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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20150306T100000
DTEND;TZID=America/Denver:20150920T170000
DTSTAMP:20230614T175140Z
CREATED:20150401T033051Z
LAST-MODIFIED:20230614T175140Z
UID:10001099-1425636000-1442768400@test-dca-mc.nmdca.net
SUMMARY:Colors of the Southwest
DESCRIPTION:The New Mexico Museum of Art is participating in the city’s 2015 “Summer of Color” celebration with the exhibition Colors of the Southwest. The exhibtion dates are March 6 – September 20\, 2015. The exhibition will encompass an array of art created from the early 20th century to the present and will include paintings\, photographs\, prints\, watercolors\, and ceramics.
URL:https://test-dca-mc.nmdca.net/dca-event/colors-of-the-southwest-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20150306T100000
DTEND;TZID=America/Denver:20150920T170000
DTSTAMP:20230627T204430Z
CREATED:20150306T170000Z
LAST-MODIFIED:20230627T204430Z
UID:10001253-1425636000-1442768400@test-dca-mc.nmdca.net
SUMMARY:Colors of the Southwest
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/colors-of-the-southwest/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20150215T100000
DTEND;TZID=America/Denver:20160116T170000
DTSTAMP:20230627T204455Z
CREATED:20150215T170000Z
LAST-MODIFIED:20230627T204455Z
UID:10001252-1423994400-1452963600@test-dca-mc.nmdca.net
SUMMARY:Indian Country: The Art of David Bradley
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/indian-country-the-art-of-david-bradley/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20150215T100000
DTEND;TZID=America/Denver:20160116T170000
DTSTAMP:20230614T175139Z
CREATED:20150209T222817Z
LAST-MODIFIED:20230614T175139Z
UID:10001098-1423994400-1452963600@test-dca-mc.nmdca.net
SUMMARY:Indian Country: The Art of David Bradley
DESCRIPTION:Indian Country: The Art of David Bradley opens at the Museum of Indian Arts and Culture February 15\, 2015 and runs through January 16 2016. On view will be 32 works of art spanning his career\, including paintings\, mixed media works\, and bronze sculptures.
URL:https://test-dca-mc.nmdca.net/dca-event/indian-country-the-art-of-david-bradley-2/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141219T100000
DTEND;TZID=America/Denver:20150419T170000
DTSTAMP:20230614T175140Z
CREATED:20170712T214959Z
LAST-MODIFIED:20230614T175140Z
UID:10001102-1418983200-1429462800@test-dca-mc.nmdca.net
SUMMARY:Tales from a Dark Room
DESCRIPTION:On display Dec. 19\, 2014 through April 19\, 2015\nPhotographers used to spend much of their time in the dark\, processing film and developing pictures. Many have come into the light by switching to digital image-making but the mystique of the darkroom lingers. This group exhibition is a tribute to the tools of the trade of wet-process\, darkroom photography. \nJoin us for a gallery talk by Santa Fe artist Robert Stivers who will talk about his unique photograms made with his darkroom developing tray\, Friday\, February 6\, 2015\, at 5:30 p.m. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/tales-from-a-dark-room-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2438_thumb.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141219T100000
DTEND;TZID=America/Denver:20150419T170000
DTSTAMP:20230614T175140Z
CREATED:20150124T015756Z
LAST-MODIFIED:20230614T175140Z
UID:10001101-1418983200-1429462800@test-dca-mc.nmdca.net
SUMMARY:North to South: Photographs by Edward Ranney
DESCRIPTION:North to South: Photographs by Edward Ranney  \nOn display Dec. 19\, 2014 through April 19\, 2015 \nA survey of remarkable images by this master of photography whose work ranges from the southern Andes of Peru to the Galisteo basin. A longtime New Mexico resident\, Ranney has extensively explored the cultural landscape of ancient peoples as well as contemporary human interventions such as artist Charles Ross’ immense Star Axis project near Las Vegas\, New Mexico. \nJoin us for a gallery talk by Santa Fe artist Edward Ranney\, who will talk about his work as an artist and his efforts to photograph ancient habitations along the coastal Americas on Friday\, March 6\, 2015\, at 5:30 p.m.
URL:https://test-dca-mc.nmdca.net/dca-event/north-to-south-photographs-by-edward-ranney-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2437_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141219T100000
DTEND;TZID=America/Denver:20150419T170000
DTSTAMP:20230627T204854Z
CREATED:20141219T170000Z
LAST-MODIFIED:20230627T204854Z
UID:10001255-1418983200-1429462800@test-dca-mc.nmdca.net
SUMMARY:North to South: Photographs by Edward Ranney
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/north-to-south-photographs-by-edward-ranney/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141219T100000
DTEND;TZID=America/Denver:20150419T170000
DTSTAMP:20230627T204833Z
CREATED:20141219T170000Z
LAST-MODIFIED:20230627T204833Z
UID:10001256-1418983200-1429462800@test-dca-mc.nmdca.net
SUMMARY:Tales from a Dark Room
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/tales-from-a-dark-room/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20141207
DTEND;VALUE=DATE:20250101
DTSTAMP:20230726T005319Z
CREATED:20230505T191615Z
LAST-MODIFIED:20230726T005319Z
UID:10001231-1417910400-1735689599@test-dca-mc.nmdca.net
SUMMARY:Setting the Standard: The Fred Harvey Company and Its Legacy
DESCRIPTION:Will Rogers noted that Fred Harvey “kept the West in food—and wives.” But the company’s Harvey Girls are by no means its only legacy. From the Atchison\, Topeka and Santa Fe Railway’s 1879 arrival in New Mexico to the 1970 demolition of Albuquerque’s Alvarado Hotel\, the Fred Harvey name and its company’s influence have been felt across New Mexico\, not to mention the American West. The company and its New Mexico establishments served as the stage on which people such as Mary Colter were able to fashion an “authentic” tourist experience\, along with Herman Schweizer who helped drive the direction of Native American jewelry and crafts as an industry. \nSetting the Standard: The Fred Harvey Company and Its Legacy\, a new section that joins the New Mexico History Museum’s main exhibit\, Telling New Mexico: Stories from Then and Now\, helps tell those stories. Opening December 7\, 2014\, Setting the Standard uses artifacts from the museum’s collection\, images from the Palace of the Governors Photo Archives and loans from other museums and private collectors. Focusing on the rise of the Fred Harvey Company as a family business and events that transpired specifically in the Land of Enchantment\, the tale will leave visitors with an understanding of how the Harvey experience resonates in our Southwest today. \n“People don’t always realize that many of the turning points in the company’s history are specific to New Mexico\,” said Meredith Davidson\, curator of 19th– and 20th-century Southwest collections. “The Harvey Girls were invented in Raton. Native American jewelry\, pottery\, blankets and other goods were shaped by sales at the Alvarado’s Indian Room in Albuquerque. Tourists experienced `the authentic Southwest’ through Indian Detours that left from Santa Fe’s La Fonda Hotel and countless others. \n“In many ways\, Fred Harvey and the AT&SF Railway grew up together in New Mexico. As tracks were laid through cities\, a Harvey House appeared. From small eating houses in cities like Deming\, to large hotels like the Alvarado\, each place left an imprint on the local community as well as on the tourists who returned to their homes with tales of that Fred Harvey experience.” \nArtifacts in the exhibit include: the original Atchison\, Topeka & Santa Fe Railway track sign for Albuquerque’s Alvarado Hotel; Harvey Girl uniforms (including the unique embroidered blouse worn by La Fonda waitresses in the 1950s); furniture designed by famed architect and interior decorator Mary Colter; hand-stamped Navajo spoons; Fred Harvey’s original datebook and an iconic painting of the man behind the empire. Other artifacts include a gong similar to ones that rang travelers to their meals (this one hung in the company’s Chicago office) and an original Doris Lee painting while helping to plan MGM’s The Harvey Girls\, starring Judy Garland. The image Lee created was adopted by the Harvey Company and used on menus at El Navajo in Gallup and El Tovar at the Grand Canyon. \nIn addition\, an interactive station will feature excerpts of Harvey Girl interviews conducted by Katrina Parks for her 2013 documentary\, The Harvey Girls: Opportunity Bound. \nOpening events\, Sunday\, December 7\, 2014: \n10 am\, 11 am\, noon and 4 pm\, see The Harvey Girls: Opportunity Bound\, a 57-minute documentary\, in the museum auditorium \n2 pm\, gather in the auditorium for a conversation with curator Meredith Davidson\, documentary producer Katrina Parks\, and Stephen Fried\, author of the acclaimed biography Appetite for America \n3 pm\, refreshments in the lobby \nFree with admission; Sundays free to NM residents; children 16 and under free daily
URL:https://test-dca-mc.nmdca.net/dca-event/1950-setting-the-standard-the-fred-harvey-company-and-its-legacy/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/1950_1200-1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141107T100000
DTEND;TZID=America/Denver:20150329T170000
DTSTAMP:20230614T175139Z
CREATED:20170712T215338Z
LAST-MODIFIED:20230614T175139Z
UID:10001096-1415354400-1427648400@test-dca-mc.nmdca.net
SUMMARY:Hunting + Gathering: New Additions to the Museum’s Collection
DESCRIPTION:Recently acquired works by artists Ansel Adams\, Gustave Baumann\, Woody Gwyn\, Betty Hahn and many others will be on view in Hunting + Gathering: New Additions to the Museum’s Collection. The exhibition opens at the New Mexico Museum of Art on Friday\, November 7\, 2014\, from 5 to 7 p.m. with a free public reception hosted by the Women’s Board of the Museum of New Mexico. The exhibition runs through March 29\, 2015. \nHunting + Gathering presents a sampling of artworks that have entered the Museum’s collection since 2010.
URL:https://test-dca-mc.nmdca.net/dca-event/hunting-gathering-new-additions-to-the-museums-collection-2/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2321_thumb.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141107T100000
DTEND;TZID=America/Denver:20150329T170000
DTSTAMP:20230627T204904Z
CREATED:20141107T170000Z
LAST-MODIFIED:20230627T204904Z
UID:10001250-1415354400-1427648400@test-dca-mc.nmdca.net
SUMMARY:Hunting + Gathering: New Additions to the Museum’s Collection
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/hunting-gathering-new-additions-to-the-museums-collection/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20141107
DTEND;VALUE=DATE:20150330
DTSTAMP:20230614T175138Z
CREATED:20200425T050734Z
LAST-MODIFIED:20230614T175138Z
UID:10001091-1415318400-1427673599@test-dca-mc.nmdca.net
SUMMARY:Gustave Baumann and Friends: Artist Cards from Holidays Past
DESCRIPTION:Gustave Baumann is one of the most recognized and beloved names associated with the Santa Fe art world in the 20th century. For more than five decades\, beginning in 1918\, the internationally renowned printmaker cultivated friendships with other artists that were full of colorful\, artistic\, humorous and small-town flavor—all of it brought to life in holiday greeting cards they made for one another. With guileless good humor and steady craft\, the cards captured the personal lives and preoccupations that encapsulate the memories and spirit of their times. \nIn Gustave Baumann and Friends: Artist Cards from Holidays Past\, opening November 7\, Tom Leech\, director of the Palace Press\, and guest curator Jean Moss pull from a cache of more than 400 cards donated to the New Mexico History Museum in 2012 by the Ann Baumann Trust. Buttressing the collection are loans from private collectors and the New Mexico Museum of Art. Besides “Gus” Baumann\, the exhibit features examples by such New Mexico favorites as Paul Horgan; Olive Rush; Willard Clark; Barbara Latham; Joseph Imhof; Louis Ewing; Will Shuster; Chuzo Tamotzu; B.J.O. Nordfeldt; Ernest and Helen Blumenschein; John Sloan; and Tom Lea. The cards are held at the museum’s Fray Angélico Chávez History Library. \nThe Museum of New Mexico Press is publishing a companion book on Oct. 15. Leech will produce a limited-edition Palace Press version of it\, using Baumann’s original blocks and paper found in the artist’s Santa Fe studio after his death in 1971. \nIs that intimidating? A little\, Leech acknowledged\, “but then I just ask myself\, `What would Gus do?’” \nMixing Santa Claus with Deer Dancers\, vaqueros and even diapers\, the cards sit somewhere between idle doodle and polished artwork—and might just inspire you to create a card of your own. (We’ll have some workshops to help you scratch that itch.) Staged in the museum’s Mezzanine Gallery\, the exhibit (through March 1\, 2015) includes a rare audio recording of Ann Baumann talking about Christmases past. \nDuring his tenure at the Palace Press\, Leech has nurtured a longtime admiration of his fellow printer. He even oversaw the re-creation of Baumann’s studio within the museum\, complete with his original tools\, press and inks. (See a photo of it by clicking here.) \n“My first reaction when I saw the cards? Just delight\,” he said. “They gave a glimpse into the personal lives and humor and insights of all these different artists. You might know an artist from their paintings\, but here they’re just goofing around. All of these artists knew one another; they knew what they were capable of. No one felt they had to show off. There are some really technically beautiful pieces\, but most are people saying `I want to send a Christmas card\, but I don’t want to buy one so I’ll whip one out.’ They’re kind of homey\, simple\, and direct.” \nAnd like anyone else\, they want to show off their family at Christmastime. But instead of a family photo\, artists like Baumann and Willard Clark took drawings their children did and turned them into linoleum-block prints. Sometimes\, the artists took traditional symbols of Christmas or the New Year and put their own spin on them. Sometimes the inspiration came from “far out” in the artist’s mind\, or were influenced by global events\, community spirit or the beauty of the New Mexico landscape. \nBaumann’s output includes a card a year from 1919 to 1970\, giving him ample opportunity to comment on Prohibition\, the Great Depression\, World War II and the dawn of the Space Age with a brand of humor that Leech described as “sometimes unfathomable.” \nThe exhibit includes about 100 cards\, but in the pantheon of great Santa Fe artists\, a few are notably absent. “Most of the participants were either printmakers or had printmaking in their background\,” Leech said. Perhaps because of that\, you won’t find a Raymond Jonson\, the Modernist painter who once lived next-door to Baumann\, or a Georgia O’Keeffe. \nFor Leech\, that’s OK. “I feel like people come to New Mexico for Georgia O’Keeffe\,” he said\, “but they stay for Gustave Baumann.”
URL:https://test-dca-mc.nmdca.net/dca-event/gustave-baumann-and-friends-artist-cards-from-holidays-past-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20141107
DTEND;VALUE=DATE:20150330
DTSTAMP:20230627T204951Z
CREATED:20141107T070000Z
LAST-MODIFIED:20230627T204951Z
UID:10001230-1415318400-1427673599@test-dca-mc.nmdca.net
SUMMARY:Gustave Baumann and Friends: Artist Cards from Holidays Past
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/gustave-baumann-and-friends-artist-cards-from-holidays-past/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6883465;-105.9381345
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141102T100000
DTEND;TZID=America/Denver:20151019T170000
DTSTAMP:20230614T175139Z
CREATED:20150128T233014Z
LAST-MODIFIED:20230614T175139Z
UID:10001097-1414922400-1445274000@test-dca-mc.nmdca.net
SUMMARY:Courage and Compassion: Native Women Sculpting Women
DESCRIPTION:First exhibit of its kind featuring leading American Indian Women sculptors of 20th and 21st centuries   \nCourage and Compassion: Native Women Sculpting Women opens at the Museum of Indian Arts and Culture Nov. 2\, 2014 and runs through Oct. 19\, 2015. The exhibition features figures of women sculpted by seven American Indian women artists.  Most of the ten works on view will be in the museum’s outdoor Roland Sculpture Garden. \nThere is a long history of sculpting among the indigenous peoples of the Americas. The artists in Courage and Compassion\, while contemporary in their approach are steeped in tradition. Using the same materials as their ancestors did thousands of years ago\, the works presented draw on cultural influences of those who have gone before
URL:https://test-dca-mc.nmdca.net/dca-event/courage-and-compassion-native-women-sculpting-women-2/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141102T100000
DTEND;TZID=America/Denver:20151019T170000
DTSTAMP:20230627T204913Z
CREATED:20141102T170000Z
LAST-MODIFIED:20230627T204913Z
UID:10001251-1414922400-1445274000@test-dca-mc.nmdca.net
SUMMARY:Courage and Compassion: Native Women Sculpting Women
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/courage-and-compassion-native-women-sculpting-women/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20141024T100000
DTEND;TZID=America/Denver:20151115T170000
DTSTAMP:20230614T175206Z
CREATED:20160318T003413Z
LAST-MODIFIED:20230614T175206Z
UID:10001244-1414144800-1447606800@test-dca-mc.nmdca.net
SUMMARY:Pottery of the U.S. South:  A Living Tradition
DESCRIPTION:Pottery of the U.S. South presented traditional stoneware from North Carolina and northern Georgia — current works characterized by earthy local clays and surprising effects of wood firing. Rooted in British and German ceramic traditions and once crucial to Southern agrarian life\, Southern pottery today remains vital\, a distinctive art form through which potters actively engage with their region in ways both old and new. As museum visitors explored these ways\, they were invited to consider for themselves the dynamics of a living tradition.
URL:https://test-dca-mc.nmdca.net/dca-event/2244-pottery-of-the-u-s-south-a-living-tradition/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140916T130000
DTEND;TZID=America/Denver:20141012T200000
DTSTAMP:20230614T175207Z
CREATED:20200430T222329Z
LAST-MODIFIED:20230614T175207Z
UID:10001248-1410872400-1413144000@test-dca-mc.nmdca.net
SUMMARY:Before Bataan: New Mexico’s 200th Coast Artillery A collaborative exhibit with the Jean Cocteau Cinema
DESCRIPTION:In August 1940\, talk of war swirled around Camp Luna near Las Vegas\, N.M. The 1\,800 men of New Mexico’s 200th Coast Artillery Regiment gathered there to train one last time on home soil before heading to the Philippines. A photographer was there\, capturing images of youth and dedication\, young men unaware of the ordeals they soon would face. \nOn Sept. 16 through Oct. 12\, 2014\, the Palace of the Governors Photo Archives will mount a special exhibition at the Jean Cocteau Cinema featuring 10 of those images. The exhibit represents a collaboration between the theater and the New Mexico History Museum’s Palace of the Governors Photo Archives. Before Bataan: New Mexico’s 200th Coast Artillery is open for viewing between 1 and 8 pm daily. The Jean Cocteau is at 418 Montezuma Avenue\, in the Santa Fe Railyard. \nAs part of the exhibit\, the cinema will screen John Dahl’s 2005 film\, The Great Raid\, at 1:40 pm on Saturday\, September 20\, 2014. Starring Benjamin Bratt and Joseph Fiennes\, the film is adapted from William’s Breuer’s The Great Raid on Cabanatuan and Hampton Sides’ Ghost Soldiers\, books that dealt with the experience known today as the Bataan Death March. \nNeed a photo? Click on “Go to related images” at the bottom of this page. \nThe 200th Coast Artillery held 1\,816 New Mexicans\, many of them fluent in Spanish. That skill inspired military leaders to deploy them to the Philippines in September 1941. Along with Filipino troops\, they were defending the Bataan peninsula when it fell to the Japanese military in April 1942. During the Bataan Death March and their subsequent imprisonment\, 829 men from the regiment died or were missing. Though they were freed in 1945\, a third of the survivors died within a year from injuries or disease. \n“For some time I have wanted to exhibit or show the behind-the-scenes photographs of the 200th Coast Artillery in Las Vegas before going into action\,” said Daniel Kosharek\, photo curator at the History Museum. “We all know the story of Bataan. These photographs show the young men of New Mexico before they are sent into that horrendous situation. Many of them did not come back. The Jean Cocteau was gracious enough to provide an opportunity to show these photographs\, which are part of the New Mexico Magazine Collection.” \n“The Jean Cocteau is delighted to be displaying this series of photographs in tandem with the New Mexico History Museum and the Palace of the Governor’s Photo Archives on this rarely seen aspect of New Mexican history\,” said Sam Haozous\, director of the Jean Cocteau Cinema Gallery.
URL:https://test-dca-mc.nmdca.net/dca-event/2312-before-bataan-new-mexicos-200th-coast-artillery-a-collaborative-exhibit-with-the-jean-cocteau-cinema/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140828T100000
DTEND;TZID=America/Denver:20141207T170000
DTSTAMP:20230614T175207Z
CREATED:20140902T215231Z
LAST-MODIFIED:20230614T175207Z
UID:10001247-1409220000-1417971600@test-dca-mc.nmdca.net
SUMMARY:FOCUS ON PHOTOGRAPHY CONTINUES WITH THREE NEW PHOTOGRAPHY EXHIBITIONS
DESCRIPTION:Opening on August 28 is the second suite of exhibitions in the series Focus on Photography: \n \n\n \nDelilah Montoya: Syncretism\n \nCameraless\,  a group show of photographic prints made without using a camera\n \nPhoto Lab\, an evolving interactive space exploring photographic processes and ideas\, featuring photography from the collection made with historic processes and mixed media\n\nThe exhibition runs through December 7\, 2014. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2310-focus-on-photography-continues-with-three-new-photography-exhibitions/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140828T100000
DTEND;TZID=America/Denver:20150223T170000
DTSTAMP:20230614T175207Z
CREATED:20140902T204325Z
LAST-MODIFIED:20230614T175207Z
UID:10001246-1409220000-1424710800@test-dca-mc.nmdca.net
SUMMARY:Alcove Shows 1917 – 1927
DESCRIPTION:The New Mexico Museum of Art presents Alcove Shows 1917 – 1927 featuring sixty-one art works by twenty-four artists in the museum’s permanent collection.  The exhibition is on view Aug 8\, 2014 through Feb 23\, 2015 with the opening reception on Thu\, Aug 28\, 2014 from 5:00-7:00 p.m. (Please note the day change as the annual Zozobra event is being held on the museum’s usual Friday opening evening.)  Guest curator MaLin Wilson Powell looked back at the first 10 years of exhibitions at the Museum of Art to draw a small selection of works by artists who exhibited during that time
URL:https://test-dca-mc.nmdca.net/dca-event/2309-alcove-shows-1917-1927/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ORGANIZER;CN="Chris Nail":MAILTO:chris.nail@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140808T100000
DTEND;TZID=America/Denver:20140808T100000
DTSTAMP:20230614T175206Z
CREATED:20171219T231144Z
LAST-MODIFIED:20230614T175206Z
UID:10001245-1407492000-1407492000@test-dca-mc.nmdca.net
SUMMARY:Alcove Shows 1917 – 1927
DESCRIPTION:The New Mexico Museum of Art presents Alcove Shows 1917 – 1927 featuring sixty-one art works by twenty-four artists in the museum’s permanent collection. An open door policy for month-long solo exhibitions in the museum’s alcoves was conceived by important American artist Robert Henri\, who first came to Santa Fe and Taos in 1916. \nDuring the museum’s first decade there were approximately three hundred exhibitions in the museum’s alcoves. In addition to Southwestern paintings\, Native American pottery and weaving\, as well Chimayo weavings – there were shows of such diverse art and ethnographic materials as Chinese paintings\, Japanese woodblock prints\, old master etchings\, Indonesian textiles\, Pre-Columbian sculpture\, Sioux ledger drawings\, Aboriginal paintings\, as well as art from Cornwall and New Zealand. \nAlcove Shows 1917 – 1927 reflects as much as possible the first decade of alcove exhibitions\, including artists Ernest L. Blumenschein and William Penhallow Henderson who were in the museum’s November 24\, 1917 inaugural exhibition. Both of these artists\, like most of their peers\, were trained in 19th century academic conventions\, studied in Paris\, and made their living as illustrators. This exhibition includes their work from Paris\, Rome\, New York and Chicago\, before they moved to New Mexico. With the exception of artwork by Native American and Hispano artists\, art of the southwest was made by artists who came to New Mexico from somewhere else. Artists brought singular backgrounds – from family\, education\, and experience – to their vision of New Mexico’s cultures\, land and sky. \n“From the museum’s inception\, artwork from around the world has been on view\, a happy result of the sophisticated\, disparate artists who were drawn to the Santa Fe and Taos\,” says guest curator MaLin Wilson-Powell. “New Mexico’s art during the early 20th-century was shaped by two primary artistic legacies – 19th-century Romantic genre paintings that present nature and indigenous cultures as pure\, redemptive and mystical\, and modernist abstraction that presents the sublimity of empty space.” \nWhile the paintings of European-trained artists Blumenschein and Henderson became progressively more modern in New Mexico\, with the outbreak of World War I\, American artists no longer studied in Paris or visited Italy for inspiration. Instead\, they opted to visit “faraway” New Mexico at the invitation of artist friends and colleagues. The better known were welcomed with free studio space at the Palace of the Governors and every one of took advantage of the museum’s unusual open door policy. Many of these artists\, includingAlcove Shows 1917 – 1927 featured artists John Sloan\, Raymond Jonson and Laura Gilpin\, forged careers not as tethered to 19th-century academicism. \nThe exhibition is installed in the New Mexico Museum of Art alcoves\, progressing from an introductory alcove that presents Native American pottery along with two surprising trends from the first 10 years of exhibitions – the importance of Japanese printmaking to Modernism\, and the large percentage of art by women (between 25-50 percent each year). The other five galleries spotlight five artists – Blumenschein\, Henderson\, Sloan\, Jonson and Gilpin – along with work by family and close associates who stayed in New Mexico\, who were changed by New Mexico\, and who changed New Mexico’s art and culture in turn.
URL:https://test-dca-mc.nmdca.net/dca-event/2302-alcove-shows-1917-1927/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140803
DTEND;VALUE=DATE:20150602
DTSTAMP:20230614T175139Z
CREATED:20141024T011000Z
LAST-MODIFIED:20230614T175139Z
UID:10001095-1407024000-1433203199@test-dca-mc.nmdca.net
SUMMARY:Footprints: The Inspiration and Influence of Allan Houser
DESCRIPTION:The Museum of Indian Arts and Culture is proud to honor the hundreth birth year of Allan Houser with this exhibition of his sculptures and those of thirteen Native American artists whose lives he changed forever. Larry Ahvakana\, Don Chunestudey\, Cliff Fragua\, Craig Dan Goseyun\, Rollie Grandbois\, Bob Haozous\, Phillip Mangas Haozous\, Doug Hyde\, Oreland Joe\, Tony Lee\, Estella Loretto\, Bill Prokopiof and Robert Shorty
URL:https://test-dca-mc.nmdca.net/dca-event/footprints-the-inspiration-and-influence-of-allan-houser-2/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2320_thumb.jpg
GEO:35.664337;-105.9252387
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140803
DTEND;VALUE=DATE:20150602
DTSTAMP:20230627T204923Z
CREATED:20140803T060000Z
LAST-MODIFIED:20230627T204923Z
UID:10001249-1407024000-1433203199@test-dca-mc.nmdca.net
SUMMARY:Footprints: The Inspiration and Influence of Allan Houser
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/footprints-the-inspiration-and-influence-of-allan-houser/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140706T100000
DTEND;TZID=America/Denver:20160403T170000
DTSTAMP:20230614T175138Z
CREATED:20160404T235052Z
LAST-MODIFIED:20230614T175138Z
UID:10001094-1404640800-1459702800@test-dca-mc.nmdca.net
SUMMARY:Between Two Worlds: Folk Artists Reflect on the Immigrant Experience in the Mark Naylor & Dale Gunn Gallery of Conscience
DESCRIPTION:An exhibition on immigration that features fiber arts\, carving\, paintings and works on paper about immigrant journeys and the challenges of transitioning to a new home. Traditional artists from the Americas\, Africa and Asia articulate the hopes\, fears\, and challenges of newcomers in an unfamiliar and sometimes unwelcoming place.  This exhibit is made possible in part by an Art Works award from the National Endowment for the Arts. The Museum gratefully acknowledges the support of Mark Naylor and Dale Gunn\, the International Folk Art Alliance\, the International Folk Art Foundation\, the Museum of New Mexico Foundation’s Director’s Leadership and Exhibitions Development Funds\, the National Endowment for the Humanities\, and the Institute of Museum and Library Sciences. Our dialogue series is part of the National Dialogues on Immigration Project of the International Coalition of Sites of Conscience.
URL:https://test-dca-mc.nmdca.net/dca-event/between-two-worlds-folk-artists-reflect-on-the-immigrant-experience-in-the-mark-naylor-dale-gunn-gallery-of-conscience-2/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/dino_refugiados.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20140706T100000
DTEND;TZID=America/Denver:20160403T170000
DTSTAMP:20230614T175206Z
CREATED:20140706T160000Z
LAST-MODIFIED:20230614T175206Z
UID:10001243-1404640800-1459702800@test-dca-mc.nmdca.net
SUMMARY:2229 -- Between Two Worlds: Folk Artists Reflect on the Immigrant Experience in the Mark Naylor & Dale Gunn Gallery of Conscience
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/2229-between-two-worlds-folk-artists-reflect-on-the-immigrant-experience-in-the-mark-naylor-dale-gunn-gallery-of-conscience/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140629
DTEND;VALUE=DATE:20160314
DTSTAMP:20230614T175137Z
CREATED:20200430T222619Z
LAST-MODIFIED:20230614T175137Z
UID:10001087-1404000000-1457913599@test-dca-mc.nmdca.net
SUMMARY:Painting the Divine: Images of Mary in the New World
DESCRIPTION:As part of Painting the Divine: Images of Mary in the New World\, the History Museum will host a free two-day symposium\, Sept. 27-28\, with talks by scholars\, music\, a wine reception\, book signing\, and a peek inside of La Conquistadora’s closet at the Cathedral Basilica in Santa Fe. For details on the event\, click here.  \nA 1960s’ ecclesiastical wave of urban renewal inspired mission churches throughout the Americas to undergo renovations and\, all too often\, cast off centuries-old artwork. Charles W. Collier\, a cultural attaché to Bolivia\, and his wife\, Nina Perera Collier\, began purchasing and obtaining pieces that eventually formed the backbone of the International Institute of Iberian Colonial Art\, once based at their Los Luceros estate in northern New Mexico. In 2005\, with the promised construction of spacious galleries and a state-of-the-art collections vault at the New Mexico History Museum\, the Institute donated 70 paintings and three sculptures. When Painting the Divine: Images of Mary in the New World opens on June 29\, 2014\, 35 of these 17th– and 18th-century masterpieces will share one exhibition space for the first time ever through March 13\, 2016. \nPainting the Divine includes works from Spain’s three colonial capitals: Peru\, Mexico and New Mexico. Together\, they reveal how faith sustained Spanish colonists in harsh and remote frontiers and how their religious art evolved in those places. European paintings traveled to Mexico City\, where local artists recreated them. Those works traveled to Peru\, where another school of religious art developed. Paintings journeyed up El Camino Real to adorn New Mexico mission churches and private homes. Once here\, they inspired local artists who lacked canvas and oil paint and so used the materials available to them to create art—thereby developing into wholly new artists: the santeros\, whose work thrives throughout the Southwest today. \nJosef Díaz\, the museum’s curator of Southwest and Mexican colonial art and history collections\, chose iconic pieces from the Collier Collection and paired them with modern interpretations by artists such as Ray Martín Abeyta\, Arthur López\, Charlie Carrillo\, Ramón José López\, Alfredo Arreguín\, and Marion Martínez. \n“At the time the Colliers began the collection\, museums\, galleries and art historians didn’t pay much attention to these works\,” he said. “They were considered stepchildren to fine European art. Now we know that they’re amazing\, hybrid images that combine old world with new world elements\, from local people to textiles\, flora\, fauna\, and new appearances of Mary in the Americas.” \nThe museum conserved 12 of the paintings. The cleaning\, repairing and stabilizing accomplished by Denver-based art conservator Cynthia Lawrence is detailed in the exhibit through a video created by New Mexico Highlands University media arts students. Rounding out the exhibit are loans of colonial paintings from other owners\, including St. Anthony’s Catholic Church in Pecos and Our Lady of Belen Catholic Church\, south of Albuquerque. \n“The people who made these paintings were moved by their faith\,” Díaz said. “Even though many of them were struggling to exist\, they made these wonderful works of art. And they give us glimpses of New World settings. You see Native peoples in their traditional clothes appear. We see mountains typical of Potosi\, Bolivia. We see parrots and turkeys. And we experience the love of freedom in form and color found in the baroque style that New World artists often took to the extreme\, with canvases exploding in decorative details and layers of iconography.” \nPainting the Divine dovetails with the Palace of the Governors’ long-term exhibition\, Treasures of Devotion/Tesoros de Devoción\, which celebrates the bultos\, retablos\, and crucifijos created by santeros from the late 1700s to 1900. \nBy choosing paintings that depict Mary\, Díaz creates a focal point for the galvanizing role that religion played in colonists’ lives. The exhibit explores and defines her various images—from Our Lady of the Lote Tree (Melchor Pérez Holguín\, 1716\, Bolivia) to The Visitation (unknown artist\, ca. 1750\, Mexico) to the only known canvas painting by a New Mexican santero\, Our Lady of the Lakes (José Aragón\, ca. 1800). \nOf note to Díaz is how the paintings illustrate the trade in fabrics throughout the Americas. “The textiles include lace from Flanders\, brocade from Europe\, fine silks from the Philippines.” Even today\, devotees of La Conquistadora at St. Francis Basilica in Santa Fe bedeck her in fine fabrics. The exhibit includes one of her outfits made from 18th-century silk from China—itself an emblem of Mary’s appearance in worlds far from the studios of European masters. \nFresco Publishing is releasing a companion catalog to the exhibit authored by Díaz and Suzanne Stratton-Pruitt\, a leading art historian specializing in arts of South America. The book includes 34 images from the Collier Collection\, along with the story of the Colliers\, a renaissance couple whose keen eye saved these artworks for generations to come. Essayists in the book are Díaz\, Stratton-Pruitt\, Kelly Donahue-Wallace and Tey Marianna Nunn. \nPainting the Divine is supported by the Consulate of Mexico in Albuquerque\, the New Mexico Humanities Council\, and many other generous donors. \n \nSpecial programming events for the exhibit \nSunday\, June 29\, 2014\, 1–4 pm\, Exhibition opening. Free with admission. Children 16 and under free daily. \nEnjoy classical guitar by AnnaMaria Cardinalli. See art conservator Cynthia Lawrence demonstrate some of her technique. Make a take-home ramillete (paper flower). Refreshments courtesy of the Women’s Board of the Museum of New Mexico Foundation. \nSaturday\, July 19\, 2014\, 1–3 pm\, Printing Our Lady\, Gathering Space. Free with admission. Children 16 and under free daily. \nBring the family and print a historic image of Our Lady on a replica medieval press. Using a Bobcat Press built in the 1970s by Cedar Crest’s Richard Hicks\, visitors will get a feel for how colonial artists found images to paint. Palace printers Tom Leech and James Bourland have selected an image of the Virgin investing St. Alphonso with a chasuble. In 1544\, it was the first full-page woodcut printed in a book in the Americas by the first printer in Mexico\, Juan Pablos. The book was Juan Gerson’s Tripartito del Christianissimo\, and the original block was probably carved in Iberia. It was reproduced in a reduced size in Printing in Spanish Colonial America\, by Hensley Woodbridge and Lawrence Thomson\, 1976. (Palace Press collection). \nSunday\, August 3\, 2014\, 2–4 pm\, Schola Cantorum\, museum lobby. Free with admission. Sundays free to NM residents; children 16 and under free daily. \nBack by popular demand\, Santa Fe’s Schola Cantorum performs “Echoes of Mary\,” seldom-heard sacred music dedicated to Mary from the cathedrals of Mexico City and Cuba to the capillas of northern New Mexico. Schola was founded in 1990 by Dr. Billy Turney during his 25-year tenure as music director of the Cathedral Basilica of St. Francis. In 2013\, Schola performed in St. Peter’s Basilica in Rome\, as well as basilicas in Venice and Florence. Next year\, Schola plans a concert tour of Ireland. \nSaturday–Sunday\, September 27–28\, 2014\, 9:30–3 pm\, Painting the Divine Symposium: Mary in the New World\, museum auditorium. Free.  \nLearn more about the venerations of Mary in the Americas from scholars and art historians\, including Maya Stanfield-Mazzi\, Clara Bargellini\, James Cordova\, Jeanette Favrot Peterson\, Tey Marianna Nunn\, Kelly Donahue-Wallace\, and Suzanne Stratton-Pruitt. Topics include the function and reception of Marian images in the Americas; monjas (nuns) and their use of Marian imagery in colonial Mexico; and dressed statue paintings in the Americas. For more details\, click here. \nSunday\, October 5\, 2014\, 2–4 pm\, Albuquerque Baroque Players\, museum auditorium. Free with admission. Sundays free to NM residents; children 16 and under free daily. \nA performance of 17th- and 18th-century chamber music from Italy\, Germany and France by MaryAnn Shore (oboe and recorder)\, Mary Bruesch (viola da gamba) and Susan Patrick (harpsichord). The Aluquerque Baroque Players formed in 1997 and have since performed at the Fellowship Christian Reformed Church\, the Historic Old San Ysidro Church in Corrales\, the Cathedral Church of St. John\, First United Methodist Church\, the Albuquerque Museum\, and the Albuquerque Public Library. \nSunday\, November 2\, 2014\, 2–4 pm\, Tattoo Nation\, museum auditorium. Free with admission. Sundays free to NM residents; children 16 and under free daily.  \nSee the 2013 documentary and hear from Director Eric Schwartz. Tattoo images of saints and specifically images of the Virgin Mary are popular in Latino and contemporary culture\, among men and women. Many early tattoo designs were copies of icons and paintings widely found in churches. Today\, Virgin Mary tattoos come in a wide array of styles and designs\, all of which are notable for their beautiful color composition\, artistic quality\, and dramatic effect. This documentary explores how sacred images have permeated the world of tattoos and what they mean and symbolize to the people who bare them. For more on the film\, log onto http://www.tattoonation.com/. \nSunday\, March 15\, 2015\, 2–4 pm\, 18th-Century Harpsichord Music\, museum auditorium. Free with admission. Sundays free to NM residents; children 16 and under free daily. \nSusan Patrick performs and discusses 17th- and 18th-century chamber music from Italy\, Germany and France. Patrick is an associate professor emerita in the Music Department at the University of New Mexico\, where she taught classes in music history for 30 years. She has played with the New Mexico Symphony Orchestra\, the Chamber Orchestra of Albuquerque\, the Desert Chorale\, Santa Fe Pro Musica\, the Santa Fe Symphony\, the Orchestra of the Duke\, and other ensembles and is a founding member of the Albuquerque Baroque Players. \nNeed photos? Download high-resolution images from the exhibit by clicking here (or log onto http://media.newmexicoculture.org/mediabank.php?mode=events&action=files&instID=19&eventID=1945).
URL:https://test-dca-mc.nmdca.net/dca-event/painting-the-divine-images-of-mary-in-the-new-world-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20140629
DTEND;VALUE=DATE:20160314
DTSTAMP:20230627T205001Z
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SUMMARY:Painting the Divine: Images of Mary in the New World
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/painting-the-divine-images-of-mary-in-the-new-world/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Denver:20140606T100000
DTEND;TZID=America/Denver:20141012T170000
DTSTAMP:20230614T175204Z
CREATED:20140429T212023Z
LAST-MODIFIED:20230614T175204Z
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SUMMARY:Local Color: Judy Chicago in New Mexico 1984-2014
DESCRIPTION:Marking both her seventy-fifth birthday and three decades of living and working in New Mexico\, Local Color: Judy Chicago in New Mexico 1984-2014 opens at the New Mexico Museum of Art June 6\, 2014 and runs through October 12\, 2014. \nThe exhibition will focus on both large-scale public projects and smaller-scale personal artworks and will be among the first to focus on recent works by Judy Chicago.
URL:https://test-dca-mc.nmdca.net/dca-event/2035-local-color-judy-chicago-in-new-mexico-1984-2014/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20140525
DTEND;VALUE=DATE:20150601
DTSTAMP:20230614T175138Z
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SUMMARY:Toys and Games: A New Mexico Childhood
DESCRIPTION:Toys bring out the best in our imaginations. From the cardboard box that becomes a spaceship to store shelves bursting with stuffed animals\, board games and dolls\, children’s minds rocket them beyond this world into uncharted lands. \nAnymore\, children can play with endless apps and evolving video games. But toys and games have always been a part of a New Mexico childhood. On the western frontier\, toys were homemade or carried over a trail. Materials included clay\, carved wood\, animal hide\, and scraps of fabric. Before manufacturers began catering to kids\, 19th-century accounts show they played with pots\, pans\, trowels\, needles and thread—essentially\, the tools of adulthood transformed into anything the mind willed. Some games didn’t involve toys at all. Children ran\, chased\, jumped and tagged using imagined rules and materials adults discarded\, like the hoops from wagon wheels. \nIn the 20th century\, mass-produced tin and plastic toys became the norm. Sturdy as they may have been\, many toys were simply loved into oblivion. Too many people put the ways of childhood behind\, their toys tossed aside and forgotten. \nThankfully\, some survived. To celebrate our fifth anniversary\, the New Mexico History Museum unpacked memories from childhoods past. Reaching into our collections\, we gathered some of the most exquisite pieces in a front-window installation\, Toys and Games: A New Mexico Childhood. \nThe installation includes a selection of late-19th-century metal toys\, including a German wind-up bear and a French bicycle rider. Dolls range from an 1870s terra-cotta version to a china doll that once belonged to E. Boyd to Josefina\, a 1997 American Girl doll that boasts a New Mexico back story and several drawers worth of accessories. \nOther items include a rocking horse\, wicker baby carriages\, skates\, sleds\, marbles and more. \n“So often exhibits look at the world from an adult’s perspective\,” said Meredith Davidson\, curator of 19th- and 20th-century Southwest collections. “This gave us the chance to see the collection from a child’s viewpoint.” \nA little one-eyed elephant with a red-stitched saddle quickly captured her heart. “He was missing a button eye but still seemed to be smiling up at us\,” she said. An 1883 carte de visite taken in Europe showed a young Amelia Hollenback clutching just such an elephant\, and the connection was sealed. \n“The elephant\, like the Hollenback family\, journeyed to the United States a few years later and remained a part of the family until it was donated to our collection\,” Davidson said. “The photograph and the elephant\, to me\, point to the way we document our own history through photographs\, through keepsakes\, and through memories.” \nToys and Games: A New Mexico Childhood is on exhibit through Feb. 1\, 2015. Children are invited to take drawings of some of the toys to color at home. Everyone is invited to contribute pictures of themselves as children with their favorite toy. \n  \n 
URL:https://test-dca-mc.nmdca.net/dca-event/toys-and-games-a-new-mexico-childhood-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140525
DTEND;VALUE=DATE:20150601
DTSTAMP:20230627T205012Z
CREATED:20140525T060000Z
LAST-MODIFIED:20230627T205012Z
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SUMMARY:Toys and Games: A New Mexico Childhood
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/toys-and-games-a-new-mexico-childhood/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20140427
DTEND;VALUE=DATE:20160111
DTSTAMP:20230614T175137Z
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SUMMARY:Poetics of Light: Pinhole Photography
DESCRIPTION:In an age when every cell phone can take a respectable picture\, cameras as low-tech as an oatmeal box still beguile a legion of practitioners\, both artistic and documentarian. With roots in the ancient discovery of the camera obscura\, pinhole photography has enchanted artists from the 1880s through today. Opening April 27 through Jan. 10\, 2016\, Poetics of Light: Pinhole Photography\, in the Herzstein Gallery of the New Mexico History Museum\, explores a historical art form that exemplifies thoroughly contemporary ideals: Do-it-yourself handmade technology with a dash of steampunk style. \nNearly 225 photographs and 40 cameras show how a light-tight box pierced by a hole and holding a piece of old-school film can reveal alternate versions of reality. At heart\, photography is a method of capturing the way that light plays upon objects\, the seen and the unseen—a visual form of poetry that extends beyond a literal representation whenever pinhole cameras are involved. \nNeed pictures? Click on “Go to related images” at the bottom of this page. Others are available upon request.  \nPoetics of Light offers a premiere of original prints by photographers from around the world. Drawn from the holdings of the Pinhole Resource Collection\, the body of work was amassed by co-curators Eric Renner and Nancy Spencer in San Lorenzo\, in New Mexico’s Mimbres Valley. Seeking a permanent repository and impressed by the capabilities of the Photo Archives at the Palace of the Governors\, the couple donated the collection—more than 6\,000 photographs\, 60 cameras and hundreds of books—to the New Mexico History Museum in 2012. \nThe exhibit’s opening coincides with Worldwide Pinhole Photography Day\, a global event in which pinhole aficionados post their of-the-moment images to a website\, thus celebrating in a high-tech way their mastery of low-tech photography. \nCameras on display in the exhibit range from machined beauties to reworked everyday objects\, including a powder-puff container\, a Boraxo can\, a Campbell’s soup can and\, yes\, a Quaker Oats box. One of the most elaborate is a suit and helmet that\, in 1994\, photographer Ben Conrad covered with 134 cameras. After donning it\, he had helpers cover him with a tarp\, then remove it for 20- to 30-second exposures\, the results of which will be arrayed behind the suit. \nSome of the cameras used standard pinprick-sized holes for a “lens.” Others used slits or even body parts. In 1992\, Jeff Guess placed film in the back of his mouth\, then formed a pinhole with his lips. What the cameras lack is most photographers’ nightmare: No lens\, no light meter\, no viewfinder\, no way of knowing precisely what kind of photo will emerge. \n“That randomness appeals to me\,” said Photo Archivist Daniel Kosharek\, who helped curate the exhibit with Renner and Spencer. “You go out there and expose what you think you’re going to take and when you get the film back it’s like\, I took that? There’s a lot of quirkiness inherent in the process that ends up in the pictures.” \nOne part of the exhibit explores how scientists have employed pinhole photography\, including several examples from Los Alamos National Laboratory: Julian Mack’s 1945 pinhole exposure of the first atomic bomb test in New Mexico and Richard Blake’s 1960 X-ray photo of the sun. Other photos reveal ethereal takes on world events: Chris Dreier’s 2010 image of the remnants of Nicolae Ceașescu’s Romanian Palace; Marcus Kaiser’s 1990 images taken through holes in the collapsing Berlin Wall; Harlan Wallach’s 1994 series on murder sites in Chicago. \nStill others explore a fantasy world\, such as Larry Bullis’ Daffodil #2\, seen above. Such dreamscapes join portraits\, landscapes\, still lifes\, and figure studies in ways that are sometimes whimsical\, distorted or even unsettling. In a pinhole photograph\, the exhibition asserts\, everything we know about the world is suddenly altered\, and we have to ask: Whose view of the world has the camera revealed? \nThe photographs play out in black-and-white as well as color and feature a range of alternative printing techniques\, including modern tintypes\, silver gelatin prints and more. \nIn a companion book for the exhibit published by the Museum of New Mexico Press\, Renner and Spencer wrote that photographs were selected for the exhibit\, in part “to show the mystery inherent in pinhole images\, which express reality very differently from imagery made using cameras with lenses. Although describing the mystery of pinhole images is difficult\, the concepts of soul\, depth\, yearning\, timelessness\, and archetypal feeling all contribute to the kind of visual reality produced\, one perhaps only seen in a dreamlike state.” \nThe exhibit space will include several examples of camera obscuras. Educational materials will be available to teachers\, and all visitors can take home instructions for building a pinhole camera or a pinhole viewer. Family activity days and supporting lectures will further celebrate the many ways that pinhole photography interprets—and sometimes inverts—our sense of how we see and what really exists. \nYou can explore the Photo Archives’ entire Pinhole Resource Collection at this site\, which includes tips on making your own camera and directs you to videos\, books\, blogs and websites with even more information. \nPinhole Resource Inc.\, a nonprofit organization dedicated to pinhole photography across the globe\, was formed in New Mexico in 1984 by Eric Renner. He began working in pinhole photography in 1968\, while teaching three-dimensional design for the State University of New York at Alfred. Images from his six-pinhole panoramic camera were shown in the first exhibition of the Visual Studies Workshop Gallery in Rochester\, New York. Consequently\, one of Renner’s images was included in the Time-Life Series The Art of Photography\, 1971. Through exhibitions and workshops\, he met pinhole artists throughout the world and worried that their work might become as lost as the thousands of images taken during the Pictorial Movement from the late 1880s to early 1900s. \nAfter forming the nonprofit\, he created the Pinhole Journal\, and in 1989 was joined by Nancy Spencer\, co-director of Pinhole Resource and co-editor of the journal\, which ceased publication in 2006. Their collections included images from Europe\, the Mideast\, Asia and the Americas\, books about pinhole photography\, and dozens of pinhole cameras\, one of which dates back to the 1880s. \nThe Palace of the Governors Photo Archives contains nearly 1 million prints\, cased photographs\, glass plate negatives\, stereographs\, photo postcards\, lantern slides and more. Almost 20\,000 images can be keyword searched on its website. The materials date from approximately 1850 to the present and cover the history and people of New Mexico from some of the most important 19th- and 20th-century photographers of the West—Adolph Bandelier\, George C. Bennett\, John Candelario\, W.H. Cobb\, Edward S. Curtis\, Charles Lindbergh\, Jesse Nusbaum\, T. Harmon Parkhurst\, Ben Wittick\, and many others. \n \nSpecial programming events for the exhibit \nSunday\, April 27\, 2014\, 1–4 pm: Poetics of Light: Pinhole Photography\, exhibit opening. \nBe among the first to see the stunning images and enjoy a lecture by guest curators Nancy Spencer and Eric Renner\, “Passion\, Light and Pinhole Photography\,” at 1 pm in the History Museum auditorium. Reception 2–4 pm\, along with a book signing for Poetics of Light: Contemporary Pinhole Photography (Museum of New Mexico Press\, 2014). As an extra treat\, the Palace Press will release its latest letterpress broadside\, Jane Always Dreaded Flying Home\, featuring a digitally printed pinhole photo by Gregg Kemp and the poem it inspired by Santa Fe Poet Laureate Jon Davis. April 27 is Worldwide Pinhole Photography Day\, and you can watch as images are added to www.pinholeday.com. \nRefreshments courtesy of the Women’s Board of the Museum of New Mexico Foundation. Events free with admission; Sundays free to NM residents. \nFriday\, May 30\, 2014\, 6 pm: “Santa Fe Poets 5” \nSanta Fe Poet Laureate Jon Davis hosts the fifth of six readings he has organized in and around Santa Fe. Featured poets: Chee Brossy\, Joan Logghe\, Carol Moldaw\, Henry Shukman\, and Farren Stanley. In the museum auditorium. Free. \nSunday\, June 1\, 2014\, 1–4 pm: “The Poetry of Light” \nJoin Santa Fe Poet Laureate Jon Davis for a writing workshop based on Poetics of Light: Pinhole Photography. Open to high schoolers and older\, the session brings participants into the Herzstein Gallery to study pinhole photographs and inhabit them imaginatively. Let language carry you toward and away from the images. Draft poems that engage what’s in front of you—and explore what is only suggested by these often mysterious photographs. Free; make a reservation by calling 505-476-5096. \nFriday\, June 6\, 2014\, 6pm: Poetics of Light gallery walk \nJoin Photo Archivist Daniel Kosharek for a Free First Friday Curator Talk in the exhibition gallery. \nSaturday\, June 14\, 2014\, 2 pm: “Pinhole Photography—Projections\, Contraptions\, Thoughts and Afterthoughts” \nPennsylvania-based photographer Scott McMahon speaks about his exploration of pinhole photography\, his interest in the ephemeral nature of things\, and how building subject-specific cameras helped him link two-dimensional images with sculpture and installation. In the museum auditorium. Free with admission. \nSunday\, July 20\, 2014\, 2–4 pm: “Make a Camera Obscura” \nJoin Santa Fe educator\, photographer and camera obscura developer Jackie Mathey for a family workshop on building tabletop camera obscuras that can be used as drawing aids. Explore how light moves and images are formed. Travel in your imagination to the age of the Renaissance where devices like these were used by artists. In the museum classroom. It’s free\, but class size is limited; make a reservation by calling 505-476-5087. \nFriday\, August 8\, 2014\, 6 pm: “Pinhole to Pixel” \nCalifornia pinhole artist Peggy Ann Jones speaks on how the creative potential of photography expands when the artist designs and constructs the camera. Basic concepts of the photographic process led Jones\, an associate professor at MiraCosta College in Oceanside\, Calif.\, to visually comment on principles of photography and traditionally accepted modes of photographic production. Her photos and cameras are included in Poetics of Light: Pinhole Photography. In the museum auditorium. Free. \nSunday\, October 12\, 2014\, 2 pm: “From Pinholes to Black Holes” \nLos Alamos National Laboratory fellow and astrophysicist Ed Fenimore speaks about his work on a complex pinhole-based camera that flew on a 1991 Space Shuttle experiment. Why pinhole? Some stars and especially black holes generate mostly x-rays\, but x-rays reflect and refract poorly. The best imaging technique for such stars is the technologically simplistic pinhole. LANL developed a coded array with 22\,805 pinholes to get the task done. In the museum auditorium. Free with admission; Sundays free to NM residents. \nSunday\, October 26\, 2014\, 2–4 pm: “Cameras from the Kitchen” \nBring an empty coffee can\, oatmeal box\, potato chip can or shoebox (with lids)\, and we will provide the rest. Make your own camera obscura. See the world through a pinhole of light. A drop-in\, family-friendly event suitable for all ages. In the museum classroom. Free with admission; Sundays free to NM residents. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/poetics-of-light-pinhole-photography-2/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
END:VCALENDAR