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DTSTART;VALUE=DATE:20250718
DTEND;VALUE=DATE:20260202
DTSTAMP:20260507T090009
CREATED:20241204T225447Z
LAST-MODIFIED:20241204T225447Z
UID:10005362-1752796800-1769990399@test-dca-mc.nmdca.net
SUMMARY:Gustave Baumann: The Artist’s Environment
DESCRIPTION:Gustave Baumann first came to New Mexico in 1918 and has since become one of the most beloved artists and cultural figures in Santa Fe. Best known for his enchanting woodblock prints\, Baumann was a prodigious artist and creative who left behind an enormous legacy that also included painting\, sculpture\, drawing\, marionettes\, and furniture. \nGustave Baumann: The Artist’s Environment will provide a comprehensive study of Baumann’s artistic output and offer a close look at how he engaged the physical\, cultural\, and artistic environment in which he worked. Surveying all periods of his artistic career\, and organized thematically\, this exhibition will critically examine key concepts at play in Baumann’s artwork through a variety of lenses. \nThe retrospective will pull primarily from the New Mexico Museum of Art’s extensive collection of artwork by Gustave Baumann. The exhibition is organized by common themes present across Baumann’s work\, offering a nuanced understanding of the artist and his artwork within a broader cultural\, social\, and historical context. Some of these lenses include his relationship to southwestern archeology; cross cultural inspirations and specifically from Puebloan and Hispano cultures; the significance of whimsy\, humor\, and play in his work; modernist aesthetics and movements that informed his style; nature and ecology; florals and still lifes; decorative art\, design\, and book arts; and his use of genre scenes in cultivating a romantic vision of New Mexico. The exhibition will also examine Baumann’s artistic process\, especially in woodblock printmaking from the original sketch to early designs\, drawings and preliminary gouache paintings all produced before the design is transferred to the set of carved blocks.
URL:https://test-dca-mc.nmdca.net/dca-event/gustave-baumann-the-artists-environment/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/1999.64.2.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250405
DTEND;VALUE=DATE:20250726
DTSTAMP:20260507T090009
CREATED:20241204T204614Z
LAST-MODIFIED:20241204T204614Z
UID:10005360-1743811200-1753487999@test-dca-mc.nmdca.net
SUMMARY:Marsden Hartley: Adventurer in the Arts
DESCRIPTION:Marsden Hartley (1877–1943)\, the self-proclaimed “painter of Maine\,” spent much of his life traveling far from his New England roots. As a lifelong wanderer\, the places he lived and the objects he collected took on enormous significance for him. Certain locations\, from Paris to Berlin\, New York to New Mexico\, served as touchstones throughout Hartley’s life. He returned to some and never really left others; vivid recollections fill his writings\, his reminiscences strengthened by the postcards and pressed flowers he kept. Marsden Hartley: Adventurer in the Arts and its accompanying catalogue trace Hartley’s lifelong search for inspiration and invention. \nThe exhibition\, developed by the Vilcek Foundation in collaboration with the Bates College Museum of Art\, brings together over 40 paintings and drawings spanning 36 years of the American Modernist artist’s career. The exhibition includes Schiff\, 1915\, a landmark painting created during Hartley’s time in Germany\, which will be shown in the U.S. for only the second time. Artworks from the Vilcek and Bates collections will be exhibited alongside a selection of Hartley’s personal effects—mementos from his travels\, snapshots\, and keepsakes. The remarkable assemblage adds intimacy and depth\, as well as a deeper understanding of his art\, life\, and wanderlust. The exhibition also features three important paintings by Hartley in the collection of the New Mexico Museum of Art.
URL:https://test-dca-mc.nmdca.net/dca-event/marsden-hartley-adventurer-in-the-arts/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/2007.06.01.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250308
DTEND;VALUE=DATE:20250825
DTSTAMP:20260507T090009
CREATED:20241204T202334Z
LAST-MODIFIED:20241204T202908Z
UID:10005359-1741392000-1756079999@test-dca-mc.nmdca.net
SUMMARY:Eugenie Shonnard: Breaking the Mold
DESCRIPTION:Eugenie Shonnard: Breaking the Mold is the first posthumous major exhibition of the acclaimed sculptor. Shonnard was a pivotal figure for the history of art and sculpture in the Southwest\, widely recognized during her own time for her contributions to the visual arts yet largely overlooked in recent decades. This exhibition\, with an accompanying publication\, seeks to reintroduce Shonnard to a new generation of art enthusiasts. \nBorn in Yonkers\, New York\, Eugenie Shonnard (1886-1978) studied with Art Nouveau master Alphonse Mucha at the New York School of Applied Design for Women and later with Auguste Rodin and Antoine Bourdelle in Paris. She first came to New Mexico in 1925 at the invitation of Edgar Lee Hewett\, founder of the New Mexico Museum of Art\, and was given studio space in the museum. In 1927\, she returned to New Mexico from Paris for an exhibition at the Museum of Art featuring the busts she made of Native American models\, and\, on that trip\, she made New Mexico her permanent home. Shonnard’s subject matter reflected her interest in the distinctive cultures she found in New Mexico\, and she soon earned a national reputation for insightful depictions of the Indigenous people of North America and the folk traditions of the Southwest. \nShonnard’s affinity for the iconography of the Catholic Southwest also led to numerous commissions from churches and chapels across the region. Reflecting upon what making art meant to her\, she once said “God created form and color in this world. Also\, he gave some of us talents for the use of these; therefore\, we human beings must need them in our daily lives. There is perhaps no other answer! And so\, we artists must fulfill life’s commission as artists and craftsmen!” \nShonnard worked across a wide variety of sculptural techniques\, but came to champion “direct carving\,” also referred to as taille directe\, which was popular among early twentieth century sculptors. This approach to sculpture involves working directly on a sculpture without the use of models or maquettes for reference\, making many of her sculptures one-of-a-kind objects. \nEugenie Shonnard: Breaking the Mold will reintroduce audiences to the breadth of Shonnard’s long career\, from her early Art Nouveau designs created under Mucha’s direct influence to the sculpture\, architectural ornaments\, and furniture she produced as a mature artist. In a time period in which few women excelled in sculpture\, Shonnard defied expectations and carved out a space for herself as a formidable presence in the American Southwest.
URL:https://test-dca-mc.nmdca.net/dca-event/eugenie-shonnard-breaking-the-mold/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/2008.1.90-2a-scaled-1.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241214
DTEND;VALUE=DATE:20250630
DTSTAMP:20260507T090009
CREATED:20241204T201137Z
LAST-MODIFIED:20241204T202953Z
UID:10005358-1734134400-1751241599@test-dca-mc.nmdca.net
SUMMARY:The Plain of Smokes
DESCRIPTION:In the late 1970s\, poet and environmental activist Harvey Mudd crossed paths with West coast “LA Gang” artist and noted ceramist Ken Price in Taos. Both native Angelinos had recently relocated to the high-desert enclave of northern New Mexico. Shortly after\, Mudd and Price began work on an homage – and a mourning of loss – to the city that shaped them both. \nDrawn to Price’s unique southern California style of drawing\, Mudd asked Price to illustrate a section of his poem cycle. From 1978-1980\, Price and Mudd exchanged ideas\, edits and reminiscences both on the content of the poetry and the illustrations. The resulting portfolio of The Plain of Smokes evolved\, becoming a true artist-poet collaboration. \nPublished by Arabesque Books in 1981\, The Plain of Smokes is a 75-page book of poetry by Mudd with illustrations by Price. Price’s signature bold lines and nearly grotesque\, provocative forms are accompanied by the biting text of Harvey Mudd’s poetry. Together\, the prints and the poetry create a neo-noir portrait of the city of Los Angeles told across time and space — through the looking glass of Taos.
URL:https://test-dca-mc.nmdca.net/dca-event/the-plain-of-smokes/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/1991.78.1e.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240720
DTEND;VALUE=DATE:20250106
DTSTAMP:20260507T090009
CREATED:20241204T175330Z
LAST-MODIFIED:20241204T203032Z
UID:10005357-1721433600-1736121599@test-dca-mc.nmdca.net
SUMMARY:Saints & Santos: Picturing the Holy in New Spain 
DESCRIPTION:Saints & Santos: Picturing the Holy in New Spain speaks to the importance of saints in New Spain\, a viceroyalty that was part of the Spanish Empire from 1521-1821 and included modern-day Mexico\, Central America\, and the US Southwest. In the late sixteenth century\, Rome’s attempts to manage sanctity as an official process had a profound impact throughout Spain and the Spanish viceroyalties. Saintly devotions traveled to Mexico\, and circulated within the vast territory\, transforming in the process. This show examines those devotions and transformations and explores the region’s attempts to propagate its own holy figures. Drawing on public and private collections from Mexico and the United States\, the exhibition attends to the role of images in the construction of the holy: not only were paintings\, sculptures\, and engravings routinely used to propagate\, celebrate\, resuscitate\, and venerate saintly figures\, they were often employed in official beatification and canonization proceedings. The relationship between sanctity and the pictorial is a long and revered tradition that continues in the work of New Mexico’s santero artists today. A lavishly illustrated catalogue and a scholarly symposium will accompany the exhibition in Santa Fe.
URL:https://test-dca-mc.nmdca.net/dca-event/saints-santos-picturing-the-holy-in-new-spain/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/Figure-1a-Hipolito-Franz-Mayer-scaled-1.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240706
DTEND;VALUE=DATE:20250210
DTSTAMP:20260507T090009
CREATED:20241204T173906Z
LAST-MODIFIED:20241204T203444Z
UID:10005356-1720224000-1739145599@test-dca-mc.nmdca.net
SUMMARY:Line by Line
DESCRIPTION:Line by Line surveys a century of innovative\, energetic\, and intriguing approaches to one of art’s most ancient and foundational elements: line. The exhibition\, opening in two sections\, explores the language of line in work by more than seventy artists working from the 1920s to now. \nSpanning a range of mediums – including painting\, weaving\, prints\, photography\, and sculpture – the art is organized into evocative categories\, such as “A Line Alone\,” “Land Lines\,” and “Unaligned.” Visitors can immerse themselves in the extraordinary variety of linework\, from pieces featuring a single line to those with grids\, scrawls\, stripes\, and swirls.
URL:https://test-dca-mc.nmdca.net/dca-event/line-by-line/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/1994.39.1-Scott.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240608
DTEND;VALUE=DATE:20250505
DTSTAMP:20260507T090009
CREATED:20241204T172522Z
LAST-MODIFIED:20241204T203538Z
UID:10005355-1717804800-1746403199@test-dca-mc.nmdca.net
SUMMARY:Off-Center: New Mexico Art\, 1970-2000
DESCRIPTION:Off-Center: New Mexico Art\, 1970-2000\, is a survey of the last three decades of the twentieth century\, a pivotal time in which numerous artists relocated to New Mexico\, drawn by its distinctive climate and landscape\, its rich diversity of cultures\, and its strong reputation as a center for the visual arts. Scheduled from June 8\, 2024\, to May 4\, 2025\, at the New Mexico Museum of Art Vladem Contemporary\, Off-Center explores the depth and complexity of this period through a series of relevant and topical themes.
URL:https://test-dca-mc.nmdca.net/dca-event/off-center-new-mexico-art-1970-2000/
LOCATION:New Mexico Museum of Art- Vladem Contemporary\, 404 Montezuma Street\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/12/2016.4.1-resized.jpg
ORGANIZER;CN="Ash Espinoza":MAILTO:ashley.espinoza@dca.nm.gov
GEO:35.6847361;-105.9461623
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Vladem Contemporary 404 Montezuma Street Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=404 Montezuma Street:geo:-105.9461623,35.6847361
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240607
DTEND;VALUE=DATE:20250224
DTSTAMP:20260507T090009
CREATED:20240620T220629Z
LAST-MODIFIED:20240620T220702Z
UID:10005226-1717718400-1740355199@test-dca-mc.nmdca.net
SUMMARY:Convergence x Crossroads: Street Art from the Southwest
DESCRIPTION:Convergence x Crossroads: Street Art from the Southwest is an exhibition in the Art Museum at the National Hispanic Cultural Center that showcases the vibrancy and ingenuity of the street art scenes in New Mexico\, Texas\, Arizona\, California\, and Northern Mexico presenting artworks by artists who identify as Chicano/a/x\, Latino/a/x\, Indigenous\, and Native American. The artists whose work is featured in the exhibition use the street as their medium to create graffiti and/or murals.  On the street\, their work is widely accessible to passersby\, yet also ephemeral. The artists often know the cityscape intimately and their art is a significant marker of place.   \nConfluencia x Encrucijada: Arte Callejero del Sudoeste es un exposición en el Museo de Arte del Centro Nacional de Cultura Hispánica que muestra la vitalidad y perspicacia del mundo del arte callejero de Nuevo México\, Texas\, Arizona\, California y el norte de México que presenta obras de arte de artistas que se identifican como chicano/a/x\, latino/a/x\, indígena\, o indio americano. Las obras de los artistas de la exhibición utilizan la calle como medio para la creación de graffiti y/o murales. En la calle sus obras son fácilmente accesibles a los transeuntes\, y al mismo tiempo efímero. Muy a menudo los artistas conocen íntimamente el paisaje urbano y su arte es un marcador significativo de lugar.  \n \nThe exhibition depicts a cultural convergence of differing styles of street art from across the Southwestern United States and Northern Mexico including graffiti and murals. The exhibit will provide a unique opportunity for the NHCC to collaborate with artists and community members in new ways as we strive to illuminate the significance of this artform at home and throughout the Southwest. The exhibit will feature over 25 artists from across the Southwestern United States and Northern Mexico and open dialogue around street art from this era.    \n La exposición presenta la convergencia de culturas de distintos estilos de arte callejero del sudoeste de los Estados Unidos y el norte de México entre ellos el graffiti y los murales. La exhibición ofrecerá una oportunidad única para que el Centro Nacional de Cultura Hispánica pueda colaborar con artistas y miembros de la comunidad de nuevas maneras mientras tratamos de iluminar la importancia de esta forma de arte aquí y en otras partes del sudoeste. La exposición contará con más de 25 artistas de varios lugares del sudoeste y el norte de México e iniciará un diálogo sobre el arte callejero de esta época. 
URL:https://test-dca-mc.nmdca.net/dca-event/convergence-x-crossroads-street-art-from-the-southwest/
LOCATION:National Hispanic Cultural Center\, 1701 4th Street SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2024/06/CxC-small.jpg
ORGANIZER;CN="Stephen Hamway":MAILTO:stephen.hamway@state.nm.us
GEO:35.0681597;-106.6556345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=National Hispanic Cultural Center 1701 4th Street SW Albuquerque NM 87102 United States;X-APPLE-RADIUS=500;X-TITLE=1701 4th Street SW:geo:-106.6556345,35.0681597
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231014
DTEND;VALUE=DATE:20240116
DTSTAMP:20260507T090009
CREATED:20230304T052053Z
LAST-MODIFIED:20230614T175145Z
UID:10001142-1697241600-1705363199@test-dca-mc.nmdca.net
SUMMARY:Solidarity Now! 1968 Poor People’s Campaign
DESCRIPTION:Supported by the CVS Health Foundation\, Solidarity Now! is a Smithsonian Institution traveling show based on a National Museum of African American History and Culture exhibition. It investigates the factors surrounding the 1968 Poor People’s Campaign\, which was a six-week\, multi-ethnic\, live-in demonstration at the nation’s capital\, called Resurrection City. Organized by the Rev. Dr. Martin Luther King\, Jr. prior to his assassination\, the movement focused on poverty as a human rights issue. A New Mexico delegation\, led by land grant activist Reies López Tijerina\, formed part of the Western Caravan from Los Angeles to Washington\, D.C. Visitors will see photographs\, objects\, documentaries\, and a 3D printed model of Resurrection City. \nExhibition located in the Herzstein Gallery. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/5364-solidarity-now-1968-poor-peoples-campaign/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/03/5364_1200-2.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230716
DTEND;VALUE=DATE:20240717
DTSTAMP:20260507T090009
CREATED:20230307T021837Z
LAST-MODIFIED:20230614T175145Z
UID:10001143-1689465600-1721174399@test-dca-mc.nmdca.net
SUMMARY:Horizons: Weaving Between the Lines with Diné Textiles Opening July 16\, 2023 Museum of Indian Arts and Culture Masterpieces Gallery
DESCRIPTION:We invite your sponsorship support of Horizons: Weaving Between the Lines with Diné Textiles. Exhibition sponsors are integral to funding exhibition costs including curation\, community outreach\, conservation\, installation and promotion. Click here to learn more: https://www.museumfoundation.org/miachorizons/
URL:https://test-dca-mc.nmdca.net/dca-event/5385-horizons-weaving-between-the-lines-with-dine-textiles-opening-july-16-2023-museum-of-indian-arts-and-culture-masterpieces-gallery/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/5385_thumb.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20230621T000000
DTEND;TZID=America/Denver:20230621T000000
DTSTAMP:20260507T090009
CREATED:20230615T031717Z
LAST-MODIFIED:20230621T193358Z
UID:10005188-1687305600-1687305600@test-dca-mc.nmdca.net
SUMMARY:iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa
DESCRIPTION:For more information\, contact Carrie Hertz at (505) 476-1222 or carrie.hertz@state.nm.us
URL:https://test-dca-mc.nmdca.net/dca-event/ingqikithi-yokuphica-weaving-meanings-telephone-wire-art-from-south-africa/
LOCATION:NM
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/06/5554_1200.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230521
DTEND;VALUE=DATE:20240408
DTSTAMP:20260507T090009
CREATED:20230330T222129Z
LAST-MODIFIED:20230621T193210Z
UID:10001145-1684627200-1712534399@test-dca-mc.nmdca.net
SUMMARY:Ghhúunayúkata / To Keep Them Warm: The Alaska Native Parka
DESCRIPTION:These unique garments embody the remarkable creativity\, craftsmanship\, and innovation of their makers\, past and present. As complex cultural expressions\, parkas are at once innovative and traditional\, a garment that harmoniously marries artistry\, function\, cultural meaning\, and Indigenous ingenuity. \nAt the heart of the exhibition are 20 parkas representing 6 Alaska Native communities: Yup’ik\, Iñupiaq\, Unangan\, Dena’ina\, Koyukon\, and St. Lawrence Island Yupik. The selection includes parkas from the mid-19th century to contemporary reinterpretations of this iconic garment\, illustrating the continuing vitality of this art form. \nA rich selection of Indigenous drawings\, photographic portraits\, and traditional dolls will provide context for how parkas are worn in ceremony\, hunting\, and daily use. These works underscore Native self-representation and the parka’s importance as a cultural signifier. Sewing tools\, themselves beautiful works of craftsmanship in walrus ivory\, wood\, or animal hide\, round out the exhibition content. \nThe exhibition will open May 21\, 2023\, and is organized by guest co-curators Suzi Jones\, PhD\, and Melissa Shaginoff (Ahtna/Paiute). \nShort promotional video of the exhibition may be found at: https://www.youtube.com/watch?v=w7_GyOxSqzo \nLeft: Fancy parka (Iñupiaq)\, ca. 1890. Arctic ground squirrel\, wolf fur\, wolverine fur\, calfskin\, wool. Museum of International Folk Art\, gift of Louis Criss. Photo: Addison Doty. Center: Lena Atti (Kayuungiar) (Yup’ik)\, Qasperrluk (Fish skin parka)\, 2007. Salmon skin. Anchorage Museum Collection. Photo: Chris Arend. Right: Detail of ceremonial seal gut parka (St. Lawrence Island Yupik)\, early 20th century. Seal gut\, auklet crests\, seal fur\, cormorant feathers\, cotton thread\, red ocher. Museum of International Folk Art\, gift of Lloyd E. Cotsen\, Neutrogena Corp. Photo: Addison Doty. \nThis exhibition is made possible through support from the Terra Foundation for American Art\, and is supported in part by the National Endowment for the Arts.
URL:https://test-dca-mc.nmdca.net/dca-event/5420-ghhuunayukata-to-keep-them-warm-the-alaska-native-parka/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/5420_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230507
DTEND;VALUE=DATE:20240504
DTSTAMP:20260507T090009
CREATED:20230621T171012Z
LAST-MODIFIED:20230724T204800Z
UID:10005186-1683417600-1714780799@test-dca-mc.nmdca.net
SUMMARY:“Down Home” opens at Museum of Indian Arts & Culture to celebrate MIAC 2023 Living Treasure Anthony Lovato (Kewa/Santo Domingo Pueblo)
DESCRIPTION:
URL:https://test-dca-mc.nmdca.net/dca-event/down-home-opens-at-museum-of-indian-arts-culture-to-celebrate-miac-2023-living-treasure-anthony-lovato-kewa-santo-domingo-pueblo/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/04/P1070028-scaled.jpeg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20230415T100000
DTEND;TZID=America/Denver:20240216T170000
DTSTAMP:20260507T090009
CREATED:20230304T033918Z
LAST-MODIFIED:20230614T175145Z
UID:10001141-1681552800-1708102800@test-dca-mc.nmdca.net
SUMMARY:Enchantorama! New Mexico Magazine Celebrates 100 Years
DESCRIPTION:The New Mexico History Museum\, with support from the New Mexico Magazine\, proudly presents Enchantorama! New Mexico Magazine Celebrates 100 Years. Learn why and how the publication began\, view a selection from over one thousand magazine covers\, and enjoy seeing over two hundred photographs published in the magazine since 1923. Visitors will enjoy a mid-century office space—replete with a rotary telephone—as they peruse previous editions of the magazine or type up an article on a 1970s typewriter. In the Gathering Space\, visitors will walk through oversized magazine covers and create an article spread using vintage New Mexico Magazines. Join us for a free public opening reception in our main lobby\, hosted by the MNMF Women’s Board\, on Sunday\, April 16\, 2023 from 1-3pm. \nExhibition located in the Herzstein Gallery and Gathering Space.
URL:https://test-dca-mc.nmdca.net/dca-event/5363-enchantorama-new-mexico-magazine-celebrates-100-years/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/03/5363_1200-2.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230403
DTEND;VALUE=DATE:20250404
DTSTAMP:20260507T090009
CREATED:20230412T014633Z
LAST-MODIFIED:20230614T175146Z
UID:10001147-1680480000-1743724799@test-dca-mc.nmdca.net
SUMMARY:The Santos of New Mexico
DESCRIPTION:As part of our Highlights from the Collection: The Larry and Alyce Frank Collection of Santos (saints)\, in the Palace of the Governors features sixty retablos (devotional paintings on panel) and bultos (carved religious sculptures) from 1810-1880. They were acquired by the museum in 2007\, and previously on display as part of the Tesoros de Devocion/Treasures of Devotion exhibition from 2008-2018. Bultos and retablos were created for villages and Pueblo churches\, home altars\, and the private devotional chapter houses of lay brotherhoods\, known commonly to outsiders as Penitentes to promote and teach the Catholic religion in Spanish-speaking and Native communities. Experience works from master santeros (saint-makers) José Rafael Aragón\, Molleno\, the Laguna Santero\, José Aragón\, and more!  \nPhoto credit: \nJosé Rafael Aragón\, Santa Rita de Casia\, 1821-1862. Larry and Alyce Frank Collection. NMHM/DCA 2007.032.035
URL:https://test-dca-mc.nmdca.net/dca-event/5430-the-santos-of-new-mexico/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/5430_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230402
DTEND;VALUE=DATE:20231016
DTSTAMP:20260507T090009
CREATED:20230401T000404Z
LAST-MODIFIED:20230614T175145Z
UID:10001144-1680393600-1697414399@test-dca-mc.nmdca.net
SUMMARY:Between the Lines: Prison Art & Advocacy | A Community Conversation
DESCRIPTION:Along with exploring exhibition themes\, aesthetics\, materials and artists\, visitors will have the opportunity to provide their input in this initial iteration of the upcoming exhibition Between the Lines: Prison Art and Advocacy.  This six-month exhibition will ask visitors to reflect on individual pieces and installation themes through a series of prompts\, talk back boards and a dialogue lounge\, while offering opportunities for community members to share their personal stories related to the show. \nA series of community dialogues is also planned for the space\, which in concert with visitor input\, will help inform the final exhibition set to open in the Cotsen Gallery in 2024. \nPurse\, artists unknown\, 2018-2020\, Cibola County Correction Center\, Milan\, New Mexico. Made from chewing gum wrappers. MOIFA Collection\, gift of Santa Fe Dreamers Project. \nThis purse was made by an asylum-seeking transgender artist\, for wear in a prisoner-organized fashion show inside this ICE detention center.
URL:https://test-dca-mc.nmdca.net/dca-event/5411-between-the-lines-prison-art-advocacy-a-community-conversation/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/5411_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230401
DTEND;VALUE=DATE:20250402
DTSTAMP:20260507T090009
CREATED:20230406T232636Z
LAST-MODIFIED:20230614T175146Z
UID:10001146-1680307200-1743551999@test-dca-mc.nmdca.net
SUMMARY:Silver and Stones: Collaborations in Southwest Jewelry
DESCRIPTION:Currently on display in the New Mexico History Museum’s Palace of the Governors\, is an unusual jewelry collection from the 1940s and 1950s that exemplifies a beneficial economic relationship between Diné (Navajo) silversmith\, David Taliman (1901–1967)\, and Jewish merchant\, William C. Ilfeld (1905–1979). William C. Ilfeld was the grandson of the Jewish pioneer Charles Ilfeld\, who emigrated from Germany in 1865. William managed the Native American jewelry department at the family’s department store in Las Vegas\, New Mexico. Taliman worked in several trading post shops including Maisel’s in Albuquerque and Julius Gan’s Southwest Arts and Crafts in Santa Fe. Ilfeld’s designs were produced by Native artisans\, like Taliman\, who often used stones from his personal collection. The jewelry was donated by Ilfeld to the New Mexico History Museum in 1971 and is part of the museum’s permanent collection. \nPhoto credit: Necklace; David Taliman (Diné) 1940s–1950s\, Commissioned by William C. Ilfeld-New Mexico History Museum (NMHM/DCA)\, 05355.45 \n 
URL:https://test-dca-mc.nmdca.net/dca-event/5423-silver-and-stones-collaborations-in-southwest-jewelry/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/5423_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230129
DTEND;VALUE=DATE:20241104
DTSTAMP:20260507T090009
CREATED:20230208T050320Z
LAST-MODIFIED:20230614T175143Z
UID:10001132-1674950400-1730678399@test-dca-mc.nmdca.net
SUMMARY:La Cartonería Mexicana / The Mexican Art of Paper and Paste
DESCRIPTION:The exhibition will take place in the Hispanic Heritage Wing at the Museum of International Folk Art.  The Hispanic Heritage Wing is one of the few museum wings in the United States which devotes space to display the art and heritage of Hispanic and Latino culture. Th Museum of International Folk Art shapes a humane world by connecting people through creative expression and artistic traditions.  \nView the exhibition’s object list. \nFor all press inquiries contact Ashley Espinoza at:  ashley.espinoza@dca.nm.gov   505-479-0906 \nPhoto by Addison Doty \nAlebrije created by Pedro Linares\, mid-1980s. Mexico City\, Mexico.
URL:https://test-dca-mc.nmdca.net/dca-event/4946-la-cartoneria-mexicana-the-mexican-art-of-paper-and-paste/
LOCATION:Museum of International Folk Art\, 706 Camino Lejo\, on Museum Hill\, Santa Fe\, NM\, 87504\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4946_1200.jpg
GEO:35.6641155;-105.9265695
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of International Folk Art 706 Camino Lejo on Museum Hill Santa Fe NM 87504 United States;X-APPLE-RADIUS=500;X-TITLE=706 Camino Lejo\, on Museum Hill:geo:-105.9265695,35.6641155
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221023
DTEND;VALUE=DATE:20230101
DTSTAMP:20260507T090009
CREATED:20220823T032759Z
LAST-MODIFIED:20230614T175144Z
UID:10001136-1666483200-1672531199@test-dca-mc.nmdca.net
SUMMARY:Righting a Wrong: Japanese Americans and World War II
DESCRIPTION:Smithsonian Traveling Exhibition Examines the Complex History of WWII Japanese American Incarceration Camps \nThe New Mexico History Museum announces the opening of the Smithsonian traveling exhibition “Righting a Wrong: Japanese Americans and World War II”. The exhibition examines the complicated history and impact of Executive Order 9066 that led to the incarceration of Japanese Americans following the attack on Pearl Harbor. \nEmbracing themes that are as relevant today as they were 75 years ago\, “Righting a Wrong” looks at immigration\, prejudice\, civil rights\, heroism\, and what it means to be an American. The exhibition explores the complex history through historical images\, personal stories\, and objects from those incarcerated at the camps. A duffle bag used by the Imada family when they were relocated to the Gila River camp in Arizona reflects the restrictions to bring only what they could carry. Takeo Shirasawa’s 1943 high school diploma from the Poston camp in Arizona exemplifies the experience of thousands of other teens who had to complete their high school education in camps. \nFollowing the attack on Pearl Harbor by Japan on Dec. 7\, 1941\, President Franklin Roosevelt signed Executive Order 9066 which sent 75\,000 Americans of Japanese ancestry and 45\,000 Japanese nationals to incarceration camps. Ten large\, barbed wire-enclosed incarceration camps and dozens of other installations were scattered west of the Mississippi\, far from their homes from March 1942 to March 1946. Young and old lived crowded together in the hastily built camps\, endured poor living conditions\, and were under the constant watch of military guards for two and a half years. Meanwhile\, brave Japanese American men risked their lives fighting for the United States. \nSome 40 years later\, members of the Japanese American community led the nation to confront the wrong it had done. The U.S. Congress formally recognized that the rights of the Japanese American community had been violated and President Reagan signed the Civil Liberties Act of 1988\, providing an apology and restitution to the living Japanese Americans who were incarcerated during World War II. \n “Righting a Wrong: Japanese Americans and World War II” was developed by the National Museum of American History and adapted for travel by the Smithsonian Institution Traveling Exhibition Service. The national tour received Federal support from the Asian Pacific American Initiatives Pool\, administered by the Smithsonian Asian Pacific American Center\, the Terasaki Family Foundation\, and C. L. Ehn & Ginger Lew. \nThe exhibition is based on the exhibit of the same name on view Feb. 17\, 2017 through March 6\, 2019 at the National Museum of American History in Washington\, DC. \nSITES has been sharing the wealth of Smithsonian collections and research programs with millions of people outside Washington\, D.C.\, for more than 70 years. SITES connects Americans to their shared cultural heritage through a wide range of exhibitions about art\, science\, and history\, which are shown wherever people live\, work and play.  For exhibition description and tour schedules\, visit sites.si.edu. \nPhoto credit: The Mochida family\, wearing identification tags\, awaits a bus. They were forced to leave their two-acre nursery and greenhouse operation in Eden\, California\, May 1942. \nPhoto: Dorothea Lange\, Courtesy of National Archives \n            
URL:https://test-dca-mc.nmdca.net/dca-event/4992-righting-a-wrong-japanese-americans-and-world-war-ii/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4992_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220807
DTEND;VALUE=DATE:20230901
DTSTAMP:20260507T090009
CREATED:20220721T000127Z
LAST-MODIFIED:20230614T175144Z
UID:10001135-1659830400-1693526399@test-dca-mc.nmdca.net
SUMMARY:Honoring Tradition and Innovation: 100-Years of Santa Fe’s Indian Market 1922-2022
DESCRIPTION:The New Mexico History Museum as we present an exhibition that commemorates a century of Santa Fe’s Indian Market. Honoring Tradition and Innovation: 100 Years of Santa Fe’s Indian Market 1922-2022\, traces the history of this historic market and explores the impact of Federal Indian policies on the Native American art world. Many of these policies are reflected in the social and economic trends that shaped Indian Market through the years. The exhibition celebrates the artists and collectors who have made it possible and includes over 200 pieces of artwork by Indian Market artists from private and public collections\, as well as historic and contemporary photographs\, and interviews with artists and collectors.  \nEach August\, an estimated 100\,000 people attend the largest juried Native American art show in the world: the annual Indian Market\, which takes place in and around the historic Santa Fe Plaza in Santa Fe\, New Mexico\, and sponsors approximately 1\,000 Native artists from more than 200 tribal communities in North America and Canada. Artists show their latest work and compete for awards in the prestigious judged art competition. Since its humble beginnings held in Santa Fe’s Armory on the current site of the NMHM\, the market generates today upwards of $160 million annually in revenues for artists and the community\, and serves as a forum for shared cultural exchanges with visitors from all over the globe.  \nThe market has been a family matter since its inception\, with several generations of artists often participating in the creative process and sharing the same Indian Market booth. The history of Indian Market the commitment to “bringing Native arts to the world by inspiring artistic excellence\, fostering education\, and creating meaningful partnerships\,”. The market has grown tremendously in scope and size since its 1922 beginnings and will continually operate annually to maintain its mission of preserving and honoring traditional designs and technologies of the past while encouraging innovation and new technologies in Native art forms. \nWe invite you to join us to celebrate 100 years of this unique community treasured event. \nPhoto credit: Maria and Julian Martinez polychrome jar Courtesy of the Museum of Indian Arts and Culture \n 
URL:https://test-dca-mc.nmdca.net/dca-event/4990-honoring-tradition-and-innovation-100-years-of-santa-fes-indian-market-1922-2022/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4990_1200.jpg
GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220731
DTEND;VALUE=DATE:20230530
DTSTAMP:20260507T090009
CREATED:20220802T231134Z
LAST-MODIFIED:20230614T175145Z
UID:10001140-1659225600-1685404799@test-dca-mc.nmdca.net
SUMMARY:Grounded in Clay: The Spirit of Pueblo Pottery
DESCRIPTION:Museum of Indian Arts & Culture debuts a traveling exhibition that features more than 100 historic and contemporary works in clay. \nThe project\, Grounded in Clay: The Spirit of Pueblo Pottery is a unique exhibition curated by the Native American communities it represents. Organized by the School for Advanced Research\, the Vilcek Foundation\, opening at the Museum of Indian Arts & Culture\, the exhibition offers a visionary understanding of Pueblo pots as vessels of community-based knowledge and personal experience\, including 11 pieces from the Laboratory of Anthropology\, part of the Museum of Indian Arts & Culture. \nMuch more information can be found on the Grounded in Clay website. \n 
URL:https://test-dca-mc.nmdca.net/dca-event/5088-grounded-in-clay-the-spirit-of-pueblo-pottery/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/5088_1200.jpg
ORGANIZER;CN="TJ Hilton":MAILTO:thomas.hilton@dca.nm.gov
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220723
DTEND;VALUE=DATE:20230109
DTSTAMP:20260507T090009
CREATED:20220716T031635Z
LAST-MODIFIED:20230614T175143Z
UID:10001133-1658534400-1673222399@test-dca-mc.nmdca.net
SUMMARY:Transgressions and Amplifications: Mixed-Media Photography of the 1960s and 1970s
DESCRIPTION:July 23\, 2022 – Jan. 8\, 2023\, New Wing Galleries \nAt a time when the black-and-white camera image dominated the field of photography\, a small cadre of American artists began developing new approaches to the medium that brought photography into conversation with other art forms. Against the backdrop of the Vietnam conflict and social justice movements\, these artists incorporated historic photo processes but also printmaking\, collage\, and new technologies such as photocopying and Verifax\, even bringing photography off the wall with books and sculptural pieces. \nTransgressions and Amplifications: Mixed-Media Photography of the 1960s and 1970s examines this inventive work as it developed into the 1960s and 1970s and reinvigorated the vocabulary of photography. Several key practitioners settled in New Mexico\, making them important touchstones for the museum’s collection and reinforcing the state’s reputation as a place for creative innovation. Among the artists with work in the exhibition are Thomas F. Barrow\, Darryl Curran\, Robert Fichter\, Betty Hahn\, Robert Heinecken\, Joan Lyons\, Jerry McMillan\, Joyce Neimanas\, Bea Nettles\, Keith A. Smith\, Michael Stone\, and Alex Traube. Much of the art is drawn from the museum’s collection with significant loans from the University of New Mexico Art Museum and additional pieces from the Center for Creative Photography\, George Eastman Museum\, and other generous lenders. \n  \nThomas J. Barrow\, Discrete Multivariate Analysis\, 1981\, gelatin silver print photograms\, with automotive lacquers and epoxy enamel\, 16 × 19 3/4 in. Collection of the New Mexico Museum of Art. Gift of Frank and Patti Kolodny\, 1990 (1990.1.1ab). © Thomas Barrow. Photo by Cameron Gay.
URL:https://test-dca-mc.nmdca.net/dca-event/4956-transgressions-and-amplifications-mixed-media-photography-of-the-1960s-and-1970s/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4956_1200.jpg
GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220702
DTEND;VALUE=DATE:20240703
DTSTAMP:20260507T090009
CREATED:20220606T221647Z
LAST-MODIFIED:20230614T175144Z
UID:10001139-1656720000-1719964799@test-dca-mc.nmdca.net
SUMMARY:Here\, Now and Always Opening July 2\, 3\, 2022
DESCRIPTION:When the first iteration of Here\, Now and Always opened in 1997\, it was considered revolutionary. It was the first exhibition of its kind to a museum space\, moving authority away from historically non-Native academics and scholars. Led by a primarily Indigenous curatorial team\, it centered the voices\, perspectives\, and narratives on the Indigenous people it represented while concurrently foregrounding meaningful and long-lasting partnerships with Native communities. \nFor the past twenty-five years\, the exhibition has been considered required viewing for everyone from schoolchildren to scholars\, but much like Native cultures it has continued to evolve. Accordingly\, the Museum of Indian Arts & Culture closed Here\, Now and Always in 2019 for a complete re-imagining. Now\, the New Mexico Department of Cultural Affairs invites the public to experience the exhibition as they have never seen it before. \nSituated within the museum’s 8\,400-square-foot Amy Rose Bloch Wing\, Here\, Now and Always features more than 600 objects from the museum’s collection. More importantly\, it continues to express a fundamental truth about the quintessence of Native communities in the Southwest. To quote the late Zuni scholar and former MIAC curator of ethnology Edmund J. Ladd\, “I am here. I am here\, now. I have been here\, always.” \nThis new iteration of the exhibition also includes contemporary narratives from the next generation of Indigenous people in the Southwest\, as well as updated technology and state-of-the-art exhibition design. Similar to its first iteration\, it is organized around the core themes of Emergence\, Cycles\, Ancestors\, Community and Home\, Trade and Exchange\, Language and Song\, Arts and Survival and Resilience.  These themes structure the narratives evoked by the items on display. \nWhile a lot has changed since 1997\, Here\, Now and Always has remained revolutionary. The exhibition and the Museum of Indian Arts & Culture offer an inside perspective largely unique among museums. \nHere\, Now and Always opens July 2 and 3 on Museum Hill in Santa Fe at Museum of Indian Arts & Culture\, a division of the New Mexico Department of Cultural Affairs. \nPlan your visit\, check out upcoming events\, support the museum and learn more at our website
URL:https://test-dca-mc.nmdca.net/dca-event/5042-here-now-and-always-opening-july-2-3-2022/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/5042_1200.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20220501T130000
DTEND;TZID=America/Denver:20230401T170000
DTSTAMP:20260507T090009
CREATED:20220527T015436Z
LAST-MODIFIED:20230614T175144Z
UID:10001137-1651410000-1680368400@test-dca-mc.nmdca.net
SUMMARY:ReVOlution MIAC’s 2022 Living Treasure\, Virgil Ortiz (Cochiti)
DESCRIPTION:Ortiz’s career spans four decades\, extending across multiple media and boundaries. His vision combines his Pueblo culture with sci-fi\, fantasy\, and apocalyptic themes. The result is futuristic imagery that visitors marvel at in his exhibitions throughout the world. His work has been exhibited in venues from the Netherlands to Paris to the Smithsonian Institution’s National Museum of the American Indian\, and other U.S. museums. \nOrtiz is known for mixing Star Wars-like themes with historic events such as the 1680 Pueblo Revolt. \nVisitors to the exhibition will be able to experience Ortiz’s ceramics and photographic works that put contemporary media in conversation with ancestral Cochiti ceramic methods.
URL:https://test-dca-mc.nmdca.net/dca-event/4995-revolution-miacs-2022-living-treasure-virgil-ortiz-cochiti/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220409
DTEND;VALUE=DATE:20220507
DTSTAMP:20260507T090009
CREATED:20220426T035449Z
LAST-MODIFIED:20230614T175144Z
UID:10001138-1649462400-1651881599@test-dca-mc.nmdca.net
SUMMARY:Stories\, Memories\, and Legacies The Santa Fe Internment Camp and its Historical Marker
DESCRIPTION:Located on a hill at the Frank S. Ortiz Park in Santa Fe\, NM\, stands a stone Marker\, placed there April 20\, 2002\, commemorating the Santa Fe Internment Camp (SFIC). Established in March of 1942\, the camp interned over 4\,500 Japanese immigrant men\, making it one of America’s largest prison camps for resident aliens in the United States during WWII. Please join the New Mexico History Museum (NMHM) and the New Mexico Japanese American Citizens League as we inform and remind attendees of the historical existence of the U.S. Justice Department internment camp on the site of the present Casa Solana neighborhood\, and memorialize the experience of thousands of Japanese immigrants and American-born citizens unjustly incarcerated there between 1942 and 1946\, as well as celebrate the courage of the Santa Fe community in the resolution of the Marker controversy. \n“Generational Legacies: The Santa Fe Internment Camp\,” “Confinement in the Land of Enchantment\,” and artifacts from the New Mexico History Museum’s collection will be on display in room 15 of the Palace of the Governors to explore the history of this event. Please enter at the main entrance of the New Mexico History Museum.
URL:https://test-dca-mc.nmdca.net/dca-event/5004-stories-memories-and-legacies-the-santa-fe-internment-camp-and-its-historical-marker/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220318
DTEND;VALUE=DATE:20220905
DTSTAMP:20260507T090009
CREATED:20220714T214931Z
LAST-MODIFIED:20230614T175143Z
UID:10001134-1647561600-1662335999@test-dca-mc.nmdca.net
SUMMARY:Curative Powers: New Mexico’s Hot Springs
DESCRIPTION:The New Mexico History Museum is pleased to present Curative Powers: New Mexico’s Hot Springs\, a photographic history of our state’s many hot springs. This exhibition explores well-known resorts as well as lesser-known hot springs. Ponce de Leon\, Montezuma\, and Faywood are a few among many areas whose history will be addressed. The nearly 90 photographs range from the late 19th century through the 1980s and document the evolution of how many of these springs were used and developed. Museum visitors will also see the stark change in how people dressed (or not) when they visited and enjoyed these hot springs. New Mexico attracted many people seeking respite from tuberculosis and other ailments\, and they typically frequented hot springs to aid in this relief. Opening Friday\, March 18\, the exhibition runs until September 4\, 2022. \nAlicia M. Romero\, Curator of the exhibition and NMHM’s Curator of Nuevomexicano/a History\, explains\, “Exploring the history of New Mexico’s vast hot springs provides us an opportunity to explore how land ownership\, capitalism\, and health tourism helped shape this natural phenomenon into a burgeoning business venture.”
URL:https://test-dca-mc.nmdca.net/dca-event/4974-curative-powers-new-mexicos-hot-springs/
LOCATION:New Mexico History Museum\, 113 Lincoln Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6883465;-105.9381345
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico History Museum 113 Lincoln Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=113 Lincoln Avenue:geo:-105.9381345,35.6883465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220312
DTEND;VALUE=DATE:20230109
DTSTAMP:20260507T090009
CREATED:20211210T064546Z
LAST-MODIFIED:20230614T175142Z
UID:10001126-1647043200-1673222399@test-dca-mc.nmdca.net
SUMMARY:Western Eyes: 20th Century Art Here and Now
DESCRIPTION:Western Eyes: 20th Century Art Here and Now will explore regional developments of modernism including American realism\, Indigenous Modernism and Native American Art\, and Mexican Modernism. It will highlight Southwest Modernism\, and Modernist sculpture\, and display stylistic developments including Abstract Expressionism\, Minimalism\, and Pop. This exhibition illustrates how the museum’s collection is representative of these significant art historical moments and how the modern artists of New Mexico have always engaged with significant trends on a national and international level. \n  \nImage: Raymond Jonson\, Light\, 1917\, oil on canvas\, 44 1/2 × 41 1/4 in. Collection of the New Mexico Museum of Art. Gift of John Curtis Underwood\, 1925 (292.23P). Photo by Blair Clark.
URL:https://test-dca-mc.nmdca.net/dca-event/4908-western-eyes-20th-century-art-here-and-now/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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GEO:35.6878097;-105.9381003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Museum of Art- Plaza Building 107 West Palace Avenue Santa Fe NM 87501 United States;X-APPLE-RADIUS=500;X-TITLE=107 West Palace Avenue:geo:-105.9381003,35.6878097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220206
DTEND;VALUE=DATE:20230313
DTSTAMP:20260507T090009
CREATED:20220527T004729Z
LAST-MODIFIED:20230614T175142Z
UID:10001127-1644105600-1678665599@test-dca-mc.nmdca.net
SUMMARY:Painted Reflections Isomeric Design in Ancestral Pueblo Pottery
DESCRIPTION:Painted Reflections emphasizes the sophisticated aesthetic qualities of Pueblo art through the study of reversible optical illusions and ambiguous figure-ground relationships. \nBeginning around 900 AD\, Ancestral Pueblo artists began producing new designs on their ceramics—they painted pairs of motifs called isomers\, or equal forms. From a conventional perspective\, these works appear as painted motifs on unpainted backgrounds. But simultaneously\, they also appear as unpainted images on painted backdrops. The exhibition contextualizes isomeric design within larger artistic trends and trajectories\, bridging the gaps between art history\, anthropology\, and archaeology\, and includes examples of isomeric designs made by both ancestral and contemporary artists.  \nPainted Reflections is co-curated by Joseph Traugott\, Ph.D.\, retired curator at the New Mexico Museum of Art\, Antonio R. Chavarria (Santa Clara Pueblo)\, Curator of Ethnology at MIAC\, and Scott G. Ortman\, PhD\, Associate Professor of Anthropology at the University of Colorado—Boulder.  \nThe exhibition is based in-part on Painted Reflections: Isomeric design in Ancestral Pueblo Pottery\, a book written by the co-curators and published by the Museum of New Mexico Press in 2018. \n“The opening of Painted Reflections marks an important moment for MIAC. By presenting ancestral Pueblo pottery to the public in a fresh and nuanced way\, Dr. Traugott and his team is encouraging visitors to rethink what they think they know about Pueblo art\,” said Dr. Matthew Martinez\, Ph.D.\, MIAC’s interim executive director.
URL:https://test-dca-mc.nmdca.net/dca-event/4916-painted-reflections-isomeric-design-in-ancestral-pueblo-pottery/
LOCATION:Museum of Indian Arts and Culture\, 708-710 Camino Lejo\, Santa Fe\, NM\, 87557\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4916_1200.jpg
GEO:35.664337;-105.9252387
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Museum of Indian Arts and Culture 708-710 Camino Lejo Santa Fe NM 87557 United States;X-APPLE-RADIUS=500;X-TITLE=708-710 Camino Lejo:geo:-105.9252387,35.664337
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220204
DTEND;VALUE=DATE:20240205
DTSTAMP:20260507T090009
CREATED:20220205T005904Z
LAST-MODIFIED:20230614T175142Z
UID:10001129-1643932800-1707091199@test-dca-mc.nmdca.net
SUMMARY:Riding Herd with Billy the Kid The Rise of the Cattle Industry in New Mexico
DESCRIPTION:“Riding Herd with Billy the Kid: The Rise of the Cattle Industry in New Mexico” begins with the 1866 cattle drive along what would become the Goodnight-Loving Trail in eastern New Mexico and ends with the Lincoln County War in the late 1870s and its aftermath. \nWhile there are many facets to this story\, it is summed up in the exhibit’s introduction: Cattle made men money\, money made men powerful\, and power led men to use violence. Billy the Kid’s brief but violent career as a cowboy and hired gun occurred during the Lincoln County War\, a bitter feud over control of the state’s cattle industry. \n“Early on\, we saw this exhibit as a way to tell the very important story of the cattle industry in New Mexico\,” said the Museum’s History Curator\, Leah Tookey. “Because Billy the Kid and the Lincoln County War are two of the most interesting parts of New Mexico history\, and both are connected to the cattle industry\, we decided to use those stories to tell the bigger cattle industry story.” \nThroughout the exhibit are snippets about Billy the Kid and his connection to the overall story. “Our plan is to let Billy the Kid guide the visitor through this very important period of New Mexico history\,” said Tookey. \nThe open range period is part of the exhibit\, and other sections cover government beef contracts\, the military’s role\, prominent ranches\, and rustlers. \nThe exhibit features many objects\, large and small. The large is a chuck wagon. The small include artifacts excavated from the site of the 1878 McSween fire in Lincoln. In between are objects such as a rifle scabbard that belonged to John W. Poe\, a lawman who was with Sheriff Pat Garrett on the night Billy the Kid was killed; 13 weapons from the time period; Garrett’s branding iron; John Tunstall’s portable writing desk; and running irons used by cattle rustlers to alter brands. Various tools of the trade for a New Mexico cowboy also are part of the exhibit. \nLas Cruces artist Bob Diven created a life-sized sculpture of Billy the Kid for the exhibit\, and there are many historic photographs and maps. \nWhile the Kid rides front and center as the headliner in this story\, many other colorful characters also are featured\, including cattle kings\, a cattle queen\, merchants\, and cowboys who doubled as enforcers\, or “regulators.”
URL:https://test-dca-mc.nmdca.net/dca-event/4943-riding-herd-with-billy-the-kid-the-rise-of-the-cattle-industry-in-new-mexico/
LOCATION:New Mexico Farm and Ranch Heritage Museum\, 4100 Dripping Springs Road\, Las Cruces\, NM\, United States
CATEGORIES:Exhibition
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GEO:32.2970348;-106.7188683
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New Mexico Farm and Ranch Heritage Museum 4100 Dripping Springs Road Las Cruces NM United States;X-APPLE-RADIUS=500;X-TITLE=4100 Dripping Springs Road:geo:-106.7188683,32.2970348
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220129
DTEND;VALUE=DATE:20220523
DTSTAMP:20260507T090009
CREATED:20220112T030241Z
LAST-MODIFIED:20230614T175141Z
UID:10001125-1643414400-1653263999@test-dca-mc.nmdca.net
SUMMARY:Ansel Adams: Pure Photography
DESCRIPTION:Ansel Adams is one of the first names that springs to mind when people think about photography. This exhibition of sixteen prints from the museum’s collection\, augmented with two promised gifts\, concentrates on the photographs that Adams made around 1932\, before he became a household name. \nIn the late 1920s\, Adams shifted away from the soft-edged style of pictorialism\, prominent in the early twentieth century\, toward hard-edged modernism. In 1932\, he and several of his San Francisco Bay Area compatriots formed Group f/64 and issued a manifesto declaring their dedication to “pure photography.” For Adams\, that meant a commitment to the precision of the camera; use of glossy\, high-contrast photo paper; and visualization of the final image before releasing the shutter. \nAnsel Adams: Pure Photography includes close-up nature studies\, portraits\, and views of architecture Adams made during this formative time. A small selection of later photographs\, including two of his most iconic prints\, Aspens\, New Mexico and Moonrise\, Hernandez\, New Mexico. The artist’s hard work and ambition come to fruition in these later images\, illustrating how his work of the 1930s developed into the mature style for which he is internationally celebrated. \n  \nImage: Ansel Adams\, Leaves\, Stump\, Frost\, Yosemite Valley\, 1932\, gelatin silver print\, 7 3/16 × 9 1/4 in. Gift of Mrs. Margaret McKittrick\, 1968 (2229.23PH). © The Ansel Adams Publishing Rights Trust
URL:https://test-dca-mc.nmdca.net/dca-event/4876-ansel-adams-pure-photography/
LOCATION:New Mexico Museum of Art- Plaza Building\, 107 West Palace Avenue\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://test-dca-mc.nmdca.net/wp-content/uploads/2023/05/4876_1200.jpg
GEO:35.6878097;-105.9381003
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END:VEVENT
END:VCALENDAR