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SUMMARY:Painting the Divine: Images of Mary in the New World
DESCRIPTION:As part of Painting the Divine: Images of Mary in the New World\, the History Museum will host a free two-day symposium\, Sept. 27-28\, with talks by scholars\, music\, a wine reception\, book signing\, and a peek inside of La Conquistadora’s closet at the Cathedral Basilica in Santa Fe. For details on the event\, click here.  \nA 1960s’ ecclesiastical wave of urban renewal inspired mission churches throughout the Americas to undergo renovations and\, all too often\, cast off centuries-old artwork. Charles W. Collier\, a cultural attaché to Bolivia\, and his wife\, Nina Perera Collier\, began purchasing and obtaining pieces that eventually formed the backbone of the International Institute of Iberian Colonial Art\, once based at their Los Luceros estate in northern New Mexico. In 2005\, with the promised construction of spacious galleries and a state-of-the-art collections vault at the New Mexico History Museum\, the Institute donated 70 paintings and three sculptures. When Painting the Divine: Images of Mary in the New World opens on June 29\, 2014\, 35 of these 17th– and 18th-century masterpieces will share one exhibition space for the first time ever through March 13\, 2016. \nPainting the Divine includes works from Spain’s three colonial capitals: Peru\, Mexico and New Mexico. Together\, they reveal how faith sustained Spanish colonists in harsh and remote frontiers and how their religious art evolved in those places. European paintings traveled to Mexico City\, where local artists recreated them. Those works traveled to Peru\, where another school of religious art developed. Paintings journeyed up El Camino Real to adorn New Mexico mission churches and private homes. Once here\, they inspired local artists who lacked canvas and oil paint and so used the materials available to them to create art—thereby developing into wholly new artists: the santeros\, whose work thrives throughout the Southwest today. \nJosef Díaz\, the museum’s curator of Southwest and Mexican colonial art and history collections\, chose iconic pieces from the Collier Collection and paired them with modern interpretations by artists such as Ray Martín Abeyta\, Arthur López\, Charlie Carrillo\, Ramón José López\, Alfredo Arreguín\, and Marion Martínez. \n“At the time the Colliers began the collection\, museums\, galleries and art historians didn’t pay much attention to these works\,” he said. “They were considered stepchildren to fine European art. Now we know that they’re amazing\, hybrid images that combine old world with new world elements\, from local people to textiles\, flora\, fauna\, and new appearances of Mary in the Americas.” \nThe museum conserved 12 of the paintings. The cleaning\, repairing and stabilizing accomplished by Denver-based art conservator Cynthia Lawrence is detailed in the exhibit through a video created by New Mexico Highlands University media arts students. Rounding out the exhibit are loans of colonial paintings from other owners\, including St. Anthony’s Catholic Church in Pecos and Our Lady of Belen Catholic Church\, south of Albuquerque. \n“The people who made these paintings were moved by their faith\,” Díaz said. “Even though many of them were struggling to exist\, they made these wonderful works of art. And they give us glimpses of New World settings. You see Native peoples in their traditional clothes appear. We see mountains typical of Potosi\, Bolivia. We see parrots and turkeys. And we experience the love of freedom in form and color found in the baroque style that New World artists often took to the extreme\, with canvases exploding in decorative details and layers of iconography.” \nPainting the Divine dovetails with the Palace of the Governors’ long-term exhibition\, Treasures of Devotion/Tesoros de Devoción\, which celebrates the bultos\, retablos\, and crucifijos created by santeros from the late 1700s to 1900. \nBy choosing paintings that depict Mary\, Díaz creates a focal point for the galvanizing role that religion played in colonists’ lives. The exhibit explores and defines her various images—from Our Lady of the Lote Tree (Melchor Pérez Holguín\, 1716\, Bolivia) to The Visitation (unknown artist\, ca. 1750\, Mexico) to the only known canvas painting by a New Mexican santero\, Our Lady of the Lakes (José Aragón\, ca. 1800). \nOf note to Díaz is how the paintings illustrate the trade in fabrics throughout the Americas. “The textiles include lace from Flanders\, brocade from Europe\, fine silks from the Philippines.” Even today\, devotees of La Conquistadora at St. Francis Basilica in Santa Fe bedeck her in fine fabrics. The exhibit includes one of her outfits made from 18th-century silk from China—itself an emblem of Mary’s appearance in worlds far from the studios of European masters. \nFresco Publishing is releasing a companion catalog to the exhibit authored by Díaz and Suzanne Stratton-Pruitt\, a leading art historian specializing in arts of South America. The book includes 34 images from the Collier Collection\, along with the story of the Colliers\, a renaissance couple whose keen eye saved these artworks for generations to come. Essayists in the book are Díaz\, Stratton-Pruitt\, Kelly Donahue-Wallace and Tey Marianna Nunn. \nPainting the Divine is supported by the Consulate of Mexico in Albuquerque\, the New Mexico Humanities Council\, and many other generous donors. \n \nSpecial programming events for the exhibit \nSunday\, June 29\, 2014\, 1–4 pm\, Exhibition opening. Free with admission. Children 16 and under free daily. \nEnjoy classical guitar by AnnaMaria Cardinalli. See art conservator Cynthia Lawrence demonstrate some of her technique. Make a take-home ramillete (paper flower). Refreshments courtesy of the Women’s Board of the Museum of New Mexico Foundation. \nSaturday\, July 19\, 2014\, 1–3 pm\, Printing Our Lady\, Gathering Space. Free with admission. Children 16 and under free daily. \nBring the family and print a historic image of Our Lady on a replica medieval press. Using a Bobcat Press built in the 1970s by Cedar Crest’s Richard Hicks\, visitors will get a feel for how colonial artists found images to paint. Palace printers Tom Leech and James Bourland have selected an image of the Virgin investing St. Alphonso with a chasuble. In 1544\, it was the first full-page woodcut printed in a book in the Americas by the first printer in Mexico\, Juan Pablos. The book was Juan Gerson’s Tripartito del Christianissimo\, and the original block was probably carved in Iberia. It was reproduced in a reduced size in Printing in Spanish Colonial America\, by Hensley Woodbridge and Lawrence Thomson\, 1976. (Palace Press collection). \nSunday\, August 3\, 2014\, 2–4 pm\, Schola Cantorum\, museum lobby. Free with admission. Sundays free to NM residents; children 16 and under free daily. \nBack by popular demand\, Santa Fe’s Schola Cantorum performs “Echoes of Mary\,” seldom-heard sacred music dedicated to Mary from the cathedrals of Mexico City and Cuba to the capillas of northern New Mexico. Schola was founded in 1990 by Dr. Billy Turney during his 25-year tenure as music director of the Cathedral Basilica of St. Francis. In 2013\, Schola performed in St. Peter’s Basilica in Rome\, as well as basilicas in Venice and Florence. Next year\, Schola plans a concert tour of Ireland. \nSaturday–Sunday\, September 27–28\, 2014\, 9:30–3 pm\, Painting the Divine Symposium: Mary in the New World\, museum auditorium. Free.  \nLearn more about the venerations of Mary in the Americas from scholars and art historians\, including Maya Stanfield-Mazzi\, Clara Bargellini\, James Cordova\, Jeanette Favrot Peterson\, Tey Marianna Nunn\, Kelly Donahue-Wallace\, and Suzanne Stratton-Pruitt. Topics include the function and reception of Marian images in the Americas; monjas (nuns) and their use of Marian imagery in colonial Mexico; and dressed statue paintings in the Americas. For more details\, click here. \nSunday\, October 5\, 2014\, 2–4 pm\, Albuquerque Baroque Players\, museum auditorium. Free with admission. Sundays free to NM residents; children 16 and under free daily. \nA performance of 17th- and 18th-century chamber music from Italy\, Germany and France by MaryAnn Shore (oboe and recorder)\, Mary Bruesch (viola da gamba) and Susan Patrick (harpsichord). The Aluquerque Baroque Players formed in 1997 and have since performed at the Fellowship Christian Reformed Church\, the Historic Old San Ysidro Church in Corrales\, the Cathedral Church of St. John\, First United Methodist Church\, the Albuquerque Museum\, and the Albuquerque Public Library. \nSunday\, November 2\, 2014\, 2–4 pm\, Tattoo Nation\, museum auditorium. Free with admission. Sundays free to NM residents; children 16 and under free daily.  \nSee the 2013 documentary and hear from Director Eric Schwartz. Tattoo images of saints and specifically images of the Virgin Mary are popular in Latino and contemporary culture\, among men and women. Many early tattoo designs were copies of icons and paintings widely found in churches. Today\, Virgin Mary tattoos come in a wide array of styles and designs\, all of which are notable for their beautiful color composition\, artistic quality\, and dramatic effect. This documentary explores how sacred images have permeated the world of tattoos and what they mean and symbolize to the people who bare them. For more on the film\, log onto http://www.tattoonation.com/. \nSunday\, March 15\, 2015\, 2–4 pm\, 18th-Century Harpsichord Music\, museum auditorium. Free with admission. Sundays free to NM residents; children 16 and under free daily. \nSusan Patrick performs and discusses 17th- and 18th-century chamber music from Italy\, Germany and France. Patrick is an associate professor emerita in the Music Department at the University of New Mexico\, where she taught classes in music history for 30 years. She has played with the New Mexico Symphony Orchestra\, the Chamber Orchestra of Albuquerque\, the Desert Chorale\, Santa Fe Pro Musica\, the Santa Fe Symphony\, the Orchestra of the Duke\, and other ensembles and is a founding member of the Albuquerque Baroque Players. \nNeed photos? Download high-resolution images from the exhibit by clicking here (or log onto http://media.newmexicoculture.org/mediabank.php?mode=events&action=files&instID=19&eventID=1945).
URL:https://test-dca-mc.nmdca.net/dca-event/painting-the-divine-images-of-mary-in-the-new-world-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20140629
DTEND;VALUE=DATE:20160314
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SUMMARY:Painting the Divine: Images of Mary in the New World
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/painting-the-divine-images-of-mary-in-the-new-world/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Denver:20140606T100000
DTEND;TZID=America/Denver:20141012T170000
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SUMMARY:Local Color: Judy Chicago in New Mexico 1984-2014
DESCRIPTION:Marking both her seventy-fifth birthday and three decades of living and working in New Mexico\, Local Color: Judy Chicago in New Mexico 1984-2014 opens at the New Mexico Museum of Art June 6\, 2014 and runs through October 12\, 2014. \nThe exhibition will focus on both large-scale public projects and smaller-scale personal artworks and will be among the first to focus on recent works by Judy Chicago.
URL:https://test-dca-mc.nmdca.net/dca-event/2035-local-color-judy-chicago-in-new-mexico-1984-2014/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20140525
DTEND;VALUE=DATE:20150601
DTSTAMP:20230614T175138Z
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SUMMARY:Toys and Games: A New Mexico Childhood
DESCRIPTION:Toys bring out the best in our imaginations. From the cardboard box that becomes a spaceship to store shelves bursting with stuffed animals\, board games and dolls\, children’s minds rocket them beyond this world into uncharted lands. \nAnymore\, children can play with endless apps and evolving video games. But toys and games have always been a part of a New Mexico childhood. On the western frontier\, toys were homemade or carried over a trail. Materials included clay\, carved wood\, animal hide\, and scraps of fabric. Before manufacturers began catering to kids\, 19th-century accounts show they played with pots\, pans\, trowels\, needles and thread—essentially\, the tools of adulthood transformed into anything the mind willed. Some games didn’t involve toys at all. Children ran\, chased\, jumped and tagged using imagined rules and materials adults discarded\, like the hoops from wagon wheels. \nIn the 20th century\, mass-produced tin and plastic toys became the norm. Sturdy as they may have been\, many toys were simply loved into oblivion. Too many people put the ways of childhood behind\, their toys tossed aside and forgotten. \nThankfully\, some survived. To celebrate our fifth anniversary\, the New Mexico History Museum unpacked memories from childhoods past. Reaching into our collections\, we gathered some of the most exquisite pieces in a front-window installation\, Toys and Games: A New Mexico Childhood. \nThe installation includes a selection of late-19th-century metal toys\, including a German wind-up bear and a French bicycle rider. Dolls range from an 1870s terra-cotta version to a china doll that once belonged to E. Boyd to Josefina\, a 1997 American Girl doll that boasts a New Mexico back story and several drawers worth of accessories. \nOther items include a rocking horse\, wicker baby carriages\, skates\, sleds\, marbles and more. \n“So often exhibits look at the world from an adult’s perspective\,” said Meredith Davidson\, curator of 19th- and 20th-century Southwest collections. “This gave us the chance to see the collection from a child’s viewpoint.” \nA little one-eyed elephant with a red-stitched saddle quickly captured her heart. “He was missing a button eye but still seemed to be smiling up at us\,” she said. An 1883 carte de visite taken in Europe showed a young Amelia Hollenback clutching just such an elephant\, and the connection was sealed. \n“The elephant\, like the Hollenback family\, journeyed to the United States a few years later and remained a part of the family until it was donated to our collection\,” Davidson said. “The photograph and the elephant\, to me\, point to the way we document our own history through photographs\, through keepsakes\, and through memories.” \nToys and Games: A New Mexico Childhood is on exhibit through Feb. 1\, 2015. Children are invited to take drawings of some of the toys to color at home. Everyone is invited to contribute pictures of themselves as children with their favorite toy. \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/toys-and-games-a-new-mexico-childhood-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20140525
DTEND;VALUE=DATE:20150601
DTSTAMP:20230627T205012Z
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SUMMARY:Toys and Games: A New Mexico Childhood
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/toys-and-games-a-new-mexico-childhood/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20140427
DTEND;VALUE=DATE:20160111
DTSTAMP:20230614T175137Z
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SUMMARY:Poetics of Light: Pinhole Photography
DESCRIPTION:In an age when every cell phone can take a respectable picture\, cameras as low-tech as an oatmeal box still beguile a legion of practitioners\, both artistic and documentarian. With roots in the ancient discovery of the camera obscura\, pinhole photography has enchanted artists from the 1880s through today. Opening April 27 through Jan. 10\, 2016\, Poetics of Light: Pinhole Photography\, in the Herzstein Gallery of the New Mexico History Museum\, explores a historical art form that exemplifies thoroughly contemporary ideals: Do-it-yourself handmade technology with a dash of steampunk style. \nNearly 225 photographs and 40 cameras show how a light-tight box pierced by a hole and holding a piece of old-school film can reveal alternate versions of reality. At heart\, photography is a method of capturing the way that light plays upon objects\, the seen and the unseen—a visual form of poetry that extends beyond a literal representation whenever pinhole cameras are involved. \nNeed pictures? Click on “Go to related images” at the bottom of this page. Others are available upon request.  \nPoetics of Light offers a premiere of original prints by photographers from around the world. Drawn from the holdings of the Pinhole Resource Collection\, the body of work was amassed by co-curators Eric Renner and Nancy Spencer in San Lorenzo\, in New Mexico’s Mimbres Valley. Seeking a permanent repository and impressed by the capabilities of the Photo Archives at the Palace of the Governors\, the couple donated the collection—more than 6\,000 photographs\, 60 cameras and hundreds of books—to the New Mexico History Museum in 2012. \nThe exhibit’s opening coincides with Worldwide Pinhole Photography Day\, a global event in which pinhole aficionados post their of-the-moment images to a website\, thus celebrating in a high-tech way their mastery of low-tech photography. \nCameras on display in the exhibit range from machined beauties to reworked everyday objects\, including a powder-puff container\, a Boraxo can\, a Campbell’s soup can and\, yes\, a Quaker Oats box. One of the most elaborate is a suit and helmet that\, in 1994\, photographer Ben Conrad covered with 134 cameras. After donning it\, he had helpers cover him with a tarp\, then remove it for 20- to 30-second exposures\, the results of which will be arrayed behind the suit. \nSome of the cameras used standard pinprick-sized holes for a “lens.” Others used slits or even body parts. In 1992\, Jeff Guess placed film in the back of his mouth\, then formed a pinhole with his lips. What the cameras lack is most photographers’ nightmare: No lens\, no light meter\, no viewfinder\, no way of knowing precisely what kind of photo will emerge. \n“That randomness appeals to me\,” said Photo Archivist Daniel Kosharek\, who helped curate the exhibit with Renner and Spencer. “You go out there and expose what you think you’re going to take and when you get the film back it’s like\, I took that? There’s a lot of quirkiness inherent in the process that ends up in the pictures.” \nOne part of the exhibit explores how scientists have employed pinhole photography\, including several examples from Los Alamos National Laboratory: Julian Mack’s 1945 pinhole exposure of the first atomic bomb test in New Mexico and Richard Blake’s 1960 X-ray photo of the sun. Other photos reveal ethereal takes on world events: Chris Dreier’s 2010 image of the remnants of Nicolae Ceașescu’s Romanian Palace; Marcus Kaiser’s 1990 images taken through holes in the collapsing Berlin Wall; Harlan Wallach’s 1994 series on murder sites in Chicago. \nStill others explore a fantasy world\, such as Larry Bullis’ Daffodil #2\, seen above. Such dreamscapes join portraits\, landscapes\, still lifes\, and figure studies in ways that are sometimes whimsical\, distorted or even unsettling. In a pinhole photograph\, the exhibition asserts\, everything we know about the world is suddenly altered\, and we have to ask: Whose view of the world has the camera revealed? \nThe photographs play out in black-and-white as well as color and feature a range of alternative printing techniques\, including modern tintypes\, silver gelatin prints and more. \nIn a companion book for the exhibit published by the Museum of New Mexico Press\, Renner and Spencer wrote that photographs were selected for the exhibit\, in part “to show the mystery inherent in pinhole images\, which express reality very differently from imagery made using cameras with lenses. Although describing the mystery of pinhole images is difficult\, the concepts of soul\, depth\, yearning\, timelessness\, and archetypal feeling all contribute to the kind of visual reality produced\, one perhaps only seen in a dreamlike state.” \nThe exhibit space will include several examples of camera obscuras. Educational materials will be available to teachers\, and all visitors can take home instructions for building a pinhole camera or a pinhole viewer. Family activity days and supporting lectures will further celebrate the many ways that pinhole photography interprets—and sometimes inverts—our sense of how we see and what really exists. \nYou can explore the Photo Archives’ entire Pinhole Resource Collection at this site\, which includes tips on making your own camera and directs you to videos\, books\, blogs and websites with even more information. \nPinhole Resource Inc.\, a nonprofit organization dedicated to pinhole photography across the globe\, was formed in New Mexico in 1984 by Eric Renner. He began working in pinhole photography in 1968\, while teaching three-dimensional design for the State University of New York at Alfred. Images from his six-pinhole panoramic camera were shown in the first exhibition of the Visual Studies Workshop Gallery in Rochester\, New York. Consequently\, one of Renner’s images was included in the Time-Life Series The Art of Photography\, 1971. Through exhibitions and workshops\, he met pinhole artists throughout the world and worried that their work might become as lost as the thousands of images taken during the Pictorial Movement from the late 1880s to early 1900s. \nAfter forming the nonprofit\, he created the Pinhole Journal\, and in 1989 was joined by Nancy Spencer\, co-director of Pinhole Resource and co-editor of the journal\, which ceased publication in 2006. Their collections included images from Europe\, the Mideast\, Asia and the Americas\, books about pinhole photography\, and dozens of pinhole cameras\, one of which dates back to the 1880s. \nThe Palace of the Governors Photo Archives contains nearly 1 million prints\, cased photographs\, glass plate negatives\, stereographs\, photo postcards\, lantern slides and more. Almost 20\,000 images can be keyword searched on its website. The materials date from approximately 1850 to the present and cover the history and people of New Mexico from some of the most important 19th- and 20th-century photographers of the West—Adolph Bandelier\, George C. Bennett\, John Candelario\, W.H. Cobb\, Edward S. Curtis\, Charles Lindbergh\, Jesse Nusbaum\, T. Harmon Parkhurst\, Ben Wittick\, and many others. \n \nSpecial programming events for the exhibit \nSunday\, April 27\, 2014\, 1–4 pm: Poetics of Light: Pinhole Photography\, exhibit opening. \nBe among the first to see the stunning images and enjoy a lecture by guest curators Nancy Spencer and Eric Renner\, “Passion\, Light and Pinhole Photography\,” at 1 pm in the History Museum auditorium. Reception 2–4 pm\, along with a book signing for Poetics of Light: Contemporary Pinhole Photography (Museum of New Mexico Press\, 2014). As an extra treat\, the Palace Press will release its latest letterpress broadside\, Jane Always Dreaded Flying Home\, featuring a digitally printed pinhole photo by Gregg Kemp and the poem it inspired by Santa Fe Poet Laureate Jon Davis. April 27 is Worldwide Pinhole Photography Day\, and you can watch as images are added to www.pinholeday.com. \nRefreshments courtesy of the Women’s Board of the Museum of New Mexico Foundation. Events free with admission; Sundays free to NM residents. \nFriday\, May 30\, 2014\, 6 pm: “Santa Fe Poets 5” \nSanta Fe Poet Laureate Jon Davis hosts the fifth of six readings he has organized in and around Santa Fe. Featured poets: Chee Brossy\, Joan Logghe\, Carol Moldaw\, Henry Shukman\, and Farren Stanley. In the museum auditorium. Free. \nSunday\, June 1\, 2014\, 1–4 pm: “The Poetry of Light” \nJoin Santa Fe Poet Laureate Jon Davis for a writing workshop based on Poetics of Light: Pinhole Photography. Open to high schoolers and older\, the session brings participants into the Herzstein Gallery to study pinhole photographs and inhabit them imaginatively. Let language carry you toward and away from the images. Draft poems that engage what’s in front of you—and explore what is only suggested by these often mysterious photographs. Free; make a reservation by calling 505-476-5096. \nFriday\, June 6\, 2014\, 6pm: Poetics of Light gallery walk \nJoin Photo Archivist Daniel Kosharek for a Free First Friday Curator Talk in the exhibition gallery. \nSaturday\, June 14\, 2014\, 2 pm: “Pinhole Photography—Projections\, Contraptions\, Thoughts and Afterthoughts” \nPennsylvania-based photographer Scott McMahon speaks about his exploration of pinhole photography\, his interest in the ephemeral nature of things\, and how building subject-specific cameras helped him link two-dimensional images with sculpture and installation. In the museum auditorium. Free with admission. \nSunday\, July 20\, 2014\, 2–4 pm: “Make a Camera Obscura” \nJoin Santa Fe educator\, photographer and camera obscura developer Jackie Mathey for a family workshop on building tabletop camera obscuras that can be used as drawing aids. Explore how light moves and images are formed. Travel in your imagination to the age of the Renaissance where devices like these were used by artists. In the museum classroom. It’s free\, but class size is limited; make a reservation by calling 505-476-5087. \nFriday\, August 8\, 2014\, 6 pm: “Pinhole to Pixel” \nCalifornia pinhole artist Peggy Ann Jones speaks on how the creative potential of photography expands when the artist designs and constructs the camera. Basic concepts of the photographic process led Jones\, an associate professor at MiraCosta College in Oceanside\, Calif.\, to visually comment on principles of photography and traditionally accepted modes of photographic production. Her photos and cameras are included in Poetics of Light: Pinhole Photography. In the museum auditorium. Free. \nSunday\, October 12\, 2014\, 2 pm: “From Pinholes to Black Holes” \nLos Alamos National Laboratory fellow and astrophysicist Ed Fenimore speaks about his work on a complex pinhole-based camera that flew on a 1991 Space Shuttle experiment. Why pinhole? Some stars and especially black holes generate mostly x-rays\, but x-rays reflect and refract poorly. The best imaging technique for such stars is the technologically simplistic pinhole. LANL developed a coded array with 22\,805 pinholes to get the task done. In the museum auditorium. Free with admission; Sundays free to NM residents. \nSunday\, October 26\, 2014\, 2–4 pm: “Cameras from the Kitchen” \nBring an empty coffee can\, oatmeal box\, potato chip can or shoebox (with lids)\, and we will provide the rest. Make your own camera obscura. See the world through a pinhole of light. A drop-in\, family-friendly event suitable for all ages. In the museum classroom. Free with admission; Sundays free to NM residents. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/poetics-of-light-pinhole-photography-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1946_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140427
DTEND;VALUE=DATE:20160111
DTSTAMP:20230627T205020Z
CREATED:20140427T060000Z
LAST-MODIFIED:20230627T205020Z
UID:10001227-1398556800-1452470399@test-dca-mc.nmdca.net
SUMMARY:Poetics of Light: Pinhole Photography
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/poetics-of-light-pinhole-photography/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140425T100000
DTEND;TZID=America/Denver:20140727T170000
DTSTAMP:20230614T175206Z
CREATED:20140425T215659Z
LAST-MODIFIED:20230614T175206Z
UID:10001242-1398420000-1406480400@test-dca-mc.nmdca.net
SUMMARY:Southwestern Allure: The Art of the Santa Fe Art Colony
DESCRIPTION:Southwestern Allure:The Art of the Santa Fe Art Colony explores the development of Santa Fe as a haven for artists beginning in the early 20th century through the late 1930s. \nThe exhibition opens at the New Mexico Museum of Art April 25\, 2014 and is on view through July 27\, 2014. \nSouthwestern Allure celebrates the dynamic art scene that developed here in Santa Fe in the early 20th century as part of the explosion of artistic activity taking place in Northern New Mexico.  The origins of the New Mexico Museum of Art and these early 20th century art colonies are inextricably linked.
URL:https://test-dca-mc.nmdca.net/dca-event/2176-southwestern-allure-the-art-of-the-santa-fe-art-colony/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2176_thumb.jpg
ORGANIZER;CN="Chris Nail":MAILTO:chris.nail@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140413T100000
DTEND;TZID=America/Denver:20160530T170000
DTSTAMP:20230614T175204Z
CREATED:20160519T044426Z
LAST-MODIFIED:20230614T175204Z
UID:10001234-1397383200-1464627600@test-dca-mc.nmdca.net
SUMMARY:Turquoise\, Water\, Sky: The Stone and Its Meaning
DESCRIPTION:Turquoise\, Water\, Sky: The Stone and Its Meaning highlights the Museum’s extensive collection of Southwestern turquoise jewelry and presents all aspects of the stone\, from geology\, mining and history\, to questions of authenticity and value. \nPeople in the Southwest have used turquoise for jewelry and ceremonial purposes and traded valuable stones both within and outside the region for over a thousand years. Turquoise\, Water\, Sky presents hundreds of necklaces\, bracelets\, belts\, rings\, earrings\, silver boxes and other objects illustrating how the stone was used and its deep significance to the people of the region. This comprehensive consideration of the stone runs through May 2\, 2016. \nView the online version of the exhibition at http://turquoise.indianartsandculture.org
URL:https://test-dca-mc.nmdca.net/dca-event/1989-turquoise-water-sky-the-stone-and-its-meaning/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1989_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140406T100000
DTEND;TZID=America/Denver:20150215T170000
DTSTAMP:20230614T175205Z
CREATED:20160309T003908Z
LAST-MODIFIED:20230614T175205Z
UID:10001240-1396778400-1424019600@test-dca-mc.nmdca.net
SUMMARY:Wooden Menagerie: Made in New Mexico
DESCRIPTION:During the Work Progress Administration (WPA) period of the 1930’s\, the traditional arts of the region gained resurgence through federal programmed that trained and employed New Mexican folk artists\, In 1936\, Patrocino Barela’s expressionistic woodcarvings created under the auspices of the Federal Arts Project were a part of New Horizons in American Art at the Museum of Modern Art in New York. The wood carving tradition continued into the 1960’s primarily for the tourist trade with classic carvings of burros and oxen drawn carts. During this time artists started experimenting with recycled materials and common household paint. The decade of the 1970’s was a dramatic period that fostered the powerful animistic forms of Felipe Archuleta and his workshop of carvers. By the 1980’s Archuleta’s animal sculptures were highly sought after by collectors and curators. His menagerie of domestic and exotic animals made their way to museum exhibits in New York\, Paris and Tokyo. This exhibition celebrated the rich Hispano folk tradition of animal wood carving in New Mexico and the continued influence on the national and international scene. The exhibition highlighted the historic roots of New Mexican woodcarvers\, offering early twentieth century examples of whimsical animals including works by Jose Dolores Lopez and Celso Gallegos. The excitement around the workshops of the New Mexican animal carvers created an insatiable market that spurred on innovations by Alonso Jimenez\, Jim Davila\, David Alvarez and Leroy Ortega. This generation of carvers fostered the iconic images of friendly burros\, howling coyotes\, and Technicolor rattlesnakes\, reaching deep into the popular culture of the Southwestern United States. These animal sculptures have become emblematic of Santa Fe’s cultural character. The Museum of International Folk Art gratefully acknowledges the following donors for their support: The International Folk art Foundation\, The Museum of New Mexico Foundation\, Newman’s Own Foundation and the Museum of New Mexico Exhibitions Development Fund.
URL:https://test-dca-mc.nmdca.net/dca-event/2121-wooden-menagerie-made-in-new-mexico/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/wooden-menagerie.jpg
ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140310T100000
DTEND;TZID=America/Denver:20140601T170000
DTSTAMP:20230614T175205Z
CREATED:20160316T041929Z
LAST-MODIFIED:20230614T175205Z
UID:10001241-1394445600-1401642000@test-dca-mc.nmdca.net
SUMMARY:Work in Progress:  Folk Artists on Immigration -- Exhibition Lab
DESCRIPTION:Work in Progress: Folk Artists on Immigration –– Visitors to the Museum of International Folk Art (MOIFA) had a unique opportunity to actively participate in developing the new exhibit on the timely topic of immigration.  Work in Progress: Folk Artists on Immigration\, a participatory exhibit lab explored issues of home\, immigration and belonging\, in the Museum’s Mark Naylor & Dale Gunn Gallery of Conscience.  The Gallery of Conscience is located in the West Gallery of the Bartlett Wing; opening in 2010 with Empowering Women: Artisan Cooperatives that Transform Communities\, this space continues to engage visitors with meaningful interactive activities. \nThe public was invited to participate in facilitated dialogues\, giving feedback and leaving their thoughts and stories in order to help shape the content and form of the exhibition. The Work in Progress space displayed handmade embroidery\, carving\, paintings\, drawings\, and beadwork about immigrant journeys made by artists from the Americas\, Africa and Asia. Gallery activites included tracing your route\, a world map illustrating our connections with string; along with writing and drawing activities amidst the art works by contemporary folk artists. \nThis exhibit lab was made possible through the support of Mark Naylor and Dale Gunn\, the International Folk Art Alliance\, the International Folk Art Foundation\, the Museum of New Mexico Foundation’s Exhibition Development Fund\, the National Endowment for the Humanities\, and the Institute of Museum and Library Sciences. Our dialogue series is part of the National Dialogues on Immigration Project of the International Coalition of Sites of Conscience.  \n  \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2122-work-in-progress-folk-artists-on-immigration-exhibition-lab/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/progress.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140307T100000
DTEND;TZID=America/Denver:20150419T170000
DTSTAMP:20230614T175205Z
CREATED:20140826T232239Z
LAST-MODIFIED:20230614T175205Z
UID:10001239-1394186400-1429462800@test-dca-mc.nmdca.net
SUMMARY:FOCUS ON PHOTOGRAPHY YEAR-LONG CYCLE OPENS IN MARCH WITH THREE PHOTOGRAPHY EXHIBITIONS AT NM MUSEUM OF ART
DESCRIPTION:Focus on Photography is a year-long series of exhibitions opening March 7\, 2014 at the New Mexico Museum of Art. Three simultaneous exhibitions kick off the series: the solo show Beneath our Feet: Photographs by Joan Myers; the group show of landscape photographs titled Grounded; and the Photo Lab\, an evolving interactive space exploring photographic processes and ideas. \nFocus on Photography is a year-long series running March 7\, 2014 until April 15\, 2015.
URL:https://test-dca-mc.nmdca.net/dca-event/2116-focus-on-photography-year-long-cycle-opens-in-march-with-three-photography-exhibitions-at-nm-museum-of-art/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2116_thumb.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140223
DTEND;VALUE=DATE:20141013
DTSTAMP:20230614T175137Z
CREATED:20200428T032125Z
LAST-MODIFIED:20230614T175137Z
UID:10001089-1393113600-1413158399@test-dca-mc.nmdca.net
SUMMARY:Donald Woodman: Transformed by New Mexico
DESCRIPTION:Beginning with his early years working as a research photographer at the Sacramento Peak Solar Observatory in southern New Mexico\, photographer Donald Woodman honed his photographic vision first through stars and clouds and then through sandy soil\, majestic peaks and his own interior life. Donald Woodman: Transformed by New Mexico explores that journey through a series of photographs on exhibit February 23 through October 12\, 2014\, in the New Mexico History Museum’s Mezzanine Gallery. \nTransformed by New Mexico is one of the commemorations of the History Museum’s fifth anniversary\, a yearlong series of exhibits and events celebrating all the museum has accomplished since its opening in May 2009. In 2011\, Woodman was the first person to donate his photographs\, negatives\, books\, diaries\, equipment\, and research material to the Photo Legacy Project at the Palace of the Governors Photo Archives. The Photo Legacy Project aims to collect the work of contemporary photographers to bolster the archives historical holdings of nearly 1 million images. \nDonald Woodman: Transformed by New Mexico includes more than a dozen examplesof the Belen-based photographer’s work from the early 1970s to 1998—a period in the artist’s life when he abruptly abandoned the formative but conservative East Coast and committed himself to a new life and vision in New Mexico. The exhibit traces his early photographs\, made while studying with his most important mentor\, Minor White\, at the Massachusetts Institute of Technology. The images continue through scientific explorations at the Sacramento Peak Solar Observatory in Sunspot\, NM\, examinations of light and landscapes\, and intimate selections from The Therapist Series. Each of the images invites the viewer to look deeply at the tones\, forms and shapes; to begin to understand the relationship Woodman has with his cameras\, his world\, and himself as he moves quietly from behind the lens to placing himself in its focus. \nInitially unaware of the “Land of Enchantment” except through his studies and readings in the history of photography\, Woodman became captivated by the light and landscape of southern New Mexico and the promise of a fulfilling creative life. Besides Minor White\, his early photographic influences include: assistant to renowned architectural photographer Ezra Stoller\, Alfred Stieglitz’s writings\, Edward Weston’s Daybooks\, and Ansel Adams’ Zone System. Woodman spent nearly two years studying under White’s intimate guidance and they remained close until White’s death in 1976. Several times in his 1971–73 hand-written diaries\, Woodman noted these words from White: “When one is thinking visually there are no words\, there are colors\, there are forms\, there are shapes\, there are relationships\, there are all things that are visual but there are no words. No Words.” \n  \nThe exhibit is curated by Mary Anne Redding\, photography chair at the Santa Fe University of Art and Design. In an article she wrote about the exhibit for El Palacio magazine\, Redding said: \nIn many ways photographer Donald Woodman is one of the stereotypical free spirits who arrived in New Mexico in a VW van in the early 1970s\, searching for a new life unfettered by the conservative conventions and stodginess of the East Coast\, to experiment with new-found freedoms involving hallucinatory drugs and liberated sexual exploration. And yet\, Woodman’s long personal aesthetic trajectory\, which continues today\, is uniquely his own. \nAfter leaving Sunspot\, Woodman became a personal assistant to legendary painter Agnes Martin in Galisteo\, NM. Based on that experience\, he is now working on a book\, Agnes Martin and Me. In 1985 he met artist Judy Chicago. The two married that year and have been collaborators in life and art ever since. His photographs have been collected by some of the world’s most venerable institutions\, including London’s Victoria and Albert Museum\, Switzerland’s Museum of Art and History\, the New Orleans Museum of Art\, and Ohio’s Butler Art Institute. \nNeed photos? Click on “Go to related images” at the bottom of this page.
URL:https://test-dca-mc.nmdca.net/dca-event/donald-woodman-transformed-by-new-mexico-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1947_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140223
DTEND;VALUE=DATE:20141013
DTSTAMP:20230627T205028Z
CREATED:20140223T070000Z
LAST-MODIFIED:20230627T205028Z
UID:10001228-1393113600-1413158399@test-dca-mc.nmdca.net
SUMMARY:Donald Woodman: Transformed by New Mexico
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/donald-woodman-transformed-by-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140216T100000
DTEND;TZID=America/Denver:20150105T170000
DTSTAMP:20230614T175205Z
CREATED:20141024T013041Z
LAST-MODIFIED:20230614T175205Z
UID:10001238-1392544800-1420477200@test-dca-mc.nmdca.net
SUMMARY:Native American Portraits: Points of Inquiry
DESCRIPTION:More than 50 images from the Palace of the Governors Photo Archives  – along with contemporary images by Native photographers – document the changing perceptions of Native peoples over a span of almost 100 years.
URL:https://test-dca-mc.nmdca.net/dca-event/2076-native-american-portraits-points-of-inquiry/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2076_thumb.jpg
ORGANIZER;CN="Rene Harris":MAILTO:rene.harris@state.nm.us
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140201T100000
DTEND;TZID=America/Denver:20141230T170000
DTSTAMP:20230614T175204Z
CREATED:20140429T212830Z
LAST-MODIFIED:20230614T175204Z
UID:10001236-1391248800-1419958800@test-dca-mc.nmdca.net
SUMMARY:Spotlight on Gustave Baumann
DESCRIPTION:Gustave Baumann is one of New Mexico’s most treasured artists\, known widely for his woodblock prints of Southwestern landscapes and traditions. \nThe New Mexico Museum of Art has a comprehensive collection of Gustave Baumann’s work which includes prints\, drawings\, paintings\, studies\, furniture\, and the eclectic menagerie of marionettes used to entertain generations of New Mexicans both young and old. Spotlight on Gustave Baumann opens February 1\, 2014.
URL:https://test-dca-mc.nmdca.net/dca-event/2074-spotlight-on-gustave-baumann/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2074_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140201T100000
DTEND;TZID=America/Denver:20141230T170000
DTSTAMP:20230614T175204Z
CREATED:20140131T052632Z
LAST-MODIFIED:20230614T175204Z
UID:10001237-1391248800-1419958800@test-dca-mc.nmdca.net
SUMMARY:New Mexico Art Tells New Mexico History
DESCRIPTION:Artists as diverse as E. Irving Couse\, Joseph Henry Sharp\, T.C. Cannon\, Agnes Martin\, Maria Martinez and Georgia O’Keeffe share the museum’s Clarke Gallery for New Mexico Art Tells New Mexico History. This exhibition\, culled from the New Mexico Museum of Art’s collection\, tells the many stories which make up New Mexico through the eyes of some of this state’s most respected artists. The exhibition opens at the New Mexico Museum of Art on February 1\, 2014.
URL:https://test-dca-mc.nmdca.net/dca-event/2075-new-mexico-art-tells-new-mexico-history/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2075_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20131214T100000
DTEND;TZID=America/Denver:20140309T170000
DTSTAMP:20230614T175201Z
CREATED:20131204T063319Z
LAST-MODIFIED:20230614T175201Z
UID:10001224-1387015200-1394384400@test-dca-mc.nmdca.net
SUMMARY:Renaissance to Goya: Prints and Drawings from Spain
DESCRIPTION:Renaissance to Goya: Prints and Drawings from Spain provides a compelling overview of more than 200 years of artistic production\, including many works which have never before been on display.  The New Mexico Museum of Art is the only American venue in this international tour. Learn more. Not a Foundation member? Join here!
URL:https://test-dca-mc.nmdca.net/dca-event/1916-renaissance-to-goya-prints-and-drawings-from-spain/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1916_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20131117T100000
DTEND;TZID=America/Denver:20150105T170000
DTSTAMP:20230614T175138Z
CREATED:20160310T055741Z
LAST-MODIFIED:20230614T175138Z
UID:10001093-1384682400-1420477200@test-dca-mc.nmdca.net
SUMMARY:BRASIL & ARTE POPULAR
DESCRIPTION:The varied cultural mix found throughout the vast region of Brazil not only draws from the original indigenous inhabitants\, but also from the Portuguese colonists who began to settle there in the sixteenth century\, as well as the enslaved Africans brought by the Europeans.  The majority of work in the exhibit was from the twentieth century when folk artists found that they had more freedom to portray their history\, folklore\, and daily life. Religious practitioners could now carry out their rituals openly and festival performers were able to draw from old traditions and use contemporary issues to create lively pageants and dramas. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/brasil-arte-popular-2/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/brazil.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20131117T100000
DTEND;TZID=America/Denver:20150105T170000
DTSTAMP:20230627T205036Z
CREATED:20131117T170000Z
LAST-MODIFIED:20230627T205036Z
UID:10001232-1384682400-1420477200@test-dca-mc.nmdca.net
SUMMARY:BRASIL & ARTE POPULAR
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/brasil-arte-popular/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20131027T100000
DTEND;TZID=America/Denver:20131230T170000
DTSTAMP:20230614T175204Z
CREATED:20131127T030906Z
LAST-MODIFIED:20230614T175204Z
UID:10001233-1382868000-1388422800@test-dca-mc.nmdca.net
SUMMARY:Triumph TR8 in MIAC lobby
DESCRIPTION:Award-winning author David Morrell introduces a free showing of Cowboy\, the trail-driving classic of a greenhorn spurred by a dream\, on Friday\, Nov. 15\, at 5:30 pm in the History Museum Auditorium. This Classic Cowboy Movie Night is part of the museum’s ongoing exhibit\, Cowboy Real and Imagined. \n“Filmed near Santa Fe\, Cowboy is one of the classic trail-drive movies\,” said Morrell\, author of First Blood\, the novel that gave birth to Rambo. “Reminiscent of Red River\, it emphasizes that real cowboys weren’t like the glamorized ones that Jack Lemmon’s character imagines. Delivering another solid performance in a western\, Glenn Ford dominates the screen\, especially on horseback. Few actors rode more gracefully.” \nReleased in 1958\, Cowboy is based on Frank Harris’ semi-autobiographical novel My Reminiscences as a Cowboy. Jack Lemmon (in his only western role) portrays a city-boy hotel clerk who dreams of being a cowboy. He partners with a rough-and-tough cowboy\, Tom Reece\, played by Glenn Ford\, and hits the trail only to learn some hard truths about cowboying and life in general. According to Rotten Tomatoes\, “The film’s most talked-about scene finds a group of cowboys planting a rattlesnake in one of their comrade’s blankets as a joke; their regretful but oddly detached reaction when the bitten man dies speaks volumes about the Real West. Also memorable is the performance of Brian Donlevy as Doc Bender\, an ageing gunfighter who can’t stand the notion of becoming an anachronism. One of the more unorthodox westerns of the 1950s\, Cowboy is also one of the best.” \nMorrell\, a Santa Fe resident\, holds a Ph.D. in American literature from Penn State and was an English professor at the University of Iowa. His numerous New York Times bestsellers include the classic spy trilogy The Brotherhood of the Rose (the basis for the only television mini-series to premier after a Super Bowl)\, The Fraternity of the Stone\, and The League of Night and Fog. An Edgar\, Anthony\, and Macavity nominee\, Morrell received three Bram Stoker awards and the prestigious Thriller Master award from the International Thriller Writers organization. His writing book\, The Successful Novelist\, discusses what he has learned in his four decades as an author. \nHis latest is a Victorian mystery/thriller\, Murder as a Fine Art\, which Publishers Weekly chose as one of the top 10 crime novels of 2013. Learn more at www.davidmorrell.net. \nCowboys Real and Imagined explores New Mexico’s cowboy legacy from its origin in the Spanish vaquero tradition through itinerant hired hands\, outlaws\, rodeo stars\, cowboy singers\, Tom Mix movies and more. The exhibit grounds the cowboy story in New Mexico through rare photographs\, cowboy gear\, movies and art. It includes a bounty of artifacts ranging in size from the palm-sized tintype of Billy the Kid purchased at a 2011 auction by William Koch to the chuck wagon once used by cowboys on New Mexico’s legendary Bell Ranch. \nThe exhibition is generously supported by the Brindle Foundation; Burnett Foundation; Albert and Ethel Herzstein Charitable Foundation\, Houston; Candace Good Jacobson in memory of Thomas Jefferson Good III; New Mexico Humanities Council; Newman’s Own Foundation; Palace Guard; Eugenia Cowden Pettit and Michael Pettit; Jane and Charlie Gaillard; Moise Livestock Company; the New Mexico Cattle Growers’ Association; and the many contributors to the Director’s Leadership\, Annual Education\, and Exhibitions Development Funds. \n  \n  \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1967-triumph-tr8-in-miac-lobby/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130929T100000
DTEND;TZID=America/Denver:20150908T170000
DTSTAMP:20230614T175201Z
CREATED:20140123T031424Z
LAST-MODIFIED:20230614T175201Z
UID:10001225-1380448800-1441731600@test-dca-mc.nmdca.net
SUMMARY:Heartbeat: Music of the Native Southwest
DESCRIPTION:A celebration of sight\, sound\, and activity for visitors of all ages\, Heartbeat: Music of the Native Southwest\, opens Sunday\, September 29\, 2013 at the Museum of Indian Arts and Culture. Over 100 objects relating to Southwestern Native dance and music will be featured\, including a flute made by Grammy award-winning artist Robert Mirabal of Taos Pueblo. \nCollectively used for indigenous ritual performance\, the drums\, flutes\, rasps\, rattles\, and clothing featured in the exhibition convey a richly layered message. Music\, too\, is integral to the ceremony—it is more than accompaniment for the dancers; each song is a prayer providing a pathway to the here and now and to the worlds beyond. \nNative music of the Southwest is still shaped by traditional cultural practices\, as well as today by those powerful disseminators of American and World music\, the internet\, television\, radio\, CDs\, and DVDs. \nCurator Tony Chavarria (Santa Clara Pueblo) says\, “For American Indian cultures—Southwestern tribes in particular—music has remained the heartbeat of sacred life ways for more than two thousand years. Music binds the earthly realms with their oppositional counterparts. Indigenous Southwest musicians express themselves through traditional forms as well as a wide variety of contemporary musical styles informed through their cultural basis.” \nIn the gallery\, the sights and sounds of Native dance and music can be experienced in multiple interactive zones. Visitors can listen to the wide array of Native music being produced today\, how different types of instruments sound\, and view historical footage of dance performances. And make your own music in the Heartbeat Recording Studio. \nMusic is fundamentally interwoven into the everyday lives of Native Americans; continuing to bind the ancient cultures of the Southwest to their lands and life ways. Heartbeat: Music of the Native Southwest\, through a Native curatorial voice\, explores this enduring connection between the past and present. \nThe opening on Sunday\, September 29\, 2013 from 1 to 4 p.m. will feature performances\, demonstrations\, hands-on activities for the entire family\, and refreshments provided by the Women’s Board of the Museum of New Mexico. \n \nOpening Schedule : \n1-4 p.m.: Drum making demonstration by Arnold Herrera (Cochiti Pueblo) in the Mural Gallery \nArnold Herrera is a 2011 Governor’s Arts Awards recipient. He is a master of several traditional Pueblo art forms. While best known as a drum maker he is also celebrated for his silverwork jewelry and red willow baskets\, as well as his skills as a Keresan song composer\, and traditional dance choreographer. \n1 p.m. and 3:30 p.m.:  Haaku’ Buffalo Group of Acoma Pueblo on Milner Plaza \n  \n1:30 p.m. and 3:15 p.m.:  Tewa Women’s Choir of Ohkay Owingeh Pueblo in the MIAC Theater \nThe Tewa Women’s Choir from Ohkay Owingeh Pueblo has kept the Tewa language alive by performing traditional and social songs in public venues for more than 40 years. \n2 p.m.: Sihasin\, Alter-Native Rock Music on Milner Plaza \nSister and brother\, Jeneda and Clayson Benally of the Indigenous punk rock band Blackfire\, are from the Navajo (Dine’) Nation in Northern Arizona. Their music reflects hope for equality\, healthy and respectful communities and social and environmental justice. Sihasin (See-ha-szin) is a Navajo word meaning to think with hope and assurance. \n  \n2:30 p.m.: Talk: Overview of Native Music of the Southwest by Angelo Joaquin (Tohono O’odham)\, Ethnomusicologist in the MIAC Theater \nAngelo Joaquin\, Jr. has directed the annual Waila Festival in Tucson since 1989. Waila (why-la) is now considered the traditional social dance music of the O’odham with its roots in the desert of southern Arizona. \nOngoing from 1-4 p.m.: All-ages hands-on activity\, cardboard drum decorating in the MIAC classroom \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1927-heartbeat-music-of-the-native-southwest/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1927_thumb.jpg
ORGANIZER;CN="TJ Hilton":MAILTO:thomas.hilton@dca.nm.gov
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130707T100000
DTEND;TZID=America/Denver:20140105T170000
DTSTAMP:20230614T175201Z
CREATED:20160316T041956Z
LAST-MODIFIED:20230614T175201Z
UID:10001223-1373191200-1388941200@test-dca-mc.nmdca.net
SUMMARY:Let’s Talk About This:  Folk Artists Respond to HIV/AIDS
DESCRIPTION:The Gallery of Conscience became a new kind of experimental exhibition space at the Museum of International Folk Art in 2013. Everything in the gallery is a work in progress. Come in\, linger\, talk\, share ideas and explore important issues of conscience together\, drawing on the power of folk arts to “show and tell it like it is.” \n  \nWe must come to see that the end we seek is a society at peace with itself\, a society that can live with its conscience.”  -Dr. Martin Luther King\, Jr.\, Alabama\, 1965   \n“You must not be ashamed to speak out\, telling the community! When you keep quiet you sign your own death warrant.”  Maria Rengane\, embroiderer\, South Africa
URL:https://test-dca-mc.nmdca.net/dca-event/1849-lets-talk-about-this-folk-artists-respond-to-hiv-aids/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/letstalk.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130609T100000
DTEND;TZID=America/Denver:20140727T170000
DTSTAMP:20230614T175200Z
CREATED:20160310T055847Z
LAST-MODIFIED:20230614T175200Z
UID:10001219-1370772000-1406480400@test-dca-mc.nmdca.net
SUMMARY:Tako Kichi: Kite Crazy in Japan
DESCRIPTION:Japanese Kites have been a long delightful and entertaining tradition.  The exhibition featured traditional kites from various regions of Japan\, and work by respected kite artists.  This exhibition explored the cultural\, historical. artistic perspectives of kite making and flying. The exhibit was complemented with a video of kite fights in Japan and in-gallery kite making.  Public programs included Artist demonstrations\, with kite making and flying.
URL:https://test-dca-mc.nmdca.net/dca-event/1693-tako-kichi-kite-crazy-in-japan/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/takokichi.jpg
ORGANIZER;CN="Rebecca Ward":MAILTO:rebecca.ward@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130503T100000
DTEND;TZID=America/Denver:20130818T170000
DTSTAMP:20230614T175200Z
CREATED:20130328T235024Z
LAST-MODIFIED:20230614T175200Z
UID:10001221-1367575200-1376845200@test-dca-mc.nmdca.net
SUMMARY:PETER SARKISIAN: VIDEO WORKS\, 1994-2011
DESCRIPTION:Peter Sarkisian: Video Works\, 1994-2011 opens at the New Mexico Museum of Art Friday\, May 3\, 2013 with a free reception hosted by the Women’s Board of the Museum of New Mexico. The exhibition features 15 video and mixed-media works spanning 18 years and will be on view through August 18\, 2013. \nThroughout his career Santa Fe-based artist Peter Sarkisian has been an innovator working at the cutting edge of multi-media art. Juxtaposing projected video and physical objects\, his installations explore the intersection of the moving image and sculpture. 
URL:https://test-dca-mc.nmdca.net/dca-event/1727-peter-sarkisian-video-works-1994-2011/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130503T100000
DTEND;TZID=America/Denver:20130818T170000
DTSTAMP:20230614T175201Z
CREATED:20130314T002239Z
LAST-MODIFIED:20230614T175201Z
UID:10001222-1367575200-1376845200@test-dca-mc.nmdca.net
SUMMARY:PETER SARKISIAN: VIDEO WORKS\, 1994-2011
DESCRIPTION:Throughout his career Santa Fe-based artist Peter Sarkisian has been an innovator working at the cutting edge of multi-media art. Juxtaposing projected video and physical objects\, his installations explore the intersection of the moving image and sculpture. \nPeter Sarkisian: Video Works\, 1994-2011 opens at the New Mexico Museum of Art Friday\, May 3\, 2013 with a free reception hosted by the Women’s Board of the Museum of New Mexico. The exhibition features 15 video and mixed-media works spanning 18 years and will be on view through August 18\, 2013.  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1730-peter-sarkisian-video-works-1994-2011/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1730_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130419T100000
DTEND;TZID=America/Denver:20130908T170000
DTSTAMP:20230614T175239Z
CREATED:20121102T001328Z
LAST-MODIFIED:20230614T175239Z
UID:10001412-1366365600-1378659600@test-dca-mc.nmdca.net
SUMMARY:Mont St. Michel and Shiprock: Photographs by William Clift
DESCRIPTION:Mont St. Michel and Shiprock: Photographs by William Clift \nThe New Mexico Museum of Art is pleased to present this one-man exhibition by master photographer William Clift\, a long-time Santa Fe resident. The exhibition opens April 19 and runs through September 8\, 2013. \nFor almost four decades\, Clift has photographed two monolithic sites that dominate their expansive landscapes: Shiprock\, an eroded volcanic form that rises above the northwestern New Mexico desert and is sacred to the Navajo (Diné)\, and Mont St. Michel\, a tidal island off the north coast of France that is famous for its Romanesque-Gothic church and monastery. In this selection of more than seventy beautiful photographs\, Clift shares his ongoing\, nuanced exploration of the two places.  \n“These are pictures of tremendous sensitivity and resonance\,” said Katherine Ware\, Curator of Photography at the museum. “The artist’s devoted pursuit of these two subjects from 1973 to the present demonstrates the kind of seeing that is possible with sustained concentration. It’s very different from how most photographers work today.” \n  \nThe artist has long been recognized for his photographs of the New Mexico landscape but his work defies easy categorization. Born in Boston in 1944\, Clift began making photographs at the age of ten with an early interest in Polaroid image making. As a teenager\, he took a photography workshop with Paul Caponigro and was soon affiliated with many of the established practitioners of the medium. He moved to New Mexico in 1971\, where he and his wife raised a family\, and has earned a reputation as a thoughtful photographer and a meticulous printer. He is represented in the museum’s collection by twenty-four prints from across his career. \n  \nRegarding the exhibition\, Ware said\, “These photographs aren’t meant to catalog or document Shiprock and Mont St. Michel but are about the experience of being there. They capture the beauty as well as the danger of these archetypal sites in an evocative manner. The artist doesn’t add it all up for us — what animates them is how we experience them as individual viewers.” \n  \nThe exhibition is accompanied by a book with more than 130 reproductions of the artist’s Shiprock and Mont St. Michel pictures. Copies are available for purchase in the Museum Shop and from the artist’s website (http://www.williamclift.com/). \nThe traveling exhibition is organized by the Phoenix Art Museum\, where it will premiere on January 9\, 2013.  Mont St. Michel and Shiprock: Photographs by William Clift is presented through the generosity of donors to the New Mexico Museum of Art’s Director’s Leadership Fund and Exhibitions Development Fund. \nMedia Contacts: \nKatherine Ware\, Curator of Photography \nNew Mexico Museum of Art \nkate.ware@state.nm.us  \n  \nSteve Cantrell\, PR Manager \nNew Mexico Department of Cultural Affairs \n505-476-1144 \nsteve.cantrell@state.nm.us \n### \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1629-mont-st-michel-and-shiprock-photographs-by-william-clift/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1629_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130414
DTEND;VALUE=DATE:20140317
DTSTAMP:20230614T175137Z
CREATED:20200501T074438Z
LAST-MODIFIED:20230614T175137Z
UID:10001084-1365897600-1395014399@test-dca-mc.nmdca.net
SUMMARY:Cowboys Real and Imagined
DESCRIPTION:When America needed hard workers\, the cowboy was there. The job was dirty and difficult\, low-paid and lowly regarded. But when an America torn by the Civil War needed a hero to unite its soul\, the unassuming cowboy was an unlikely—and ultimately lasting—pick. \nSince riding out of Spanish horse culture\, he’s been an itinerant hired hand\, an outlaw\, a movie star\, a rodeo athlete\, a radio yodeler\, and a rhinestoned disco diva. He’s been Spanish\, Mexican\, African American\, Anglo\, male\, female\, straight\, and gay. His image has been co-opted to sell trucks\, beer\, boots\, beans\, jeans\, tires\, cigarettes\, leather couches\, presidential candidates\, and a lifestyle far beyond the means of real-life buckaroos. \nDespite the sometimes tortured lengths our imaginations have taken cowboys and cowgirls\, the basic fact of their life is this: a rough-hewn job stacked against steep odds. The daily dangers of working with cattle and horses are matched by volatile global markets\, a public with fickle tastes in heroes\, and a big sky that can deliver sunshine and tornadoes\, droughts and snowstorms. \nToday\, real cowboys sit uneasily in the saddle (or on the seat of an ATV\, occasionally dubbed “a Japanese cutting horse”). Climate change has altered the range and dealt cattle-ranching a potential kill card. Even as popular culture delivers new-and-improved versions of a fanciful life on the range\, Cowboys Real and Imagined asks a bare-boned question: Will the people who tamed that range survive? \nDownload high-resolution images from the exhibition by clicking on “Go to related media” at the bottom of this page. \nUsing artifacts and photographs from its wide-ranging collections\, along with loans from more than 100 people and museums\, Cowboys Real and Imagined (April 14\, 2013\, through March 16\, 2014) blends a chronological history of Southwestern cowboys with the rise of a manufactured mystique as at home on city streets as it is in a stockyard. \nAugmented by archival footage\, oral histories\, musical performances\, and a programming series that includes showings of classic Western movies filmed in New Mexico\, the exhibition anchors the cowboy story in New Mexico\, a place that not only helped give birth to the real thing but\, due to geographical and economical factors\, has managed to hold onto it longer than most other states. \n“One of the reasons the cowboy myth has been so pervasive and long-lasting is because anybody could become a cowboy of sorts\,” said guest curator by B. Byron Price director of the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma and director of the University of Oklahoma Press. “It isn’t always what you wear\, who you are\, or what your attitude is. The exhibit asks: Who is a real cowboy? \nIn its search for an answer\, Price said\, the exhibit discovers that cowboy “is a verb\, an adjective\, a noun\, an adverb.” \nDespite a career devoted to exploring the story of the cowboy\, Price said he was amazed at what he found in the museum’s Palace of the Governors Photo Archives\, including a small cache of glass-plate negatives. Made by Ella Wormser\, the wife of a Jewish merchant\, they may be the only visual evidence of trail drives making the transition toward rail transport. \n“I went crazy when I found (those)\,” he said. “She was the wife of a mercantile owner who came to Deming in 1895 and developed an interest in photography. Most significantly\, she shot a series of images that followed a roundup near Deming and driven to a railhead through a process of chutes. You cannot imagine how rare this series is. … In one of them\, you can see her skirt in shadow\, along with the tripod and camera. \n“I’ve spent years studying this and I haven’t found any better material than here at the New Mexico History Museum. In New Mexico\, because the old style of cowboying still prevails\, that attracts photographers—contemporary photographers.” \nModern-day shooters represented in the exhibit include Barbara Van Cleave\, Lee Marmon\, Donald Woodman\, and Herbert Lotz. Other artifacts include cowboy clothing from the 1700s through contemporary times; the chuck wagon that once fed cattle-driving cowboys of the northeastern New Mexico’s famed Bell Ranch; ephemera from the dude ranches that once speckled the state; and the ads that banked on cowboys to sell products. People who pop up through the exhibit include legendary Lea County cowgirl and rancher Fern Sawyer; singer Louise Massey; actor and film producer Tom Mix; Buck Taylor\, “The King of the Cowboys”; Billy the Kid; Frederic Remington; and the anonymous Rough Riders\, cowboys\, and vaqueros whose real-life acts still feed a wide-open space of the American dream. \nAs part of the exhibit\, the Palace Press is preparing a fine-press version of Jack Thorp’s classic Songs of the Cowboys\, first published in Estancia\, NM\, in 1908\, on a press now used at the History Museum. Thorp’s was a pioneering compilation of songs he heard hummed and strummed around campfires in New Mexico and included tunes from African American cowboys. Most of what he recorded likely would have faded into the starry skies without that effort. \n \n \nCowboys Real and Imagined is generously supported by the Brindle Foundation; Burnett Foundation; Rooster and Jean Cowden Family\, Cowden Ranch; Jane and Charlie Gaillard; Albert and Ethel Herzstein Charitable Foundation\, Houston; Candace Good Jacobson in memory of Thomas Jefferson Good III; Moise Livestock Company; Newman’s Own Foundation; New Mexico Cattle Growers’ Association; New Mexico Humanities Council; Palace Guard; Eugenia Cowden Pettit and Michael Pettit; 98.1 FM Radio Free Santa Fe; and the many contributors to the Director’s Leadership\, Annual Education\, and Exhibitions Development Funds. \n  \nAlso at the museum: Tall Tales of the Wild West: The Stories of Karl May recounts the life of a German author who conjured a cowboys-and-Indians world that has resonated in Europe for over a century. In the Mezzanine Gallery through Feb. 9\, 2014. For more information\, go to: http://media.museumofnewmexico.org/events.php?action=detail&eventID=1548. \nA year’s worth of free events accompanies Cowboys Real and Imagined: \nSunday\, March 10\, 2013\, 2pm—Don Edwards\, America’s Cowboy Balladeer \nThe Grammy-nominated singer\, guitarist\, songwriter\, and historian sings and plays old-time ballads and cowboy songs. $25 at the History Museum Shop; call (505) 982-9543 or log onto www.newmexicocreates.org and click on “Museum Products.” Seating is limited. \nSaturday\, April 13\, 2013\, 6:30pm—Members Preview. \nMuseum of New Mexico Foundation members get a first peek at the exhibit and a chance to put on their best cowboy and cowgirl duds. To join\, call (505) 982-6366. \nSunday\, April 14\, 2013—Grand Opening.  \nVisit the exhibit\, enjoy refreshments and\, at 2 pm\, hear a lecture by guest curator B. Byron Price\, director of the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma and director of the University of Oklahoma Press. Free with admission (Sundays free to NM residents). \nFriday\, April 26\, 2013\, 6pm—Cowboy movie night: “Tom Mix and Ranch Life in the Great Southwest\,” with journalist and film critic Jon Bowman.  \nBesides the 1910 Ranch Life\, see a showing of the 1915 short\, Local Color\, filmed in New Mexico. Free. \nSunday\, May 5\, 2013\, 2pm—“I See By Your Outfit: Historic Cowboy Clothing\,” a presentation by Emmy award-winning costume designer Cathy Smith. \nSmith has presented at the Smithsonian Institutions’ Renwick Gallery in 2003 and the Trappings of the American West exhibition in 2008. Her lecture is an accurate and humorous look at the historical evolution of the American cowboy through photos of his costume\, equipment and horses. Examples of Smith’s costumes and pieces from her historic cowboy clothing collection are included in Cowboys Real and Imagined. Free with admission (Sundays free to NM residents). \nFriday\, May 17\, 2013\, 6pm—Cowboy movie night: “An Introduction to The Hi-Lo County\,” with Max Evans. \nThe legendary author talks with Jim Harris\, director of the Lea County Museum\, about his storied career\, including the making of movies from his works\, with a showing The Hi Lo Country (1998). Free. \nSunday\, June 16\, 2013\, 1-3pm–Father’s Day Special. Meet the Royal Court of Rodeo de Santa Fe\, try on hats courtesy of J.D. Noble and the HatSmith of Santa Fe\, and get a free portrait of Dad in a Hat by photographer Cheron Bayna Ryan. Free. \nSunday\, June 23\, 2013\, 1:30-4pm–Honoring Eastern New Mexico’s Ranching Heritage. Join Los Compadres del Palacio\, a support group of the New Mexico History Museum\, for tours of Cowboys Real and Imagined\, and step inside a 1950s-era range tent once used on the Bell Ranch. At 2 pm\, Meredith Davidson\, curator of the 19th- and 20th-century American Southwest collection\, speaks in the auditorium on “Ranching History Heard\,” using oral history\, song and sound to document the stories of New Mexico cowpunchers and ranchers. Following Davidson’s talk\, cowboy singer and onetime ranch hand Steve Cormier of Sandia Park\, NM\, will perform in the auditorium. Free; reservations recommended. Call 505-476-5191. \n Sunday\, June 30\, 2013\, 2pm–African American Cowboys. See the short documentary African American Cowboy: The Forgotten Man of the West\, by film student Victoria Liozynyansky\, followed by a discussion with Cleo Hearn and Aaron Hopkins of Cowboys of Color\, sponsors of the biggest national rodeo for black cowboys. Free. \nFriday\, July 19\, 2013\, 6pm—Cowboy movie night: “Edward Abbey and Lonely Are the Brave\,” with oral historian Jack Loeffler. \nLoeffler discusses his friendship with author Edward Abbey and the transformation of Abbey’s novel The Brave Cowboy into a 1962 icon of Western movies\, filmed in and around Albuquerque\, the Sandia Mountains\, Manzano Mountains\, Tijeras Canyon\, and Kirtland Air Force Base. Free. \nSunday\, August 4\, 2013\, 2pm—“Pride in the Saddle in New Mexico: The Story of Gay Rodeo\,” by Out West producer Gregory Hinton and photographer Blake Little. \nHinton and Little talk about the history of gay rodeo in New Mexico and Little’s rare collection of gay rodeo photographs taken from 1988-1992\, when he was a champion bull rider in the International Gay Rodeo Association. Little’s photographs will be exhibited at the Eiteljorg Museum in Indianapolis in 2014. Free with admission (Sundays free to NM residents). \nFriday\, August 9\, 2013\, 6pm—“Jack Thorp’s Songs of the Cowboys\,” by music historians Mark Gardner and Rex Rideout. \nGardner and Rideout perform and discuss the cowboy ballads collected by New Mexico cowboy\, rancher\, surveyor\, and state cattle inspector N. Howard “Jack” Thorp\, who published the very first book of cowboy songs at Estancia\, NM\, in 1908. The Palace Press this year debuts a special\, fine-press reprint of the book. Gardner and Rideout use vintage instruments and historic playing styles to present a close approximation of how this music sounded. Free. \nSaturday and Sunday\, August 10 and 11\, 2013\, 10am to 4pm—“Wild West Weekend.” \nJoin us for two days of family fun celebrating the heritage of cowboys\, featuring singing cowboys (and gals!)\, saddle makers\, trick ropers\, bootmakers\, poets\, dutch-oven cooking demonstrations\, and lots more. Mark Gardner and Rex Rideout will lead a one-hour workshop on Saturday for families on traditional cowboy songs and discuss the New Mexico cowboy lifestyle and culture as represented in the songs. Free with admission (Sundays free to NM residents; children 16 and under free daily). \nFriday\, September 20\, 2013\, 6pm—Cowboy movie night: “On the Trail of The Cowboys\,” with journalist and film critic Robert Nott.  \nFilmed at various locations in New Mexico and elsewhere\, The Cowboys (1972) is considered one of John Wayne’s greatest movies. Based on the William Dale Jennings’ novel\, the movie follows a cattle drive from Montana to South Dakota with real “boys\,” after the real ones flee the range in search of gold. Free. \nSunday\, October 27\, 2013\, 2pm: “Nice Jewish Cowboys and Cowgirls.” Noel Pugach\, professor emeritus of history at the University of New Mexico\, leads a panel discussion among members of the Gottlieb and Wertheim families\, who share their families’ stories and explain what “the cowboy way” means to them. Meredith Davidson\, curator of 19th– and 20th-century Southwest collections\, presents a selection of Ella Wormser’s images on view in the exhibit.  Presented in conjunction with the New Mexico Jewish Historical Society and Temple Beth Shalom. Free with admission; Sundays free to NM residents. \nFriday\, November 15\, 2013\, 6pm: Cowboy movie night—“Oh\, to be a Cowboy\,” with best-selling author David Morrell (of Rambo fame).  \nBased onFrank Harris’s My Reminiscences as a Cowboy\,” the 1958 movie Cowboy stars Glenn Ford and Jack Lemmon. AChicago hotel clerk dreams of life as a cowboy and gets his shot in a cattle-driving outfit. Not surprisingly\, the tenderfoot finds out life on the range is neither what he expected nor what he’s been looking for. Free.   \nFriday\, January 17\, 2014\, 6pm—Cowboy movie night: “Revisiting City Slickers\,” with author Johnny Boggs. \nA mid-life crisis plagues a man and his friends\, who find renewal and purpose on a cattle-driving vacation\, filmed at various locations in New Mexico. Starring Billy Crystal and Jack Palance (1991). Free. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/cowboys-real-and-imagined-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130414
DTEND;VALUE=DATE:20140317
DTSTAMP:20230627T205115Z
CREATED:20130414T060000Z
LAST-MODIFIED:20230627T205115Z
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SUMMARY:Cowboys Real and Imagined
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/cowboys-real-and-imagined/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20130303T100000
DTEND;TZID=America/Denver:20130902T170000
DTSTAMP:20230614T175239Z
CREATED:20160316T042426Z
LAST-MODIFIED:20230614T175239Z
UID:10001413-1362304800-1378141200@test-dca-mc.nmdca.net
SUMMARY:Plain Geometry Amish Quilts
DESCRIPTION:Quilts in the exhibit llustrated the changes in everyday life that occurred when families moved west and established communities in Ohio\, Indiana\, and other Midwestern states. A somber color palette gave way to brighter colors and more complex pieced patterns. The use of cotton or wool fabrics\, border width\, and color choice were regionally specific as well and color preferences differed according to settlement and time period. \nSome quilt designs on view were Diamond in Square and Bars. These large-piece patterns are related to an even earlier form called whole cloth quilts that were not pieced but made from one-color cloth. These quilts are the most recognizably Amish with their strong contrasting colors and fine quilting. The Pennsylvania Amish continued creating these patterns long after their brethren left for lands further west. \nThe exhibition included crib and doll quilts. These were made by an expectant mother or grandmother to welcome a new baby into the world. Crib quilts were more frequently made in Ohio\, Indiana\, and Illinois than in Lancaster County. \nVisitors of all ages enjoyed making thier own virtual quilt on the in-gallery IPad to save and share with other visitors. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/1630-plain-geometry-amish-quilts/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
END:VCALENDAR