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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170623
DTEND;VALUE=DATE:20171104
DTSTAMP:20230614T175222Z
CREATED:20200720T232309Z
LAST-MODIFIED:20230614T175222Z
UID:10001312-1498176000-1509753599@test-dca-mc.nmdca.net
SUMMARY:Syria: Cultural Patrimony Under Threat
DESCRIPTION:As Syria’s ongoing civil war\, staggering death toll\, and displacement of thousands of refugees threatens to destroy Syrian culture\, the Palace of the Governors will display seven albums of photographs of historic sites in Syria taken between 1899 and 1909. Entitled Syria: Cultural Patrimony Under Threat\, the exhibition will includes a multi-functional information kiosk with insights into Syrian people and culture. \nPartnering with Curators Without Borders\, a non-profit that specializes in innovative museum collaborations for humanitarian response\, the exhibition highlights the vast collection of albumen prints\, showing not only the historic sites now destroyed in Syria\, but representations of its people in adjacent collections within the Photo Archives. \nAs New Mexico has been the home to many diverse groups through its millennia who sought refuge from social\, political\, ethnic and religious strife\, it continues to welcome most recently Syrian refugee families who are escaping the terrors of life in Syria today. The principal message of the exhibition is one of shared concern\, empathy\, unity\, and support for those suffering amid diaspora. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3296-syria-cultural-patrimony-under-threat/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170623
DTEND;VALUE=DATE:20180319
DTSTAMP:20230614T175147Z
CREATED:20170822T235500Z
LAST-MODIFIED:20230614T175147Z
UID:10001151-1498176000-1521417599@test-dca-mc.nmdca.net
SUMMARY:The Piñata Exhibit (Sure to be a Smash Hit!)
DESCRIPTION:The Piñata Exhibit (Sure to be a Smash Hit!) celebrates this popular art form with over 175 examples from Mexico\, California\, Arizona\, Nevada\, Texas and New Mexico. \nTraditional and iconic works\, alongside creations by contemporary piñata artists\, illustrate how piñatas maintain their historical and social importance while also reflecting transnational shifts in popular\, political\, and visual culture. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3411-the-pinata-exhibit-sure-to-be-a-smash-hit/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=National Hispanic Cultural Center 1701 4th Street SW Albuquerque NM 87102 United States;X-APPLE-RADIUS=500;X-TITLE=1701 4th Street SW:geo:-106.6556345,35.0681597
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170604T100000
DTEND;TZID=America/Denver:20180716T170000
DTSTAMP:20230614T175219Z
CREATED:20190711T044855Z
LAST-MODIFIED:20230614T175219Z
UID:10001295-1496570400-1531760400@test-dca-mc.nmdca.net
SUMMARY:Negotiate\, Navigate\, Innovate: Strategies Folk Artists Use in Today’s Global Marketplace in the Mark Naylor & Dale Gunn Gallery of Conscience
DESCRIPTION:Visitors notice the Gallery of Conscience looks different than the rest of the museum.  In this gallery\, visitors are invited behind the scenes to participate directly in the creation of an exhibition.  That is why the space looks informal and unpolished- it’s on purpose.  The Gallery of Conscience team seeks to make visitors feel welcome to write comments\, leave thoughts and participate in the exhibition’s creation. \nNegotiate\, Navigate\, Innovate is about contemporary folk artists and their relationship with their patrons\, buyers and collectors. We are especially interested in understanding the pressures they might feel to keep their traditions alive in the face of modern technological advances and new consumer demands. Visitors will see a kind of “mock up” or series of idea sketches. The artworks will come at a later point in the process- after we have heard from visitors\, artists and local community members.  \nSee six digital stories created as part of a six month master apprenticeship program in 2016\, that focuses on cross-generational conversation\, documentation and learning of traditonal New Mexican folk arts \nIyamopo: My Life in Indigo  https://www.youtube.com/watch?v=93BQvlaWLoQ \nPueblo Weaving   https://www.youtube.com/watch?v=Dre1SamDIXQ \nNative Arts: Rooted in Tradition  https://www.youtube.com/watch?v=iffnsiFva7k \nColcha Embroidery: Stitching a Story https://www.youtube.com/watch?v=Y2H7J6SyFI8 \nUnfolding Tradition  https://www.youtube.com/watch?v=s4Lxduz1IFo \nLoving Creations in Clay  https://www.youtube.com/watch?v=-06LO_f2emk
URL:https://test-dca-mc.nmdca.net/dca-event/2976-negotiate-navigate-innovate-strategies-folk-artists-use-in-todays-global-marketplace-in-the-mark-naylor-dale-gunn-gallery-of-conscience/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2976_1200.jpg
ORGANIZER;CN="Carrie Hertz":MAILTO:carrie.hertz@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170604T100000
DTEND;TZID=America/Denver:20180729T170000
DTSTAMP:20230614T175219Z
CREATED:20180723T000051Z
LAST-MODIFIED:20230614T175219Z
UID:10001296-1496570400-1532883600@test-dca-mc.nmdca.net
SUMMARY:Artistic Heritage: Syrian Folk Art on Display in Lloyd’s Treasure Chest
DESCRIPTION:Folk Art is a treasure\, and Lloyd’s Treasure Chest offers a participatory gallery experience highlighting the Museum’s permanent collection of over 136\,000 objects of international folk art from over 100 countries\, representing thousands of unique cultures. Because the entire collection can never be on view at the same time\, collections are carefully stored and cared for in rooms such as our Neutrogena Vault\, which visitors can view from the Treasure Chest gallery. \nVisitors are invited to think about folk art. In fact\, there is no one definition of folk art. In collecting and displaying folk art\, the museum considers various concepts: Folk art is traditional art\, reflecting shared cultural aesthetics\, community values\, priorities\, and social issues. Folk art may change over time and include innovations in traditions. Folk art is handmade\, although it may include new\, synthetic\, or recycled components. Folk art may constitute income and empowerment for an individual\, a family\, or a community. Folk art may be art of the everyday or reserved for special occasions. Folk art may be learned formally or informally\, from family or other artists. Folk art may be intangible\, including various forms of expressive culture like dance\, song\, poetry\, and food ways. Folk art is of\, by\, and for the people. We mean all people\, inclusive of class\, culture\, community\, ethnicity\, and religion. Together\, we can consider the multitude of perspectives and come closer to understanding “What is Folk Art?” \nRotating thematic displays will offer close-up views of the museum’s folk art collection. In collaboration with the New Mexico History Museum’s exhibition Syria: Cultural Patrimony Under Threat\, opening June 23\, 2017;   MOIFA’s display of Syrian folk art opened June 4\, 2017. Hands on activities appropriate for ages 3 to 103 in the gallery include: coloring activities\, origami and a Javanese musical instrument.  The cultural context of folk art can be explored with a map\, book area. The notion that Folk Art may be intangible is explored with a musical instrument: a gender\, a gamelan instrument The re-opening brings back some old favorites from past exhibitions\, including “Last of the Red Hot Lovers”\, an American sculpture made from recycled metal by artist Dwight Martinek (aka “Wild Willie”)\, “The Followers of Ghandi” by renowned Master Folk artists Nek Chand\, and a Wedding Rickshaw from Bangladesh. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/3047-artistic-heritage-syrian-folk-art-on-display-in-lloyds-treasure-chest/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3047_1200.jpg
ORGANIZER;CN="Rebecca Ward":MAILTO:rebecca.ward@state.nm.us
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170527
DTEND;VALUE=DATE:20170918
DTSTAMP:20230614T175221Z
CREATED:20170721T200456Z
LAST-MODIFIED:20230614T175221Z
UID:10001308-1495843200-1505692799@test-dca-mc.nmdca.net
SUMMARY:Lines of Thought: Drawing from Michelangelo to Now: from the British Museum
DESCRIPTION:Lines of Thought: Drawing from Michelangelo to Now examines the many ways artists have used drawing as a means of recording and provoking thought from the fifteenth century to today. \nThe internationally recognized line-up of artists featured in the exhibition is a ‘who’s who’ of artists through the centuries. The exhibition includes work by artists as diverse as Leonardo da Vinci\, Michelangelo\, Albrecht Dürer\, Piet Mondrian\, Paul Cézanne\, Pablo Picasso\, Bridget Riley\, Barbara Hepworth\, Henry Moore\, Franz Kline and Rachel Whiteread. \nCombining work from master artists of the past with artists working today\, clearly demonstrates the common thread of drawing as the basis for creation. Drawing is one of the most effective mediums for the immediate expression and representation of an artist’s ideas. Drawing often serves as the starting point for other creative arts including painting\, sculpture\, even basic engineering design and architecture. The exhibition will help visitors to explore the range inherent in the medium of drawing and may even inspire them to draw as well.
URL:https://test-dca-mc.nmdca.net/dca-event/3220-lines-of-thought-drawing-from-michelangelo-to-now-from-the-british-museum/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6878097;-105.9381003
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170514
DTEND;VALUE=DATE:20180212
DTSTAMP:20230614T175220Z
CREATED:20200930T022332Z
LAST-MODIFIED:20230614T175220Z
UID:10001301-1494720000-1518393599@test-dca-mc.nmdca.net
SUMMARY:Voices of Counterculture in the Southwest
DESCRIPTION:At a time when concerts and gatherings on the West Coast gave birth to 1967’s infamous “Summer of Love\,” New Mexico was experiencing its own social and environmental revolution depicted in Voices of Counterculture in the Southwest. \nAs the Vietnam conflict dragged on for more than a decade\, and the trajectory of civil rights activism escalated nationally\, issues of justice\, identity and social norms sparked activism among the nation’s youth. Young people from across the country flocked to alternative living situations in growing communes or organized to fight social and political injustices. From the mid-1960s into the 1970s\, the well-known draw of New Mexico’s open skies and cross-cultural environment sparked a pilgrimage of many young people to the area. \nOn display through February 11\, 2018\, the exhibition spans the decades of the 60s and 70s exploring this influx of young people to New Mexico and the subsequent collision of cultures. Through archival footage\, oral histories\, photography\, ephemera and artifacts\, the exhibition examines this cultural revolution and asks how these forms of rebellion inform the ways we think about contemporary social and political questions of what it means to be an engaged citizen.
URL:https://test-dca-mc.nmdca.net/dca-event/3166-voices-of-counterculture-in-the-southwest/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170505
DTEND;VALUE=DATE:20170826
DTSTAMP:20230614T175219Z
CREATED:20170721T201010Z
LAST-MODIFIED:20230614T175219Z
UID:10001299-1493942400-1503705599@test-dca-mc.nmdca.net
SUMMARY:Living Treasures: A Celebration of Vision - At the Governor’s Gallery
DESCRIPTION:Living Treasures: A Celebration of Vision exhibition\, Governors Gallery\, 4th floor of the State Capital Building\, Santa Fe New Mexico. May 5\, thru August 25th 2017 \nUpcoming Event: Meet the Living Treasures\, reception August 17th\, 3 p.m. to 5 p.m. the Governors Gallery\, 4th floor of the State Capital Building. \nLiving Treasures: A Celebration of Vision presents a selection of indigenous arts that could only come from the State of New Mexico.  As a state that celebrates the great artistic achievements of its residents – past and present – the exhibit is fittingly installed in the Governor’s Gallery of the State Capitol.  Works by fourteen of the Museum of Indian Arts and Culture’s “Living Treasures” enliven the space with bold assertions of creativity\, cultural survival and beauty.  \nSince 2006\, the Museum of Indian Arts and Culture has awarded outstanding indigenous artists with the designation of “Living Treasure” during the Museum’s annual Native Treasures Festival. These artists\, who have left their mark in the field of contemporary indigenous arts and culture\, have achieved excellence in the areas of painting\, sculpture\, beadwork\, pottery and jewelry.  The more adventurous museum goer\, who takes the time to go off the beaten track to the fourth floor of the Rotunda\, will find a hidden gem in Living Treasures: A Celebration of Vision. The pieces on display from artists such as Lonnie Vigil\, Roxanne Swentzell\, Teri Greeves\, and Robert Tenorio\, stand as a powerful reminder that tradition and cultural practices thrive within the vibrant\, creative worlds of New Mexico’s Pueblo and tribal communities. \nThe Museum of Indian Arts and Culture provides a venue for communities throughout New Mexico to come together to celebrate\, educate\, and promote transformative opportunities for dialogue and exchange between people. The Museum serves over 45\,000 visitors a year with education programs\, art and history exhibitions\, lectures and artist demonstrations. \nThe Museum of Indian Arts and Culture Living Treasures: \n2006—Robert Tenorio\, Santo Domingo Pueblo \n2007—Mike-Bird Romero\, San Juan Pueblo \n2008—Connie Tsosie Gaussoin\, Picuris Pueblo/Navajo \n2009—Upton S. Ethelbah\, Jr.\, White Mountain Apache/Santa Clara Pueblo \n2010—Lonnie Vigil\, Nambe’ Pueblo \n2011—Roxanne Swentzell\, Santa Clara Pueblo \n2012—Tony Abeyta\, Navajo  \n2013—Tammy Garcia\, Santa Clara Pueblo \n2014—Althea Cajero\, Santo Domingo Pueblo/Acoma Pueblo \n2014—Joe Cajero\, Jemez Pueblo \n2015—Teri Greeves\, Kiowa \n2015—Keri Ataumbi\, Kiowa \n2016—Dan Namingha\, Tewa/Hopi \n2017—Jody Naranjo\, Santa Clara Pueblo \n  \nExhibition Thumbnail photo: \nRainbow Dancers by Tammy Garcia\, Santa Clara Pueblo\, c. 1999. Clay. Purchased with funds from the Buchsbaum Purchase Fund for the Museum of Indian Arts and Culture.
URL:https://test-dca-mc.nmdca.net/dca-event/3146-living-treasures-a-celebration-of-vision-at-the-governors-gallery/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170421
DTEND;VALUE=DATE:20171106
DTSTAMP:20230614T175147Z
CREATED:20170823T001123Z
LAST-MODIFIED:20230614T175147Z
UID:10001153-1492732800-1509926399@test-dca-mc.nmdca.net
SUMMARY:Outstanding in His Field: San Ysidro—Patron Saint of Farmers
DESCRIPTION:Each spring\, New Mexico communities celebrate San Ysidro (aka San Isidro or Saint Isidore) the patron saint of farmers\, gardeners\, and workers. San Ysidro blesses the fields\, brings rain and discourages drought\, and assures a healthy growing season for local crops such as chile\, beans\, corn and squash. \nThe exhibition highlights contemporary and traditional depictions of this adored saint through approximately 65 art works by artists of all ages. New Mexican artist revere San Ysidro and a unique sense of place is reflected through these diverse interpretations of his image. \nThe NHCC is collaborating with numerous community members and organizations throughout the duration of this exhibition which runs through planting and harvesting seasons. This exhibition also will include a celebration of San Ysidro Feast Day. Traditionally observed on May 15\, join the NHCC as we celebrate San Ysidro’s Feast Day on May 13\, from 10 am-2 pm\, with local farmers\, activities\, food\, artists and so much more! \nPlease check www.nmhccnm.org/events for details on additional related programs\, talks and tours.
URL:https://test-dca-mc.nmdca.net/dca-event/3413-outstanding-in-his-field-san-ysidro-patron-saint-of-farmers/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3413_1200.jpg
GEO:35.0681597;-106.6556345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=National Hispanic Cultural Center 1701 4th Street SW Albuquerque NM 87102 United States;X-APPLE-RADIUS=500;X-TITLE=1701 4th Street SW:geo:-106.6556345,35.0681597
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170414
DTEND;VALUE=DATE:20170807
DTSTAMP:20230614T175222Z
CREATED:20170421T215421Z
LAST-MODIFIED:20230614T175222Z
UID:10001311-1492128000-1502063999@test-dca-mc.nmdca.net
SUMMARY:A Movable Feast: Foods of New Mexico
DESCRIPTION:“A Movable Feast: Foods of New Mexico” is an art show presented by the New Mexico Watercolor Society\, Southern Chapter. The show will be in the Museum’s Arts Corridor from through Aug. 6. \nFrom Puebloan times to the present\, agriculture and farming have played a very important role in making the Chihuahuan Desert and all of New Mexico a place where people could live. Indian\, Spanish and modern farmers have always accepted the challenges of limited water and harsh terrain as they planted and plowed to produce the foods we eat today. With hard work and dedication\, they have given us such foods as chile\, nuts\, wine\, honey and fruit; along with things like squash\, corn\, beans\, sunflowers and yuccas. In this exhibit\, NMWS members have created works based on their own visions and inspirations. \nThe New Mexico Watercolor Society was founded in 1969 as a statewide chapter of the Southwestern Watercolor Society\, and became an independent entity in 1975. The purpose of the NMWS is to elevate the stature of watercolor as an important painting medium and to educate the public to this effort; the ultimate goal is to make New Mexico known nationally for its watercolor artists. As the southern half of the state of New Mexico grew\, the need for a local chapter of the NMWS was recognized by a small group of active artists in the Las Cruces area. A proposal for the Southern Chapter’s formation was presented to and approved by the NMWS Board (in Albuquerque) in October\, 2001.
URL:https://test-dca-mc.nmdca.net/dca-event/3289-a-movable-feast-foods-of-new-mexico/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
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GEO:32.2970348;-106.7188683
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170408T100000
DTEND;TZID=America/Denver:20170917T170000
DTSTAMP:20230614T175220Z
CREATED:20170822T201548Z
LAST-MODIFIED:20230614T175220Z
UID:10001306-1491645600-1505667600@test-dca-mc.nmdca.net
SUMMARY:Imagining New Mexico
DESCRIPTION:Over the past century artists have imagined and reimagined New Mexico through their work. The New Mexico Museum of Art presents an exhibition of work from the collection that investigates how artists in New Mexico have responded to key themes as they relate to the state’s identity. \nNew Mexico\, like all places\, is as much an idea as it is a geographical location. This exhibition considers how the states identity was formed by various\, sometimes fantastical and often contradictory interpretations of the areas land\, traditions\, and histories. Imagining New Mexico does not presume to be a complete survey of the history of the state\, but instead a collection of fantasies about what New Mexico has come to mean for artists over time.
URL:https://test-dca-mc.nmdca.net/dca-event/3218-imagining-new-mexico/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170407T100000
DTEND;TZID=America/Denver:20170924T170000
DTSTAMP:20230614T175221Z
CREATED:20200430T052034Z
LAST-MODIFIED:20230614T175221Z
UID:10001310-1491559200-1506272400@test-dca-mc.nmdca.net
SUMMARY:Sleeping During the Day Vietnam 1968
DESCRIPTION:There is no shortage of photographs documenting the horrors of the Vietnam War. \nIn fact\, between military photographers and the free press\, millions of photographs of the Vietnam conflict were taken between 1962 and 1975. But\, there are very few that document the war from the perspective of a young gay man serving in the United States Army. \nThe New Mexico History Museum will display this unique perspective through the photographs of Santa Fean Herbert Lotz\, acquired through the museum’s Photo Legacy Project in 2008. The exhibition\, Sleeping During the Day: Vietnam 1968\, will run from April 7 to October 1\, 2017. 
URL:https://test-dca-mc.nmdca.net/dca-event/3258-sleeping-during-the-day-vietnam-1968/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3258_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170401
DTEND;VALUE=DATE:20180101
DTSTAMP:20230614T175219Z
CREATED:20170505T045134Z
LAST-MODIFIED:20230614T175219Z
UID:10001297-1491004800-1514764799@test-dca-mc.nmdca.net
SUMMARY:Jody Naranjo: Revealing Joy
DESCRIPTION:The Museum of Indian Arts & Culture will host a solo exhibition featuring the work of current Living Treasure\, prolific Santa Clara pueblo potter Jody Naranjo\, in the lobby of the museum.
URL:https://test-dca-mc.nmdca.net/dca-event/3143-jody-naranjo-revealing-joy/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3143_1200.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170325T100000
DTEND;TZID=America/Denver:20170917T170000
DTSTAMP:20230614T175220Z
CREATED:20170822T213139Z
LAST-MODIFIED:20230614T175220Z
UID:10001307-1490436000-1505667600@test-dca-mc.nmdca.net
SUMMARY:Light Tight : New Work by Meggan Gould and Andy Mattern
DESCRIPTION:This two-person exhibition creates a visual conversation about how the tools and conventions of photography can be reconsidered and manipulated. The title of the show refers to the need to keep light sensitive material covered up\, or “light tight\,” until it is ready to be used. \nGould’s work has long been characterized by an ongoing exploration of how photography affects the way we see the world. In her most recent series Don’t Open Box in the Light (2015-2016)\, she uses photographic sheet film\, but not in the usual way. Instead of placing it in a camera to capture latent images\, she renders it impotent by rubbing away the emulsion\, burnishing what is left\, and then drawing on it using pigment ink drained from digital printers. Her methods are both meditative and laborious\, intimately reconnecting the artist with her materials while simultaneously creating a hybrid between darkroom and digital photography that defies classification. The final pieces are unique\, hand-made images with a patterned\, rhythmic appeal. \nWhile Gould focuses on the material aspects of the medium\, Andy Mattern turns his attention to the standardization of commercially manufactured photography paper and its packaging and marketing. Starting with the cardboard boxes in which the paper is advertised and stored\, Mattern sands and scrapes off their recognizable logos and images before adding tape and other collage elements. His interventions neutralize the boxes’ corporate messages\, creating a new surface that denies their original function. He photographs the resulting abstract images\, reclaiming the boxes as sites for creative freedom and transforms their corporate messaging into a personal vision. The resulting prints in the series Standard Size (2014) are both straightforward and cryptic\, familiar and strange.
URL:https://test-dca-mc.nmdca.net/dca-event/3219-light-tight-new-work-by-meggan-gould-and-andy-mattern/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3219_1200.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170325
DTEND;VALUE=DATE:20170918
DTSTAMP:20230614T175221Z
CREATED:20170717T230334Z
LAST-MODIFIED:20230614T175221Z
UID:10001309-1490400000-1505692799@test-dca-mc.nmdca.net
SUMMARY:Cady Wells: Ruminations
DESCRIPTION:The New Mexico Museum of Art\, in partnership with The Philbrook Museum of Art\, Tulsa\, OK\, presents the dynamic and psychologically penetrating watercolor paintings of Cady Wells (1904-1954). This group of more than 25 works features Wells’ uniquely modernist interpretations of Southwestern landforms and cultural-religious traditions. \nBorn to a traditional\, well-to-do New England family\, Wells settled in northern New Mexico beginning in 1932. There\, his art took on the complex layering of a spirit inspired by music\, calligraphy and stained glass\, but traumatized by active WWII combat\, sexual intolerance\, and Atomic bomb experiments at Los Alamos\, just 12 miles from where he lived and painted. Such mid-century influences marked his increasingly surrealist style with equal parts rapture and disquietude.
URL:https://test-dca-mc.nmdca.net/dca-event/3221-cady-wells-ruminations/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3221_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170312T100000
DTEND;TZID=America/Denver:20180916T170000
DTSTAMP:20230614T175215Z
CREATED:20171113T231150Z
LAST-MODIFIED:20230614T175215Z
UID:10001281-1489312800-1537117200@test-dca-mc.nmdca.net
SUMMARY:No Idle Hands: The Myths & Meanings of Tramp Art
DESCRIPTION:No Idle Hands: The Myths & Meanings of Tramp Art will present more than 150 examples of tramp art\, concentrating on works the from the United States\, with additional examples from France\, Germany\, Switzerland\, Scandinavia\, Canada\, Mexico and Brazil to demonstrate the far reach this art form has had. \nThis is the first large-scale museum exhibition dedicated to tramp art since 1975. For many years\, “tramp art” was believed to have been made by itinerants and hobos\, thus its name. It has been demonstrated that this notion is largely erroneous\, however the name “tramp art” has remained the only terminology used for this practice\, and the paucity of scholarly studies to dispel the mistaken notions about tramp art have allowed the myths to persist. No Idle Hands will examine the assumptions related to class\, quality\, and the anonymity of the makers of tramp art and consider this practice instead through the lens of home and family while tracing its relationship to industry—whether as individual ethos or big industry. No Idle Hands will also include works by contemporary makers\, thus establishing tramp art as an ongoing folk art form rather than a vestige of the past.
URL:https://test-dca-mc.nmdca.net/dca-event/2834-no-idle-hands-the-myths-meanings-of-tramp-art/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2834_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170305
DTEND;VALUE=DATE:20190101
DTSTAMP:20230614T175147Z
CREATED:20170823T000940Z
LAST-MODIFIED:20230614T175147Z
UID:10001152-1488672000-1546300799@test-dca-mc.nmdca.net
SUMMARY:¡Aquí Estamos: The Heart of Arte!
DESCRIPTION:¡Aquí Estamos: The Heart of Arte! celebrates the NHCC Art Museum’s growing permanent collection with a revitalized vibe and a brand new selection of works. This exhibition was a collaborative project as the entire NHCC Visual Arts staff and interns combed through the collection and worked together to decide which pieces should welcome in 2017. This sampling explores the contributions of these artists and how each work can serve as a reminder of the heart that thrives in strong and resilient communities. \nThe collection contains over 2\,500 artworks by Hispanic\, Chicana/o\, and Latina/o\, artists from around the globe most of which have been generously donated to the museum by artists and collectors. It reflects the diversity of Latina/o art and expression in all of its vibrancy\, creativity\, pointed humor and social consciousness. The National Hispanic Cultural Center Art Museum exists to support and engage the work of these artists and share their creations and their stories with the broader community.
URL:https://test-dca-mc.nmdca.net/dca-event/3412-aqui-estamos-the-heart-of-arte/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3412_1200.jpg
GEO:35.0681597;-106.6556345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=National Hispanic Cultural Center 1701 4th Street SW Albuquerque NM 87102 United States;X-APPLE-RADIUS=500;X-TITLE=1701 4th Street SW:geo:-106.6556345,35.0681597
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170203
DTEND;VALUE=DATE:20180501
DTSTAMP:20230614T175215Z
CREATED:20180111T051249Z
LAST-MODIFIED:20230614T175215Z
UID:10001278-1486080000-1525132799@test-dca-mc.nmdca.net
SUMMARY:EXTENDED! I-Witness Culture: Frank Buffalo Hyde
DESCRIPTION:Artist Frank Buffalo Hyde (Onondaga/Nez Perce) believes it is the artist’s responsibility to represent the times in which they live. Transforming street art techniques into fine art practices\, his humorous and acerbic narrative artworks do exactly that. In I-Witness Culture\, Hyde investigates the space where Native Americans exist today: between the ancient and the new; between the accepted truth and the truth; between the known and the unknown. Hyde\, who created fourteen paintings and three sculptures for I-Witness\, divides his contemporary narrative into three sections: Paranormal: The Truth is Out There; Selfie Skndns; and In-Appropriate.  \nPre-millennium\, if you asked anyone if Native Americans existed\, they would tell you only in the past\, in black and white photos. They are almost extinct\, they would say\, and their lands are gone. If you ever meet one\, ask if you can touch their hair\, take a picture of them as proof that you actually saw one—like Bigfoot they exist beyond the scope of normal experience. \nPost-millennium\, Native Americans are part of the digital age\, the selfie age\, where if something hasn’t been posted to social media\, it never happened. We are sharing information at a rate that has never been possible before in human history: We no longer just experience reality; we filter reality through our electronic devices. Today’s Native artists use technology as a tool of Indigenous activism\, a means to document\, and a form of validation.  \nIn a nation obsessed with sameness—afraid of difference—popular culture homogenizes indigenous cultures\, “honoring” us with fashion lines\, misogynistic music videos\, or offensive mascots and Halloween costumes. Today\, these stereotypes and romantic notions are irrelevant as a new generation of Native American artists uses social media to let the world know who they are. Today\, we are the observers\, as well as the observed. We are here\, we are educated\, and we define Indian art.
URL:https://test-dca-mc.nmdca.net/dca-event/2803-extended-i-witness-culture-frank-buffalo-hyde/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2803_1200.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170101
DTEND;VALUE=DATE:20220102
DTSTAMP:20230614T175146Z
CREATED:20220205T005406Z
LAST-MODIFIED:20230614T175146Z
UID:10001150-1483228800-1641081599@test-dca-mc.nmdca.net
SUMMARY:Generations
DESCRIPTION:The Museum’s first permanent exhibit takes visitors on an odyssey through 150 generations over 4\,000 years of agriculture in New Mexico. \nThe exhibit uses the biographies of 33 people from New Mexico’s history – some famous\, some not famous – to tell the story. It features ancient tools\, a replica of a Mogollon pithouse\, audio interviews and hands-on activities. \nGenerations is on long-term display in the Main Exhibitions Gallery.
URL:https://test-dca-mc.nmdca.net/dca-event/3410-generations/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3410_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170101
DTEND;VALUE=DATE:20220102
DTSTAMP:20230614T175146Z
CREATED:20220205T002916Z
LAST-MODIFIED:20230614T175146Z
UID:10001148-1483228800-1641081599@test-dca-mc.nmdca.net
SUMMARY:The Cowboy Way: Drawings by Robert ’Shoofly’ Shufelt
DESCRIPTION:The first artwork ever to be displayed at the New Mexico Farm & Ranch Heritage Museum belonged to Robert “Shoofly” Shufelt. Fifteen years after he graciously loaned some of his lithographs for a temporary exhibit\, Shufelt and his wife\, Julie\, donated his collection to the museum for a long-term exhibition. \n“Robert Shufelt is world-renowned\,” said Museum Chief Curator Toni Laumbach. “He is among the best in the field of fine art that depicts the cowboy and daily ranch life.” Shoofly’s respect for ranching as a way of life is clearly stated in his art. He has raised horses and cattle\, and his art portrays a story of hard work and relationships with animals. \nShufelt\, who says being an artist “is a compulsion\, not a decision\,” is a master of the pencil. He brings to life dramatic imagery with bold sunlight and shadow. Each original drawing is astonishing with complexity of composition and disciplined draftsmanship. The prints are done in runs of 300 or less.
URL:https://test-dca-mc.nmdca.net/dca-event/3408-the-cowboy-way-drawings-by-robert-shoofly-shufelt/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3408_1200.jpg
GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161029T100000
DTEND;TZID=America/Denver:20170507T170000
DTSTAMP:20230614T175220Z
CREATED:20170501T205839Z
LAST-MODIFIED:20230614T175220Z
UID:10001303-1477735200-1494176400@test-dca-mc.nmdca.net
SUMMARY:Conversations in Painting\, Early 20th Century to Post-War American Art
DESCRIPTION:An exhibition centered around painting movements in 20th Century America\, beginning with Robert Henri \, Portrait of Dieguito Roybal\, San Ildefonso Pueblo and ending with Agnes Martin\, Untitled #6. Between those two benchmarks we explore the evolution of abstraction\, federal support for art and artists during the Depression Era\, the Transcendental Painting Group\, Abstract Expressionism\, Hard Edge Painting and Minimalism through paintings from the New Mexico Museum of Art collection. Juxtaposition is used to promote a dialogue both within and between these painting movements to encourage a more individual and intuitive appreciation of the individual paintings by the viewer. \nArtists included will be Robert Henri\, John Sloan\, Gene Kloss\, Florence Pierce\, Raymond Jonson\, Frederick Hammersley\, Agnes Martin\, Han Hoffman and Mala Breuer.
URL:https://test-dca-mc.nmdca.net/dca-event/3213-conversations-in-painting-early-20th-century-to-post-war-american-art/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3213_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161029
DTEND;VALUE=DATE:20170508
DTSTAMP:20230614T175220Z
CREATED:20170501T205903Z
LAST-MODIFIED:20230614T175220Z
UID:10001304-1477699200-1494201599@test-dca-mc.nmdca.net
SUMMARY:Be With Me\, a Small Exhibition of Large Paintings
DESCRIPTION:Centered around the experience of protracted looking at non-objective painting this exhibition features the works of artists Nick Aguayo\, Harmony Hammond and John Zurier. All three artists produce compelling abstract works that utilize the physical and material qualities of paint as a means of subtle expression.
URL:https://test-dca-mc.nmdca.net/dca-event/3214-be-with-me-a-small-exhibition-of-large-paintings/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3214_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161016
DTEND;VALUE=DATE:20170313
DTSTAMP:20230614T175220Z
CREATED:20170309T061222Z
LAST-MODIFIED:20230614T175220Z
UID:10001302-1476576000-1489363199@test-dca-mc.nmdca.net
SUMMARY:Small Wonders
DESCRIPTION:The museum is making a big deal about little pictures! This selection of photographic work\, both historic and contemporary\, invites visitors to revel in the pleasures of the miniscule. Featured are a small selection of nineteenth-century photos that provide a historical grounding for an engaging group of work by six contemporary artists who work on a small scale\, including Susan R Goldstein\, David Janesko\, Jenna Kuiper\, Jan Pietrzak\, Liz Stekeete\, and Laurie Tümer.
URL:https://test-dca-mc.nmdca.net/dca-event/3212-small-wonders/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/3212_thumb.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160805T100000
DTEND;TZID=America/Denver:20170805T170000
DTSTAMP:20230614T175218Z
CREATED:20200430T221206Z
LAST-MODIFIED:20230614T175218Z
UID:10001292-1470391200-1501952400@test-dca-mc.nmdca.net
SUMMARY:Agnes Martin and Me
DESCRIPTION:Shrouded in myth\, the artist Agnes Martin (1912-2004)\, an iconic figure in 20th-century art\, was emotionally and artistically tortured\, exquisitely sensitive yet socially inept. Canadian born\, she started to make a name for herself in the New York art scene in the late 1950s and early 1960s\, but in 1967\, abandoned her career for a reclusive life in the New Mexico desert. She did not return to her work for nearly a decade. \nSeveral years after she began creating art again\, photographer Donald Woodman met her and remained a fixture in her life from 1977 through 1984. In Agnes Martin and Me\, an exhibit opening August 5 at the New Mexico History Museum\, Woodman shares his photographs of their time together. The exhibit accompanies his new book\, Agnes Martin and Me (Lyon Art Books; May 2016)\, which reveals the raw\, unveiled person he knew in the seven rollercoaster years of their constant contact. \nThe exhibit consists of about 20 photographs\, including ones from their 1978 misguided and dangerous river excursion through the Northwest Territories of Canada. The trip was a lifelong dream for Martin. Woodman embarked as her keeper\, guide\, and companion. Upon returning from this trip\, the two co-existed on a plot of land owned by Woodman in Galisteo\, New Mexico\, where her cycles of depression\, spitefulness\, genius\, and eventually incapacitation from schizophrenia played out before Woodman’s eyes. \nIn his book\, Woodman paints a new portrait of Martin\, different from what has been written about her art and personal life. He replaces the oracular metaphysics and Zen-inflected edicts with that of a maddening\, self-centered\, needy\, and abusive\, if brilliant\, artist suffering from mental illness and in denial about her sexuality. From their first meeting where Martin admits that “the voices” told her that their lives were to intersect\, he recounts what she did and what she said over their long\, alternating cycles of dependence on one another. \nDonald Woodman began his career as an assistant to architectural photographer Ezra Stoller and subsequently studied with and assisted Minor White at MIT\, where Woodman directed the Creative Photography Lab’s gallery. In 1972\, he settled in New Mexico\, where he worked for five years at the Sacramento Peak Solar Observatory\, doing scientific photography and pursuing personal creative photo projects. In 1977\, he met Agnes Martin\, beginning a seven-year association\, sharing with her his property in Galisteo\, New Mexico\, and serving as her personal assistant. In 1985\, Woodman married the renowned feminist artist Judy Chicago\, with whom he has collaborated on many art and educational projects. \nWhile grounded in 20th century modernist photographic techniques\, Woodman’s work fuses this tradition with digital photography to create individualistic images on a range of subjects. His photographs have been exhibited both nationally and internationally and are included in numerous collections. He lives with Chicago and their beloved cats in Belen\, New Mexico. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2936-agnes-martin-and-me/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2936_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160717T100000
DTEND;TZID=America/Denver:20171022T170000
DTSTAMP:20230614T175218Z
CREATED:20170720T040643Z
LAST-MODIFIED:20230614T175218Z
UID:10001294-1468749600-1508691600@test-dca-mc.nmdca.net
SUMMARY:Into the Future: Culture Power in Native American Art
DESCRIPTION:Sponge Bob Square Pants\, Pac Man\, and Curious George\, all sporting a particularly Native American twist\, are just a few images from popular mainstream culture seen in the exhibition\, Into the Future: Culture Power in Native American Art.  \nThe free to the public opening for Into the Future: Culture Power in Native American Art at the Museum of Indian Arts and Culture is on July 17\, 2016 from 1 to 4 pm and the show runs through October 22\, 2017. \nFeaturing nearly 100 objects by more than fifty artists from the museum’s collections as well as others borrowed from collectors and artists\, the work on view in Into the Future will be in such various media as traditional clothing and jewelry\, pottery and weaving\, photography and video\, through to comics\, and on into cyberspace. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2954-into-the-future-culture-power-in-native-american-art/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2954_1200.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160522
DTEND;VALUE=DATE:20170101
DTSTAMP:20230614T175212Z
CREATED:20200430T221252Z
LAST-MODIFIED:20230614T175212Z
UID:10001268-1463875200-1483228799@test-dca-mc.nmdca.net
SUMMARY:Fractured Faiths: Spanish Judaism\, The Inquisition\, and New World Identities
DESCRIPTION:In the 10th through 13th centuries\, Spain flowered into waves of golden ages\, as Muslim\, Jewish and Catholic peoples achieved new heights in science\, philosophy and the arts. That triculturalism\, though\, endured repeated challenges\, first by fundamentalist Islamic Almohads in the 12th century\, then by Christian kingdoms in the late-14th century\, when it finally deteriorated into dissent\, segregation and riots. \nBy 1492\, when King Ferdinand and Queen Isabella unified the nation under the Catholic crown\, cultural chaos roared forth. A royal edict ordered all Jews to either leave the country or convert to Catholicism within four months—or else. (A similar edict befell Muslims in 1502.) For those who converted\, the Spanish Inquisition (and later\, the Portuguese and Mexican Inquisitions) stood ready to prosecute any Christian who failed to abide. Violators would endure prisons\, torture and death. \nWhat would you do? Repudiate the language\, religion and customs of your people in order to stay in your home and with your family? Or walk away from all you owned\, all you knew\, and embark upon treacherous journeys across land and sea toward a life you could barely imagine? \nFractured Faiths: Spanish Judaism\, The Inquisition\, and New World Identities\, opening May 22\, 2016 through Dec. 31\, 2017\, stands on the brink of that chasm and leaps into a diaspora that dates to biblical times. For the first time\, a major institution tells the comprehensive story of how Spain’s Jewry found a tenuous foothold in North America. Despite continued persecution\, its people persisted—sometimes as upright Catholic conversos\, sometimes as self-identifying “crypto-Jews.” \nEmblems of that struggle for cultural identity appear even today: A menorah carved into a tombstone in a Catholic cemetery; oral histories of tangled roots; Hispanic villages where genetic clusters speak to Jewish lineage. \nWorking with institutions in Spain\, Mexico City and New York\, curators Josef Díaz and Roger Martínez-Dávila have gathered physical evidence that includes: \n \n\n \nThe 1492 Decree of Expulsion\n \nThe 1507 Libro Verde de Aragon that lists all the people killed by the Inquisition\n \n15th-century tiles from El Transito Synagogue in Toledo\n \nAn 18th-century painting of a Mexico City auto-da-fé\n \nFamily trees that appear to scrub out evidence of Jewish heritage\n \nShackles\, a locket with the Inquisition emblem\, and more\n\nThey bring to life people like Don Bernardo López de Mendizábal\, a 17th-century governor of New Mexico\, and his wife\, Doña Teresa Aguilera y Roche. Hauled before the Inquisition in Mexico City\, they were charged with—though never convicted of—being secret Jews. \nFractured Faiths reunites Spanish artifacts with their New World counterparts for the first time to reveal the history of the Spanish Sephardim—the stalwarts\, the converts and the hidden Jews—and their long heritage within the Americas. A global story that played out on New Mexico soil\, this monumental exhibit details one of history’s most compelling chronicles of human tenacity and the power of cultural identity. \nIn concert with the exhibit\, Fresco Fine Art Publications will produce a bilingual catalog of the exhibition’s most important artifacts and documents. A programming series will deepen visitors’ understanding of Jewish life in the Americas and the struggle to preserve identity against often tragic odds. Lending institutions to Fractured Faiths include Spain’s Museo de Teruel\, Biblioteca Nacional de España\, and Museo Sefardí; Mexico City’s Museo Franz Mayer and the Museo Nacional de Arte; and the Hispanic Society of America in New York City. \nCurators: \nJosef Díaz is the History Museum’s curator of Spanish and Mexican colonial collections. His exhibitions include the current Painting the Divine: Images of Mary in the New World and Santa Fe Found: Fragments of Time. \nRoger Martínez-Dávila is an assistant professor of history at the University of Colorado-Colorado Springs\, where he specializes in the study of medieval and early modern Spain\, Jewish religious minorities and converts in Spain\, and Spanish trans-Atlantic migration. He is also the CONEX-Marie Curie Fellow at the Universidad Carlos III de Madrid.
URL:https://test-dca-mc.nmdca.net/dca-event/2605-fractured-faiths-spanish-judaism-the-inquisition-and-new-world-identities/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160521T100000
DTEND;TZID=America/Denver:20161010T170000
DTSTAMP:20230614T175217Z
CREATED:20171219T231404Z
LAST-MODIFIED:20230614T175217Z
UID:10001289-1463824800-1476118800@test-dca-mc.nmdca.net
SUMMARY:Finding a Contemporary Voice: The Legacy of Lloyd Kiva New and IAIA
DESCRIPTION:Taking a Fritz Scholder group portrait of IAIA faculty and the legacy of the institution’s first artistic director\, Lloyd Kiva New\, as starting points\, Finding a Contemporary Voice: the Legacy of Lloyd Kiva New and IAIA includes work from the New Mexico Museum of Art’s collection by IAIA faculty and alumni from the 1960s to the present such as Scholder\, Neil Parsons\, T.C. Cannon\, Melanie Yazzie\, Hulleah Tsinhnahjinnie\, and Will Wilson. The Museum of Art’s free to the public exhibition opening is on Friday\, May 20\, 2016 and the exhibition runs through Oct. 10\, 2016. \nFinding a Contemporary Voice complements concurrent exhibitions at the Museum of Indian Arts and Culture (A New Century: The Life and Legacy of Cherokee Artist and Educator Lloyd “Kiva” New) and the IAIA Museum of Contemporary Native Art Lloyd Kiva New: Art\, Design\, and Influence. All three exhibitions and associated symposia\, lectures\, and other events celebrate the centennial of Native American artist Lloyd Kiva New’s birth by focusing on key aspects of his significant contributions to contemporary Native culture.
URL:https://test-dca-mc.nmdca.net/dca-event/2895-finding-a-contemporary-voice-the-legacy-of-lloyd-kiva-new-and-iaia/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160501
DTEND;VALUE=DATE:20170306
DTSTAMP:20230614T175214Z
CREATED:20200721T022255Z
LAST-MODIFIED:20230614T175214Z
UID:10001274-1462060800-1488758399@test-dca-mc.nmdca.net
SUMMARY:Lowriders\, Hoppers\, and Hot Rods: Car Culture of Northern New Mexico
DESCRIPTION: ¡Orale! Take a ride into the creative reimaginings of American steel as captured in photographs\, hubcaps\, hood ornaments\, car show banners and\, yes\, actual cars. Lowriders\, Hoppers\, and Hot Rods: Car Culture of Northern New Mexico\, opening May 1 through March 5\, 2017\, at the New Mexico History Museum focuses on mobile works of art and their makers—home-grown Nuevomexicanos who customize\, detail\, paint and upholster these favorite symbols of Hispanic culture. \nPhoto Curator Daniel Kosharek has pulled together an extensive collection of images by Don Usner\, Annie Sahlin\, Jack Parsons\, Sam Adams\, Norman Mauskopf\, Dottie Lopez\, Gabriela Campos\, Meridel Rubinstein and others. In addition\, the exhibit features a chromed and touchable engine\, miniature-scale model-car collections\, trophies\, memorabilia and other ephemera. The museum lobby will host a rotating selection of cherry examples. The thrill ride doesn’t stop there. \nOn May 21\, the New Mexico Museum of Art will unveil Con Cariño: Artists Inspired by Lowriders\, an exhibit (through October 9\, 2016) curated by Katherine Ware showing photographs and art inspired by car culture. Ahead of the exhibits\, on April 15\, the Museum of New Mexico Press will release a companion book featuring essays by Ware and Usner. \n“I’m convinced there are two kinds of people in the world\,” Kosharek said. “Those who drive for the purpose of getting from point A to point B\, mere transportation if you will; and people like me who drive cars to\, well\, drive cars. Two types of people\, two world views. This exhibit is about the latter: People who express themselves through pride in their ride.” \nAfter decades of cruising the streets and back roads of northern New Mexico\, lowrider cars have come into their own as a symbol of Hispanic cultural identity. They’re as evocative as red and green chile\, rural adobe architecture\, and the distinctive dialect of New Mexican Spanish. These cars have been celebrated in books and movies\, and their creators congregate by the hundreds in car shows throughout the region to show off their works to an admiring public. That phenomenon is only one part of a broad car culture. \nConsider the classic “bombs” (large\, rotund American cars ca. 1930–1955); “originals” (old cars restored to their original condition down to the upholstery and engines); “hoppers” (cars outfitted with hydraulic lifters that allow them to bounce and jump like June bugs on a griddle); and “hot rods” (classic American cars modified with large engines). \n“It’s all part of an American love affair with the internal combustion engine and the glimmering accoutrements that these vehicles have inspired through history\,” said Kosharek\, whose own first car was a 1957 Chevy two-door hardtop in matchstick color—royal blue on bottom\, baby blue on top. \nThe term “lowrider” refers to either a car whose suspension has been lowered to inches from the ground or the person who drives it. In Spanish\, it’s bajito y suavecito\, or low and slow. Lowriders\, the cars\, are built as works of art\, expressions of faith\, to honor the dead\, bring families together\, center a marriage and\, most important\, provide a proud ride. Lowriders\, the drivers\, require the skills of an engineer\, the aesthetic of an artist\, and the patience of a monk to create highly personalized\, one-of-a-kind\, mobile expressions. \nThe first set of cars visitors to the exhibit will see are a 1983 Chevy Monte Carlo owned by Orlando Martinez Jr.\, an Española resident and one of our security officers; a 1948 Chevy Fleetline owned by Albert “Sonny” Jaramillo of Santa Fe; a 1931 Fort hot rod owned by Pete Vigil of Chimayó; and the 1950 Mercury “Johnny Tapia lowrider” once owned by Albuquerque’s late boxer and now owned by Chuck Montoya of Albuquerque. \nIn the 1980s\, Española\, NM\, proclaimed itself the Lowrider Capitol of the World and\, for years\, Riverside Drive has been a place to see the best examples. In 1992\, the Smithsonian Institution put “Dave’s Dream” on permanent exhibition. Started by Dave Jaramillo of Chimayo\, NM\, the 1969 Ford LTD was completed by his family and friends after his death in a car accident. Some of the cars bear airbrushed murals to the dearly departed or pay homage to the Virgin of Guadalupe. Others sing in simple celebration of their original appearance\, only better—somehow sleeker\, certainly lower\, boasting lustrous paint jobs that evoke sweet candy apples\, deep mountain lakes and dangerously seductive lipstick. \nTheir origins remain up for debate\, with post-war Los Angeles making the strongest claim to birthing lowriders as a Latino reaction to Anglo hot rod culture. Today in communities from Los Angeles\, San Antonio\, northern New Mexico and elsewhere\, car culture thrives. Lowriders\, Hoppers and Hot Rods seeks to elevate that culture beyond its common stigmas and stereotypes to celebrate skilled craftsmanship and commitment to family and community. Car clubs regularly reach out to local youths\, giving them gears-and-wrenches reasons to drive a straight road. \nProgramming events will roll down the window for a glimpse at those cultures\, including roundtable discussions with premier artisans\, a poetry slam with youths mentored by adults\, a collaborative theatrical event with Española high-schoolers\, lectures\, film screenings\, and demonstrations. Details for those events are still in the shop. In the meantime\, stay tuned to find out whose cars will get the star treatment inside the museum itself. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/2672-lowriders-hoppers-and-hot-rods-car-culture-of-northern-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160403T100000
DTEND;TZID=America/Denver:20161231T170000
DTSTAMP:20230614T175215Z
CREATED:20160927T232029Z
LAST-MODIFIED:20230614T175215Z
UID:10001280-1459677600-1483203600@test-dca-mc.nmdca.net
SUMMARY:The Morris Miniature Circus: Return of the Little Big Top
DESCRIPTION:After 30 years\, the beloved Morris Miniature Circus returns to the Museum of International Folk Art.  In 2016\, the museum will restore and install the Circus once again. The Morris Circus is modeled after a 1930s “railroad circus\,” back in the days when a circus would come to town by rail\, set up in a day\, perform for a local audience\, then pack up and move on to the next venue. Morris fondly remembered the excitement that accompanied the arrival of the circus of his youth—with its steam calliope\, horse-drawn circus wagons\, and parade of performers and animals—and sought to preserve those memories when he began the Morris Circus in the 1930s. The Circus consists of an estimated 100\,000 pieces\, all made by Morris through a variety of techniques from woodcarving and painting to clay modeling and mold making. The return of the Morris Miniature Circus will be accompanied by a range of activities and public programs.
URL:https://test-dca-mc.nmdca.net/dca-event/2833-the-morris-miniature-circus-return-of-the-little-big-top/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160402T100000
DTEND;TZID=America/Denver:20160911T170000
DTSTAMP:20230614T175218Z
CREATED:20160913T031159Z
LAST-MODIFIED:20230614T175218Z
UID:10001291-1459591200-1473613200@test-dca-mc.nmdca.net
SUMMARY:Assumed Identities: Photographs by Anne Noggle
DESCRIPTION:Pilot\, photographer\, professor\, and poet\, Anne Noggle (1922-2005) began  her groundbreaking career as a photographer late in life but quickly gained recognition for her witty and honest work. \nAssumed Identities: Photographs by Anne Noggle opens at the New Mexico Museum of Art on Saturday\, April 2\, 2016 and runs through September 11\, 2016. A free to the public opening is on Friday\, April 1 from 5.30 to 7.30pm.
URL:https://test-dca-mc.nmdca.net/dca-event/2914-assumed-identities-photographs-by-anne-noggle/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/2914_thumb.jpg
ORGANIZER;CN="Christian Waguespack":MAILTO:christian.waguespack@state.nm.us
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160320T130000
DTEND;TZID=America/Denver:20160911T160000
DTSTAMP:20230614T175216Z
CREATED:20160310T055621Z
LAST-MODIFIED:20230614T175216Z
UID:10001286-1458478800-1473609600@test-dca-mc.nmdca.net
SUMMARY:Landscape of an Artist: Living Treasure Dan Namingha Native Treasures: Indian Arts Festival
DESCRIPTION:Public Opening on Sunday\, March 20\, 2016 \nScreening of Dan Namingha: Seeking Center in Two Worlds at 1:00p.m. \nQ&A with Dan Namingha at 2:00p.m. \nEvery year at the Museum of Indian Arts and Culture’s Native Treasures: Indian Arts Festival\, the museum chooses to honor an artist as a MIAC Living Treasure. This year\, Dan Namingha (Hopi-Tewa) is being honored as the MIAC Living Treasure and 2016 Native Treasures Featured Artist. \nBorn and raised on the Hopi reservation\, Dan Namingha’s work is inspired by the Southwest region and subjects within his culture. For the past five decades his work has continuously evolved as he has refined his studio practice by experimenting with different mediums and techniques.  Throughout this evolution\, Namingha has employed alterations and abstractions to give the viewer a mere impression or glimpse of the subjects and landscapes.  This process allows him to share sacred aspects of his culture in familiar forms with the public\, while still protecting the sanctity of his Hopi and Tewa culture. Namingha’s work has garnered praise and has been well received on both the national and international art scene at numerous exhibitions. This March\, MIAC invites you to help us honor Namingha’s achievements and explore the Landscape of an Artist: Living Treasure Dan Namingha.
URL:https://test-dca-mc.nmdca.net/dca-event/2886-landscape-of-an-artist-living-treasure-dan-namingha-native-treasures-indian-arts-festival/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
END:VCALENDAR