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DTSTART;TZID=America/Denver:20170325T100000
DTEND;TZID=America/Denver:20170917T170000
DTSTAMP:20230614T175220Z
CREATED:20170822T213139Z
LAST-MODIFIED:20230614T175220Z
UID:10001307-1490436000-1505667600@test-dca-mc.nmdca.net
SUMMARY:Light Tight : New Work by Meggan Gould and Andy Mattern
DESCRIPTION:This two-person exhibition creates a visual conversation about how the tools and conventions of photography can be reconsidered and manipulated. The title of the show refers to the need to keep light sensitive material covered up\, or “light tight\,” until it is ready to be used. \nGould’s work has long been characterized by an ongoing exploration of how photography affects the way we see the world. In her most recent series Don’t Open Box in the Light (2015-2016)\, she uses photographic sheet film\, but not in the usual way. Instead of placing it in a camera to capture latent images\, she renders it impotent by rubbing away the emulsion\, burnishing what is left\, and then drawing on it using pigment ink drained from digital printers. Her methods are both meditative and laborious\, intimately reconnecting the artist with her materials while simultaneously creating a hybrid between darkroom and digital photography that defies classification. The final pieces are unique\, hand-made images with a patterned\, rhythmic appeal. \nWhile Gould focuses on the material aspects of the medium\, Andy Mattern turns his attention to the standardization of commercially manufactured photography paper and its packaging and marketing. Starting with the cardboard boxes in which the paper is advertised and stored\, Mattern sands and scrapes off their recognizable logos and images before adding tape and other collage elements. His interventions neutralize the boxes’ corporate messages\, creating a new surface that denies their original function. He photographs the resulting abstract images\, reclaiming the boxes as sites for creative freedom and transforms their corporate messaging into a personal vision. The resulting prints in the series Standard Size (2014) are both straightforward and cryptic\, familiar and strange.
URL:https://test-dca-mc.nmdca.net/dca-event/3219-light-tight-new-work-by-meggan-gould-and-andy-mattern/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3219_1200.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170325
DTEND;VALUE=DATE:20170918
DTSTAMP:20230614T175221Z
CREATED:20170717T230334Z
LAST-MODIFIED:20230614T175221Z
UID:10001309-1490400000-1505692799@test-dca-mc.nmdca.net
SUMMARY:Cady Wells: Ruminations
DESCRIPTION:The New Mexico Museum of Art\, in partnership with The Philbrook Museum of Art\, Tulsa\, OK\, presents the dynamic and psychologically penetrating watercolor paintings of Cady Wells (1904-1954). This group of more than 25 works features Wells’ uniquely modernist interpretations of Southwestern landforms and cultural-religious traditions. \nBorn to a traditional\, well-to-do New England family\, Wells settled in northern New Mexico beginning in 1932. There\, his art took on the complex layering of a spirit inspired by music\, calligraphy and stained glass\, but traumatized by active WWII combat\, sexual intolerance\, and Atomic bomb experiments at Los Alamos\, just 12 miles from where he lived and painted. Such mid-century influences marked his increasingly surrealist style with equal parts rapture and disquietude.
URL:https://test-dca-mc.nmdca.net/dca-event/3221-cady-wells-ruminations/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170312T100000
DTEND;TZID=America/Denver:20180916T170000
DTSTAMP:20230614T175215Z
CREATED:20171113T231150Z
LAST-MODIFIED:20230614T175215Z
UID:10001281-1489312800-1537117200@test-dca-mc.nmdca.net
SUMMARY:No Idle Hands: The Myths & Meanings of Tramp Art
DESCRIPTION:No Idle Hands: The Myths & Meanings of Tramp Art will present more than 150 examples of tramp art\, concentrating on works the from the United States\, with additional examples from France\, Germany\, Switzerland\, Scandinavia\, Canada\, Mexico and Brazil to demonstrate the far reach this art form has had. \nThis is the first large-scale museum exhibition dedicated to tramp art since 1975. For many years\, “tramp art” was believed to have been made by itinerants and hobos\, thus its name. It has been demonstrated that this notion is largely erroneous\, however the name “tramp art” has remained the only terminology used for this practice\, and the paucity of scholarly studies to dispel the mistaken notions about tramp art have allowed the myths to persist. No Idle Hands will examine the assumptions related to class\, quality\, and the anonymity of the makers of tramp art and consider this practice instead through the lens of home and family while tracing its relationship to industry—whether as individual ethos or big industry. No Idle Hands will also include works by contemporary makers\, thus establishing tramp art as an ongoing folk art form rather than a vestige of the past.
URL:https://test-dca-mc.nmdca.net/dca-event/2834-no-idle-hands-the-myths-meanings-of-tramp-art/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170305
DTEND;VALUE=DATE:20190101
DTSTAMP:20230614T175147Z
CREATED:20170823T000940Z
LAST-MODIFIED:20230614T175147Z
UID:10001152-1488672000-1546300799@test-dca-mc.nmdca.net
SUMMARY:¡Aquí Estamos: The Heart of Arte!
DESCRIPTION:¡Aquí Estamos: The Heart of Arte! celebrates the NHCC Art Museum’s growing permanent collection with a revitalized vibe and a brand new selection of works. This exhibition was a collaborative project as the entire NHCC Visual Arts staff and interns combed through the collection and worked together to decide which pieces should welcome in 2017. This sampling explores the contributions of these artists and how each work can serve as a reminder of the heart that thrives in strong and resilient communities. \nThe collection contains over 2\,500 artworks by Hispanic\, Chicana/o\, and Latina/o\, artists from around the globe most of which have been generously donated to the museum by artists and collectors. It reflects the diversity of Latina/o art and expression in all of its vibrancy\, creativity\, pointed humor and social consciousness. The National Hispanic Cultural Center Art Museum exists to support and engage the work of these artists and share their creations and their stories with the broader community.
URL:https://test-dca-mc.nmdca.net/dca-event/3412-aqui-estamos-the-heart-of-arte/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3412_1200.jpg
GEO:35.0681597;-106.6556345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=National Hispanic Cultural Center 1701 4th Street SW Albuquerque NM 87102 United States;X-APPLE-RADIUS=500;X-TITLE=1701 4th Street SW:geo:-106.6556345,35.0681597
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170203
DTEND;VALUE=DATE:20180501
DTSTAMP:20230614T175215Z
CREATED:20180111T051249Z
LAST-MODIFIED:20230614T175215Z
UID:10001278-1486080000-1525132799@test-dca-mc.nmdca.net
SUMMARY:EXTENDED! I-Witness Culture: Frank Buffalo Hyde
DESCRIPTION:Artist Frank Buffalo Hyde (Onondaga/Nez Perce) believes it is the artist’s responsibility to represent the times in which they live. Transforming street art techniques into fine art practices\, his humorous and acerbic narrative artworks do exactly that. In I-Witness Culture\, Hyde investigates the space where Native Americans exist today: between the ancient and the new; between the accepted truth and the truth; between the known and the unknown. Hyde\, who created fourteen paintings and three sculptures for I-Witness\, divides his contemporary narrative into three sections: Paranormal: The Truth is Out There; Selfie Skndns; and In-Appropriate.  \nPre-millennium\, if you asked anyone if Native Americans existed\, they would tell you only in the past\, in black and white photos. They are almost extinct\, they would say\, and their lands are gone. If you ever meet one\, ask if you can touch their hair\, take a picture of them as proof that you actually saw one—like Bigfoot they exist beyond the scope of normal experience. \nPost-millennium\, Native Americans are part of the digital age\, the selfie age\, where if something hasn’t been posted to social media\, it never happened. We are sharing information at a rate that has never been possible before in human history: We no longer just experience reality; we filter reality through our electronic devices. Today’s Native artists use technology as a tool of Indigenous activism\, a means to document\, and a form of validation.  \nIn a nation obsessed with sameness—afraid of difference—popular culture homogenizes indigenous cultures\, “honoring” us with fashion lines\, misogynistic music videos\, or offensive mascots and Halloween costumes. Today\, these stereotypes and romantic notions are irrelevant as a new generation of Native American artists uses social media to let the world know who they are. Today\, we are the observers\, as well as the observed. We are here\, we are educated\, and we define Indian art.
URL:https://test-dca-mc.nmdca.net/dca-event/2803-extended-i-witness-culture-frank-buffalo-hyde/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2803_1200.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170101
DTEND;VALUE=DATE:20220102
DTSTAMP:20230614T175146Z
CREATED:20220205T005406Z
LAST-MODIFIED:20230614T175146Z
UID:10001150-1483228800-1641081599@test-dca-mc.nmdca.net
SUMMARY:Generations
DESCRIPTION:The Museum’s first permanent exhibit takes visitors on an odyssey through 150 generations over 4\,000 years of agriculture in New Mexico. \nThe exhibit uses the biographies of 33 people from New Mexico’s history – some famous\, some not famous – to tell the story. It features ancient tools\, a replica of a Mogollon pithouse\, audio interviews and hands-on activities. \nGenerations is on long-term display in the Main Exhibitions Gallery.
URL:https://test-dca-mc.nmdca.net/dca-event/3410-generations/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3410_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170101
DTEND;VALUE=DATE:20220102
DTSTAMP:20230614T175146Z
CREATED:20220205T002916Z
LAST-MODIFIED:20230614T175146Z
UID:10001148-1483228800-1641081599@test-dca-mc.nmdca.net
SUMMARY:The Cowboy Way: Drawings by Robert ’Shoofly’ Shufelt
DESCRIPTION:The first artwork ever to be displayed at the New Mexico Farm & Ranch Heritage Museum belonged to Robert “Shoofly” Shufelt. Fifteen years after he graciously loaned some of his lithographs for a temporary exhibit\, Shufelt and his wife\, Julie\, donated his collection to the museum for a long-term exhibition. \n“Robert Shufelt is world-renowned\,” said Museum Chief Curator Toni Laumbach. “He is among the best in the field of fine art that depicts the cowboy and daily ranch life.” Shoofly’s respect for ranching as a way of life is clearly stated in his art. He has raised horses and cattle\, and his art portrays a story of hard work and relationships with animals. \nShufelt\, who says being an artist “is a compulsion\, not a decision\,” is a master of the pencil. He brings to life dramatic imagery with bold sunlight and shadow. Each original drawing is astonishing with complexity of composition and disciplined draftsmanship. The prints are done in runs of 300 or less.
URL:https://test-dca-mc.nmdca.net/dca-event/3408-the-cowboy-way-drawings-by-robert-shoofly-shufelt/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3408_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161029T100000
DTEND;TZID=America/Denver:20170507T170000
DTSTAMP:20230614T175220Z
CREATED:20170501T205839Z
LAST-MODIFIED:20230614T175220Z
UID:10001303-1477735200-1494176400@test-dca-mc.nmdca.net
SUMMARY:Conversations in Painting\, Early 20th Century to Post-War American Art
DESCRIPTION:An exhibition centered around painting movements in 20th Century America\, beginning with Robert Henri \, Portrait of Dieguito Roybal\, San Ildefonso Pueblo and ending with Agnes Martin\, Untitled #6. Between those two benchmarks we explore the evolution of abstraction\, federal support for art and artists during the Depression Era\, the Transcendental Painting Group\, Abstract Expressionism\, Hard Edge Painting and Minimalism through paintings from the New Mexico Museum of Art collection. Juxtaposition is used to promote a dialogue both within and between these painting movements to encourage a more individual and intuitive appreciation of the individual paintings by the viewer. \nArtists included will be Robert Henri\, John Sloan\, Gene Kloss\, Florence Pierce\, Raymond Jonson\, Frederick Hammersley\, Agnes Martin\, Han Hoffman and Mala Breuer.
URL:https://test-dca-mc.nmdca.net/dca-event/3213-conversations-in-painting-early-20th-century-to-post-war-american-art/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3213_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161029
DTEND;VALUE=DATE:20170508
DTSTAMP:20230614T175220Z
CREATED:20170501T205903Z
LAST-MODIFIED:20230614T175220Z
UID:10001304-1477699200-1494201599@test-dca-mc.nmdca.net
SUMMARY:Be With Me\, a Small Exhibition of Large Paintings
DESCRIPTION:Centered around the experience of protracted looking at non-objective painting this exhibition features the works of artists Nick Aguayo\, Harmony Hammond and John Zurier. All three artists produce compelling abstract works that utilize the physical and material qualities of paint as a means of subtle expression.
URL:https://test-dca-mc.nmdca.net/dca-event/3214-be-with-me-a-small-exhibition-of-large-paintings/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3214_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161016
DTEND;VALUE=DATE:20170313
DTSTAMP:20230614T175220Z
CREATED:20170309T061222Z
LAST-MODIFIED:20230614T175220Z
UID:10001302-1476576000-1489363199@test-dca-mc.nmdca.net
SUMMARY:Small Wonders
DESCRIPTION:The museum is making a big deal about little pictures! This selection of photographic work\, both historic and contemporary\, invites visitors to revel in the pleasures of the miniscule. Featured are a small selection of nineteenth-century photos that provide a historical grounding for an engaging group of work by six contemporary artists who work on a small scale\, including Susan R Goldstein\, David Janesko\, Jenna Kuiper\, Jan Pietrzak\, Liz Stekeete\, and Laurie Tümer.
URL:https://test-dca-mc.nmdca.net/dca-event/3212-small-wonders/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3212_thumb.jpg
GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160805T100000
DTEND;TZID=America/Denver:20170805T170000
DTSTAMP:20230614T175218Z
CREATED:20200430T221206Z
LAST-MODIFIED:20230614T175218Z
UID:10001292-1470391200-1501952400@test-dca-mc.nmdca.net
SUMMARY:Agnes Martin and Me
DESCRIPTION:Shrouded in myth\, the artist Agnes Martin (1912-2004)\, an iconic figure in 20th-century art\, was emotionally and artistically tortured\, exquisitely sensitive yet socially inept. Canadian born\, she started to make a name for herself in the New York art scene in the late 1950s and early 1960s\, but in 1967\, abandoned her career for a reclusive life in the New Mexico desert. She did not return to her work for nearly a decade. \nSeveral years after she began creating art again\, photographer Donald Woodman met her and remained a fixture in her life from 1977 through 1984. In Agnes Martin and Me\, an exhibit opening August 5 at the New Mexico History Museum\, Woodman shares his photographs of their time together. The exhibit accompanies his new book\, Agnes Martin and Me (Lyon Art Books; May 2016)\, which reveals the raw\, unveiled person he knew in the seven rollercoaster years of their constant contact. \nThe exhibit consists of about 20 photographs\, including ones from their 1978 misguided and dangerous river excursion through the Northwest Territories of Canada. The trip was a lifelong dream for Martin. Woodman embarked as her keeper\, guide\, and companion. Upon returning from this trip\, the two co-existed on a plot of land owned by Woodman in Galisteo\, New Mexico\, where her cycles of depression\, spitefulness\, genius\, and eventually incapacitation from schizophrenia played out before Woodman’s eyes. \nIn his book\, Woodman paints a new portrait of Martin\, different from what has been written about her art and personal life. He replaces the oracular metaphysics and Zen-inflected edicts with that of a maddening\, self-centered\, needy\, and abusive\, if brilliant\, artist suffering from mental illness and in denial about her sexuality. From their first meeting where Martin admits that “the voices” told her that their lives were to intersect\, he recounts what she did and what she said over their long\, alternating cycles of dependence on one another. \nDonald Woodman began his career as an assistant to architectural photographer Ezra Stoller and subsequently studied with and assisted Minor White at MIT\, where Woodman directed the Creative Photography Lab’s gallery. In 1972\, he settled in New Mexico\, where he worked for five years at the Sacramento Peak Solar Observatory\, doing scientific photography and pursuing personal creative photo projects. In 1977\, he met Agnes Martin\, beginning a seven-year association\, sharing with her his property in Galisteo\, New Mexico\, and serving as her personal assistant. In 1985\, Woodman married the renowned feminist artist Judy Chicago\, with whom he has collaborated on many art and educational projects. \nWhile grounded in 20th century modernist photographic techniques\, Woodman’s work fuses this tradition with digital photography to create individualistic images on a range of subjects. His photographs have been exhibited both nationally and internationally and are included in numerous collections. He lives with Chicago and their beloved cats in Belen\, New Mexico. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2936-agnes-martin-and-me/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160717T100000
DTEND;TZID=America/Denver:20171022T170000
DTSTAMP:20230614T175218Z
CREATED:20170720T040643Z
LAST-MODIFIED:20230614T175218Z
UID:10001294-1468749600-1508691600@test-dca-mc.nmdca.net
SUMMARY:Into the Future: Culture Power in Native American Art
DESCRIPTION:Sponge Bob Square Pants\, Pac Man\, and Curious George\, all sporting a particularly Native American twist\, are just a few images from popular mainstream culture seen in the exhibition\, Into the Future: Culture Power in Native American Art.  \nThe free to the public opening for Into the Future: Culture Power in Native American Art at the Museum of Indian Arts and Culture is on July 17\, 2016 from 1 to 4 pm and the show runs through October 22\, 2017. \nFeaturing nearly 100 objects by more than fifty artists from the museum’s collections as well as others borrowed from collectors and artists\, the work on view in Into the Future will be in such various media as traditional clothing and jewelry\, pottery and weaving\, photography and video\, through to comics\, and on into cyberspace. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2954-into-the-future-culture-power-in-native-american-art/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160522
DTEND;VALUE=DATE:20170101
DTSTAMP:20230614T175212Z
CREATED:20200430T221252Z
LAST-MODIFIED:20230614T175212Z
UID:10001268-1463875200-1483228799@test-dca-mc.nmdca.net
SUMMARY:Fractured Faiths: Spanish Judaism\, The Inquisition\, and New World Identities
DESCRIPTION:In the 10th through 13th centuries\, Spain flowered into waves of golden ages\, as Muslim\, Jewish and Catholic peoples achieved new heights in science\, philosophy and the arts. That triculturalism\, though\, endured repeated challenges\, first by fundamentalist Islamic Almohads in the 12th century\, then by Christian kingdoms in the late-14th century\, when it finally deteriorated into dissent\, segregation and riots. \nBy 1492\, when King Ferdinand and Queen Isabella unified the nation under the Catholic crown\, cultural chaos roared forth. A royal edict ordered all Jews to either leave the country or convert to Catholicism within four months—or else. (A similar edict befell Muslims in 1502.) For those who converted\, the Spanish Inquisition (and later\, the Portuguese and Mexican Inquisitions) stood ready to prosecute any Christian who failed to abide. Violators would endure prisons\, torture and death. \nWhat would you do? Repudiate the language\, religion and customs of your people in order to stay in your home and with your family? Or walk away from all you owned\, all you knew\, and embark upon treacherous journeys across land and sea toward a life you could barely imagine? \nFractured Faiths: Spanish Judaism\, The Inquisition\, and New World Identities\, opening May 22\, 2016 through Dec. 31\, 2017\, stands on the brink of that chasm and leaps into a diaspora that dates to biblical times. For the first time\, a major institution tells the comprehensive story of how Spain’s Jewry found a tenuous foothold in North America. Despite continued persecution\, its people persisted—sometimes as upright Catholic conversos\, sometimes as self-identifying “crypto-Jews.” \nEmblems of that struggle for cultural identity appear even today: A menorah carved into a tombstone in a Catholic cemetery; oral histories of tangled roots; Hispanic villages where genetic clusters speak to Jewish lineage. \nWorking with institutions in Spain\, Mexico City and New York\, curators Josef Díaz and Roger Martínez-Dávila have gathered physical evidence that includes: \n \n\n \nThe 1492 Decree of Expulsion\n \nThe 1507 Libro Verde de Aragon that lists all the people killed by the Inquisition\n \n15th-century tiles from El Transito Synagogue in Toledo\n \nAn 18th-century painting of a Mexico City auto-da-fé\n \nFamily trees that appear to scrub out evidence of Jewish heritage\n \nShackles\, a locket with the Inquisition emblem\, and more\n\nThey bring to life people like Don Bernardo López de Mendizábal\, a 17th-century governor of New Mexico\, and his wife\, Doña Teresa Aguilera y Roche. Hauled before the Inquisition in Mexico City\, they were charged with—though never convicted of—being secret Jews. \nFractured Faiths reunites Spanish artifacts with their New World counterparts for the first time to reveal the history of the Spanish Sephardim—the stalwarts\, the converts and the hidden Jews—and their long heritage within the Americas. A global story that played out on New Mexico soil\, this monumental exhibit details one of history’s most compelling chronicles of human tenacity and the power of cultural identity. \nIn concert with the exhibit\, Fresco Fine Art Publications will produce a bilingual catalog of the exhibition’s most important artifacts and documents. A programming series will deepen visitors’ understanding of Jewish life in the Americas and the struggle to preserve identity against often tragic odds. Lending institutions to Fractured Faiths include Spain’s Museo de Teruel\, Biblioteca Nacional de España\, and Museo Sefardí; Mexico City’s Museo Franz Mayer and the Museo Nacional de Arte; and the Hispanic Society of America in New York City. \nCurators: \nJosef Díaz is the History Museum’s curator of Spanish and Mexican colonial collections. His exhibitions include the current Painting the Divine: Images of Mary in the New World and Santa Fe Found: Fragments of Time. \nRoger Martínez-Dávila is an assistant professor of history at the University of Colorado-Colorado Springs\, where he specializes in the study of medieval and early modern Spain\, Jewish religious minorities and converts in Spain\, and Spanish trans-Atlantic migration. He is also the CONEX-Marie Curie Fellow at the Universidad Carlos III de Madrid.
URL:https://test-dca-mc.nmdca.net/dca-event/2605-fractured-faiths-spanish-judaism-the-inquisition-and-new-world-identities/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160521T100000
DTEND;TZID=America/Denver:20161010T170000
DTSTAMP:20230614T175217Z
CREATED:20171219T231404Z
LAST-MODIFIED:20230614T175217Z
UID:10001289-1463824800-1476118800@test-dca-mc.nmdca.net
SUMMARY:Finding a Contemporary Voice: The Legacy of Lloyd Kiva New and IAIA
DESCRIPTION:Taking a Fritz Scholder group portrait of IAIA faculty and the legacy of the institution’s first artistic director\, Lloyd Kiva New\, as starting points\, Finding a Contemporary Voice: the Legacy of Lloyd Kiva New and IAIA includes work from the New Mexico Museum of Art’s collection by IAIA faculty and alumni from the 1960s to the present such as Scholder\, Neil Parsons\, T.C. Cannon\, Melanie Yazzie\, Hulleah Tsinhnahjinnie\, and Will Wilson. The Museum of Art’s free to the public exhibition opening is on Friday\, May 20\, 2016 and the exhibition runs through Oct. 10\, 2016. \nFinding a Contemporary Voice complements concurrent exhibitions at the Museum of Indian Arts and Culture (A New Century: The Life and Legacy of Cherokee Artist and Educator Lloyd “Kiva” New) and the IAIA Museum of Contemporary Native Art Lloyd Kiva New: Art\, Design\, and Influence. All three exhibitions and associated symposia\, lectures\, and other events celebrate the centennial of Native American artist Lloyd Kiva New’s birth by focusing on key aspects of his significant contributions to contemporary Native culture.
URL:https://test-dca-mc.nmdca.net/dca-event/2895-finding-a-contemporary-voice-the-legacy-of-lloyd-kiva-new-and-iaia/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160501
DTEND;VALUE=DATE:20170306
DTSTAMP:20230614T175214Z
CREATED:20200721T022255Z
LAST-MODIFIED:20230614T175214Z
UID:10001274-1462060800-1488758399@test-dca-mc.nmdca.net
SUMMARY:Lowriders\, Hoppers\, and Hot Rods: Car Culture of Northern New Mexico
DESCRIPTION: ¡Orale! Take a ride into the creative reimaginings of American steel as captured in photographs\, hubcaps\, hood ornaments\, car show banners and\, yes\, actual cars. Lowriders\, Hoppers\, and Hot Rods: Car Culture of Northern New Mexico\, opening May 1 through March 5\, 2017\, at the New Mexico History Museum focuses on mobile works of art and their makers—home-grown Nuevomexicanos who customize\, detail\, paint and upholster these favorite symbols of Hispanic culture. \nPhoto Curator Daniel Kosharek has pulled together an extensive collection of images by Don Usner\, Annie Sahlin\, Jack Parsons\, Sam Adams\, Norman Mauskopf\, Dottie Lopez\, Gabriela Campos\, Meridel Rubinstein and others. In addition\, the exhibit features a chromed and touchable engine\, miniature-scale model-car collections\, trophies\, memorabilia and other ephemera. The museum lobby will host a rotating selection of cherry examples. The thrill ride doesn’t stop there. \nOn May 21\, the New Mexico Museum of Art will unveil Con Cariño: Artists Inspired by Lowriders\, an exhibit (through October 9\, 2016) curated by Katherine Ware showing photographs and art inspired by car culture. Ahead of the exhibits\, on April 15\, the Museum of New Mexico Press will release a companion book featuring essays by Ware and Usner. \n“I’m convinced there are two kinds of people in the world\,” Kosharek said. “Those who drive for the purpose of getting from point A to point B\, mere transportation if you will; and people like me who drive cars to\, well\, drive cars. Two types of people\, two world views. This exhibit is about the latter: People who express themselves through pride in their ride.” \nAfter decades of cruising the streets and back roads of northern New Mexico\, lowrider cars have come into their own as a symbol of Hispanic cultural identity. They’re as evocative as red and green chile\, rural adobe architecture\, and the distinctive dialect of New Mexican Spanish. These cars have been celebrated in books and movies\, and their creators congregate by the hundreds in car shows throughout the region to show off their works to an admiring public. That phenomenon is only one part of a broad car culture. \nConsider the classic “bombs” (large\, rotund American cars ca. 1930–1955); “originals” (old cars restored to their original condition down to the upholstery and engines); “hoppers” (cars outfitted with hydraulic lifters that allow them to bounce and jump like June bugs on a griddle); and “hot rods” (classic American cars modified with large engines). \n“It’s all part of an American love affair with the internal combustion engine and the glimmering accoutrements that these vehicles have inspired through history\,” said Kosharek\, whose own first car was a 1957 Chevy two-door hardtop in matchstick color—royal blue on bottom\, baby blue on top. \nThe term “lowrider” refers to either a car whose suspension has been lowered to inches from the ground or the person who drives it. In Spanish\, it’s bajito y suavecito\, or low and slow. Lowriders\, the cars\, are built as works of art\, expressions of faith\, to honor the dead\, bring families together\, center a marriage and\, most important\, provide a proud ride. Lowriders\, the drivers\, require the skills of an engineer\, the aesthetic of an artist\, and the patience of a monk to create highly personalized\, one-of-a-kind\, mobile expressions. \nThe first set of cars visitors to the exhibit will see are a 1983 Chevy Monte Carlo owned by Orlando Martinez Jr.\, an Española resident and one of our security officers; a 1948 Chevy Fleetline owned by Albert “Sonny” Jaramillo of Santa Fe; a 1931 Fort hot rod owned by Pete Vigil of Chimayó; and the 1950 Mercury “Johnny Tapia lowrider” once owned by Albuquerque’s late boxer and now owned by Chuck Montoya of Albuquerque. \nIn the 1980s\, Española\, NM\, proclaimed itself the Lowrider Capitol of the World and\, for years\, Riverside Drive has been a place to see the best examples. In 1992\, the Smithsonian Institution put “Dave’s Dream” on permanent exhibition. Started by Dave Jaramillo of Chimayo\, NM\, the 1969 Ford LTD was completed by his family and friends after his death in a car accident. Some of the cars bear airbrushed murals to the dearly departed or pay homage to the Virgin of Guadalupe. Others sing in simple celebration of their original appearance\, only better—somehow sleeker\, certainly lower\, boasting lustrous paint jobs that evoke sweet candy apples\, deep mountain lakes and dangerously seductive lipstick. \nTheir origins remain up for debate\, with post-war Los Angeles making the strongest claim to birthing lowriders as a Latino reaction to Anglo hot rod culture. Today in communities from Los Angeles\, San Antonio\, northern New Mexico and elsewhere\, car culture thrives. Lowriders\, Hoppers and Hot Rods seeks to elevate that culture beyond its common stigmas and stereotypes to celebrate skilled craftsmanship and commitment to family and community. Car clubs regularly reach out to local youths\, giving them gears-and-wrenches reasons to drive a straight road. \nProgramming events will roll down the window for a glimpse at those cultures\, including roundtable discussions with premier artisans\, a poetry slam with youths mentored by adults\, a collaborative theatrical event with Española high-schoolers\, lectures\, film screenings\, and demonstrations. Details for those events are still in the shop. In the meantime\, stay tuned to find out whose cars will get the star treatment inside the museum itself. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2672-lowriders-hoppers-and-hot-rods-car-culture-of-northern-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160403T100000
DTEND;TZID=America/Denver:20161231T170000
DTSTAMP:20230614T175215Z
CREATED:20160927T232029Z
LAST-MODIFIED:20230614T175215Z
UID:10001280-1459677600-1483203600@test-dca-mc.nmdca.net
SUMMARY:The Morris Miniature Circus: Return of the Little Big Top
DESCRIPTION:After 30 years\, the beloved Morris Miniature Circus returns to the Museum of International Folk Art.  In 2016\, the museum will restore and install the Circus once again. The Morris Circus is modeled after a 1930s “railroad circus\,” back in the days when a circus would come to town by rail\, set up in a day\, perform for a local audience\, then pack up and move on to the next venue. Morris fondly remembered the excitement that accompanied the arrival of the circus of his youth—with its steam calliope\, horse-drawn circus wagons\, and parade of performers and animals—and sought to preserve those memories when he began the Morris Circus in the 1930s. The Circus consists of an estimated 100\,000 pieces\, all made by Morris through a variety of techniques from woodcarving and painting to clay modeling and mold making. The return of the Morris Miniature Circus will be accompanied by a range of activities and public programs.
URL:https://test-dca-mc.nmdca.net/dca-event/2833-the-morris-miniature-circus-return-of-the-little-big-top/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160402T100000
DTEND;TZID=America/Denver:20160911T170000
DTSTAMP:20230614T175218Z
CREATED:20160913T031159Z
LAST-MODIFIED:20230614T175218Z
UID:10001291-1459591200-1473613200@test-dca-mc.nmdca.net
SUMMARY:Assumed Identities: Photographs by Anne Noggle
DESCRIPTION:Pilot\, photographer\, professor\, and poet\, Anne Noggle (1922-2005) began  her groundbreaking career as a photographer late in life but quickly gained recognition for her witty and honest work. \nAssumed Identities: Photographs by Anne Noggle opens at the New Mexico Museum of Art on Saturday\, April 2\, 2016 and runs through September 11\, 2016. A free to the public opening is on Friday\, April 1 from 5.30 to 7.30pm.
URL:https://test-dca-mc.nmdca.net/dca-event/2914-assumed-identities-photographs-by-anne-noggle/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2914_thumb.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160320T130000
DTEND;TZID=America/Denver:20160911T160000
DTSTAMP:20230614T175216Z
CREATED:20160310T055621Z
LAST-MODIFIED:20230614T175216Z
UID:10001286-1458478800-1473609600@test-dca-mc.nmdca.net
SUMMARY:Landscape of an Artist: Living Treasure Dan Namingha Native Treasures: Indian Arts Festival
DESCRIPTION:Public Opening on Sunday\, March 20\, 2016 \nScreening of Dan Namingha: Seeking Center in Two Worlds at 1:00p.m. \nQ&A with Dan Namingha at 2:00p.m. \nEvery year at the Museum of Indian Arts and Culture’s Native Treasures: Indian Arts Festival\, the museum chooses to honor an artist as a MIAC Living Treasure. This year\, Dan Namingha (Hopi-Tewa) is being honored as the MIAC Living Treasure and 2016 Native Treasures Featured Artist. \nBorn and raised on the Hopi reservation\, Dan Namingha’s work is inspired by the Southwest region and subjects within his culture. For the past five decades his work has continuously evolved as he has refined his studio practice by experimenting with different mediums and techniques.  Throughout this evolution\, Namingha has employed alterations and abstractions to give the viewer a mere impression or glimpse of the subjects and landscapes.  This process allows him to share sacred aspects of his culture in familiar forms with the public\, while still protecting the sanctity of his Hopi and Tewa culture. Namingha’s work has garnered praise and has been well received on both the national and international art scene at numerous exhibitions. This March\, MIAC invites you to help us honor Namingha’s achievements and explore the Landscape of an Artist: Living Treasure Dan Namingha.
URL:https://test-dca-mc.nmdca.net/dca-event/2886-landscape-of-an-artist-living-treasure-dan-namingha-native-treasures-indian-arts-festival/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160313
DTEND;VALUE=DATE:20160919
DTSTAMP:20230614T175215Z
CREATED:20200430T042109Z
LAST-MODIFIED:20230614T175215Z
UID:10001282-1457827200-1474243199@test-dca-mc.nmdca.net
SUMMARY:Santa Fe Faces: Alan Pearlman Photographs
DESCRIPTION:In 2009\, photographer Alan Pearlman set out on a quest to capture the soul of Santa Fe in a series of staged portraits. Some of the results take center stage as archival pigment prints in the New Mexico History Museum’s Mezzanine Gallery\, March 13–September 18\, 2016. \nSanta Fe Faces: Alan Pearlman Photographs features a selection from 90 portraits he took between 2009 and 2013. Included among them are images of flamenco artist Juan Siddi and Turquoise Trail rancher Archie West. Through them\, Pearlman aimed to reveal a moment in the City Different’s history\, focusing on the ways that clothing and settings speak to identities and occupations. \nA retired physician and loyal volunteer in the Palace of the Governors Photo Archives\, Pearlman has been making photographs since the mid-1970s. His work has been represented in many shows including Verve Gallery and the Santa Fe University of Art and Design. In honor of the Photo Archives’ Photo Legacy Project\, which aims to collect works from contemporary shooters\, he recently donated almost 200 prints to the History Museum\, including his highly valuable Santa Fe Faces collection. \n“This work will make a great addition to the Photo Archives for future researchers and exhibits\,” said Photo Curator Daniel Kosharek.
URL:https://test-dca-mc.nmdca.net/dca-event/2835-santa-fe-faces-alan-pearlman-photographs/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160304T100000
DTEND;TZID=America/Denver:20170326T170000
DTSTAMP:20230614T175217Z
CREATED:20160913T031230Z
LAST-MODIFIED:20230614T175217Z
UID:10001290-1457085600-1490547600@test-dca-mc.nmdca.net
SUMMARY:ALCOVES 16/17
DESCRIPTION:Alcoves 16/17 opens March 4\, 2016 at the New Mexico Museum of Art. This will be the first in a series of seven alcove exhibitions that concludes on March 26\, 2017. Each of the seven rotations will highlight five artists at various career stages and working in New Mexico today. \nIn this first of seven exhibitions\, artists working in all media will be featured; Scott Anderson\, Gloria Graham\, Scott Greene\, Herbert Lotz\, and Bonnie Lynch. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2896-alcoves-16-17/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2896_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160228T100000
DTEND;TZID=America/Denver:20170319T170000
DTSTAMP:20230614T175215Z
CREATED:20220315T205441Z
LAST-MODIFIED:20230614T175215Z
UID:10001279-1456653600-1489942800@test-dca-mc.nmdca.net
SUMMARY:Sacred Realm: Blessings & Good Fortune Across Asia in the Cotsen Gallery\, Neutrogena Wing
DESCRIPTION:Almost universally\, yet through varied means and belief systems\, people have found ways to connect with these powers to bring stability to their lives\, to divert ill-will and harm\, and to attract love\, fertility\, prosperity\, longevity\, and safety … essentially\, to harness protection\, blessings\, and good fortune for themselves\, their loved ones\, and their communities. This exhibit invites visitors to explore some of the ways in which people seek and secure blessings and good fortune in Asia\, a vast and culturally diverse region. Presented are amulets\, votive offerings\, and ritual objects – objects with other-worldly\, divine qualities. These intricate and thoughtfully made works of art are drawn mostly from the museum’s Asian collection and are exhibited together with unique media and engaging interactive gallery components. \n“Sacred Realm” reflects wide-ranging practices of belief that\, at the same time\, depict the common human desire to attain balance and harmony in the physical and spiritual realms of life.
URL:https://test-dca-mc.nmdca.net/dca-event/2816-sacred-realm-blessings-good-fortune-across-asia-in-the-cotsen-gallery-neutrogena-wing/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/sacred-realm.jpg
ORGANIZER;CN="Rebecca Ward":MAILTO:rebecca.ward@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160214T100000
DTEND;TZID=America/Denver:20161230T170000
DTSTAMP:20230614T175216Z
CREATED:20161228T055600Z
LAST-MODIFIED:20230614T175216Z
UID:10001285-1455444000-1483117200@test-dca-mc.nmdca.net
SUMMARY:The Life and Art of Innovative Native American Artist and Designer Lloyd Kiva New
DESCRIPTION:This year is the centennial of the birth of seminal Native American artist Lloyd Kiva New\, and three Santa Fe arts institutions are celebrating this anniversary in style. Locally\, New\, a Cherokee\, is known as the Institute of American Indian Art’s (IAIA) first artistic director\, yet nationally\, Native people refer to him as the “Godfather of Native Fashion.” \nMuseum of Indian Arts and Culture’s career retrospective A New Century: The Life and Legacy of Cherokee Artist and Educator Lloyd “Kiva” New (February 14 through December 30\, 2016). A New Century is a mesmerizing look into New’s storied life from his humble beginnings on the family farm in Oklahoma to the burgeoning days at IAIA. In between he strides the decks of the USS Sanborn during World War II and the halls of the Art Institute of Chicago. Opening successive and successful boutiques and craft centers in the gleaming post-war enclave of Scottsdale\, Arizona. New was a pioneer in the worlds of fashion\, entrepreneurship\, and Native art instruction. His vision of cultural studies and creative arts education continues to influence and inspire. Through personal recollections\, photos\, archival documents\, and objects pour la couture\, New Century: The Life and Legacy of Cherokee Artist and Educator Lloyd “Kiva” New reviews the life of this American Indian visionary. \nThe Museum of Indian Arts and Culture\, the IAIA Museum of Contemporary Native Arts\, and the New Mexico Museum of Art will each present an exhibition in 2016 focusing on key aspects of Lloyd Kiva New’s (b. 1916 – d. 2002) significant contributions to contemporary Native culture. Additionally\, the three institutions are planning a symposium\, multiple lectures\, panel discussions\, a fashion show\, Gala\, and\, as pure celebration\, a 100th birthday party.
URL:https://test-dca-mc.nmdca.net/dca-event/2870-the-life-and-art-of-innovative-native-american-artist-and-designer-lloyd-kiva-new/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160205T100000
DTEND;TZID=America/Denver:20160501T170000
DTSTAMP:20230614T175216Z
CREATED:20171219T231239Z
LAST-MODIFIED:20230614T175216Z
UID:10001284-1454666400-1462122000@test-dca-mc.nmdca.net
SUMMARY:Medieval to Metal: The Art and Evolution of the Guitar
DESCRIPTION:Medieval to Metal: The Art and Evolution of the Guitar opens at the New Mexico Museum of Art on February 5\, 2016 with a free public reception from 5.30 to 7.30pm. The exhibition examines the craftsmanship\, design\, and history of this popular musical instrument. \nMedieval to Metal is a companion exhibition to two others opening the same evening at the New Mexico Museum of Art\, First Folio! The Book that Gave Us Shakespeare and Stage\, Setting\, Mood: Theatricality in the Visual Arts. Together\, these three exhibitions look at the importance of the stage whether in life or imagination. \nThe forty instruments in Medieval to Metal span centuries\, ranging from an intricately inlaid Moorish oud\, a six-foot long Renaissance theorbo\, to guitars displaying the modern Italian design of Eko\, and one with a stunning transparent acrylic body by California’s BC Rich guitars.
URL:https://test-dca-mc.nmdca.net/dca-event/2857-medieval-to-metal-the-art-and-evolution-of-the-guitar/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160205T100000
DTEND;TZID=America/Denver:20160501T170000
DTSTAMP:20230614T175215Z
CREATED:20151209T012422Z
LAST-MODIFIED:20230614T175215Z
UID:10001277-1454666400-1462122000@test-dca-mc.nmdca.net
SUMMARY:Stage\, Setting\, Mood: Theatricality in the Visual Arts
DESCRIPTION:  \n \n \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2796-stage-setting-mood-theatricality-in-the-visual-arts/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160205T100000
DTEND;TZID=America/Denver:20160228T170000
DTSTAMP:20230614T175211Z
CREATED:20170712T220109Z
LAST-MODIFIED:20230614T175211Z
UID:10001265-1454666400-1456678800@test-dca-mc.nmdca.net
SUMMARY:First Folio! The Book that Gave Us Shakespeare
DESCRIPTION:National tour from Folger Shakespeare Library in commemoration of the 400th Anniversary of Shakespeare’s Death.  \nNew Mexico Museum of Art\, recently named New Mexico’s host for the First Folio! The Book that Gave Us Shakespeare national tour\, is pleased to announce that the First Folio will be on view to the public February 5-28\, 2016. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2553-first-folio-the-book-that-gave-us-shakespeare/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2553_thumb.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160205T100000
DTEND;TZID=America/Denver:20160228T170000
DTSTAMP:20230614T175211Z
CREATED:20150425T032013Z
LAST-MODIFIED:20230614T175211Z
UID:10001263-1454666400-1456678800@test-dca-mc.nmdca.net
SUMMARY:New Mexico Museum of Art to Host Shakespeare’s First Folio Exhibition in 2016
DESCRIPTION:The New Mexico Museum of Art has been selected as the host site for First Folio! The Book that Gave Us Shakespeare\, a national traveling exhibition of the Shakespeare First Folio\, one of the world’s most treasured books. The Folger Shakespeare Library\, in partnership with Cincinnati Museum Center and the American Library Association\, is touring a First Folio of Shakespeare in 2016 to all 50 states\, Washington\, DC\, and Puerto Rico. The New Mexico Museum of Art will be the only New Mexico venue. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2473-new-mexico-museum-of-art-to-host-shakespeares-first-folio-exhibition-in-2016/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160205
DTEND;VALUE=DATE:20160327
DTSTAMP:20230614T175214Z
CREATED:20200430T221657Z
LAST-MODIFIED:20230614T175214Z
UID:10001276-1454630400-1459036799@test-dca-mc.nmdca.net
SUMMARY:The Book’s the Thing: Shakespeare from Stage to Page
DESCRIPTION:  \nWhere would we be without the printing press? We certainly wouldn’t have Shakespeare\, or the thousands of editions of his plays produced over the last four centuries. Not a bad run for one of the most mysterious playwrights in history. From February 5–28\, 2016 the Palace Press at the New Mexico History Museum presents a special exhibition in collaboration with the New Mexico Museum of Art’s First Folio! The Book that Gave Us Shakespeare. \nIn The Book’s the Thing: Shakespeare from Stage to Page\, award-winning Palace Press printers Tom Leech and James Bourland mount a multi-part exhibit with a hands-on twist: Printed facsimiles of a First Folio page using a replica “Gutenberg” wooden hand press. (Lucky visitors can make their own prints for a take-home treat.)  \nIn addition\, Leech worked with Shakespeare scholar Robin Williams to curate creations by members of the Santa Fe Book Arts Group. Winning entries showcase 15 contemporary handmade artist books inspired by the works of Shakespeare. \nThe walls of the gallery also feature a collaboration between Leech and internationally known calligrapher Patricia Musick. Leech’s handmade\, marbled paper (embedded with recycled pages of Hamlet) provides a surface for Musick’s hand-calligraphed quotes from Hamlet\, Prince of Denmark. The artists successfully demonstrated similar works for past exhibits based on Romeo and Juliet\, Love’s Labour’s Lost and The Tempest. See http://www.musickstudio.com/pm_calligraphy.htm for examples. \nFinally\, a selection of items ranging from cigar labels and playing cards to rare books reveal examples of how Shakespeare’s works have been published and interpreted by artists over time. \nThe exhibition takes over a previous storage space in the east end of the Palace of the Governors\, with an entrance from the courtyard. It’s a fitting locale\, given that the Palace began construction in 1610\, six years before Shakespeare’s death. And in Act 3\, Scene 2\, of Twelfth Night\, Maria references the European continent’s growing awareness of the Spanish Indies (including New Mexico)\, when she says: “He does smile his face into more lines than is in the new map with the augmentation of the Indies.” \nPublic programs in support of this exhibit: \nPublic programs throughout the month: \nTuesdays–Sundays\, February 6–28\, 2016\, 1:30–3:30 pm\, Printing demonstrations \nPalace Press printers Thomas Leech and James Bourland demonstrate Shakespeare-style printing on a replica Gutenberg press in the exhibit space for The Book’s the Thing: Shakespeare from Stage to Page. Free with admission. \nSaturday\, February 13\, 2016\, 11 am: Music and design preview for the Santa Fe Opera’s UnShakeable \nTo commemorate both Shakespeare’s 400th anniversary and its own 60th\, the Santa Fe Opera commissioned a new work from composer Joseph Illick and librettist Andrea Fellows Walters. Mixing Shakespeare and sci-fi\, UnShakeable travels 25 years into the future after a pandemic called “Erasure” has corroded people’s memories. Will Shakespearean actors and former lovers Wyatt and Meridian reconnect and restore their bond? Hear selections performed by baritone Samuel Schultz\, soprano Jacquelyn Stucker\, and Joseph Illick. \nSunday\, February 21\, 2016\, 1:30–3:30 pm: Family Fun Day \nCheck out First Folio and The Book’s the Thing\, then come to the History Museum classroom to learn how to use crow quill pens and practice calligraphy\, Shakespeare-style. Free with admission; Sundays free to NM residents and all children.   \nTuesday\, February 23\, 2016 10 am: Community-in-Residence at the History Museum \nLocal arts organizations and Gary Glazner\, founder of the internationally acclaimed Alzheimer’s Poetry Project\, lead a fun-filled morning creating poetry and song inspired by The Book’s the Thing: Shakespeare from Stage to Page. This event is crafted especially for people with memory illnesses and their care partners\, though everyone is welcome to participate. Free. \nFriday\, February 26\, 2016\, 6 pm: “Hamlet\, Hamlet\, Hamlet” \nLiterary scholar Joshua Calhoun analyzes the three distinct versions of Hamlet produced in the 1600s. The Bad Quarto\, Good Quarto\, and First Folio are often mixed into one during modern performances. The result? A Hamlet who seems more passive and indecisive than the one in the First Folio. Free; seating is limited. \nSaturdays and Sundays in March 2016\, 1:30-3:30 pm: Printing demonstrations  \nPressmen Tom Leech and James Bourland demonstrate a replica Gutenberg-era press\, with take-home samples of Hamlet’s soliloquy. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2739-the-books-the-thing-shakespeare-from-stage-to-page/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151122T100000
DTEND;TZID=America/Denver:20170910T170000
DTSTAMP:20230614T175214Z
CREATED:20201126T053356Z
LAST-MODIFIED:20230614T175214Z
UID:10001275-1448186400-1505062800@test-dca-mc.nmdca.net
SUMMARY:FLAMENCO: From Spain to New Mexico In the Hispanic Heritage Wing
DESCRIPTION:Known as a folkloric art form that began among the Gypsy people of southern Spain\, this exhibition traces Flamenco to its arrival in the U.S. and its rise as an international art form now enjoyed by millions. The exhibition features costumes\, play bills\, instruments\, and paintings\, complemented by lectures\, workshops and performances.  Tracing flamenco’s journey from fifteenth and sixteenth century Spain to twentieth century Europe’s most cultured cities will be costumes both historic and contemporary\, musical instruments\, costume and set design sketches\, playbills\, sheet music\, posters\, and more. These objects chronicle flamenco’s evolution from rural\, folkloric tradition to elaborate staged productions incorporating extravagantly costumed dancers accompanied by virtuoso guitarists. The objects also trace flamenco’s transition to recording studios and the silver screen permitting it to gain a massive popular audience. Handed down from generation to generation\, between family and community members living at society’s edges\, flamenco incorporates historic dance and music traditions from Roman times to the Arabic period. Flamenco expresses a way of life shaped by a multitude of cultural and regional influences such as the Gitanos (Romany people) of Spain and Andalusian regional customs. In 2010\, UNESCO declared flamenco a Masterpiece of the Intangible Heritage of Humanity. This exhibition also examines Spain’s ferias and fiestas their introduction to the southwestern US\, and the individuals who contributed to making flamenco a popular art form in this country. And as the exhibition title suggests\, flamenco’s integration into New Mexico’s culture will be examined.  This exhibition is the first ever to show the history and development of flamenco and its treasured role within the cultural milieu of New Mexico. The exhibition is accompanied by the book\, The Spirit of Flamenco: From Spain to New Mexico\, by Nicolasa Chávez (Museum of New Mexico Press\, Jacketed hardbound $39.95 ISBN:978-0-89013-608-9\, 192 pages\, 86 color and 54 black-and-white photographs). \nREAD: \nRead a personal story of growing up with Flamenco in New Mexico:  \nhttps://www.newmexico.org/nmmagazine/articles/post/artscapes-flamenco-94078/​ \nRead about the exhibition and Flamenco’s rich history in New Mexico: \nhttps://www.elpalacio.org/2015/12/flamenco-from-spain-to-new-mexico/ \nEnjoy an interview with Santa Fe guitarist Miguel Romero remembering Flamenco’s early days in Santa Fe: https://www.elpalacio.org/2016/03/miguel-romero/ \nRead about the origins and history of Flamenco cante (the song):  \nhttps://www.elpalacio.org/2016/06/sounding-the-soul/ \n  \nLEARN: \nFor Educators – Download lesson plans for grades k – 12: \nEnglish- http://www.internationalfolkart.org/learn/lesson-plans/flamenco\,-castanets.html \nSpanish- http://www.internationalfolkart.org/learn/lesson-plans/flamenco\,-castañuelas.html
URL:https://test-dca-mc.nmdca.net/dca-event/2683-flamenco-from-spain-to-new-mexico-in-the-hispanic-heritage-wing/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2683_1200.jpg
ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151025T100000
DTEND;TZID=America/Denver:20170507T170000
DTSTAMP:20230614T175212Z
CREATED:20170216T040544Z
LAST-MODIFIED:20230614T175212Z
UID:10001270-1445767200-1494176400@test-dca-mc.nmdca.net
SUMMARY:Oblique Views: Archaeology\, Photography\, and Time
DESCRIPTION:For the first time in Oblique Views: Archaeology\, Photography\, and Time\, large prints of Heisey’s stunning images will be paired directly with the Lindberghs’. The exhibition opens October 25\, 2015 and runs through May 7\, 2017 at the Museum of Indian Arts and Culture. \nDuring 2007 and 2008\, flying at alarmingly low altitudes and slow speeds\, Adriel Heisey leaned out the door of his light plane\, and holding his camera with both hands\, re-photographed some of the Southwest’s most significant archaeological sites that Charles Lindbergh and his new bride Anne photographed in 1929.
URL:https://test-dca-mc.nmdca.net/dca-event/2613-oblique-views-archaeology-photography-and-time/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20151022
DTEND;VALUE=DATE:20170327
DTSTAMP:20230614T175220Z
CREATED:20170309T062330Z
LAST-MODIFIED:20230614T175220Z
UID:10001305-1445472000-1490572799@test-dca-mc.nmdca.net
SUMMARY:Southwestern Sampler
DESCRIPTION:From the Museum’s founding in 1917\, Santa Fe and Northern New Mexico have held a special pull for artists. This selection of artworks showcases work created in New Mexico. Included are works by Taos Society Artists\, Santa Fe Art Colony members and others.
URL:https://test-dca-mc.nmdca.net/dca-event/3215-southwestern-sampler/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
END:VCALENDAR