cattle inspector N. Howard “Jack” Thorp\, who published the very first book of cowboy songs at Estancia\, NM\, in 1908. The Palace Press this year debuts a special\, fine-press reprint of the book. Gardner and Rideout use vintage instruments and historic playing styles to present a close approximation of how this music sounded. Free. \nSaturday and Sunday\, August 10 and 11\, 2013\, 10am to 4pm—“Wild West Weekend.” \nJoin us for two days of family fun celebrating the heritage of cowboys\, featuring singing cowboys (and gals!)\, saddle makers\, trick ropers\, bootmakers\, poets\, dutch-oven cooking demonstrations\, and lots more. Mark Gardner and Rex Rideout will lead a one-hour workshop on Saturday for families on traditional cowboy songs and discuss the New Mexico cowboy lifestyle and culture as represented in the songs. Free with admission (Sundays free to NM residents; children 16 and under free daily). \nFriday\, September 20\, 2013\, 6pm—Cowboy movie night: “On the Trail of The Cowboys\,” with journalist and film critic Robert Nott.  \nFilmed at various locations in New Mexico and elsewhere\, The Cowboys (1972) is considered one of John Wayne’s greatest movies. Based on the William Dale Jennings’ novel\, the movie follows a cattle drive from Montana to South Dakota with real “boys\,” after the real ones flee the range in search of gold. Free. \nSunday\, October 27\, 2013\, 2pm: “Nice Jewish Cowboys and Cowgirls.” Noel Pugach\, professor emeritus of history at the University of New Mexico\, leads a panel discussion among members of the Gottlieb and Wertheim families\, who share their families’ stories and explain what “the cowboy way” means to them. Meredith Davidson\, curator of 19th– and 20th-century Southwest collections\, presents a selection of Ella Wormser’s images on view in the exhibit.  Presented in conjunction with the New Mexico Jewish Historical Society and Temple Beth Shalom. Free with admission; Sundays free to NM residents. \nFriday\, November 15\, 2013\, 6pm: Cowboy movie night—“Oh\, to be a Cowboy\,” with best-selling author David Morrell (of Rambo fame).  \nBased onFrank Harris’s My Reminiscences as a Cowboy\,” the 1958 movie Cowboy stars Glenn Ford and Jack Lemmon. AChicago hotel clerk dreams of life as a cowboy and gets his shot in a cattle-driving outfit. Not surprisingly\, the tenderfoot finds out life on the range is neither what he expected nor what he’s been looking for. Free.   \nFriday\, January 17\, 2014\, 6pm—Cowboy movie night: “Revisiting City Slickers\,” with author Johnny Boggs. \nA mid-life crisis plagues a man and his friends\, who find renewal and purpose on a cattle-driving vacation\, filmed at various locations in New Mexico. Starring Billy Crystal and Jack Palance (1991). Free. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/cowboys-real-and-imagined-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130414
DTEND;VALUE=DATE:20140317
DTSTAMP:20230627T205115Z
CREATED:20130414T060000Z
LAST-MODIFIED:20230627T205115Z
UID:10001404-1365897600-1395014399@test-dca-mc.nmdca.net
SUMMARY:Cowboys Real and Imagined
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/cowboys-real-and-imagined/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130303T100000
DTEND;TZID=America/Denver:20130902T170000
DTSTAMP:20230614T175239Z
CREATED:20160316T042426Z
LAST-MODIFIED:20230614T175239Z
UID:10001413-1362304800-1378141200@test-dca-mc.nmdca.net
SUMMARY:Plain Geometry Amish Quilts
DESCRIPTION:Quilts in the exhibit llustrated the changes in everyday life that occurred when families moved west and established communities in Ohio\, Indiana\, and other Midwestern states. A somber color palette gave way to brighter colors and more complex pieced patterns. The use of cotton or wool fabrics\, border width\, and color choice were regionally specific as well and color preferences differed according to settlement and time period. \nSome quilt designs on view were Diamond in Square and Bars. These large-piece patterns are related to an even earlier form called whole cloth quilts that were not pieced but made from one-color cloth. These quilts are the most recognizably Amish with their strong contrasting colors and fine quilting. The Pennsylvania Amish continued creating these patterns long after their brethren left for lands further west. \nThe exhibition included crib and doll quilts. These were made by an expectant mother or grandmother to welcome a new baby into the world. Crib quilts were more frequently made in Ohio\, Indiana\, and Illinois than in Lancaster County. \nVisitors of all ages enjoyed making thier own virtual quilt on the in-gallery IPad to save and share with other visitors. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1630-plain-geometry-amish-quilts/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130301T100000
DTEND;TZID=America/Denver:20130405T170000
DTSTAMP:20230614T175200Z
CREATED:20130227T003910Z
LAST-MODIFIED:20230614T175200Z
UID:10001220-1362132000-1365181200@test-dca-mc.nmdca.net
SUMMARY:Alcove 12.9 Caps an Ambitious Series of Nine Shows
DESCRIPTION:Alcove 12.9 Caps an Ambitious Series of Nine Shows \nThe New Mexico Museum of Art’s final show in the Alcove 12.0 series will open on March 1 with Alcove 12.9\, featuring works by Jeff Deemie\, Teri Greeves\, Joanne Lefrak\, James Marshall \, and Mary Tsiongas.   \nIn March of 2012\, the Museum launched the Alcove 12.0 series—nine exhibitions focusing on new work by contemporary New Mexico artists curated by Merry Scully.  
URL:https://test-dca-mc.nmdca.net/dca-event/1721-alcove-12-9-caps-an-ambitious-series-of-nine-shows/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130217T100000
DTEND;TZID=America/Denver:20131230T170000
DTSTAMP:20230614T175240Z
CREATED:20130130T070647Z
LAST-MODIFIED:20230614T175240Z
UID:10001415-1361095200-1388422800@test-dca-mc.nmdca.net
SUMMARY:What’s New in New: Recent Acquisitions
DESCRIPTION:What’s New in New: Recent Acquisitions is the Museum of Indian Arts and Culture’s annual exhibition of new acquisitions celebrating the gallery’s namesake\, Lloyd Kiva New. What’s New in New opens on Sunday\, February 17\, 2013 from 1 to 4 p.m. and runs through December 30\, 2013. The Women’s Board of the Museum of New Mexico will serve refreshments in honor of Kiva New’s birthday anniversary.   \nCurator Tony Chavarria’s focus with this show is on modern and contemporary Native art including paintings\, monotypes\, poetry\, and sculpture created between 1968 and 2012.
URL:https://test-dca-mc.nmdca.net/dca-event/1688-whats-new-in-new-recent-acquisitions/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1688_thumb.jpg
ORGANIZER;CN="Chris Nail":MAILTO:chris.nail@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130213T100000
DTEND;TZID=America/Denver:20130915T170000
DTSTAMP:20230614T175200Z
CREATED:20130518T033135Z
LAST-MODIFIED:20230614T175200Z
UID:10001218-1360749600-1379264400@test-dca-mc.nmdca.net
SUMMARY:Back in the Saddle and Georgia O’Keeffe
DESCRIPTION:New Mexico artists have incorporated horses in their Southwestern imagery since the 1880s. During the twentieth century\, the horse became an icon of the region\, reflecting its ethnic diversity and changing aesthetic styles. The 25 paintings\, prints\, and photographs in Back in the Saddle capture the changing spirit of Southwest art. The works are drawn from the New Mexico Museum of Art collection. \nArtists in the exhibition include Gerald Cassidy\, W. Herbert “Buck” Dunton\, Betty Hahn\, Luis A. Jiménez Jr.\, Barbara Latham\, Eliot Porter\, Olive Rush\, Fritz Scholder\, Joseph Henry Sharp\, Theodore Van Soelen\, and Walter Ufer. The Native American\, Hispanic\, and European American art on view reveals some of the fusions that have occurred across cultural divides.
URL:https://test-dca-mc.nmdca.net/dca-event/1690-back-in-the-saddle-and-georgia-okeeffe/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130108T100000
DTEND;TZID=America/Denver:20130414T050000
DTSTAMP:20230614T175240Z
CREATED:20130103T060511Z
LAST-MODIFIED:20230614T175240Z
UID:10001414-1357639200-1365915600@test-dca-mc.nmdca.net
SUMMARY:Art on the Edge 2013
DESCRIPTION:(Santa Fe\, NM)—Eight contemporary artists from the Southwest will be featured in the Friends of Contemporary Art + Photography’s biennial juried show\, Art on the Edge\, hosted by the New Mexico Museum of Art. The artists\, who were selected by Toby Kamps of the Menil Collection\, Houston\, are Rosemary Meza-DesPlas (Dallas\, TX)\, Heidi Pollard (Albuquerque\, NM)\, Rebekah Potter (Albuquerque\, NM)\, Donna Ruff (Santa Fe\, NM)\, Joel Santaquilani (Amarillo\, TX)\, Martina Shenal (Tucson\, AZ)\, Derrick Velasquez (Denver\, CO)\, and Greta Young (Santa Fe\, NM). Art on the Edge 2013 will open to the public on January 18\, 2013. The exhibition runs through April 14\, 2013.
URL:https://test-dca-mc.nmdca.net/dca-event/1649-art-on-the-edge-2013/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20121209T100000
DTEND;TZID=America/Denver:20140105T170000
DTSTAMP:20230614T175238Z
CREATED:20160318T031959Z
LAST-MODIFIED:20230614T175238Z
UID:10001410-1355047200-1388941200@test-dca-mc.nmdca.net
SUMMARY:New World Cuisine  The Histories of Chocolate\, Mate Y Más
DESCRIPTION:New World Cuisine explored how foods around the world developed from mixing the old and the new\, and how many of the tastiest dishes and desserts came to be associated with New Mexico. \nThe mixing of peoples and foods—the fusion of cultures and traditions referred to as mestizaje—began in August 1598. It was then that Juan de Oñate’s 500-strong expedition of soldiers\, families\, and Franciscan friars settled in New Mexico on the fertile and irrigated farmland of the Tewa Pueblos of Yungue and Okhay\, located at the confluence of the Chama and Rio Grande Rivers. \nThe Old World gained new staple crops\, including potatoes\, sweet potatoes\, maize\, and cassava. Tomatoes\, chili peppers\, cacao\, peanuts\, and pineapples also were introduced\, and some became culinary centerpieces in many Old World countries: the tomato in Mediterranean countries Italy\, Greece\, and Spain; the chili pepper in India\, Korea\, Thailand\, and China\, via the Philippines; and paprika made from chili peppers\, in Hungary. \nNew World foods brought caloric and nutritional improvements over previously existing staples; others\, like tomato and chili\, complemented existing foods and traditional recipes\, adding not only nourishment but also new\, improved taste. \nBecause the New World’s vast and unpopulated fertile land was well suited for cultivating the same crops in high demand in Old World markets\, the Americas became the main global supplier. Moreover\, the increased supplies lowered prices for commodities such as sugar\, coffee\, soybeans\, oranges\, and bananas  making them affordable for the first time to the general population. \nMore than 300 objects objects from the museum’s vast collection of historical culinary items related to food harvesting\, preparation\, table settings\, and utilitarian and decorative implements were displayed. Some examples are Asian and European spice jars retrofitted with intricately detailed locking metal lids in Mexico City to protect a household’s cacao from thieves; traditional pottery cooking vessels reimagined by metal smiths using hammered copper to accommodate the molinillo used to froth chocolate; talavera kitchen and tableware modeled after Chinese import porcelains; fine antique and contemporary silverware from Europe and the Americas. All provide insight into the importance placed on crafting exquisite food vessels and implements—and that you are what you eat with. \n“It’s such a fabulous history\,” curator Nicolasa Chávez said. “We borrowed a tiny pottery sherd from Chaco Canyon that was tested for theobroma (chocolate’s scientific name). I wanted that in the exhibit to really bring home to New Mexico that we’ve had a 1\,000-year-old love affair with chocolate.”  The exhibition included an interactive scent station\, magnetic map illuminating where foods come from\, and in gallery and on social media\, \n   
URL:https://test-dca-mc.nmdca.net/dca-event/1596-new-world-cuisine-the-histories-of-chocolate-mate-y-mas/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121118
DTEND;VALUE=DATE:20140210
DTSTAMP:20230614T175137Z
CREATED:20200501T074555Z
LAST-MODIFIED:20230614T175137Z
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SUMMARY:Tall Tales of the Wild West: The Stories of Karl May
DESCRIPTION:Mention “Winnetou” or “Old Shatterhand” almost anywhere in Europe\, and you’ll be met with smiles. But try it in the United States\, and you’re more likely to earn a blank stare. Created by German author Karl May\, Winnetou and Old Shatterhand are two of the most popular fictional characters of the 19th and 20th century. In a series of novels\, they served as trail guides to the mystique of the American West and even today are celebrated in European festivals and theme parks. \nMay’s books have outsold those of Louis L’Amour and Zane Grey combined and were beloved by the likes of Albert Einstein\, Herman Hesse\, Fritz Lang\, and Franz Kafka. All of that makes the author (who died in 1912) something of an authority on cowboys\, Indians\, Rocky Mountains\, saloon girls\, soldiers\, and banks ripe for robbing. \nBut there’s a hitch: May never saw the West. “In 1908\, he made his only visit to the United States and he went as far west as Buffalo\, New York\,” said Tomas Jaehn\, librarian for the Fray Angélico Chávez History Library. \nNevertheless\, his faith in the glory of the West and his ability to nurture an entire continent’s love for it has drawn countless people across the Atlantic to visit and to stay. From Nov. 18\, 2012\, to Feb. 9\, 2014\, the New Mexico History Museum/Palace of the Governors celebrates May’s life\, legacy and lasting impact in Tall Tales of the Wild West: The Stories of Karl May. \nCurated by Jaehn (another product of Germany)\, this small\, original exhibition in the museum’s Mezzanine Gallery includes first-edition and foreign-language versions of May’s books\, along with photographs illustrating his life. On loan from the Karl May Museum is Silberbüchse\, Winnetou’s name for his rifle. May (whose name rhymes\, perhaps fittingly\, with “lie”) said he took the weapon from the Indian’s grave in Wyoming for safekeeping. In fact\, the rifle was manufactured in Radebeul as a nonworking prop. Its visit to the exhibition will mark the first time it has been seen in the land where it was purportedly made. \nA 10-minute excerpt from the Hollywood-like production Winnetou will show how a French actor portrayed a Native America and how Croatia (part of the former Republic of Yugoslavia) played New Mexico. (An American actor played Old Shatterhand.) \nBorn in 1842 in Ernstthal\, May cast about as an adult\, failing first as a teacher\, then earning enough accusations of forgery\, fraud\, petty theft and impersonating police officers and doctors to draw prison terms. While incarcerated\, he nurtured a love of writing\, emerging with tales that\, by 1886\, made him the most widely read author in Germany. \n“Karl May is such a fascinating character – millions of copies of his works sold\, telling millions of readers about the American West\, and yet he is not known in this country\,” said Jaehn\, who grew up reading May’s books and wrote the 2005 book\, Germans in the Southwest\, 1850-1920 (University of New Mexico Press). “His successful efforts to make his readers believe that he experienced all these adventures appear funny and humorous today.  Still\, Karl May is an important figure in German literature although critics are still debating his impact – some calling him an imposter\, others calling him a genius.” \nAcross Europe\, special events have marked the centennial of May’s death this year. Tall Tales of the Wild West is the first—and only—U.S. exhibition dedicated to him. In an article commemorating his centennial for The New Yorker’s April 9\, 2012\, edition\, Rivka Galchen wrote: \n“May’s prose is less purple\, and less populated with good cowboys\, than the writing of Zane Grey\, the famous American author of Wild West stories. May’s work has a chatty\, as-told-to narrative voice\, and a wit reminiscent\, at times\, of another American\, Mark Twain. Yet\, for all their echoes of setting and voice\, May’s stories read as distinctively German\, not only because of their occasional greenhorn errors. (The Apache and Kiowa were allies and not enemies\, for example.)” \nThe exhibition is generously supported by the Herzstein Foundation\, the German Consulate General in Houston\, and a grant from the New Mexico Humanities Council. \nOpening event and lecture series \nAt 2 pm on Sunday\, Nov. 18\, 2012\, an opening reception for Tale Tales of the Wild West: The Stories of Karl May will feature a lecture by Hans Grunert\, curator of the Karl May Museum in Radebeul\, Germany\, in the History Museum Auditorium. The Women’s Board of the Museum of New Mexico will serve light refreshments at 3 pm in the lobby. Invited guests include Klaus-Jochen Guehlcke\, Consul General of the Federal Republic of Germany in Houston\, Texas\, and Stephan Helgesen\, Honorary Consul of the Federal Republic of Germany in Albuquerque\, New Mexico. \nAll of the exhibition’s lectures are free with admission (Sundays free to NM residents and Friday evenings free to everyone). Each lecture is in the History Museum Auditorium: \nSunday Nov. 18\, 2012\, 2 pm: “Karl May’s Wild West\,” by Hans Grunert\, curator\, Karl May Museum\, Radebeul\, Germany. Refreshments following. \nFriday\, Feb. 15\, 2013\, 6 pm: “Karl May and Beyond: Indian Hobbyists in 20th-Century Germany\,” by Birgit Hans\, professor of Indian studies\, University of North Dakota. \nFriday\, April 12\, 2013\, 6 pm: “Karl May in America—Enthusiasm or Disappointment?” by Peter Karl Pabisch\, professor emeritus of German studies\, University of New Mexico. \nFriday\, June 14\, 2013\, 6 pm: “Karl May’s Winnetou: Imagining the Noble Savage in 19th- and 20th-Century Germany\,” by Michael Wala\, professor of North American history\, University of Bochum\, Germany.
URL:https://test-dca-mc.nmdca.net/dca-event/tall-tales-of-the-wild-west-the-stories-of-karl-may-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121118
DTEND;VALUE=DATE:20140210
DTSTAMP:20230627T205123Z
CREATED:20121118T070000Z
LAST-MODIFIED:20230627T205123Z
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SUMMARY:Tall Tales of the Wild West: The Stories of Karl May
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/tall-tales-of-the-wild-west-the-stories-of-karl-may/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20121005T100000
DTEND;TZID=America/Denver:20130106T170000
DTSTAMP:20230614T175239Z
CREATED:20120921T023156Z
LAST-MODIFIED:20230614T175239Z
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SUMMARY:Chromatic Fusion and Emerge - Two Glass Shows Open
DESCRIPTION:The New Mexico Museum of Art celebrates the 50th anniversary of the American studio glass movement with two companion exhibitions. \nThe New Mexico Museum of Art announces two concurrent exhibitions of glass art to coincide with the 50th anniversary of the American studio glass movement in 2012. The exhibitions—Chromatic Fusion: The Art of Fused Glass\, featuring Klaus Moje and Emerge 2012: A Showcase of Rising Talents in Kiln-glass—include both emerging and established artists working in kilnformed glass. Artists from around the globe are highlighted in these two exhibitions that open to the public on Friday\, October 5\, 2012\, 5:30-7:30 pm\, with a reception hosted by the Women’s Board of the Museum of New Mexico. Both shows will be on view through January 6\, 2013. \nCHROMATIC FUSION   \n \nChromatic Fusion: The Art of Fused Glass\, featuring Klaus Moje explores the various technical\, thematic\, and visual approaches to kilnformed glass by artists working around the globe. The centerpiece of the exhibition is Klaus Moje’s large-scale\, multipanel work The Portland Panels: Choreographed Geometry (2007). A tour de force work by this German-born artist who helped build the renowned glass program at the Canberra School of Art in Australia\, The Portland Panels consist of four 6-foot panels and over 22\,000 pieces of glass fused together. Other artists in the exhibition likewise demonstrate their mastery of glass through myriad techniques such as murrini\, pate de verre\, slumping\, engraving\, and fusible film. These artists include Kate Baker\, Giles Bettison\, Cobi Cockburn\, Mel George\, Deborah Horrell\, Steve Klein\, Jessica Loughlin\, Richard Marquis\, Catharine Newell\, April Surgent\, Joanne Teasdale\, Carmen Vetter\, Yoko Yagi\, and Toots Zynsky. \n  \nEMERGE 2012   \nIn partnership with Bullseye Glass\, the New Mexico Museum of Art will host Emerge 2012: A Showcase of Rising Talents in Kiln-glass\, the seventh biennial juried show of early-career artists working in kilnformed glass. This international competition\, sponsored and organized by Bullseye Glass\, highlights emerging talents and innovative approaches within this field. Emerge 2012 includes the competition’s award-winners and three Juror’s Choice selections. The artworks were selected by three jurors: artists Silvia Levenson and Klaus Moje and New Mexico Museum of Art curator Laura Addison.  \nThe works are thematically and functionally diverse\, but share a mastery of materials. French artist Émilie Haman’s Once Upon a Time\, which won the Gold Award in the competition\, is an exquisitely executed kilncast-glass pig’s hoof with satin laces that is inspired by the often grotesque narrative twists in fairy tales. Japanese-born artist Sayaki Suzuki’s hyperrealistic kilncast-glass feast of Harvest Day\, which won the Kilncaster Award\, tricks the eye into believing the skins of the onion and the kernels of corn are real\, and make you anticipate the crunch of a baguette. The water lily-shaped shallow bowls by Spaniards Ester Luesma and Xavier Vega were awarded the Design Award for their creative approach to glass functional ware for restaurants that parallels the innovative approach of master chefs to their own “medium.” \nThe artists selected are: Miri Admoni (Israel)\, Karen Bexfield (United States)\, Cortney Boyd (United States)\, Victoria Calabro (United States)\, Émilie Haman (France)\, Elizabeth Fortunato (United States)\, Ester Luesma and Xavier Vega (Spain)\, Karen Mahardy (United States)\, Sayaka Suzuki (United States) and Amy Westover (United States). \n  \nA full-color catalog of Emerge 2012 is available.  \n  \n   \nAbout Bullseye Glass \nBased in Portland\, Oregon\, with resource centers in Santa Fe\, New Mexico\, and Emeryville\, California\, Bullseye Glass is a manufacturer of colored glass for art and architecture with a strong commitment to research\, education\, and promoting glass art. For more than thirty-five years\, Bullseye Glass has collaborated with a community of artists worldwide and has been instrumental in developing many of the fundamental materials and methods at the core of contemporary kiln-glass.  \n  \nAbout the New Mexico Museum of Art \nThe New Mexico Museum of Art was founded in 1917 as the Art Gallery of the Museum of New Mexico. Housed in a spectacular Pueblo Revival building designed by I. H. and William M. Rapp\, it was based on their New Mexico building at the Panama-California Exposition (1915). The museum's architecture inaugurated what has come to be known as "Santa Fe Style." For nearly 100 years\, the Museum has celebrated the diversity of the visual arts and the legacy of New Mexico as a cultural crossroads by collecting and exhibiting work by leading artists from New Mexico and elsewhere. This tradition continues today with a wide array of exhibitions with work from the world’s leading artists. The New Mexico Museum of Art brings the art of New Mexico to the world and the art of the world to New Mexico. \n  \nThe New Mexico Museum of Art is a division of the New Mexico Department of Cultural Affairs. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1600-chromatic-fusion-and-emerge-two-glass-shows-open/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120930
DTEND;VALUE=DATE:20130211
DTSTAMP:20230614T175137Z
CREATED:20200428T034900Z
LAST-MODIFIED:20230614T175137Z
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SUMMARY:Altared Spaces: The Shrines of New Mexico
DESCRIPTION:Hallowed ground abounds across New Mexico’s landscape. Whether it’s a mountaintop sacred to Pueblo people\, a backyard shrine built by a Spanish descendent\, or a “ghost bike” set up in memory of a fallen bicyclist\, people of many backgrounds have found the need to invest places with their prayers and devotion. \nAltared Spaces: The Shrines of New Mexico (September 30\, 2012\, through February 10\, 2013) reveals how three New Mexico photographers interpret those places. Featuring the work of Siegfried Halus\, Jack Parsons\, and Donald Wooodman\, Altared Spaces will be in the second-floor Gathering Space of the New Mexico History Museum. The photographers’ work augments images in the exhibition Contemplative Landscape and Illuminating the Word: The Saint John’s Bible. \nDownload high-resolution images from the exhibit by clicking on “Go to related images” at the bottom of this page. \nThe photographers kick off the exhibit on Sunday\, September 30\, with a 2 pm discussion of their work in the History Museum auditorium\, followed by refreshments in the Gathering Space\, courtesy of the Women’s Board of the Museums of New Mexico. The event is free with museum admission; Sundays are free to NM residents. (And parking is free in downtown Santa Fe on Sundays.) \nGuest curator Mary Anne Redding selected images for Altared Spaces that reveal a variety of custom-made shrines bearing profound personal meaning that meld seamlessly and artfully into their surroundings. For the photographers\, that connection is personal as well. \nIn Austria\, where Siegfried Halus lived until he was eight\, shrines with images of Jesus\, the Virgin Mary\, and other religious figures are posted at crossroads and roadsides. Halus’s mother was Catholic\, his Romanian Orthodox father a liturgical sculptor who relocated his family to Philadelphia in the early 1950s. Halus apprenticed with his father as a wood carver before earning a graduate degree in sculpture. Moving to Santa Fe in 1989\, he found common ground in Hispano traditions of shrines and saint making and\, with author and santera Marie Romero Cash\, created the book Living Shrines: Home Altars in New Mexico\, published by the Museum of New Mexico Press. \n“In New Mexico\, shrines help people maintain their religious history and traditions\,” Halus says. “They not only express individual spiritual relationships\, they tell stories of how people live and have lived.” \nHalus is former director of the art department of Santa Fe Community College. With photographer Greg Mac Gregor\, he recreated the 1776  Dominguez and Escalante Expedition for the book In Search of Dominguez & Escalante: Photographing the 1776 Spanish Expedition Through the Southwest\, published by the Museum of New Mexico Press. \nShrines have been a part of Jack Parsons’ photographic journey through New Mexico for more than 35 years. As sacred spaces for religious contemplation or secular expressions of highly individual meaning\, shrines appeal to his eye and imagination for the creative process that links familiar objects to acts of personal devotion and meaningful moments in time. \n“Photographing shrines is a slight invasion of privacy\, but I appreciate their aesthetic value\,” Parsons says. “They are artful even if they are crude. They are visual touchstones for things that are meaningful in our lives.” \nParsons has published more than a dozen books\, pioneering the “lifestyle” genre with Rizzoli’s international best-seller Santa Fe Style\, which has been followed by numerous best-selling volumes on art\, décor and culture. With Carmella Padilla\, a fellow recipient of the New Mexico Governor’s Award for Excellence and Achievement in the Arts\, Parsons created both The Chile Chronicles and El Rancho de las Golondrinas. \nFor more on Parsons\, go to his website\, http://www.jackparsonsdigital.com/. \nAs a photographer who has explored landscapes worldwide\, Donald Woodman also views a shrine as any physical or spiritual destination or pilgrimage site.  While traveling in Europe for a project on the Holocaust\, for example\, he visited concentration camps\, memorials and other markers of human devastation that are shrines to those who experienced the horror. Closer to home\, he says\, everything from old railyards to the natural wonders of the Navajo Nation to the graves of Billy the Kid or Kit Carson are shrines to the settling of the West. \n“In New Mexico\, the awe-inspiring qualities of the natural environment draw people from around the world\,” he says. “The landscape is a shrine to itself.” \nWoodman has photographed New Mexico churches\, roadside memorials\, and other traditional New Mexican shrines. But he is more intrigued by less familiar subjects—such as The Lightning Field land art sculpture\, the Very Large Array astronomical radio observatory\, or nuclear history’s seminal Trinity Site—that reflect the inherent allure and reverence of the New Mexico landscape and history. For more on Woodman\, go to his website: http://donaldwoodman.com/.
URL:https://test-dca-mc.nmdca.net/dca-event/altared-spaces-the-shrines-of-new-mexico-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120930
DTEND;VALUE=DATE:20130211
DTSTAMP:20230627T205131Z
CREATED:20120930T060000Z
LAST-MODIFIED:20230627T205131Z
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SUMMARY:Altared Spaces: The Shrines of New Mexico
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/altared-spaces-the-shrines-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120908T100000
DTEND;TZID=America/Denver:20120908T170000
DTSTAMP:20230614T175238Z
CREATED:20120904T221110Z
LAST-MODIFIED:20230614T175238Z
UID:10001409-1347098400-1347123600@test-dca-mc.nmdca.net
SUMMARY:New World: Timless Visions
DESCRIPTION:The New Mexico Museum of Art will host New World: Timeless Visions\, the biennial membership exhibition of the International Academy of Ceramics (IAC). The exhibition coincides with the IAC’s biennial General Assembly\, which is being held this year in Santa Fe. The exhibition will be on view September 8-23\, 2012. There will be no public reception. \nThe exhibition New World: Timeless Visions includes the work of more than 140 IAC members. The exhibition will provide visitors with a glimpse of some of the innovative and exciting contemporary ceramics being created around the globe. IAC members in the exhibition represent 35 different countries from all continents except Antarctica.
URL:https://test-dca-mc.nmdca.net/dca-event/1549-new-world-timless-visions/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20120525T100000
DTEND;TZID=America/Denver:20120826T170000
DTSTAMP:20230614T175238Z
CREATED:20120522T043813Z
LAST-MODIFIED:20230614T175238Z
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SUMMARY:The Curve: Center Award Winners\, 2012
DESCRIPTION:The New Mexico Museum of Art partners again this year by exhibiting the winners of CENTER’s  annual Project Competition and Project Launch. The exhibition opens May 25 and runs through August 26\, 2012.  \nFirst place winners are Anastasia Taylor-Lind in the Project Competition for her series The National Womb\, and Odette England in the Project Launch for her series Thrice Upon a Time. \nIn The National Womb\, Taylor-Lind documents the “birth encouragement program” introduced in Nagomo Karabakh after war that began in 2008 resulted in the decimation of its population.
URL:https://test-dca-mc.nmdca.net/dca-event/1480-the-curve-center-award-winners-2012/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
END:VCALENDAR